Surprisingly, one of the best sources of information on life in Margate in the early 19th century was a little town in Australia. Stewart Viney had attended school and later worked in Margate, living just a few doors away from where the artist Turner was staying with his mistress Mrs Booth, but then joined the Bendigo Gold Rush. Finding only mixed fortune there, he progressed into journalism and produced many fascinating articles about the place where he had grown up and the people who had surrounded him. These have been fortunately rediscovered and edited into a single volume of great interest to local people and social historians alike.
This revealing and comprehensive book tells the full story of Jerry Herman’s life and career, from his early work in cabaret to his recent compositions for stage, screen, and television. Stephen Citron draws on extensive open-ended interviews with Jerry Herman as well as with scores of his theatrical colleagues, collaborators, and close friends. The resulting book—which sheds new light on each of Herman’s musicals and their scores—abounds in fascinating anecdotes and behind-the-scenes details about the world of musical theater. Readers will find a sharply drawn portrait of Herman’s private life and his creative talents. Citron’s insights into Herman’s music and lyrics, including voluminous examples from each of his musicals, are as instructive as they are edifying and entertaining.
Both a historical recovery and a critical rethinking of the functions and practices of textbooks, Archives of Instruction: Nineteenth-Century Rhetorics, Readers, and Composition Books in the United States argues for an alternative understanding of our rhetorical traditions. The authors describe how the pervasive influence of nineteenth-century literacy textbooks demonstrate the early emergence of substantive instruction in reading and writing. Tracing the histories of widespread educational practices, the authors treat the textbooks as an important means of cultural formation that restores a sense of their distinguished and unique contributions. At the beginning of the nineteenth century, few people in the United States had access to significant school education or to the materials of instruction. By century’s end, education was a mass—though not universal—experience, and literacy textbooks were ubiquitous artifacts, used both in home and in school by a growing number of learners from diverse backgrounds. Many of the books have been forgotten, their contributions slighted or dismissed, or they are remembered through a haze of nostalgia as tokens of an idyllic form of schooling. Archives of Instruction suggests strategies for re-reading the texts and details the watersheds in the genre, providing a new perspective on the material conditions of schooling, book publication, and emerging practices of literacy instruction. The volume includes a substantial bibliography of primary and secondary works related to literacy instruction at all levels of education in the United States during the nineteenth century.
Major Motion Picture Adaptation Coming Soon The internationally acclaimed actress Patricia Neal (1926–2010) was a star on stage, film, and television for more than sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman's Another Part of the Forest, winning the first Tony award. In Hollywood she starred opposite the likes of John Wayne, Paul Newman, John Garfield, and Gary Cooper in some thirty films. She is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the 1963 Academy Award for Best Actress. But there was much more to Neal's life. She was born in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. For a time, Neal became romantically involved with Gary Cooper, her married costar in The Fountainhead. In 1953, Neal wed famed children's author Roald Dahl, a match that would bring her five children and thirty years of dramatic ups and downs. At the pinnacle of her screen career, Neal suffered a series of strokes which left her in a coma for twenty-one days, and Variety even ran a headline erroneously stating that she had died. After a difficult recovery, Neal returned to film acting, earning a second Academy Award nomination for The Subject Was Roses (1968). She appeared in several television movie roles in the 1970s and 1980s and won a Golden Globe for Best Actress in a Dramatic TV Movie in 1971 for The Homecoming. Adapted as a major motion picture (filmed as An Unquiet Life) starring Hugh Bonneville, Keeley Hawes, and Sam Heughan, Patricia Neal: An Unquiet Life is the first critical biography detailing the actress's impressive film career and remarkable personal life. Author Stephen Michael Shearer conducted numerous interviews with Neal, her professional colleagues, and her intimate friends and was given access to the actress's personal papers. The result is an honest and comprehensive portrait of an accomplished woman who lived her life with determination and bravado.
Parenting a daughter with attention-deficit/hyperactivity disorder (ADHD) is no easy path--especially because of the myth that the disorder is rare to nonexistent in girls. From pioneering researcher Stephen P. Hinshaw, this empowering guide provides vital information and advice to help you understand and meet your daughter's needs. Dr. Hinshaw delivers up-to-date facts on what ADHD is, why symptoms often appear differently in girls than in boys, why girls with ADHD behave the way they do, how to get an accurate diagnosis, and what treatments are most effective. There is so much pressure on girls to be "perfect"--and for those with ADHD, it feels especially hard to measure up. Learn concrete steps you can take to support your daughter's success from preschool through high school and beyond, while nurturing her confidence and self-worth.
