John Henry Newman and the Development of Doctrine provides an analysis of the attempts by John Henry Newman to account for the historical reality of doctrinal change within Christianity in the light of his lasting conviction that the idea of Christianity is fixed by reference to the dogmatic content of the deposit of faith. It argues that Newman proposed a series of hypotheses to account for the apparent contradiction between change and continuity, that this series begins much earlier than is generally recognized and that the final hypothesis he was to propose, contained in An Essay on the Development of Christian Doctrine, provides a methodology of lasting theological value and contemporary relevance. Stephen Morgan establishes the centrality of the problem of change and continuity in theology, to Newman's theological work as an Anglican, its part in his conversion to Catholicism and its contemporary relevance to Catholic theology. It also surveys the major secondary literature relating to the question, with particular reference to those works published within the last fifty years. Additionally, Morgan considers the legacy of the Essay as a tool in Newman’s theology and in the work of later theologians, finally suggesting that it may offer a useful methodological contribution to the contemporary Catholic debate about hermeneutical approaches to the Second Vatican Council and post-conciliar developments in doctrine.
Walter Pater and Persons investigates the vital concept of the Person in the work of Walter Pater, a major influence on late nineteenth- and early twentieth-century literature. Stephen Cheeke explores the intersections of the person, persona, and personality in Pater's work; re-examines arguments about his famously personal prose style; traces Pater's ambivalent fascination with impersonality and asceticism; considers the poetics of personification in his writings about Greek myth and religion, in the divine logos of early Christianity, and in the theory of Platonic Universals; and explores his fascination with metempsychosis (the many persons through whom the individual soul transmigrates). Cheeke also explores the networks in which Pater was interpreted and misinterpreted by different persons and personalities, such as Oscar Wilde, Arthur Symons, and W.B Yeats. Their (mis)readings of Pater, and rebellions against his work from Decadent, antinomian, and 'mystical' perspectives, reveal the ways in which Pater's writing had always been in a critical dialogue with its own thinking, as well as a prescient one in relation to his reception. The philosophical question of 'what is a person?'--a crucial one for the nineteenth century, and with an increasing urgency in our own times--is illuminated throughout this work.
In The Legend of the Anti-Christ, Stephen Vicchio offers a concise and historical approach to the history of the idea of the Anti-Christ, including precursors to the idea, the development of the idea in the New Testament, as well as the understandings of the legend of the Anti-Christ in the history of Christianity. Vicchio also raises the question of why there is so much emphasis in the modern world about the idea.
A rich biography of one of the most important cultural figures of the ‘50s, ‘60s and ‘70s—maverick television producer and talk show host David Susskind A flamboyant impresario who began his career as an agent, David Susskind helped define a fledgling television industry. He was a provocateur who fought to bring high-toned literary works to TV. His series East Side/West Side and N.Y.P.D. broke the color barrier in casting and brought gritty, urban realism to prime time. He indulged his passion for issues and ideas with his long running discussion program, first called Open End and then The David Susskind Show, where guests could come from The White House one week and a whore house the next. The groundbreaking program made news year in and year out. His legendary live interview with Nikita Khrushchev at the height of the Cold War inflamed both the political and media establishments. Susskind was an enfant terrible whose life—both on and off the screen—makes fascinating reading. His rough edges, appetite for women, and scorn for the business side of his profession often left his own career hanging by a thread. Through extensive original reporting and deep access to David Susskind's personal papers, family members and former associates, Stephen Battaglio creates a vivid portrait of a go-go era in American media. David Susskind is as much a biography of an expansive and glamorous time in the television business as it is the life of one of its most colorful and important players.
