*2022 Foreword INDIES Book of the Year Award Finalist for Health “The most mind-blowing information on heart disease. . . . I consider this to be one of the best books I’ve ever read on cardiovascular health.”—Ben Greenfield, New York Times bestselling author Heart disease is the number-one killer in the world. Despite ever-advancing medical procedures and more and more powerful pharmaceutical drugs, the rate of heart disease continues to rise. According to Dr. Stephen Hussey, this is due in part to misunderstandings about how the heart really functions and how to keep it healthy. These misunderstandings result in improper medical approaches and off-target intervention therapies. As a type 1 diabetic, Dr. Hussey has always known that he was at two to four times greater risk of developing heart disease. As a result, he has dedicated his entire adult life to understanding the heart, to prevent himself from becoming a statistic. And then his worst nightmare came true. Dr. Hussey suffered a “STEMI,” a blockage in the left anterior descending artery of his heart. STEMIs are typically so fatal that they are known as “widowmakers.” Only 12 percent of those who experience them outside of a hospital setting survive. Dr. Hussey was among the lucky 12 percent, but faced a difficult decision during his recovery: follow the standard of care laid out for him by the attending cardiologist, or politely decline and apply everything he’d learned about the heart to a recovery protocol that would look massively different than what the doctors were recommending. In Understanding the Heart, Dr. Hussey shares the information that guided him through the highest-stakes decision of his life, including: A large body of research suggesting that the heart is not the main mover of blood in the body, and what that means for your overall health The evolutionary origins of the nervous system, and how these manifest today in rampant rates of heart disease Deep analysis of the widely accepted idea that saturated fat and cholesterol will clog your arteries The importance of reducing oxidative stress for a heart healthy lifestyle In Understanding the Heart, Dr. Stephen Hussey lays bare everything he has learned in his deep investigation into the heart, and guides you on a path to prevent disease in the context of a highly diseased modern world in order to enjoy lifelong good health.
On Palm Sunday 1964, at the Second Presbyterian Church in Memphis, a group of black and white students began a "kneel-in" to protest the church's policy of segregation, a protest that would continue in one form or another for more than a year and eventually force the church to open its doors to black worshippers. In The Last Segregated Hour, Stephen Haynes tells the story of this dramatic yet little studied tactic which was the strategy of choice for bringing attention to segregationist policies in Southern churches. "Kneel-ins" involved surprise visits to targeted churches, usually during Easter season, and often resulted in physical standoffs with resistant church people. The spectacle of kneeling worshippers barred from entering churches made for a powerful image that invited both local and national media attention. The Memphis kneel-ins of 1964-65 were unique in that the protesters included white students from the local Presbyterian college (Southwestern, now Rhodes). And because the protesting students presented themselves in groups that were "mixed" by race and gender, white church members saw the visitations as a hostile provocation and responded with unprecedented efforts to end them. But when Church officials pressured Southwestern president Peyton Rhodes to "call off" his students or risk financial reprisals, he responded that "Southwestern is not for sale." Drawing on a wide range of sources, including extensive interviews with the students who led the kneel-ins, Haynes tells an inspiring story that will appeal not only to scholars of religion and history, but also to pastors and church people concerned about fostering racially diverse congregations.
This intriguing book gathers together the stories of 120 criminals hanged at both Lincoln Castle Prison and HMP Lincoln on Greetwell Road between 1203 and 1961. The condemned featured here range from coiners and forgers, to thieves, highwaymen and poisoners. Among those executed at Lincoln were Richard Insole, hanged in 1887 for murdering his wife; child killer Frederick Nodder, hanged in 1937; and Herbert Leonard Mills, who failed to commit the perfect murder and was hanged in 1951 by Albert Pierrepoint. Fully illustrated with photographs, drawings, news cuttings and documents, Hanged at Lincoln will appeal to everyone interested in the shadier side of Lincoln's history.
