The World… Seeped in magin power, the will of the world had been defeated by the fracturing of its lands and the feuding of its clans. When the people began to rekindle their faith in a unifying destiny, the world awoke from its fitful slumber. It's whisper creeped into the ocean of magic and touched its king. The King… Katrise Doolin had only been eleven when she first heard the call of the world. Marked with a symbol of power that had long been forgotten, she reclaimed the Emerald Throne and led her clan to claim the continent of Llandsbar. It was only the beginning of her reign and her problems were quickly compounding. The Destiny… Ten years later, to unify and free the clans, Katrise must displace the power of the Last Dukes. But lurking, ever-vigilant, in the background is a more sinister threat. The Mage Clans of Dark and Fire will summon magin power not seen in a thousand years. Old enemies will form uneasy alliances and Katrise will be forced to question the loyalty of everyone around her. Katrise has heard the call of the world and she must serve. But first, she must survive.
This book gives highlights of each season of the Church year. We look at the history, liturgy, spirituality, theology, scriptures, traditions, activities and questions for each season. There are thought provoking parts as well as very practical aspects to each season.
In Perilous Fight, Stephen Budiansky tells the rousing story of the U.S. Navy during the War of 1812, when an upstart American fleet fought off the legendary Royal Navy and established America as a world power for the first time. Through vivid re-creations of riveting and dramatic encounters at sea, Budiansky shows how this underdog coterie of seamen and their visionary secretary of the navy combined bravery and strategic brilliance to defeat the British, who had dominated the seas for more than two centuries. A gripping and essential hsitory, this is the military and political story of how the U.S. Navy became a permanent and essential part of the nation’s defense.
Right-wing evangelical Christianity has come to dominate American political and social life in recent years, dividing the country and sparking cultural and moral battles. High politics and low tactics frame a fierce debate which goes much further back in the country's history than the accession of George W. Bush in 2001. It's a battle that sears America's soul and affects the world. In this book Stephen Bates explains why what happens in the Bible Belt matters to us and how there are those who hope to export the battle to Britain. American fundamentalist religion has the potential to impact on crucial and acutely dangerous areas of the world. Its priorities are often arcane and sometimes weird. But it is already affecting American government policy at home and abroad: not least in Israel and the Middle East. How is religion affecting the current presidential elections and where will America's battle for its soul take the world next?
Celebrating the centenary of women legislators’ membership in the Arkansas General Assembly, Stateswomen shines a light on the women who have served as some of the state’s central decision makers. Drawing on documentary research and oral histories, Lindsley Armstrong Smith and Stephen A. Smith present lively, concise biographies for the nearly 150 women legislators who have served in the general assembly to date, chronicling their personal histories, volunteer work and social activism, and legislative victories. In a probing introduction, the authors examine the neglected role of women in Arkansas political history alongside the “long history of resistance to full citizenship rights for women in Arkansas”—demonstrating that political representation is essential for improving opportunities in the wider society. The first comprehensive study dedicated to these trailblazing Arkansas legislators, Stateswomen will surely inspire history buffs, community-minded citizens, and political hopefuls alike.
Many stirring words have been written about the heroic deeds of the officers and men of the U.S. Navy before, during and after the Civil War. But very little has been published about the naval constructors who built the warships that made their exploits possible. Of all of the Navy’s constructors from this era, none had more impact than John Lenthall (1807-1882). A native of Washington D.C. and the son of ambitious English parents, young Lenthall’s stellar rise through the ranks of naval constructors soon led to his appointment as the chief of the Bureau of Construction, Equipment and Repairs. Now the U.S. government’s highest-ranking naval architect, John Lenthall was in charge of designing and constructing the nation’s warships. The magnificent Merrimack class steam frigates were one of his first achievements. His stance early in the Civil War on ironclads and coolness toward John Ericsson have been consistently misunderstood—Lenthall accepted the Navy’s need for armored warships but objected to a fleet of only brown water-capable monitors. When he retired in 1871, he had been bureau chief for over seventeen years and responsible for the building of nearly all the Navy’s ships during an era of unprecedented technological evolution. 'John Lenthall: The Life of a Naval Constructor' is thoroughly documented with previously untapped primary archival source material from Philadelphia’s Independence Seaport Museum and the Franklin Institute, and the U.S. Naval Academy Museum. 'John Lenthall' is written by a historian and naval architect who can clearly explain the nuances of ship design. The author’s treatment of Lenthall and the legacy of his fellow constructors brings to life a previously untold chronicle of American ingenuity and achievement.