Kniha se zabývá texty z anglicky psaných literatur, které svým způsobem zpochybňují fiktivní, osobní či akademické žánrové konvence ve vztahu k literární auto/biografii, a spíše upozorňují na mnohoznačnost způsobů psaní o životě a konstruování subjektivity. Každá ze čtyř kapitol zkoumá specifický typ transgresivní auto/biografie: pastorální biografii v dílech Petera Ackroyda, Johna Bergera a Paula Cartera; kolaborativní auto/biografie domorodých obyvatel v Austrálii v textech Kima Scotta a Hazel Brown a Rity a Jackie Hugginsových; beletrizované autobiografie A. Newmana a Forresta Reeda; a bioregionální biografie Emily Carrové a Emmy Bell Milesové.
Increasing numbers of young adults go to university. This book explores contemporary understandings of what universities are for, what impact they might be having on their students, and what visions of life and society are driving them. It criticises a narrow view of higher education which focuses on serving the economy. It argues that, for the sake of the common and individual good, universities need to be about forming citizens and societies as well as being an economic resource. It does so in the light of theological perspectives mainly from the Christian but also from the Muslim faith, and has a global as well as a British perspective. It brings together key thinkers in theology and higher education policy - including Rowan Williams, David Ford, Mike Higton, and Peter Scott - to present a unique perspective on institutions which help shape the lives of millions.
Several decades after his last motion picture was produced, Alfred Hitchcock is still regarded by critics and fans alike as one of the masters of cinema. From silents of the 1920s to his final feature in 1976, the director’s many films continue to entertain audiences and inspire filmmakers. In The Alfred Hitchcock Encyclopedia, film critic Stephen Whitty provides a detailed overview of the director's work. This reference volume features in-depth critical entries on each of his major films as well as biographical essays on his most frequent collaborators and discussions of significant themes in his work. For this book, Whitty draws on primary-source materials such as interviews he conducted with associates of the director—including screenwriter Jay Presson Allen (Marnie), actresses Eva Marie Saint (North by Northwest) and Kim Novak (Vertigo), actor Farley Granger (Strangers on a Train), actor and producer Norman Lloyd (Saboteur), and Hitchcock’s daughter Patricia (Stage Fright; Psycho)—among others. Encompassing the entire range of the director’s career—from early influences and silent films to his decade-long television show and cameos in nearly every feature—this is a comprehensive overview of cinema’s ultimate showman. A detailed and lively look at the master of suspense, The Alfred Hitchcock Encyclopedia will be of interest to professors, students, and the many fans of the director’s work.
What did CBS and ABC not know about Steve Fleischman during his thirty years in network news and why did they not know it? In A Red in the House, Stephen Fleischman tells of the political landmines in the mainstream media that marked the Cold War era. "Although the Communist Party disintegrated out from under me in the mid-1950s, I found Marxism a valuable tool for analyzing the political and economic world around me. During those thirty years, I worked with the best in mainstream broadcast journalism-Walter Cronkite, Ed Murrow, Fred Friendly, Dan Rather, Howard K. Smith, Eric Sevareid, Peter Jennings, Charles Kuralt, Harry Reasoner, Roone Arledge, Bill Redeker, Brit Hume, and more." -Stephen Fleischman A Red in the House is replete with anecdotes and sidebar stories relating to the inner conflicts in the making of the TV news documentary. A Red in the House portrays a graphic picture of how the mainstream media arrived at the sorry state it's in today. With five corporate media giants controlling most of what we see, hear and read, this story is even more relevant today.
Gerontius is about Cardinal Newman, his close relationship with his friend and collaborator, Father Ambrose St John, and the recent controversy about whether the two bodies, buried together at Newman's express wish, should be separated as part of Newman's progress to beatification. Winner of the 2012 Tinniswood Award for best radio drama script broadcast in 2010. The judges said: "Wyatt has already won one Tinniswood Award, and we had no doubt that the outstanding fluidity and intelligence of Gerontius, the haunting near-perfection of it, could warrant a second. [...] It has remarkable spiritual depth - sadly all to rare in contemporary drama - and a consistent subtlety of writing.
Understanding how theory informs social work practice is an area that students can often find challenging. This book will help students understand how theory impacts and informs social work practice across a range of contexts and with different service user groups. It starts off by briefly setting the context, introducing students to the importance of social work theory and its development over the years, before moving on to look at different types of theory across 17 tightly structured chapters. These cover a range of psychological theories, sociological theories, ethics and moral philosophies, political theories and ideologies, and organisational theories.