Grunge isn’t dead – but was it every truly alive? Twenty years after the height of the movement, The Strangest Tribe redefines grunge as we know it. Stephen Tow takes a second look at the music and community that vaulted the likes of Nirvana, Pearl Jam, Mudhoney, and Soundgarden to international fame. Chock-full of interviews with the starring characters, Tow extensively chronicles the rise of rock 'n' roll’s last great statement and contextualizes what the music really meant to the key players. Delving deep into the archives, Tow paints a vivid picture of the underground rock circuit of tattered warehouses and community centers. Seattle’s heady punk scene of the late '80s gave birth to a rowdy and raucous movement, influenced by metal, but wholly its own. Seattle made its own sound, a sound that came to be known internationally as grunge. Tow walks the reader through this sonic evolution, interviewing members of every band along the way. In 1991, Seattle’s sound took the world by storm--but this same storm had been brewing in the Pacific Northwest for a decade before it hit MTV. The Strangest Tribe is a reframing of this last transformative era in music. Not just plaid shirts, bleached hair, and angst, “grunge” is a word used to describe a rich community of artists and jokers.
For a quarter of a century, this multiple award-winning annual selection has showcased some of the very best, and most disturbing, short stories and novellas of horror and the supernatural. As always, this landmark volume features superior fiction from such masters of the genre and newcomers in contemporary horror as Michael Chislett; Thana Niveau; Reggie Oliver; Tanith Lee; Niel Gaiman; Robert Shearman; Simon Strantzas; Lavie Tidhar; Simon Kurt Unsworth and Halli Villegas. With an in-depth introduction covering the year in horror, a fascinating necrology and a unique contact directory, The Mammoth Book of Best New Horror remains the world’s leading anthology dedicated solely to presenting the very best in modern horror. Praise for previous Mammoth Books of Best New Horror: 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times. 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney. 'An essential volume for horror readers.' Locus
In the summer of 1978, Grease was the word. On Friday, June 16, 1978, the movie musical made a major comeback when a big-screen version of the long-running rock-and-roll stage musical, Grease , opened in theaters around the country. With a talented cast led by John Travolta and Olivia Newton-John and a memorable score featuring a mixture of oldies-style rock and contemporary pop, Grease captured the look and the feel of an old-fashioned Hollywood musical while taking audiences on a nostalgic trip back to the days of poodle skirts, malt shops, drag racing, and sock hops. Stephen Tropiano takes a fascinating and revealing look at Grease as a cultural phenomenon from its humble beginnings as a fringe musical in Chicago, to its unparalleled success on Broadway, to the making of the film that became the highest-grossing movie musical of all time. You will get an in-depth, close-up look at the making of this Hollywood classic and the creative talent in front and behind the camera that made it all happen. Thirty-plus years after its release, Grease is still the word!