The New York Times called Stephen Sondheim "the greatest and perhaps best known artist in the American musical theater," while two months earlier, the same paper referred to his contemporary, Andrew Lloyd-Webber as "the most commercially successful composer in history." Whatever their individual achievements might be, it is agreed by most critics that these two colossi have dominated world musical theater for the last quarter century and hold the key to the direction the musical stage will take in the future. Here in the third volume of Stephen Citron's distinguished series The Great Songwriters--in depth studies that illuminated the musical contributions, careers, and lives of Noel Coward and Cole Porter (Noel & Cole: The Sophisticates), and Oscar Hammerstein 2nd and Alan Jay Lerner, (The Wordsmiths)--this eminent musicologist has taken on our two leading contemporary contributors to the lyric stage. His aim has not been to compare or judge one's merits over the other, but to make the reader discover through their works and those of their contemporaries, the changes and path of that glorious artform we call Musical Theater. In his quest, Citron offers unique insight into each artist's working methods, analyzing their scores--including their early works and works-in-progress. As in Citron's previously critically acclaimed books in this series, great significance is given to the impact their youthful training and private lives have had upon their amazing creative output. Beginning with Sondheim's lyrics-only works, West Side Story, Gypsy, Do I Hear A Waltz? through his scores for Saturday Night, Company, Anyone Can Whistle, Follies, Pacific Overtures, A Little Night Music, Sweeney Todd, Merrily We Roll Along, Sunday In the Park, Into the Woods, Assassins, and Passion, all these milestones of musical theater have been explored. Lloyd-Webber's musical contribution from his early works, The Likes of Us and Joseph to Jesus Christ Superstar, Evita, Cats, Starlight Express, Aspects of Love, By Jeeves, The Phantom of the Opera, Song & Dance, Mass, Sunset Boulevard to Whistle Down the Wind are also thoroughly analyzed. The works of these two splendid artists are clarified for the casual or professional reader in context with their contemporaries. Complete with a quadruple chronology (Sondheim, Lloyd-Webber, US Theater, British Theater), copious quotations from their works, and many never before published illustrations, the future of the artform that is the crowning achievement of the 20th century is made eminently clear in this book. Sondheim & Lloyd-Webber is a must-read for anyone interested in the contemporary theater.
CEO Robert "Griff" Vandergrift's life-his careful, well-constructed life-is slowly beginning to unravel. His relationship with his fiancee is in the toilet and his trucking company's financial position is in jeopardy. As Griff and his business partner, Ron Bowman, fly out in a Beech Baron from California to Arizona to meet Bud Applebaum, another shareholder who now owns ten percent of the business, both are deeply concerned about the future of their company. Both, fed up with Bud's lack of straight answers and outright lies, barely make it to Tucson after their twin-engine airplane succumbs to mysterious mechanical problems. Determined to get to the bottom of their company's financial mess, Griff and Ron soon discover that Applebaum has been unscrupulous in his business dealings. Suddenly, two middle-aged, honest, and successful business owners unknowingly find themselves in the midst of a drug war waging on the border between Mexico and America, Mafia dealings, and an FBI sting. With their lives in peril, unexpected twists and turns lead Griff and Ron to a surprise ending and a new adventure.
The first book to explore the life and extraordinary work of the legendary moviemaker who directed Singin' in the Rain, On the Town, and Funny Face, from the author of David Lean ("Silverman has captured one of the world's truly great filmmakers"—Billy Wilder). Stanley Donen is the man who forever changed the Hollywood musical, moving it away from the Busby Berkeley extravagance to a felt integration of the songs and dances. He is also the man who helped shape the sophisticated romance exemplified by Indiscreet and Charade. The author, with Donen's cooperation, has brilliantly revealed Donen's fifty-year career—first in the theater, next in Hollywood, and then abroad. We see Donen's collaborations with Fred Astaire, Cary Grant, Gene Kelly, and Frank Sinatra. And we see his work with Rodgers and Hart, Alan Lerner, Comden and Green, Roger Edens, Arthur Freed, Michael Kidd, and Bob Fosse. We watch Donen growing up in the South in the 1930s, seeking refuse at movies, watching Fred Astaire dance on the screen, and forever changed by it. And then at sixteen, fleeing to New York, where he lands his first job in the chorus of the groundbreaking musical Pal Joey, directed by George Abbott, starring Gene Kelly...and appearing next in Best Foot Forward. We follow Donen west to MGM (first he was a chorus boy, then assistant choreographer)...next embellishing Anchors Aweigh, dreaming up the almost technically impossible notion of having its star, Gene Kelly, dance with a cartoon character, Jerry the Mouse...and in the next decade making one great musical after another. We hear Donen's recollections of life and work on the sets of Singin' in the Rain, Royal Wedding, Funny Face, Seven Brides for Seven Brothers, On the Town, The Pajama Game, Indiscreet, Charade, Two for the Road, Arabesque, Bedazzled, and other movies he directed. We see him through the eyes of more than one hundred of his contemporaries whom, in addition to Donen himself, Silverman has interviewed at length, from Kay Thompson and Billy Wilder to Deborah Kerr, Audrey Hepburn, Debbie Reynods, Gregory Peck, and Cyd Charisse. Dancing on the Ceiling gives, close up, a great director and a lost Hollywood on whose silver screen wit and charm abounded.
