Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.
Experience the electrifying, never-before-told true story of amusement parks, from the middle ages to present day, and meet the colorful (and sometimes criminal) characters who are responsible for their enchanting charms. Step right up! The Amusement Park is a rich, anecdotal history that begins nine centuries ago with the "pleasure gardens" of Europe and England and ends with the most elaborate modern parks in the world. It's a history told largely through the stories of the colorful, sometimes hedonistic characters who built them, including: Showmen like Joseph and Nicholas Schenck and Marcus Loew Railroad barons Andrew Mellon and Henry E. Huntington The men who ultimately destroyed the parks, including Robert Moses and Fred Trump Gifted artisans and craft-people who brought the parks to life An amazing cast of supporting players, from Al Capone to Annie Oakley And, of course, this is a full-throttle celebration of the rides, those marvels of engineering and heart-stopping thrills from an author, Stephen Silverman, whose life-long passion for his subject shines through. The parks and fairs featured include the 1893 Chicago World's Fair, Coney Island, Steeplechase Park, Dreamland, Euclid Beach Park, Cedar Point, Palisades Park, Ferrari World, Dollywood, Sea World, Six Flags Great Adventure, Universal Studios, Disney World and Disneyland, and many more.
The first book to explore the life and extraordinary work of the legendary moviemaker who directed Singin' in the Rain, On the Town, and Funny Face, from the author of David Lean ("Silverman has captured one of the world's truly great filmmakers"—Billy Wilder). Stanley Donen is the man who forever changed the Hollywood musical, moving it away from the Busby Berkeley extravagance to a felt integration of the songs and dances. He is also the man who helped shape the sophisticated romance exemplified by Indiscreet and Charade. The author, with Donen's cooperation, has brilliantly revealed Donen's fifty-year career—first in the theater, next in Hollywood, and then abroad. We see Donen's collaborations with Fred Astaire, Cary Grant, Gene Kelly, and Frank Sinatra. And we see his work with Rodgers and Hart, Alan Lerner, Comden and Green, Roger Edens, Arthur Freed, Michael Kidd, and Bob Fosse. We watch Donen growing up in the South in the 1930s, seeking refuse at movies, watching Fred Astaire dance on the screen, and forever changed by it. And then at sixteen, fleeing to New York, where he lands his first job in the chorus of the groundbreaking musical Pal Joey, directed by George Abbott, starring Gene Kelly...and appearing next in Best Foot Forward. We follow Donen west to MGM (first he was a chorus boy, then assistant choreographer)...next embellishing Anchors Aweigh, dreaming up the almost technically impossible notion of having its star, Gene Kelly, dance with a cartoon character, Jerry the Mouse...and in the next decade making one great musical after another. We hear Donen's recollections of life and work on the sets of Singin' in the Rain, Royal Wedding, Funny Face, Seven Brides for Seven Brothers, On the Town, The Pajama Game, Indiscreet, Charade, Two for the Road, Arabesque, Bedazzled, and other movies he directed. We see him through the eyes of more than one hundred of his contemporaries whom, in addition to Donen himself, Silverman has interviewed at length, from Kay Thompson and Billy Wilder to Deborah Kerr, Audrey Hepburn, Debbie Reynods, Gregory Peck, and Cyd Charisse. Dancing on the Ceiling gives, close up, a great director and a lost Hollywood on whose silver screen wit and charm abounded.