The Catskills (“Cat Creek” in Dutch), America’s original frontier, northwest of New York City, with its seven hundred thousand acres of forest land preserve and its five counties—Delaware, Greene, Sullivan, Ulster, Schoharie; America’s first great vacationland; the subject of the nineteenth-century Hudson River School paintings that captured the almost godlike majesty of the mountains and landscapes, the skies, waterfalls, pastures, cliffs . . . refuge and home to poets and gangsters, tycoons and politicians, preachers and outlaws, musicians and spiritualists, outcasts and rebels . . . Stephen Silverman and Raphael Silver tell of the turning points that made the Catskills so vital to the development of America: Henry Hudson’s first spotting the distant blue mountains in 1609; the New York State constitutional convention, resulting in New York’s own Declaration of Independence from Great Britain and its own constitution, causing the ire of the invading British army . . . the Catskills as a popular attraction in the 1800s, with the construction of the Catskill Mountain House and its rugged imitators that offered WASP guests “one-hundred percent restricted” accommodations (“Hebrews will knock vainly for admission”), a policy that remained until the Catskills became the curative for tubercular patients, sending real-estate prices plummeting and the WASP enclave on to richer pastures . . . Here are the gangsters (Jack “Legs” Diamond and Dutch Schultz, among them) who sought refuge in the Catskill Mountains, and the resorts that after World War II catered to upwardly mobile Jewish families, giving rise to hundreds of hotels inspired by Grossinger’s, the original “Disneyland with knishes”—the Concord, Brown’s Hotel, Kutsher’s Hotel, and others—in what became known as the Borscht Belt and Sour Cream Alps, with their headliners from movies and radio (Phil Silvers, Eddie Cantor, Milton Berle, et al.), and others who learned their trade there, among them Moss Hart (who got his start organizing summer theatricals), Sid Caesar, Lenny Bruce, Mel Brooks, Woody Allen, and Joan Rivers. Here is a nineteenth-century America turning away from England for its literary and artistic inspiration, finding it instead in Washington Irving’s “Rip Van Winkle” and his childhood recollections (set in the Catskills) . . . in James Fenimore Cooper’s adventure-romances, which provided a pastoral history, describing the shift from a colonial to a nationalist mentality . . . and in the canvases of Thomas Cole, Asher B. Durand, Frederick Church, and others that caught the grandeur of the wilderness and that gave texture, color, and form to Irving’s and Cooper’s imaginings. Here are the entrepreneurs and financiers who saw the Catskills as a way to strike it rich, plundering the resources that had been likened to “creation,” the Catskills’ tanneries that supplied the boots and saddles for Union troops in the Civil War . . . and the bluestone quarries whose excavated rock became the curbs and streets of the fast-growing Eastern Seaboard. Here are the Catskills brought fully to life in all of their intensity, beauty, vastness, and lunacy.
This book explores foreign policy developments in post-colonial Africa. A continental foreign policy is a tenuous proposition, yet new African states emerged out of armed resistance and advocacy from regional allies such as the Bandung Conference and the League of Arab States. Ghana was the first Sub-Saharan African country to gain independence in 1957. Fourteen more countries gained independence in 1960 alone, and by May 1963, when the Organisation of African Unity (OAU) was formed, 30 countries were independent. An early OAU committee was the African Liberation Committee (ALC), tasked to work in the Frontline States (FLS) to support independence in Southern Africa. Pan-Africanists, in alliance with Brazzaville, Casablanca and Monrovia groups, approached continental unity differently, and regionalism continued to be a major feature. Africa’s challenges were often magnified by the capitalist-democratic versus communist-socialist bloc rivalry, but through Africa’s use and leveraging of IGOs – the UN, UNDP, UNECA, GATT, NIEO and others – to advance development, the formation of the African Economic Community, OAU’s evolution into the AU and other alliances belied collective actions, even as Africa implemented decisions that required cooperation: uti possidetis (maintaining colonial borders), containing secession, intra- and inter-state conflicts, rebellions and building RECs and a united Africa as envisioned by Pan Africanists worked better collectively.
Stephen Railton's study of the American Renaissance proposes a fresh way of conceiving the writer as a performing artist and the text as an enactment of the drama of its own performance. Railton focuses on how major prose works of the period are preoccupied with their readers--how they seek to negotiate the conflicted space between the authors, who brought to the act of publication their own anxieties of ambition and identity, and the contemporary American reading public, which, as a growing mass audience in a democracy, had acquired an unprecedented authority over the terms of literary performance. New readings of Emerson's orations, Poe's tales, the sketches of the Southwest Humorists, Walden, Uncle Tom's Cabin, The Scarlet Letter, and Moby-Dick relocate American writers in the dramatic context in which they suffered and thrived. The book attends closely to historicist issues, arguing that one of the most profound ways that the culture shaped these texts was also the most immediate--as the audience each writer had to address. Equally concerned with biographical themes, it appreciates each of the major works within the larger pattern of the writer's public career and private needs. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Creating this puzzle what quite the challenge, I hope it is quite the challenge for you to solve it, hey why not try solving it for a Guinness World Record. In this book is an email address to receive the Puzzle key, that address was hacked here is new email address; Sabastians_Puzzles_Ink@yahoo.com
In full colour throughout and featuring new case studies, this fully revised and updated edition of the bestselling AS Media Studies: covers all aspects of Media Studies for students of the AS and A-level media syllabus. The authors, who are experienced teachers and examiners, introduce students step-by-step to the skills of reading media texts, and address key areas such as media technologies, media institutions and media audiences. Individual chapters cover: introduction to studying the media study skills reading media texts media institutions audiences and the media case studies of newspapers, television programmes, and films research and how to do it preparing for exams coursework and production guide. AS Media Studies: The Essential Introduction gives students the confidence to tackle every part of an introductory media course. Its key features include: activities for the classroom practical assignments for individual study a glossary of key terms case studies of recent media showing how theoretical ideas can be applied in everyday situations.