In December 1885, under the watchful eye of Mark Twain, the publishing firm of Charles L. Webster and Company released the first volume of the Personal Memoirs of Ulysses S. Grant. With a second volume published in March 1886, Grant's memoirs became a popular sensation. Seeking to capitalize on Grant's success and interest in earlier reminiscences by Joseph E. Johnston, William T. Sherman, and Richard Taylor, other Civil War generals such as George B. McClellan and Philip H. Sheridan soon followed suit. Some hewed more closely to Grant's model than others, and their points of similarity and divergence left readers increasingly fascinated with the history and meaning of the nation's great conflict. The writings also dovetailed with a rising desire to see the full sweep of American history chronicled, as its citizens looked to the start of a new century. Professional historians engaged with the memoirs as an important foundation for this work. In this insightful book, Stephen Cushman considers Civil War generals' memoirs as both historical and literary works, revealing how they remain vital to understanding the interaction of memory, imagination, and the writing of American history. Cushman shows how market forces shaped the production of the memoirs and, therefore, memories of the war itself; how audiences have engaged with the works to create ideas of history that fit with time and circumstance; and what these texts tell us about current conflicts over the history and meanings of the Civil War.
Revealing the connections between the veneration of national landscape and eighteenth- century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape. Using an interdisciplinary approach, Groves addresses the apparent ‘silence’ of the English picturesque. The book draws on analysis of the visualisations present in the texts of English vocal music, and their musical treatment, to demonstrate how local composers incorporated celebrations of landscape into their works. The final chapter shows that the English picturesque was a crucial influence on Joseph Haydn’s oratorio The Seasons. Suitable for anyone with an interest in eighteenth- century music, aesthetics, and the natural environment, this book will appeal to a wide range of specialists and non- specialists alike.
“The most mind-blowing information on heart disease. . . . I consider this to be the best book I’ve ever read on cardiovascular health.”—Ben Greenfield, New York Times bestselling author Heart disease is the number-one killer in the world. Despite ever-advancing medical procedures and more and more powerful pharmaceutical drugs, the rate of heart disease continues to rise. According to Dr. Stephen Hussey, this is due in part to misunderstandings about how the heart really functions and how to keep it healthy. These misunderstandings result in improper medical approaches and off-target intervention therapies. As a type 1 diabetic, Dr. Hussey has always known that he was at two to four times greater risk of developing heart disease. As a result, he has dedicated his entire adult life to understanding the heart, to prevent himself from becoming a statistic. And then his worst nightmare came true. Dr. Hussey suffered a “STEMI,” a blockage in the left anterior descending artery of his heart. STEMIs are typically so fatal that they are known as “widowmakers.” Only 12 percent of those who experience them outside of a hospital setting survive. Dr. Hussey was among the lucky 12 percent, but faced a difficult decision during his recovery: follow the standard of care laid out for him by the attending cardiologist, or politely decline and apply everything he’d learned about the heart to a recovery protocol that would look massively different than what the doctors were recommending. In Understanding the Heart, Dr. Hussey shares the information that guided him through the highest-stakes decision of his life, including: • A large body of research suggesting that the heart is not the main mover of blood in the body, and what that means for your overall health • The evolutionary origins of the nervous system, and how these manifest today in rampant rates of heart disease • Deep analysis of the widely accepted idea that saturated fat and cholesterol will clog your arteries • The importance of reducing oxidative stress for a heart healthy lifestyle In Understanding the Heart, Dr. Stephen Hussey lays bare everything he has learned in his deep investigation into the heart, and guides you on a path to prevent disease in the context of a highly diseased modern world in order to enjoy lifelong good health.
Dadansoddiad darluniadol o dirlun diwydiannol ardal Abertawe yn adlewyrchu dylanwad hanes a datblygiad y diwydiant copr ar fywyd cymdeithasol ac economaidd, addysgol a chrefyddol y fro yn ystod y 18fed a'r 19eg ganrif. Dros 300 o luniau du-a-gwyn. -- Cyngor Llyfrau Cymru
It seemed good to the Holy Spirit and to us," the apostles declared at the conclusion of their council described in Acts 15. This apostolic council was the first of many councils to come as Christians sought to discern the will of God in the midst of historic challenges. The faithful continued to struggle to express their new apostolic faith in new words, new languages, new places and new times. Many issues--the interaction of science and faith, divinity and humanity, Church and State--continue to be pertinent today. This book tells the story of these struggles from the days of the New Testament to the fall of the city of Constantinople in AD 1453. It focuses on the Christian community in the eastern Mediterranean which became known as the Byzantine Empire. Each chapter examines the personalities and theologies entwined at the heart of conflicts that shaped the medieval world as well as the modern cultures of Greece, the Middle East and Eastern Europe.