Here is the story of Sir David Lean, one of the greatest moviemakers of all time, director of such epics as Lawrence of Arabia, Doctor Zhivago, The Bridge on the River Kwai, and A Passage to India. Stephen M. Silverman spent the better part of a year meeting with Lean to secure firsthand information for this book. An intensely private man, Lean opened up to Silverman and shared with him the story of his life - from his Quaker upbringing, through his decade as Britain's star film editor, to his work as a director, earning him through his intelligent, literate films a reputation for perfection. Lean's movies, which collected an unprecedented twenty-seven Academy Awards, are noted for their stunning pictorial content as well as their strong narrative flow, and many of Lean's colleagues have shared their personal recollections with the author, who has added a new afterword to the book. The memories and anecdotes from such film notables as Alec Guinness, Katharine Hepburn, Julie Christie, Maurice Jarre, John Mills, Omar Sharif, Judy Davis, and Sarah Miles serve to further enliven this already vivid biographical and critical study. Katharine Hepburn starred in Summertime, Lean's first film to be shot entirely on location. Her Introduction discusses Sir David as both an incomparable director and a great friend. Rolling Stone: "Stephen M. Silverman has guided the famously reclusive Lean into lively, witty, and informative recollections of his life and work on such hits as The Bridge on the River Kwai, Doctor Zhivago, Brief Encounter, and A Passage to India, as well as Lawrence [of Arabia]. Here's that rare book on movies that can really be called indispensable." Los Angeles Times: "Perhaps most surprising to his friends, [Lean] allowed himself to be interviewed at length by critic Stephen Silverman. David Lean is interesting not least for the candor with which Lean admitted that the reviews of Ryan's Daughter devastated him and almost paralyzed him creatively." The Boston Globe: "Bright, chatty, cant-free . . . Without lapsing into critspeak, Silverman adroitly lays out the evidence for what's shaping up as an emergent reassessment of Lean's output and provides flavorful eyewitness testimony, pro and con." Chicago Tribune: "It's fitting that the most exquisitely crafted book on film should deal with one of the motion pictures' supreme craftsmen, David Lean . . . . Lean himself contributes many insights and anecdotes, and there are fascinating behind-the-camera tales of both his meticulous technique and his messy battles with producers and stars." Financial Times: "This portrait of the film director as old lion is well-researched and highly readable. We goggle at the account of Lean's Quaker upbringing and his parents' horror of the cinema. (They wanted him to become an accountant.) We follow Lean's early creative romances with Noël Coward (four films) and Charles Dickens (two). And we listen to Lean and Katharine Hepburn . . . quarreling via Silverman over who was responsible for her ill-fated jump into the Venice canal in Summertime." Variety: "As lavish as Lean's best films, Stephen M. Silverman's David Lean is an important addition to the collective library of film books.
The Catskills (“Cat Creek” in Dutch), America’s original frontier, northwest of New York City, with its seven hundred thousand acres of forest land preserve and its five counties—Delaware, Greene, Sullivan, Ulster, Schoharie; America’s first great vacationland; the subject of the nineteenth-century Hudson River School paintings that captured the almost godlike majesty of the mountains and landscapes, the skies, waterfalls, pastures, cliffs . . . refuge and home to poets and gangsters, tycoons and politicians, preachers and outlaws, musicians and spiritualists, outcasts and rebels . . . Stephen Silverman and Raphael Silver tell of the turning points that made the Catskills so vital to the development of America: Henry Hudson’s first spotting the distant blue mountains in 1609; the New York State constitutional convention, resulting in New York’s own Declaration of Independence from Great Britain and its own constitution, causing the ire of the invading British army . . . the Catskills as a popular attraction in the 1800s, with the construction of the Catskill Mountain House and its rugged imitators that offered WASP guests “one-hundred percent restricted” accommodations (“Hebrews will knock vainly for admission”), a policy that remained until the Catskills became the curative for tubercular patients, sending real-estate prices plummeting and the WASP enclave on to richer pastures . . . Here are the gangsters (Jack “Legs” Diamond and Dutch Schultz, among them) who sought refuge in the Catskill Mountains, and the resorts that after World War II catered to upwardly mobile Jewish families, giving rise to hundreds of hotels inspired by Grossinger’s, the original “Disneyland with knishes”—the Concord, Brown’s Hotel, Kutsher’s Hotel, and others—in what became known as the Borscht Belt and Sour Cream Alps, with their headliners from movies and radio (Phil Silvers, Eddie Cantor, Milton Berle, et al.), and others who learned their trade there, among them Moss Hart (who got his start organizing summer theatricals), Sid Caesar, Lenny Bruce, Mel Brooks, Woody Allen, and Joan Rivers. Here is a nineteenth-century America turning away from England for its literary and artistic inspiration, finding it instead in Washington Irving’s “Rip Van Winkle” and his childhood recollections (set in the Catskills) . . . in James Fenimore Cooper’s adventure-romances, which provided a pastoral history, describing the shift from a colonial to a nationalist mentality . . . and in the canvases of Thomas Cole, Asher B. Durand, Frederick Church, and others that caught the grandeur of the wilderness and that gave texture, color, and form to Irving’s and Cooper’s imaginings. Here are the entrepreneurs and financiers who saw the Catskills as a way to strike it rich, plundering the resources that had been likened to “creation,” the Catskills’ tanneries that supplied the boots and saddles for Union troops in the Civil War . . . and the bluestone quarries whose excavated rock became the curbs and streets of the fast-growing Eastern Seaboard. Here are the Catskills brought fully to life in all of their intensity, beauty, vastness, and lunacy.