In this third of a three-volume work, the author traces the interpretation of the book of Job from the Authorized Version of the Bible (King James Version) through philosophers of the seventeenth, eighteenth, and nineteenth centuries. He also covers Job in the literature of the Romantics, Blake, Melville, and Dostoyevsky. As appendices, he treats Job in Geography (Uz), Job and Zoology (Behemoth and Leviathan), and Job in Film. Volume 1: Job in the Ancient World Volume 2: Job in the Medieval World Volume 3: Job in the Modern World
The first critical biography of the innovative television writer whose off-kilter creations helped spark the Golden Age of modern television. TV writer Dennis Potter is widely credited with revolutionizing television. The innovative shows he created for the BBC, including The Singing Detective and Pennies from Heaven, trailblazed new paths for genre-bending entertainment and demonstrated the creative possibilities of episodic television. Potter also adapted both of those shows into critically acclaimed major motion pictures: Pennies from Heaven starring Steve Martin, and The Singing Detective starring Robert Downey Jr. In The Life and Work of Dennis Potter, W. Stephen Gilbert analyzes Potter’s impressive body of work, emphasizing the dramatic interplay between his life and the medium he loved. At the age of twenty-four, Potter was diagnosed with psoriatic arthopathy, a rare debilitating skin disease whose horrors he portrayed with biting black humor through his alter ego, the character Michael Gambon in The Singing Detective. Gilber traces Potter’s career from its beginnings to his astonishing final interview to Melvyn Bragg, weeks before his death. Unforgettable for its honesty about life, work, and dying, the result was yet another gripping piece of television—and quintessential Dennis Potter. “[T]he late dramatist’s influence can be seen in many places, from Twin Peaks to Mrs. Brown’s Boys.” —The Guardian “Gilbert recalls the lacerating wit, passionate intelligence, and courage behind the television playwright responsible for The Singing Detective and Pennies from Heaven.” —Vanity Fair
When you're around him, you feel like a bit of a disciple.a There are a few people in this world who revealed something that was important to know.a People like Jacques Cousteau.a He showed you the world beneath the sea and he made you fall in love with it.a This is what Morley did with birds of prey.a Roy Disney.
Recounts the 1782 shipwreck of one of the East India Company's most prestigious ships, describing how ninety-one crew members and thirty-four wealthy passengers found themselves stranded on the unexplored coast of southeast Africa.
The raid on St Nazaire has gone down in history as one of the most daring commando raids of all time. Given the code name of Operation Chariot, it took place in the early hours of Saturday, 28 March 1942, and was a joint undertaking by the Royal Navy and British Commando units. The port at St Nazaire, which sits on the Loire estuary and the Atlantic Ocean, has a dry dock that was capable of accommodating some of Germany’s biggest naval vessels, such as the Bismarck, or the Tirpitz. By putting the port out of action, any repairs or maintenance work that needed to be carried out would instead have to be undertaken back home at the German port of Bremerhaven. To do this, the German vessels would either have to navigate the waters of the English Channel or the North Sea, with both journeys potentially bringing them to the attention of the Home Fleet of the Royal Navy. A raiding force of 612 officers and men were assembled and dispatched from Falmouth to carry out the raid, sailing on board the obsolete British destroyer HMS Campbeltown, along with 18 Motor Launches. The idea was to ram the destroyer in to the outer gates of the dry dock at St Nazaire and put it out of action for as long as possible. The raid was a success, but came at a price: of those who set out, 169 were killed whilst a further 215 were captured. Only 3 Motor Launches and 228 men escaped and made the return journey back to the UK. Many brave men gave it their all during the action at St Nazaire, to such an extent that 89 of those who took part in the raid were awarded decorations for bravery, including 5 who were awarded the Victoria Cross.