Merrimack is the biography of a warship, the U.S. Steam Frigate Merrimack. Her name has long been linked to the first duel of ironclads, an epic Civil War battle fought at Hampton Roads between the Monitor and Merrimack. But over time the myth of the Merrimack—actually the C.S.S. Virginia—displaced the memory of a magnificent antebellum U.S. Navy warship. The steam frigate Merrimack lost her identity. Nearly forgotten is the story of the original Merrimack, the namesake of a class of six powerful war steamers. When built she was the largest vessel in the U.S. Navy, the nation’s first screw-propelled frigate and the earliest major warship to be armed entirely with shell-firing guns. Her first commission took her on a tour of the principal naval stations of Europe. During her second commission, she served as flagship of the Navy’s Pacific Squadron, cruising the shores of Chile, Peru, Panama, Hawaii, Mexico and Nicaragua. Through the copious use of Merrimack’s deck logs, official correspondence, contemporary newspapers and journals, and original construction plans, the author’s research illuminates the mechanical issues and human interactions that indelibly shaped Merrimack’s brief career. The author provides an unparalleled glimpse into the day-to-day events that defined the life of an active antebellum warship. But Merrimack offers more than just a summary of the ship’s operational life. The author, a professional naval architect and marine engineer, dissects the origins of her design and compares the Merrimack class steam frigates to contemporary U.S. and British warships. He also examines the controversy surrounding her troubled engines, documenting their performance using archived drawings and steam log data. In summary, Merrimack embraces the many threads of a bygone era—history, biography, geography and technology—and has woven them together in telling of the story of the U.S. Steam Frigate Merrimack.
Much has been written on Antarctic explorer, Ernest Shackleton. This is the story of the Endurance expedition's other hero, Joseph Russell Stenhouse (1887-1941) who, as Captain of the SS Aurora, freed the ship from pack ice and rescued the survivors of the Ross Sea shore party, deeds for which he was awarded the Polar Medal and the OBE. He was also recruited for special operations in the Arctic during the First World War, became involved in the Allied intervention in Revolutionary Russia, and was later appointed to command Captain Scott's Discovery. Stenhouse was one of the last men to qualify as a sea captain during the age of sail.
In the last decade, scholarship has highlighted the significance of the Seven Years War for the destiny of Britain's Atlantic empire. This major 2001 study offers an important perspective through a vivid and scholarly account of the regular troops at the sharp end of that conflict's bloody and decisive American campaigns. Sources are employed to challenge enduring stereotypes regarding both the social composition and military prowess of the 'redcoats'. This shows how the humble soldiers who fought from Novia Scotia to Cuba developed a powerful esprit de corps that equipped them to defy savage discipline in defence of their 'rights'. It traces the evolution of Britain's 'American Army' from a feeble, conservative and discredited organisation into a tough, flexible and innovative force whose victories ultimately won the respect of colonial Americans. By providing a voice for these neglected shock-troops of empire, Redcoats adds flesh and blood to Georgian Britain's 'sinews of power'.
Green Retreats presents a lively and beautifully illustrated account of eighteenth-century women in their gardens, in the context of the larger history of their retirement from the world – whether willed or enforced – and of their engagement with the literature of gardening. Beginning with a survey of cultural representations of the woman in the garden, Stephen Bending goes on to tell the stories, through their letters, diaries and journals, of some extraordinary eighteenth-century women including Elizabeth Montagu and the Bluestocking circle, the gardening neighbours Lady Caroline Holland and Lady Mary Coke, and Henrietta Knight, Lady Luxborough, renowned for her scandalous withdrawal from the social world. The emphasis on how gardens were used, as well as designed, allows the reader to rethink the place of women in the eighteenth century, and understand what was at stake for those who stepped beyond the flower garden and created their own landscapes.