Experience the electrifying, never-before-told true story of amusement parks, from the middle ages to present day, and meet the colorful (and sometimes criminal) characters who are responsible for their enchanting charms. Step right up! The Amusement Park is a rich, anecdotal history that begins nine centuries ago with the "pleasure gardens" of Europe and England and ends with the most elaborate modern parks in the world. It's a history told largely through the stories of the colorful, sometimes hedonistic characters who built them, including: Showmen like Joseph and Nicholas Schenck and Marcus Loew Railroad barons Andrew Mellon and Henry E. Huntington The men who ultimately destroyed the parks, including Robert Moses and Fred Trump Gifted artisans and craft-people who brought the parks to life An amazing cast of supporting players, from Al Capone to Annie Oakley And, of course, this is a full-throttle celebration of the rides, those marvels of engineering and heart-stopping thrills from an author, Stephen Silverman, whose life-long passion for his subject shines through. The parks and fairs featured include the 1893 Chicago World's Fair, Coney Island, Steeplechase Park, Dreamland, Euclid Beach Park, Cedar Point, Palisades Park, Ferrari World, Dollywood, Sea World, Six Flags Great Adventure, Universal Studios, Disney World and Disneyland, and many more.
Jam-packed with jokes, funny stories, and stand-up routines, this guide to America's funniest women covers more than seventy-five famous comediennes, including Carol Burnett, Ellen DeGeneres, Whoopi Goldberg, Goldie Hawn, Bette Midler, Mary Tyler Moore, Joan Rivers, Lily Tomlin, and others.
Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.
Since 1975, Dr. Kenneth Swaiman's classic text has been the reference of choice for authoritative guidance in pediatric neurology, and the 6th Edition continues this tradition of excellence with thorough revisions that bring you fully up to date with all that's new in the field. Five new sections, 62 new chapters, 4 new editors, and a reconfigured format make this a comprehensive and clearly-written resource for the experienced clinician as well as the physician-in-training. - Nearly 3,000 line drawings, photographs, tables, and boxes highlight the text, clarify key concepts, and make it easy to find information quickly.
Of whom was it said, "while her literary works can be characterized as creative genius, her will cannot?" Who left $25,000 for sixty-six of his friends to go out and "have dinner on me"? Who kept urns containing the ashes of her parents in the hall closet - and in turn willed them to her son-in-law? Yes, the rich are different, not only in life but in death, too. In Where There's a Will, Stephen M. Silverman shows just how different with a peek at the wills of the richest, most celebrated people of all time, and he provides the intimate scoop on what their heirs had to say about it. Discover what secret pact Clark Gable made in 1942 and took to his grave - only to be exposed when his will was read. Learn why it took more than a year for Liza Minnelli to raise the $37,500 needed to bury the ashes of her mother, Judy Garland, and what treasures were left to the heirs of Babe Ruth, James Dean, John Jacob Astor, Ernest Hemingway, and Ayn Rand once those wills cleared probate. From Marilyn Monroe and Andy Warhol to John Lennon, Jim Morrison, John Steinbeck, Rita Hayworth, and Jack Dempsey, Where There's a Will . . . is an utterly engrossing read sure to captivate tycoons and gossip addicts alike with its fascinating tales of how the other half bequeaths. "Breezy, fun, and informative." - The Hollywood Reporter
Diseases of the Spine and Spinal Cord reviews the full spectrum of disorders affecting this region including primary spinal tumors and metastases, infection, degenerative diseases, and trauma. Presenting an inter-disciplinary perspective, the book includes up-to-date information on therapy [including neurosurgical], new information on developmental disorders of the spine, and a definitive chapter on trauma, including information on biomechanics. A separate chapter on pain syndromes also is included.