Rarely is a book about the theatre as entertaining and informative as Stephen Citron's new guidebook to the creation of the musical. Filled with anecdotes, practical advice, and sparkling comments from the biggest Broadway insiders, The Musical from the Inside Out examines this major theatrical form from the creator's point of view. Mr. Citron takes the reader through basic training and onto finding and securing material, writing the libretto, adding the songs, auditioning the players, workshopping, rehearsals, previews, and the excitement of opening night. He reveals the secrets of success as well as some of the common pitfalls of failure. "There's never been a book like this," wrote a columnist from London's West End. Mr. Citron's bounty of information comes from his own vast experience; from interviews with well-known directors, producers, lyricists, composers, librettists, stage managers, and scenic artists; and from such luminaries as Stephen Sondheim, Andrew Lloyd Webber, Jerry Herman, Hal Prince, Jerome Robbins, Jerry Bock, Sheldon Harnick, John Kander, and Fred Ebb. The Musical From the Inside Out is an adventure for musical fans and required reading for professionals or amateurs involved in creating a musical.
This is a comprehensive ticket to learning more about every aspect of the late-night comedy staple and its storied history." - Library Journal Television history was made on October 11, 1975, when a new generation of young performers welcomed America to the first episode of a new late-night comedy and variety show. Combining cutting-edge humor with a satirical sensibility, Saturday Night Live would go on to become the longest-running series of its kind in television history, shining a light on pop culture as well as contemporary social and political issues. It also became a launching pad for many of the leading comedy performers of the last five decades, including John Belushi, Bill Murray, Gilda Radner, Eddie Murphy, Phil Hartman, Will Ferrell, Tina Fey, Amy Poehler, Seth Meyers, Jimmy Fallon, Maya Rudolph, and Kate McKinnon Celebrating the show’s record-breaking 50 years on the air, The SNL Companion is a fun, fact-filled tribute to a television institution. From the show’s creation by Lorne Michaels through all of the seasons leading up to its golden anniversary, it provides an in-depth look at SNL’s comedic highlights and nadirs, its memorable hosts and musical guests, and its many controversies. Along with a complete episode guide, it explores the characters, sketches, politics, catchphrases, commercial parodies, and viral shorts that have made it a leader in American comedy for over five decades. Vastly revised, updated, and expanded since its original publication in 2013 and packed with photographs and rich encyclopedic detail, The SNL Companion is a one-stop resource for all things SNL.
Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: "He gave one of the best performances in film history and certainly the best in his life." Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial "graylisting" by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre's dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre's pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler's Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood's most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities.
Since before the Declaration of Independence, poets have shaped a collective imagination of nationhood at critical points in American history. In The Patriot Poets Stephen Adams considers major odes and "progress poems" that address America's destiny in the face of slavery, the Civil War, imperialist expansion, immigration, repeated financial boom and bust, gross social inequality, racial and gendered oppression, and the rise of the present-day corporate oligarchy. Adams elucidates how poets in the nineteenth and twentieth centuries addressed political crises from a position of patriotic idealism and how military interventions overseas in Cuba and in the Philippines increasingly caused poets to question the actions of those in power. He traces competing loyalties through major works of writers at both extremes of the political spectrum, from the radical Republican versus Confederate voices of the Civil War, through New Deal liberalism versus the lost-cause propaganda of the defeated South and the conservative isolationism of the 1930s, and after the Second World War, the renewed hope of Black leaders and the existential alienation of Allen Ginsberg's counter-culture. Blazing a new path of critical discourse, Adams questions why America, of all nations, has appeared to rule out politics as a subject fit for poetry. His answer draws connections between familiar touchstones of American poetry and significant yet neglected writing by Philip Freneau, Sidney Lanier, Archibald MacLeish, William Vaughn Moody, Muriel Rukeyser, Genevieve Taggard, Allen Tate, Henry Timrod, Melvin B. Tolson, and others. An illuminating and pioneering work, The Patriot Poets provides a rich understanding of the ambivalent relationship American poets and poems have had with nation, genre, and the public.