The United States knew relatively little about Alaska prior to the turn of the century when the Klondike Gold Rush was about to attract thousands of stampeders north, many of them spilling over into Alaska as more gold was discovered on the Yukon River and her tributaries. The government had few reliable maps of the vast territory it had purchased from Russia thirty years before. The U.S. government commissioned J. Edward Spurr, a geologist, author, and explorer from New England, to mount two expeditions to explore and inventory Alaska, traveling thousand miles by canoe and on foot without benefit of telephones, radios, airplanes. The effort almost killed him, but his efforts helped provide detail to regions that had been largely blank on the Alaska map.
This highly illustrated book descibes how places have been `sold' or promoted to make themselves attractive locations as holiday resorts, business centres or residential areas. Explains the history of current practice, using world-wide examples.
Volume 2 deals with the mechanisms of herbicide action and of resistance and tolerance to herbicides. The first five chapters of this volume cover the effects of herbicides and adjuvants on the physiology of plants. Professor Black‘s chapter begins by covering the effects of herbicides on photosynthesis, including photosynthetic assimilation of nitrogen, sulfur, and phosphorus. This is followed by Dr. Morelands chapter on herbicide interactions with plant respiration. The third chapter by Professor Bartels deals with the effects of herbicides on chloroplast and cellular development with emphasis on correlating physiological information with ultrasound effects.
The Penn Commentary on Piers Plowman, Volume 2, by Ralph Hanna, deliberately addresses the question of the poem's perceived "difficulty," by indicating the legitimate areas of unresolved dilemmas, while offering often original explanations of a variety of textual loci.
“This book, the first scholarly consideration of Weill’s complete output of stage works, is without doubt the most important critical study of the composer’s oeuvre to date in any language. Hinton’s scholarship is superior and his insights original and illuminating. The product of several decades of engagement with Weill’s works, their sources and reception, as well as the secondary literature, the book is a stunning achievement. Brilliantly conceived and executed, it will take its place as one of the cornerstones of Weill studies.”—Kim H. Kowalke, University of Rochester and President, Kurt Weill Foundation for Music “In Weill’s Musical Theater: Stages of Reform, Stephen Hinton reminds us that Kurt Weill was always a revolutionary. The composer’s insistent dedication to a provocative, constantly evolving lyric theater that spoke directly to audiences meant that Weill remained as controversial as he was popular. The celebrity that endeared him to Broadway made him anathema in Berlin. Some sixty years after Weill’s death, Hinton is finally able to demonstrate the consistent brilliance, theatrical power, and coherence of a composer who revolutionized every genre he touched (or used) and whose collaborators read as a who’s who of twentieth-century theater.” —David Savran, author of Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class "Stephen Hinton presents us with an image of Weill that is at once monumental yet still alive. A truly Protean figure, Weill is not an easy man to grasp in his totality; Brecht once wrote that a man thrown into water will have to develop webbed feet, and as a refugee from Nazi Germany, Weill had to become a cultural amphibian. But in Weill's Musical Theater we see the composer from every angle: through the gaze of countless critics and reviewers, through Weill's own eyes, and finally through the filter of Hinton's judicious, focused prose. This account will stand."—Daniel Albright, author of Untwisting the Serpent: Modernism in Music, Literature, and Other Arts
When Fine Gael entered a coalition government with Fianna Fáil in 2020 the party did what would have been unthinkable for its forefathers, who had fought and won a bitter civil war to establish the institutions of an independent Irish state almost a century earlier. Saving the State is the remarkable story of Fine Gael from its origins in the fraught days of civil war to the political convulsions of 2020. Written by political journalist Stephen Collins and historian Ciara Meehan, Saving the State draws on a wealth of original historical research and a range of interviews with key political figures to chart the evolution of the party through the lens of its successive leaders. From the special place occupied by Michael Collins in the party's pantheon of heroes to the dark era of the Blueshirts, and from its role as the founder of the state to its claim to be the defender of the state, the ways that members perceive their own history is also explored. Saving the State is essential reading for anyone interested in understanding how Fine Gael came to be the party it is today, the ways in which it interprets and presents its own history, and the role that it played in shaping modern Ireland.
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction. Praise for Stephen Jones: 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney 'An essential volume for horror readers.' Locus 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times Books
The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passûs of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature.