Here it is: the first-time look at the remarkable American multinational mass media empire and its century of entertainment—the story of Twentieth Century Fox (1915–2015). Or, to borrow the title of a classic 1959 Fox film, The Best of Everything. This is the complete revelatory story—bookended by empire builders William Fox and Rupert Murdoch—aimed as both a grand, entertaining, nostalgic and picture-filled interactive read and the ultimate guide to all things Twentieth Century Fox. The controversies and scandals are here, as are the extraordinary achievements. Among other firsts, the book offers fun tours of its historic production and ranch facilities including never-before-told stories about its stars and creative personalities (Marilyn Monroe, Elvis Presley, James Dean, and Shirley Temple got started there). Finally, it is the first such work approved by the company and utilizing its own unique resources. The authors primarily tell a celebratory tale, but most importantly, an accurate one.
A darker twist on Orange is the New Black, this true insider's account delivers an eye-opening look into the nation’s largest state-run forensic hospital, a facility that houses the real-life Hannibal Lecters of the world. Psychiatrist Stephen Seager was no stranger to locked psych wards when he accepted a job at California’s Gorman State hospital, known locally as “Gomorrah,” but nothing could have prepared him for what he encountered when he stepped through its gates, a triple sally port behind the twenty-foot walls topped with shining coils of razor wire. Gorman State is one of the nation’s largest forensic mental hospitals, dedicated to treating the criminally insane. Unit C, where Seager was assigned, was reserved for the “bad actors,” the mass murderers, serial killers, and the real-life Hannibal Lecters of the world. Against a backdrop of surreal beauty—a verdant campus-like setting where peacocks strolled the grounds—is a place of remarkable violence, a place where a small staff of clinicians are expected to manage a volatile population of prison-hardened ex-cons, where lone therapists lead sharing circles with sociopaths, where an illicit underground economy flourishes, and where patients and physicians often measure their lives according to how fast they can run. To cross through the gates of Gomorrah is to enter a looking-glass world, where the trappings of the normal calendar year exist—Halloween dances and Christmas parties (complete with visits from Santa), springtime softball teams and basketball leagues, but marked with paroxysms of brutality (Santa goes berserk), and peopled by figures from our nightmares. Behind the Gates of Gomorrah affords an eye-opening look inside a facility to which few people have ever had access. Honest, rueful, and at times darkly funny, Seager’s gripping account of his rookie year blends memoir with a narrative science, explaining both the aberrant mind and his own, at times incomprehensible, determination to remain in a job with a perilously steep learning curve.
A “beautiful, inspiring, and important” (Professor Muhammad Yunus, Nobel Prize Laureate) final book from the legendary leadership expert, Stephen R. Covey, internationally bestselling author of the classic The 7 Habits of Highly Effective People. Stephen R. Covey spent his long and storied career inspiring millions of individuals to make their lives more effective, compassionate, and meaningful. Near the end of his life, Covey felt there was a final component to his work: How do you live your best life no matter your age? Live Life in Crescendo is Covey’s directive to live life in crescendo, meaning to continually grow in contribution, learning, and influence. In the same way that music builds on previous notes but leaves us anticipating the next note, a life builds on the past but unfolds in the future. The Crescendo Mentality urges you to use whatever you have—your time, talents, skills, resources, gifts, passion, money, influence—to enrich the lives of people around you, including your family, neighborhood, community, and the world. Cowritten with his daughter, Cynthia Covey Haller, and published posthumously, Live Life in Crescendo is a life-changing and life-affirming book that will “inspire you to dream bigger and bolder” (Adam Grant, #1 New York Times bestselling author of Think Again) and befits the generosity and wisdom of the late Stephen R. Covey.
Canada has become a leader among the modern nations of the world. It has emerged as a modern industrial nation, and as a key player in the resource, commodities, and financial institutions that make up today’s world. This third edition of the Historical Dictionary of Canada contains a chronology, an introduction, and an extensive bibliography. It includes over 700 cross-referenced entries on a wide range of topics, covering the broad sweep of Canadian history from long before European contact until present day. Topics include Indigenous peoples, women, religion, regions, politics, international affairs, arts and culture, the environment, the economy, language, and war. This is an excellent resource for students, researchers, and anyone wanting to know more about Canada. It introduces readers to the successes and failures, the conflicts and accommodations, the events and trends that have shaped Canadian history.
