Robert Venturi’s Rome is a guidebook to the city of Rome seen through the eyes of Robert Venturi and re-interpreted by two subsequent Rome Prize fellows and architect, Frederick Fisher and Stephen Harby. Published in 1966, Venturi viewed architecture, landscape, and art as different manifestations of common themes. Fundamental to the develo9pment of any young architects’ outlook on architecture, Venturi wrote this seminal publication following a two-year Rome Prize fellowship at the American Academy in Rome. Many buildings in Rome serve as examples that illustrate his theories, underscoring the city’s profound influence on Venturi’s thinking: from the Pantheon, through works by his favorite artist, Michelangelo, and on to 20th century buildings by Armando Brasini and Luigi Moretti, Venturi reveals Rom as a complex and contradictory city." -- Book jacket.
The murder cases in this book are a mixture of classic narratives of jealousy, elimination and passion, now retold from new perspectives and with more research. The author also includes some little-known mysteries: three unsolved homicides from across the county, including the killing of the 'Barton recluse' and the enigmatic death of a young farmer in Gedney in which the dead man's dog appeared in court. In this chronicle of violent deaths and court-room struggles the reader will find a new slant on some of the principal cases, with plenty of social and legal history added to enrich the stories. Lincolnshire Murders is a powerful and fascinating reappraisal of some of the most brutal and gruesome killings in the county's history.
Where he saw virtue, his contemporaries saw betrayal...What could he possibly have done to make a success of his reign? He was, it seems, doomed by his inheritance.' Historian Ian Mortimer's description of Edward II is the starting point of Stephen Spinks' new analysis of this ultimately tragic story of sex, revenge and savagery.
It has long been recognized that the landscape of Britain is one of the 'richest historical records we possess', but just how old is it? The Fields of Britannia is the first book to explore how far the countryside of Roman Britain has survived in use through to the present day, shaping the character of our modern countryside. Commencing with a discussion of the differing views of what happened to the landscape at the end of Roman Britain, the volume then brings together the results from hundreds of archaeological excavations and palaeoenvironmental investigations in order to map patterns of land-use across Roman and early medieval Britain. In compiling such extensive data, the volume is able to reconstruct regional variations in Romano-British and early medieval land-use using pollen, animal bones, and charred cereal grains to demonstrate that agricultural regimes varied considerably and were heavily influenced by underlying geology. We are shown that, in the fifth and sixth centuries, there was a shift away from intensive farming but very few areas of the landscape were abandoned completely. What is revealed is a surprising degree of continuity: the Roman Empire may have collapsed, but British farmers carried on regardless, and the result is that now, across large parts of Britain, many of these Roman field systems are still in use.
Situated on the south coast of England, geographically and strategically, Dover more than played its part in the First World War. It was from its harbor that the many vessels of the Dover Patrol set about preventing German ships from using the English Channel. It was undoubtedly one of the most important Royal Naval units that Britain had during the First World War.Because of its important defensive roll, Dover was identified as a legitimate and relevant target by the German authorities. As a result, German Zeppelin's and Gotha aircraft subjected Dover to 113 aerial attacks, dropping 185 bombs in the process. The first of these raids took place on Christmas Eve, 1914; this was also the first time a German bomb had been dropped on British soil. The last raid was on 24 August 1918, in which twenty adults and three children were killed.The local residents who, for whatever reason, were unable to enlist in the military during the war, but who still felt the desire and obligation to serve their King and country, were able to do so in organizations such as the Dover Volunteer Training Corps. Most towns had similar units, and their members carried out some sterling work on the Home Front.By the end of the war, Dover and its people had sustained through testing and difficult times. Like every community throughout the nation, they had paid a heavy price. They had been as close to the war as it was possible to be, without actually being on the Front Line. Ships had sailed from its harbour to engage the enemy, and wounded soldiers had returned to the same harbour. Its men had gone of to fight in the war and, sadly, 721 of them never came back.
Event Studies is the only book devoted to developing knowledge and theory about planned events. It focuses on event planning and management, outcomes, the experience of events and the meanings attached to them, the dynamic processes shaping events and why people attend them. This title draws from a large number of foundation disciplines and closely related professional fields, to foster interdisciplinary theory focused on planned events. It brings together important discourses on events including event management, event tourism, and the study of events within various disciplines that are able to shed light on the roles, importance and impacts of events in society and culture. New to this edition: New sections on social and intangible influences, consumer psychology and legal environment, planning and policy framework to reflect recent developments in the field Extended coverage of philosophy and research methods and how they can best be used in event studies; social media as a marketing tool; and the class and cultural influences of events New and additional case studies throughout the book from a wide range of international events Companion website to include PowerPoint slides and updated Instructor’s Manual including suggested lecture outlines and sequence, quizzes per chapter and essay questions.
While the terms used to describe the tracery of medieval church windows are familiar (Early English, Decorated, Perpendicular), there has been no really detailed attempt to examine it as a distinct, stylistic architectural form, a gap which this book seeks to address. Based upon a visual catalogue of over 250 images of surviving types and styles from churches throughout England, it traces the progression of ideas and the continuity of motifs and themes in tracery patterns from the thirteenth to the sixteenth centuries, showing how different themes emerged within the main architectural styles; it also looks at the distinction between a window's architectural form and its tracery style, and describes the several different tracery techniques. The volume is completed with a detailed glossary. Stephen Hart is a retired architect, and the author of numerous works, including Flint Flushwork.
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