Democratic politics involves a series of multi-directional conversations. Effective conversations have the potential to engage, educate, and animate both citizens and governmental officials. On the individual level, discovering successful conversational strategies benefits both political and social interaction. This book offers guidelines for conducting effective conversations personally, politically, and beyond such that readers of this book are unlikely to ever again look at conversation in the same way. New technologies and social trends both challenge and potentially enhance traditional face-to-face and media dominated conversations. Understanding the state, quality and potential of political conversations provides a unique perspective for evaluating and potentially improving government "by the people.
Now is a time of exciting new developments for live animal power. As the numbers of adherents to this way of life grow, ecologically minded farmers in their fields are developing efficient horse-drawn systems, and equipment manufacturers in small shops all across North America and Europe are coming forth with new innovations in ground-drive technology that have us poised on the cusp of another agricultural revolution--with working horses, mules, donkeys, and oxen at the heart of it. --Publisher.
Musical Theatre Song is a handbook for musical theatre performers, providing them with the wide-ranging skill set they need for success in today's competitive musical theatre environment. Breaking down the process into knowing how to select your song material based upon your individuality and how to prepare and perform it in a manner that best highlights your attributes, Stephen Purdy provides a succinct and personalized trajectory toward presentation, taking the reader through a series of challenges that is designed to evoke original, personal and vibrant song performances. Written by renowned Broadway and West End vocal and audition coach Stephen Purdy, Musical Theatre Song is a must-have guide for all performers who are looking to succeed in the musical theatre industry.
In the spring of 1861, Richmond, Virginia, suddenly became the capital city, military headquarters, and industrial engine of a new nation fighting for its existence. A remarkable drama unfolded in the months that followed. The city's population exploded, its economy was deranged, and its government and citizenry clashed desperately over resources to meet daily needs while a mighty enemy army laid siege. Journalists, officials, and everyday residents recorded these events in great detail, and the Confederacy's foes and friends watched closely from across the continent and around the world. In Rebel Richmond, Stephen V. Ash vividly evokes life in Richmond as war consumed the Confederate capital. He guides readers from the city's alleys, homes, and shops to its churches, factories, and halls of power, uncovering the intimate daily drama of a city transformed and ultimately destroyed by war. Drawing on the stories and experiences of civilians and soldiers, slaves and masters, refugees and prisoners, merchants and laborers, preachers and prostitutes, the sick and the wounded, Ash delivers a captivating new narrative of the Civil War's impact on a city and its people.
When the Revolutionary War began, Congress established a national army and appointed George Washington its commander in chief. Congress then took it upon itself to choose numerous subordinate generals to lead the army’s various departments, divisions, and brigades. How this worked out in the end is well known. Less familiar, however, is how well Congress’s choices worked out along the way. Although historians have examined many of Washington’s subordinates, Washington’s Revolutionary War Generals is the first book to look at these men in a collective, integrated manner. A thoroughgoing study of the Revolutionary War careers of the Continental Army’s generals—their experience, performance, and relationships with Washington and the Continental Congress—this book provides an overview of the politics of command, both within and outside the army, and a unique perspective on how it affected Washington’s prosecution of the war. It is impossible to understand the outcome of the War for Independence without first examining America’s military leadership, author Stephen R. Taaffe contends. His description of Washington’s generals—who they were, how they received their commissions, and how they performed—goes a long way toward explaining how these American officers, who were short on experience and military genius, prevailed over their professional British counterparts. Following these men through the war’s most important battles and campaigns as well as its biggest controversies, such as the Conway Cabal and the Newburgh Conspiracy, Taaffe weaves a narrative in the grand tradition of military history. Against this backdrop, his depiction of the complexities and particulars of character and politics of military command provides a new understanding of George Washington, the War for Independence, and the U.S. military’s earliest beginnings. A unique combination of biography and institutional history shot through with political analysis, this book is a thoughtful, deeply researched, and an eminently readable contribution to the literature of the Revolution.