Underworld: n. 1. the part of society comprising those who live by organized crime and immorality. 2. the mythical abode of the dead under the earth. Take a walk on the dark side of the street in this unique exploration of the fears and desires at the heart of the British Empire, from the Regency dandy’s playground to the grim and gothic labyrinths of the Victorian city. Enter a world of gin spinners, sneaksmen and Covent Garden nuns, where bare-knuckled boxers slog it out for dozens of rounds, children are worth more dead than alive, and the Thames holds more bodies than the Ganges. This is the Modern Babylon, a place of brutal poverty, violent crime, strong drink, pornography and prostitution; of low neighborhoods and crooked houses with windows out like broken teeth, wraithlike urchins with haunted eyes, desperate, ruthless and vicious men, and the broken remnants of once fine girls: a grey, bleak, infernal place, where gaslights fail to pierce the pestilential fog, and coppers travel in pairs, if they venture there at all. Combining the accessibility of a popular history with original research, this book brings the denizens of this vanished world once more to life, along with the voices of those who sought to exploit, imprison or save them, or to simply report back from this alien landscape that both fascinated and appalled: the politicians, the reformers, the journalists and, above all, the storytellers, from literary novelists to purveyors of penny dreadfuls. Welcome to the 19th century underworld…
In Wit's Treasury, Stephen Orgel, one of our foremost interpreters of Renaissance literature and culture, charts how the conflict between Christian principles and classical manners and morals yielded the rich creative tension out of which emerged an unprecedented flowering of English drama, lyric, and the arts.
Patrick Neison Lynch, born in a small town in Ireland, became the third Roman Catholic bishop of the Diocese of Charleston, South Carolina. Lynch is remembered today mostly for his support of the Confederacy, his unofficial diplomatic mission to the Vatican on behalf of the Confederate cause, and for his ownership and management of slaves owned by the Catholic diocese. In the first biography of Lynch, David C. R. Heisser and Stephen J. White, Sr. investigate those controversial issues in Lynch's life, but they also illuminate his intellectual character and his labors as bishop of Charleston in the critical era of the state and nation's religious history. For, during the nineteenth century, Catholics both assimilated into South Carolina's predominantly Protestant society and preserved their own faith and practices. A native of Ireland, Lynch immigrated with his family to the town of Cheraw when he was a boy. At the age of twelve, he became a protégé of John England, the founding bishop of the diocese of Charleston. After studying at the seminary England founded in Charleston, Bishop England sent Lynch to prepare for the priesthood in Rome. The young man returned an accomplished scholar and became an integral part of Charleston's intellectual environment. He served as parish priest, editor of a national religious newspaper, instructor in a seminary, and active member of nearly every literary, scientific, philosophical society in Charleston. Just three years before the outbreak of the Civil War Lynch rose to the position of Bishop of Charleston. During the war he distinguished himself in service to his city, state, and the Confederate cause, culminating in his "not-so-secret" mission to Rome on behalf of Jefferson Davis's government. Upon Lynch's return, which was accomplished only after a pardon from U. S. President Andrew Johnson, he dedicated himself to rebuilding his battered diocese and retiring an enormous debt that had resulted from the conflagration of 1861, which destroyed the Cathedral of St. John and St. Finbar, and wartime destruction in Charleston, Columbia, and throughout the state. Lynch executed plans to assimilate newly freed slaves into the Catholic Church and to welcome Catholic immigrants from Europe and the northern states. Traveling throughout the eastern United States he gave lectures to religious and secular organizations, presided over dedications of new churches, and gave sermons at consecrations of bishops and installations of cardinals, all the while begging for contributions to rebuild his diocese. Upon his death, Lynch was celebrated throughout his city, state and nation for his generosity of spirit, intellectual attainments, and dedication to his holy church.