The world's leading source of evidence-based guidance on caring for patients at the end of life. Featuirng the content of the world's most widely read medical journal, plus completely new, never-before-published content. Perfect for medical students, trainees, and clinicians alike. Market / Audience Medical students: 18000/yr US, 250,000 global NP and PA students: 25,000/yr US, 50,000+ global IM and FP residents: 30,000 US, 60,000 global IM and FP clinicians: 140,000 US, 300,000+ global Palliative medicine: 3000 US Oncology: 20,000 US, 60,000 global Social workers About the Book In the tradition of the User's Guides to the Medical Literature, and The Rational Clinical Examination, JAMA/Care at the Close of Life is based on a widely successful series of articles appearing over the course of the last ten years in JAMA, the world's most widely read medical journal. The series is directed by Stephen McPhee, a leading authoriity of end of life care, and the chief editor of our market leading Current Medical Diagnosis and Treatment text. The articles in the series cover fundamental topics and challenges in caring for patients who have been given a terminal diagnosis. Featuring a strong focus on evidence-based medicine, and organized by clinical cases, the articles are widely read by faculty, medical students, and clinicians who, frankly, have not been given a solid educational experience on this very important medical issue. The book will be physically modeled after The Rational Clinical Examination, in a full color format that highlights the clinical cases. It will be well suited for use as an required or recommended textbook for medical, PA, and NO students, and as a clinical reference text for trainees and practicing physicians and nurses. Key Selling Features Based on highy regarded content from the world's most widely read medical journal All content is completely updated, and extensive new, never-before-published content has been added Case-based, and evidence-based, so its a perfect fit for the way medical students and residents like to learn Focuses on practical, real-world issues for primary care physicians, and avoids esoteric issues of interest only to specialists in palliative care Full color format, modeled after the highly regarded Rational Clinical Examination Includes multimedia materials available on line: Power Point slides for teaching, and video interviews with patients in end-of-life care, so that faculty and students get supplemental resources for learning the art and science of care at the end of life Evidence-based guidance from the world's leading medical journal, on a critical topic that has been neglected in medical education and training until recently. Author Profile JAMA is the world's most widely read medical journal, and has a reputation for excellence in evidence-based medicine. Stephen McPhee has high visbility on account of his editorship of CMDT, and for his driving role in enhancing end of life care in medical education and training programs. He is: Professor of Medicine, UCSF School of Medicine, San Francisco CA
When originally published this book reported the first major application of ‘labelling theory’ to deviance in classrooms. The authors explore the nature of classroom rules, show how they constitute a pervasive feature of the classroom, and examine the ways in which teachers use these rules as grounds for imputing ‘deviance’ to pupils. A theory of social typing is developed to show how teachers come to define certain pupils as deviant persons such as ‘troublemakers’ and several case-studies are used to document this analysis. Finally, the teachers’ reactions to disruptive classroom conduct are examined as complex strategic attempts at social control in the classroom. The book has a double focus on deviance theory and the process of teaching.
Rutter’s Child and Adolescent Psychiatry has become an established and accepted textbook of child psychiatry. Now completely revised and updated, the fifth edition provides a coherent appraisal of the current state of the field to help trainee and practising clinicians in their daily work. It is distinctive in being both interdisciplinary and international, in its integration of science and clinical practice, and in its practical discussion of how researchers and practitioners need to think about conflicting or uncertain findings. This new edition now offers an entirely new section on conceptual approaches, and several new chapters, including: neurochemistry and basic pharmacology brain imaging health economics psychopathology in refugees and asylum seekers bipolar disorder attachment disorders statistical methods for clinicians This leading textbook provides an accurate and comprehensive account of current knowledge, through the integration of empirical findings with clinical experience and practice, and is essential reading for professionals working in the field of child and adolescent mental health, and clinicians working in general practice and community pediatric settings.