The first book-length study of why the Beats were so fascinated by Mexico and how they represented its landscape, history, and mystical practices in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti, as well as lesser-known female Beat writers like Margaret Randall, Bonnie Bremser, and Joanne Kyger.
This hip coffee-table book features stunning photos of A-list celebrities--Carol Burnett, Glenn Close, Whoopi Goldberg, and others wearing the same funky sweater--all to benefit AIDS research.
Although it isn't the official national anthem, America may be the most important and interesting patriotic song in our national repertoire. Sweet Freedom's Song: "My Country 'Tis of Thee" and Democracy in America is a celebration and critical exploration of the complicated musical, cultural and political roles played by the song America over the past 250 years. Popularly known as My Country 'Tis of Thee and as God Save the King/Queen before that this tune has a history as rich as the country it extols. In Sweet Freedom's Song, Robert Branham and Stephen Hartnett chronicle this song's many incarnations over the centuries. Colonial Americans, Southern slaveowners, abolitionists, temperance campaigners and labor leaders, among others, appropriated and adapted the tune to create anthems for their own struggles. Because the song has been invoked by nearly every grassroots movement in American history, the story of America offers important insights on the story of democracy in the United States. An examination of America as a historical artifact and cultural text, Sweet Freedoms Song is a reflection of the rebellious spirit of Americans throughout our nations history. The late Robert James Branham and his collaborator, Stephen Hartnett, have produced a thoroughly-researched, delightfully written book that will appeal to scholars and patriots of all stripes.
In May 1861, Jefferson Davis issued a general call for volunteers for the Confederate Army. Men responded in such numbers that 200,000 had to be turned away. Few of these men would have attributed their zeal to the cause of states' rights or slavery. As All That Makes a Man: Love and Ambition in the Civil War South makes clear, most southern men saw the war more simply as a test of their manhood, a chance to defend the honor of their sweethearts, fiancés, and wives back home. Drawing upon diaries and personal letters, Stephen Berry seamlessly weaves together the stories of six very different men, detailing the tangled roles that love and ambition played in each man's life. Their writings reveal a male-dominated Southern culture that exalted women as "repositories of divine grace" and treasured romantic love as the platform from which men launched their bids for greatness. The exhilarating onset of war seemed to these, and most southern men, a grand opportunity to fulfill their ambition for glory and to prove their love for women--on the same field of battle. As the realities of the war became apparent, however, the letters and diaries turned from idealized themes of honor and country to solemn reflections on love and home. Elegant and poetic, All That Makes a Man recovers the emotional lives of unsung Southern men and women and reveals that the fiction of Cold Mountain mirrors a poignant reality. In their search for a cause worthy of their lives, many Southern soldiers were disappointed in their hopes for a Southern nation. But they still had their women's love, and there they would rebuild.
(FAQ). TV Finales FAQ is the first book devoted exclusively to television's most memorable series finales. From Mary Richards' heartfelt goodbye to the WJM-TV newsroom in the classic finale of The Mary Tyler Moore Show to the puzzling conclusion of the enigmatic adventure series, Lost , to the tumultuous final hours in the life of Breaking Bad 's Walter White, TV Finales FAQ takes an up close, insightful, and entertaining look at the most memorable final episodes of television's most popular prime time, daytime, and late night series. Crafting the final episode to a long-running television series can be challenging for producers and writers who want to remain faithful to the show's characters and history, yet, at the same time, satisfy the high expectations of its loyal fan base. TV Finales FAQ offers television viewers the inside story on the creation, broadcast, and aftermath of the most famous (and infamous) final episodes of over 50 television series from the 1960s through the present day. The books features such shows as Dexter , Roseanne , Will & Grace , X-Files , The Sopranos , and some classic talk and late-night programs such as The Oprah Winfrey Show and The Tonight Show Starring Johnny Carson , and many others.
A Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing—and rewriting—a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting—from character development to story templates—and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting—the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the “Do It Yourself” attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.