In 1982, Ronald Reagan invited Lenny Skutnick-the government employee who dove into the icy waters of the Potomac River to rescue passengers following the crash of Air Florida Flight 90-to sit with First Lady Nancy Reagan in the House of Representatives balcony during the State of the Union address. Since that time, presidents have found it useful during major addresses to recognize ordinary citizens responsible for extraordinary acts of citizenship. In this book, Stephen Frantzich tells the fascinating stories of forty of the heroes who have earned this presidential recognition and explores the larger context of whether they represent a presidential gimmick or a touchstone with the American spirit. Taken together, the stories of how they got there, their decision to allow themselves to be used as symbols, and the impact of the recognition tells a great deal about the presidency, politics, and the role of heroes in American society.
The continued history of Beaufort County, South Carolina, during and following the Civil War In Rebellion, Reconstruction, and Redemption, 1861-1893, the second of three volumes on the history of Beaufort County, Stephen R. Wise and Lawrence S. Rowland offer details about the district from 1861 to 1893, which influenced the development of the South Carolina and the nation. During a span of thirty years the region was transformed by the crucible of war from a wealthy, slave-based white oligarchy to a county where former slaves dominated a new, radically democratic political economy. This volume begins where volume I concluded, the November 1861 Union capture and occupation of the Sea Islands clustered around Port Royal Sound, and the Confederate retreat and re-entrenchment on Beaufort District's mainland, where they fended off federal attacks for three and a half years and vainly attempted to maintain their pre-war life. In addition to chronicling numerous military actions that revolutionized warfare, Wise and Rowland offer an original, sophisticated study of the famous Port Royal Experiment in which United States military officers, government officials, civilian northerners, African American soldiers, and liberated slaves transformed the Union-occupied corner of the Palmetto State into a laboratory for liberty and a working model of the post-Civil War New South. The revolution wrought by Union victory and the political and social Reconstruction of South Carolina was followed by a counterrevolution called Redemption, the organized campaign of Southern whites, defeated in the war, to regain supremacy over African Americans. While former slave-owning, anti-black "Redeemers" took control of mainland Beaufort County, they were thwarted on the Sea Islands, where African Americans retained power and kept reaction at bay. By 1893, elements of both the New and Old South coexisted uneasily side by side as the old Beaufort District was divided into Beaufort and Hampton counties. The Democratic mainland reverted to an agricultural-based economy while the Republican Sea Islands and the town of Beaufort underwent an economic boom based on the phosphate mining industry and the new commercial port in the lowcountry town of Port Royal.
In the third volume of Citron's distinguished series "The Great Songwriters", the eminent musicologist has taken on the glorious dual biography of two giants of the modern musical. Includes an exploration of such milestones as Sondheim's lyrics for "West Side Story" and "Gypsy" and Lloyd-Webber's contributions from "Jesus Christ Superstar" to "Whistle Down the Wind".
ONE OF THE NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • Titled after perhaps Stephen Sondheim's most autobiographical song, from Sunday in the Park with George—Finishing the Hat not only collects his lyrics for the first time, it offers readers a rare personal look into his life as well as his remarkable productions. Stephen Sondheim’s career spanned more than half a century; his lyrics are synonymous with musical theater and popular culture. Sondheim—the winner of seven Tonys, an Academy Award, seven Grammys, a Pulitzer Prize and more—treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day, along with the lyrics for all of his musicals from 1954 to 1981, including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes—filled with history, pointed observations and intimate details—transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come. Accompanying Sondheim’s sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter’s personal collection. Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart’s Act One and Arthur Miller’s Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume.
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