First published in 1986, Stephen Prickett's Words and the 'Word' has had a major impact among scholars of literature and literary theory as well as among theologians and biblical critics. In this highly-acclaimed book Prickett pursues the question of the relationship between religion and poetics, and in particular the nature of religious language, investigating the hermeneutic, epistemological and linguistic reverberations of eighteenth, nineteenth, and twentieth-century theories of biblical interpretation.
When Dave Garroway welcomed viewers to Today on that day in 1952, he ushered in a new era in broadcasting. . . . It was a place where viewers could turn to each morning to satisfy their appetite for all things news and information. It was a destination for the curious to learn more about what had happened overnight and how the day ahead might shape up. And they would see and hear it all from the best storytellers in broadcasting." -- from the foreword Throughout the history of television there has been nothing quite like NBC's Today. Ever since the brilliant and innovative TV network executive Pat Weaver conceived the idea of broadcasting a "national newspaper of the air," Today has chronicled the triumphs and tragedies of our times through personalities that viewers have trusted and admired. With dozens of never-before-published photographs, From Yesterday to TODAY offers an insightful and entertaining history of America's favorite morning show from its experimental beginnings with Dave Garroway and a chimpanzee named J. Fred Muggs to its enduring success in the 21st century with co-anchors Matt Lauer and Ann Curry. Through personal recollections from Today family members such as Barbara Walters, Tom Brokaw, Jane Pauley, Bryant Gumbel, Katie Couric, Willard Scott, Matt Lauer, Al Roker, Meredith Vieira, and Ann Curry From Yesterday to TODAY will take you on the unique journey traveled by those who reported the news, reflected on cultural trends and provided comfort to a nation of viewers often before they have had that first cup of coffee. For more than sixty years, Today has delivered the public their first glimpse at the new ideas, political leaders, and social upheaval that shaped our lives. It has remained a constant in a dynamic medium that evolved from grainy black-and-white images to the computer screen. It has reminded us of the joy of living and why it is worth getting up each day.
The SCM Studyguide to Anglicanism offers a comprehensive introduction to the many different facets of Anglicanism. Aimed at students preparing for ministry, it presumes no prior knowledge of the subject and offers helpful overviews of Anglican history, liturgy, theology, Canon Law, mission and global Anglicanism. As well as offering updated and improved lists of further reading, this second edition brings a greater emphasis on worldwide expressions of Anglicanism, with more examples taken from Asian and African contexts, and a brand new section which considers the rise of the global communion alongside issues of inculturation and indigenisation.
Paul Elmer More was one of the leaders of the New Humanism, the most important critical movement in the United States during the first decades of this century. It was a wide-ranging moral approach to literary and cultural criticism that laid the intellectual foundation for American conservatism. Though eclipsed in the realm of critical fashions by more exclusively aesthetic approaches, the moral approach retains its appeal among general readers, and More has remained known and respected among those concerned with literature as an expression of ideas and values, as a criticism of life. Seriously considered for the Nobel Prize on two occasions, More wrote over a dozen volumes of literary criticism, which Robert Spiller, in the Literary History of the United States, calls "the utmost ambitious and often the most penetrating body of judicial literary criticism in our literature." Among those who have praised More's brilliant and comprehensive mind is T. S. Eliot, who in acknowledging his indebtedness to More referred to him as "one of the two wisest men I have known." Focusing on the continuity of More's literary criticism, Stephen L. Tanner has performed the useful service of distilling from More's diverse and prolific literary essays the characteristic principles that determined his literary judgments. Chief among these principles is a concept of dualism that views each individual as being subject to the opposing forces of "passion of the moment and the eternal law above and within." This concept is the anchor point of More's probing critique of the excessive and dehumanizing forms of romanticism, naturalism, humanitarianism, scientism, and rationalism. And it accounts for his forceful advocacy of the "inner check" and the "law of measure.
