Fresh out of seminary, armed with confidence, qualifications, and what I thought was experience, I was ready for ministry opportunities. After all, I had just graduated from the oldest Catholic Seminary in the nation, the Saint Mary's Seminary in Baltimore, Maryland....as a Baptist. I had received my baptism, in water and in urban ministry, from the historic Ebenezer Baptist Church in Atlanta, Georgia - where the Rev. Dr. Martin Luther King, Jr. shared leadership with his dad. I was currently under the leadership and tutelage of Dr. Harold A. Carter, Sr., of the New Shiloh Baptist Church in Baltimore, a great evangelist in his own right. Inner-city ministry. - bring it on!God said, "I certainly will!" He then planted me in the number one drug trafficking block in the nation's capital. The task: start a church, clean up the block, and face all the challenges of surviving "in a wilderness."This wilderness was complete with one of the largest public housing facilities in the city, located directly across the street from the church, where over 90% of the residents were single mothers. Where men gathered in droves at the first of the month to confiscate the mother's checks. Where there was a thriving liquor store literally steps from the housing complex. Where unemployment was off the charts, drug dealing and addiction was visible and active, and where hopelessness abounded. A wilderness indeed!Initially, my comfort rested in the knowledge that many of God's greatest servants, including Jesus, spent some time in the wilderness - but only a short while. Little did I know that God had some "unusual episodes" prepared for me "in the wilderness" and that my stay would not be for "a short while." Unfortunately, they did not teach me how to handle these episodes in seminary!
Frantically caring for the victims of a terrible flood in Grant, Massachusetts, emergency room workers Susanna and Will worry about Sam, Kate, and Abby, who have been missing since a reckless flood party. Original.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From the all-star cast who brought you The Seven Deadly Virtues comes a book with a look at the good life... or the crazy-stressful-overwhelmed life... of a father. The Dadly Virtues is a tongue-in-cheek collection of encouragement and guidance for any stage of fatherhood, from pacifying babies to prepping for senior prom, from cutting the cord to getting the first, “Best Grandpa” t-shirt. P.J. O’Rourke sets the stage with the chapter, “What Do Men Get from Fatherhood? Besides What They Put In ...” and then is followed by: •Matthew Continetti’s, “Newborn Terror: The Moment You Realize that ‘Bundle of Joy’ Is a Euphemism for Something Very Different.” •Stephen F. Hayes’ “Siblings: The Best Gift You’ll Ever Give Your Kids.” •Jonah Goldberg’s “Get Your Kid a Dog: The Moral Case for Pets.” •Tucker Carlson’s “In Praise of Adventure: How to Fill a Child’s Life with Excitement and Danger (without Getting Them Killed).” •Michael Graham’s, “Dating: Enjoy the Movie and Please Keep the Impregnation to a Minimum.” •Christopher Caldwell’s “College: It’s Not as Bad as You Think; It’s Worse.” •Andrew Ferguson’s “Emerging Adults and Empty Nesters: Just When You Had Fatherhood All Figured Out.” •Toby Young’s “The Dark Side: Bad Parenting and the Things We Think, but Do Not Say.” •Joseph Epstein’s “Thanks, Grandpa: Grandfatherhood and the Spirit of the Age.” •And more. Father-to-be, two-time-dad, or granddad, each essay will make you laugh and, at the same time, reinforce your commitment to the virtuous—the dadly—life.
The Golden Fleece; Or, Jason in Colchis and Medea in Corinth. the Bee and the Orange Tree; Or, the Four Wishes. the Birds of Aristophanes. the Invisible Prince; Or, the Island Of
The Golden Fleece; Or, Jason in Colchis and Medea in Corinth. the Bee and the Orange Tree; Or, the Four Wishes. the Birds of Aristophanes. the Invisible Prince; Or, the Island Of
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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