So thoroughly is the American ethos embodied in the works of American silversmiths that it has given to their product a typical identity and it never can be mistaken for that of any other country." — Charles Messer Stow in the Introduction. Forsaking the flourishes and ornamentation favored by their European contemporaries, early American gold- and silver smiths pioneered a new American aesthetic sensibility in creating for their well-heeled clients finely worked, luxurious metalware for the table, which was marked by a simplicity and forthrightness of design. These accomplished artisans have left us not only a stunning legacy of priceless silverware but also an opportunity to examine the culture, lifestyle, and values — in short, the developing ethos — of young America. For social and cultural historians as well as Americana buffs, the study of silversmithing in this book will provide a unique perspective on a spirited new nation. For serious connoisseurs of American gold and silver ware, silver dealer Stephen G. C. Ensko's American Silversmiths and Their Marks is a rich and definitive directory. Ensko has compiled an exhaustive list of over 3,000 gold- and silversmiths working between the years 1650 and 1850. Biographical details and location of their shops are given wherever possible. Maps of the great metropolitan centers of smithing (Boston, New York, and Philadelphia) with shop locations noted are appended. Over 200 of the finest examples of the work of early American artisans are displayed in sharp, clear black-and-white photographs. Items include tankards, cups, candlesticks, sugar boxes, inkstands, tea sets, porringers, plus a pitcher, sauce dish, teapot, and other works by famous New England patriot Paul Revere. The usefulness of this work is perhaps most apparent in the practical listing of identifying marks associated with gold- and silversmiths. With over 3,000 entries, this feature alone renders American Silversmiths and Their Marks indispensable to enthusiasts interested in tracking down and identifying antique pieces.
Names are never given accidentally; they are chosen and bestowed according to rules that reflect fundamental features of the society and culture concerned. This is a study of the nature and history of naming practices in Western Europe.
The authoritative biography of a nineteenth-century polymath. This fascinating biography tells the story of William J. Stillman (18281901), a nineteenth-century polymath. Born and raised in Schenectady, New York, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church. In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. In yet another career switch, Stillman became a journalist, serving as a correspondent for The Times of London in Rome and the Balkans. In 1871, he married his second wife, Marie Spartali, a Pre-Raphaelite painter, and continued to write about history and art until his death. One of the later products of the American Enlightenment, he lived a life that intersected with many strands of American and European culture. Stillman can indeed be called the last amateur. The Last Amateur is a meticulously researched and highly nuanced portrait of William J. Stillman, an important journalist, artist, and critic of mid-nineteenth-century America. Stephen L. Dyson provides outstanding context and a convincing case as to why Stillman deserves to be better known due to his keen intellect, prodigious output, and insightful views on art and culture. Its refreshing to see an academic who blends deep scholarship with an ability to write in a readable style that will satisfy both the scholar and the general readers. The result is a timeless classic. Paul Grondahl, author of Mayor Corning: Albany Icon, Albany Enigma The Last Amateur is a complex and intriguing life history of a personality very much within the circles of the intellectual debates of the mid- and late nineteenth century on art, aesthetics, archaeology, geopolitics (especially in the eastern Mediterranean), and the development of photography. Stillman was sort of a Zelig character, and although he had an important influence on many of these areas of culture and society, he has been relatively little studied. The book is an important step in shedding light on the character and importance of Stillman. Harvey K. Flad, coauthor of Main Street to Mainframes: Landscape and Social Change in Poughkeepsie
Rutter’s Child and Adolescent Psychiatry has become an established and accepted textbook of child psychiatry. Now completely revised and updated, the fifth edition provides a coherent appraisal of the current state of the field to help trainee and practising clinicians in their daily work. It is distinctive in being both interdisciplinary and international, in its integration of science and clinical practice, and in its practical discussion of how researchers and practitioners need to think about conflicting or uncertain findings. This new edition now offers an entirely new section on conceptual approaches, and several new chapters, including: neurochemistry and basic pharmacology brain imaging health economics psychopathology in refugees and asylum seekers bipolar disorder attachment disorders statistical methods for clinicians This leading textbook provides an accurate and comprehensive account of current knowledge, through the integration of empirical findings with clinical experience and practice, and is essential reading for professionals working in the field of child and adolescent mental health, and clinicians working in general practice and community pediatric settings.
The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passûs of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature.
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