Hang on, it's a hell of a ride! From the band that lived by the motto "Anything worth doing was worth overdoing" -- Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford, and Joey Kramer -- comes a quarter century of rock godhood: the life, the music, the truth, the hell, the lost years, and the raunchy, unsafe sex. And, of course, the drugs. But after crashing in a suffocating cloud of cocaine, crystal meth, and heroin, Aerosmith rose up from the ashes to become clean and sober -- and reclaim their rightful title as World Champion Rockers. Learn how they did it in a book that is pure Aerosmith unbound: where they came from, what they are now, and what they will always be -- a great American band.
This is a comprehensive ticket to learning more about every aspect of the late-night comedy staple and its storied history." - Library Journal Television history was made on October 11, 1975, when a new generation of young performers welcomed America to the first episode of a new late-night comedy and variety show. Combining cutting-edge humor with a satirical sensibility, Saturday Night Live would go on to become the longest-running series of its kind in television history, shining a light on pop culture as well as contemporary social and political issues. It also became a launching pad for many of the leading comedy performers of the last five decades, including John Belushi, Bill Murray, Gilda Radner, Eddie Murphy, Phil Hartman, Will Ferrell, Tina Fey, Amy Poehler, Seth Meyers, Jimmy Fallon, Maya Rudolph, and Kate McKinnon Celebrating the show’s record-breaking 50 years on the air, The SNL Companion is a fun, fact-filled tribute to a television institution. From the show’s creation by Lorne Michaels through all of the seasons leading up to its golden anniversary, it provides an in-depth look at SNL’s comedic highlights and nadirs, its memorable hosts and musical guests, and its many controversies. Along with a complete episode guide, it explores the characters, sketches, politics, catchphrases, commercial parodies, and viral shorts that have made it a leader in American comedy for over five decades. Vastly revised, updated, and expanded since its original publication in 2013 and packed with photographs and rich encyclopedic detail, The SNL Companion is a one-stop resource for all things SNL.
“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin
The latest volume in Oxford's new edition of Selected Writings of James Fitzjames Stephen, this volume brings together thirty-five essays expressing Stephen's views on the questions of his day, which have not lost their interest in ours.
Christian Theology: The Classics is a vibrant introduction to the most important works of theology in the history of Christian thought. Exploring writings from the origins of Christianity to the present day, it examines some of the most influential theologians of all time, considering the context in which they were writing and the lasting significance of their work. Covering thirty-one theological classics such as: • Augustine of Hippo, On the Trinity • Martin Luther, Commentary on Galatians • John Calvin, The Institutes of The Christian Religion • Jonathan Edwards, Religious Affections • St Thomas Aquinas, Summa Theologiae With a glossary and outlines of the key criticisms of each text, this book is the perfect starting point for anyone interested in Theology and the history of Christian thought.
Both a historical recovery and a critical rethinking of the functions and practices of textbooks, Archives of Instruction: Nineteenth-Century Rhetorics, Readers, and Composition Books in the United States argues for an alternative understanding of our rhetorical traditions. The authors describe how the pervasive influence of nineteenth-century literacy textbooks demonstrate the early emergence of substantive instruction in reading and writing. Tracing the histories of widespread educational practices, the authors treat the textbooks as an important means of cultural formation that restores a sense of their distinguished and unique contributions. At the beginning of the nineteenth century, few people in the United States had access to significant school education or to the materials of instruction. By century’s end, education was a mass—though not universal—experience, and literacy textbooks were ubiquitous artifacts, used both in home and in school by a growing number of learners from diverse backgrounds. Many of the books have been forgotten, their contributions slighted or dismissed, or they are remembered through a haze of nostalgia as tokens of an idyllic form of schooling. Archives of Instruction suggests strategies for re-reading the texts and details the watersheds in the genre, providing a new perspective on the material conditions of schooling, book publication, and emerging practices of literacy instruction. The volume includes a substantial bibliography of primary and secondary works related to literacy instruction at all levels of education in the United States during the nineteenth century.
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