A lively history of Boston’s emergence as a world-class city—home to the likes of Frederick Douglass and Alexander Graham Bell—by a beloved Bostonian historian “It’s been quite a while since I’ve read anything—fiction or nonfiction—so enthralling.”—Dennis Lehane, author of Mystic River and Shutter Island Once upon a time, “Boston Town” was an insulated New England township. But the community was destined for greatness. Between 1850 and 1900, Boston underwent a stunning metamorphosis to emerge as one of the world’s great metropolises—one that achieved national and international prominence in politics, medicine, education, science, social activism, literature, commerce, and transportation. Long before the frustrations of our modern era, in which the notion of accomplishing great things often appears overwhelming or even impossible, Boston distinguished itself in the last half of the nineteenth century by proving it could tackle and overcome the most arduous of challenges and obstacles with repeated—and often resounding—success, becoming a city of vision and daring. In A City So Grand, Stephen Puleo chronicles this remarkable period in Boston’s history, in his trademark page-turning style. Our journey begins with the ferocity of the abolitionist movement of the 1850s and ends with the glorious opening of America’s first subway station, in 1897. In between we witness the thirty-five-year engineering and city-planning feat of the Back Bay project, Boston’s explosion in size through immigration and annexation, the devastating Great Fire of 1872 and subsequent rebuilding of downtown, and Alexander Graham Bell’s first telephone utterance in 1876 from his lab at Exeter Place. These lively stories and many more paint an extraordinary portrait of a half century of progress, leadership, and influence that turned a New England town into a world-class city, giving us the Boston we know today.
Are there any legends about cats? Is Cinderella an English story? What is (or was) a Mumming Play? The subject of folklore covers an extremely wide field, with connections to virtually every aspect of life. It ranges from the bizarre to the seemingly mundane. Similarly, folklore is as much afeature of the modern technological age as the ancient world, of every part of the country, both urban and rural, and of every age group and occupation. Containing 2,000 entries, from dragons to Mother Goose, May Day to Michaelmas, this new reference work is an absorbing and entertaining guide to English folklore. Aimed at a broad general readership, the dictionary provides an authoritative reference source on such legendary characters as the Babesin the Wood, Jack the Giant Killer, and Robin Hood, and gives entertaining and informative explanations of a wide range of subjects in folklore, from nosebleeds and wishbones to cats and hot cross buns.
Ingrid Bergman. Audrey Hepburn. Elizabeth Taylor. Jane Fonda. Meryl Streep. The list of women who have won the coveted and legendary Academy Award for Best Actress is long and varied. Through this illustrious roster we can trace the history of women in Hollywood, from the rise of Mary Pickford in the early 20th century to the #MeToo and Time’s Up movements of today, which have galvanized women across the world to speak out for equal pay, respect, power, and opportunity. This lavishly illustrated coffee table book offers a vital examination of the first 75 women to have won the Best Actress Oscar over the span of 90 years. From inaugural recipient Janet Gaynor to Frances McDormand’s 2018 acceptance speech that assertively brought women to the forefront, Best Actress: The History of Oscar®-Winning Women serves to promote a new appreciation for the cinematic roles these women won for, as well as the real-life roles many of them played – and still play – in advancing women’s rights and equality. Stories range from Bette Davis’ groundbreaking battle against the studio system; to the cutting-edge wardrobes of Katharine Hepburn, Diane Keaton and Cher; to the historical significance of Halle Berry’s victory; to the awareness raised around sexual violence by the performances of Jodie Foster, Brie Larson, and others. Showcasing a dazzling collection of 200 photographs, many of which have never before been seen or published, Best Actress honors the legacies of these revered and extraordinary women while scrutinizing the roadblocks that they continue to overcome.
Southerners whose communities were invaded by the Union army during the Civil War endured a profoundly painful ordeal. For most, the coming of the Yankees was a nightmare become real; for some, it was the answer to a prayer. But as Stephen Ash argues, for all, invasion and occupation were essential parts of the experience of defeat that helped shape the southern postwar mentality. When the Yankees Came is the first comprehensive study of the occupied South, bringing to light a wealth of new information about the southern home front. Among the intriguing topics Ash explores are guerrilla warfare and other forms of civilian resistance; the evolution of Union occupation policy from leniency to repression; the impact of occupation on families, churches, and local government; and conflicts between southern aristocrats and poor whites. In analyzing these topics, Ash examines events from the perspective not only of southerners but also of the northern invaders, and he shows how the experiences of southerners differed according to their distance from a garrisoned town.
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