The Catskills (“Cat Creek” in Dutch), America’s original frontier, northwest of New York City, with its seven hundred thousand acres of forest land preserve and its five counties—Delaware, Greene, Sullivan, Ulster, Schoharie; America’s first great vacationland; the subject of the nineteenth-century Hudson River School paintings that captured the almost godlike majesty of the mountains and landscapes, the skies, waterfalls, pastures, cliffs . . . refuge and home to poets and gangsters, tycoons and politicians, preachers and outlaws, musicians and spiritualists, outcasts and rebels . . . Stephen Silverman and Raphael Silver tell of the turning points that made the Catskills so vital to the development of America: Henry Hudson’s first spotting the distant blue mountains in 1609; the New York State constitutional convention, resulting in New York’s own Declaration of Independence from Great Britain and its own constitution, causing the ire of the invading British army . . . the Catskills as a popular attraction in the 1800s, with the construction of the Catskill Mountain House and its rugged imitators that offered WASP guests “one-hundred percent restricted” accommodations (“Hebrews will knock vainly for admission”), a policy that remained until the Catskills became the curative for tubercular patients, sending real-estate prices plummeting and the WASP enclave on to richer pastures . . . Here are the gangsters (Jack “Legs” Diamond and Dutch Schultz, among them) who sought refuge in the Catskill Mountains, and the resorts that after World War II catered to upwardly mobile Jewish families, giving rise to hundreds of hotels inspired by Grossinger’s, the original “Disneyland with knishes”—the Concord, Brown’s Hotel, Kutsher’s Hotel, and others—in what became known as the Borscht Belt and Sour Cream Alps, with their headliners from movies and radio (Phil Silvers, Eddie Cantor, Milton Berle, et al.), and others who learned their trade there, among them Moss Hart (who got his start organizing summer theatricals), Sid Caesar, Lenny Bruce, Mel Brooks, Woody Allen, and Joan Rivers. Here is a nineteenth-century America turning away from England for its literary and artistic inspiration, finding it instead in Washington Irving’s “Rip Van Winkle” and his childhood recollections (set in the Catskills) . . . in James Fenimore Cooper’s adventure-romances, which provided a pastoral history, describing the shift from a colonial to a nationalist mentality . . . and in the canvases of Thomas Cole, Asher B. Durand, Frederick Church, and others that caught the grandeur of the wilderness and that gave texture, color, and form to Irving’s and Cooper’s imaginings. Here are the entrepreneurs and financiers who saw the Catskills as a way to strike it rich, plundering the resources that had been likened to “creation,” the Catskills’ tanneries that supplied the boots and saddles for Union troops in the Civil War . . . and the bluestone quarries whose excavated rock became the curbs and streets of the fast-growing Eastern Seaboard. Here are the Catskills brought fully to life in all of their intensity, beauty, vastness, and lunacy.
Of whom was it said, "while her literary works can be characterized as creative genius, her will cannot?" Who left $25,000 for sixty-six of his friends to go out and "have dinner on me"? Who kept urns containing the ashes of her parents in the hall closet - and in turn willed them to her son-in-law? Yes, the rich are different, not only in life but in death, too. In Where There's a Will, Stephen M. Silverman shows just how different with a peek at the wills of the richest, most celebrated people of all time, and he provides the intimate scoop on what their heirs had to say about it. Discover what secret pact Clark Gable made in 1942 and took to his grave - only to be exposed when his will was read. Learn why it took more than a year for Liza Minnelli to raise the $37,500 needed to bury the ashes of her mother, Judy Garland, and what treasures were left to the heirs of Babe Ruth, James Dean, John Jacob Astor, Ernest Hemingway, and Ayn Rand once those wills cleared probate. From Marilyn Monroe and Andy Warhol to John Lennon, Jim Morrison, John Steinbeck, Rita Hayworth, and Jack Dempsey, Where There's a Will . . . is an utterly engrossing read sure to captivate tycoons and gossip addicts alike with its fascinating tales of how the other half bequeaths. "Breezy, fun, and informative." - The Hollywood Reporter
