In this beautifully written and thoughtful book Wordsworth's biographer and editor Stephen Gill explores the ways in which the poet attempted as an artist to maintain continuities through all the stages of his life and shows how revisitings of various kinds are at the heart of his creativity.
In this book, Stephen Gill uses a large amount of anecdotal and biographical material to illustrate the various ways in which Wordsworth's reputation was diffused in the Victorian era.
An introduction to Wordsworth's greatest poem, its creation, historical context, structure and reception history. Stephen Gill places The Prelude in the context of Wordsworth's life, and discusses the various states in which it survives. He gives an account of each book of the 1805 poem, and provides detailed discussion of its blank verse and of the religious viewpoint of the whole. The final chapter is a survey of the work's scholarly and critical reception.
In this beautifully written and thoughtful book Wordsworth's biographer and editor Stephen Gill explores the ways in which the poet attempted as an artist to maintain continuities through all the stages of his life and shows how revisitings of various kinds are at the heart of his creativity.
Originally published in 1980, this is a study of the 'romanticism' of Coleridge and Wordsworth. Their concern with creativity, and the conditions that helped or hindered their own artistic development, produced a new concept of mental growth - a 'modern' view of the mind as organic, active, and unifying. In particular, we see how their aesthetics evolved from a personal and intuitional need to reaffirm 'value' in their own lives. Their discovery of the fundamental ambiguity of such intuition is discussed in relation to some ideas of Empson, Gombrich, and Ehrenzweig. As well as an essay in criticism, this is a contribution to the history of ideas, drawing together points in the background of philosophical and psychological theory from Hartley and Wesley to John Stuart Mill. Since many of our ideas about imagination, symbolism, and creativity are ultimately derived from Coleridge and Wordsworth, this is a book for students of romantic and modern literature.
Through an incisive analysis of the emerging debates surrounding urbanization in the Romantic period, together with close readings of poets including William Blake, William Wordsworth and Samuel Taylor Coleridge, Stephen Tedeschi explores the notion that the Romantic poets criticized the historical form that the process of urbanization had taken, rather than urbanization itself. The works of the Romantic poets are popularly considered in a rural context and often understood as hostile to urbanization - one of the most profound social transformations of the era. By focusing on the urban aspects of such writing, Tedeschi re-orientates the relationship between urbanization and English Romantic poetry to deliver a study that discovers how the Romantic poets examined not only the influence of urbanization on poetry but also how poetry might help to reshape the form that urbanization could take.
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