Here is the story of Sir David Lean, one of the greatest moviemakers of all time, director of such epics as Lawrence of Arabia, Doctor Zhivago, The Bridge on the River Kwai, and A Passage to India. Stephen M. Silverman spent the better part of a year meeting with Lean to secure firsthand information for this book. An intensely private man, Lean opened up to Silverman and shared with him the story of his life - from his Quaker upbringing, through his decade as Britain's star film editor, to his work as a director, earning him through his intelligent, literate films a reputation for perfection. Lean's movies, which collected an unprecedented twenty-seven Academy Awards, are noted for their stunning pictorial content as well as their strong narrative flow, and many of Lean's colleagues have shared their personal recollections with the author, who has added a new afterword to the book. The memories and anecdotes from such film notables as Alec Guinness, Katharine Hepburn, Julie Christie, Maurice Jarre, John Mills, Omar Sharif, Judy Davis, and Sarah Miles serve to further enliven this already vivid biographical and critical study. Katharine Hepburn starred in Summertime, Lean's first film to be shot entirely on location. Her Introduction discusses Sir David as both an incomparable director and a great friend. Rolling Stone: "Stephen M. Silverman has guided the famously reclusive Lean into lively, witty, and informative recollections of his life and work on such hits as The Bridge on the River Kwai, Doctor Zhivago, Brief Encounter, and A Passage to India, as well as Lawrence [of Arabia]. Here's that rare book on movies that can really be called indispensable." Los Angeles Times: "Perhaps most surprising to his friends, [Lean] allowed himself to be interviewed at length by critic Stephen Silverman. David Lean is interesting not least for the candor with which Lean admitted that the reviews of Ryan's Daughter devastated him and almost paralyzed him creatively." The Boston Globe: "Bright, chatty, cant-free . . . Without lapsing into critspeak, Silverman adroitly lays out the evidence for what's shaping up as an emergent reassessment of Lean's output and provides flavorful eyewitness testimony, pro and con." Chicago Tribune: "It's fitting that the most exquisitely crafted book on film should deal with one of the motion pictures' supreme craftsmen, David Lean . . . . Lean himself contributes many insights and anecdotes, and there are fascinating behind-the-camera tales of both his meticulous technique and his messy battles with producers and stars." Financial Times: "This portrait of the film director as old lion is well-researched and highly readable. We goggle at the account of Lean's Quaker upbringing and his parents' horror of the cinema. (They wanted him to become an accountant.) We follow Lean's early creative romances with Noël Coward (four films) and Charles Dickens (two). And we listen to Lean and Katharine Hepburn . . . quarreling via Silverman over who was responsible for her ill-fated jump into the Venice canal in Summertime." Variety: "As lavish as Lean's best films, Stephen M. Silverman's David Lean is an important addition to the collective library of film books.
Jam-packed with jokes, funny stories, and stand-up routines, this guide to America's funniest women covers more than seventy-five famous comediennes, including Carol Burnett, Ellen DeGeneres, Whoopi Goldberg, Goldie Hawn, Bette Midler, Mary Tyler Moore, Joan Rivers, Lily Tomlin, and others.
The first book to explore the life and extraordinary work of the legendary moviemaker who directed Singin' in the Rain, On the Town, and Funny Face, from the author of David Lean ("Silverman has captured one of the world's truly great filmmakers"—Billy Wilder). Stanley Donen is the man who forever changed the Hollywood musical, moving it away from the Busby Berkeley extravagance to a felt integration of the songs and dances. He is also the man who helped shape the sophisticated romance exemplified by Indiscreet and Charade. The author, with Donen's cooperation, has brilliantly revealed Donen's fifty-year career—first in the theater, next in Hollywood, and then abroad. We see Donen's collaborations with Fred Astaire, Cary Grant, Gene Kelly, and Frank Sinatra. And we see his work with Rodgers and Hart, Alan Lerner, Comden and Green, Roger Edens, Arthur Freed, Michael Kidd, and Bob Fosse. We watch Donen growing up in the South in the 1930s, seeking refuse at movies, watching Fred Astaire dance on the screen, and forever changed by it. And then at sixteen, fleeing to New York, where he lands his first job in the chorus of the groundbreaking musical Pal Joey, directed by George Abbott, starring Gene Kelly...and appearing next in Best Foot Forward. We follow Donen west to MGM (first he was a chorus boy, then assistant choreographer)...next embellishing Anchors Aweigh, dreaming up the almost technically impossible notion of having its star, Gene Kelly, dance with a cartoon character, Jerry the Mouse...and in the next decade making one great musical after another. We hear Donen's recollections of life and work on the sets of Singin' in the Rain, Royal Wedding, Funny Face, Seven Brides for Seven Brothers, On the Town, The Pajama Game, Indiscreet, Charade, Two for the Road, Arabesque, Bedazzled, and other movies he directed. We see him through the eyes of more than one hundred of his contemporaries whom, in addition to Donen himself, Silverman has interviewed at length, from Kay Thompson and Billy Wilder to Deborah Kerr, Audrey Hepburn, Debbie Reynods, Gregory Peck, and Cyd Charisse. Dancing on the Ceiling gives, close up, a great director and a lost Hollywood on whose silver screen wit and charm abounded.
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