As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience - including the roles of emotion, ethics, imagination, and knowledge - in the life of their culture.
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
In this, the fullest, sustained interpretation of Aristotle's Poetics available in English, Stephen Halliwell demonstrates that the Poetics, despite its laconic brevity, is a coherent statement of a challenging theory of poetic art, and it hints towards a theory of mimetic art in general. Assessing this theory against the background of earlier Greek views on poetry and art, particularly Plato's, Halliwell goes further than any previous author in setting Aristotle's ideas in the wider context of his philosophical system. The core of the book is a fresh appraisal of Aristotle's view of tragic drama, in which Halliwell contends that at the heart of the Poetics lies a philosophical urge to instill a secularized understanding of Greek tragedy. "Essential reading not only for all serious students of the Poetics . . . but also for those—the great majority—who have prudently fought shy of it altogether."—B. R. Rees, Classical Review "A splendid work of scholarship and analysis . . . a brilliant interpretation."—Alexander Nehamas, Times Literary Supplement
The true story behind the ITV series, A Confession 'The gripping allure of long-form podcasts, such as Serial' Observer On the evening of Saturday, 19 March 2011, D.S. Stephen Fulcher receives a life-changing call that thrusts him into a race against the clock to save missing 22-year-old Sian O’Callaghan, who was last seen at a nightclub in Swindon. Steve knows from experience that he has a small window of time to find Sian alive, but his hopes are quickly dashed when his investigation leads him to Christopher Halliwell, a cabbie with sick obsessions. Following the investigation as it develops hour-by-hour, Steve’s gripping inside story of the cat-and-mouse situation that ensues shows how he hunted down Halliwell – his number-one suspect – which led him to the discovery of Sian’s body and another victim, Becky Godden-Edwards, who had been missing since 2002. The murders shocked the nation and Halliwell become one of the most hated men in Britain. Since then, he has been linked to several murders and disappearances, and has been called 'sick in the head' by an ex-cellmate for his unrelenting hatred of women. Catching a Serial Killer is a thrilling, devastating and absorbing look at a real-life murder case and potentially one of the UK’s most prolific serial killers.
A “meticulous history” of the classic suspense film based on exclusive interviews with the director, writers, cast, and crew (The New York Times Book Review). First released in June 1960, Psycho altered the landscape of horror films forever. But just as compelling as the movie itself is the story behind it, which has been adapted as a movie starring Anthony Hopkins as Hitchcock, Helen Mirren as his wife Alma Reville, and Scarlett Johansson as Janet Leigh. Stephen Rebello brings to life the creation of one of Hollywood’s most iconic films, from the story of Wisconsin murderer Ed Gein, the real-life inspiration for the character of Norman Bates, to Hitchcock’s groundbreaking achievements in cinematography, sound, editing, and promotion. Packed with captivating insights from the film’s stars, writers, and crewmembers, Alfred Hitchcock and the Making of Psycho is a riveting and definitive history of a signature Hitchcock cinematic masterpiece.
This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, lēros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation? The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light.
Meant for travelers and general readers, this book belongs to adventurers of all sorts, whether on the road or in their minds." - Library Journal London possesses a literary heritage which is unique and in large part unrivalled in any city in the world. In this book, literary London is presented through its authors and literature: William Shakespeare, Andrea Levy, G.A. Henty, Geoffrey Chaucer, P.L. Travers, Samuel Pepys, Sherlock Holmes, Charles Dickens, Una Marson, Joe Orton, John Keats, Percy Bysshe Shelley, Phillis Wheatley, Abdulrazak Gurnah, Katherine Mansfield, Harry Potter and Samuel Selvon to name just a very few. The text takes the reader on a series of walks, each of which is original and unique, the result of twenty years’ exploration of this wonderful city by the author. Detailed maps have been specially commissioned. The text is accompanied by over 80 original photographs taken by the author. In these pages you will find the details of hundreds of writers and their works; wherever you walk in the great city of London – even if solely in imagination from an armchair - the experience is going to be extraordinary.
Wormwood Scrubs is Britain's most ‘media-soaked' prison. Its celebrity inmates have provided the tabloids with many good stories, from Rolling Stone Keith Richards - banged up for drugs offences - to notorious spy George Blake, whose escape enthralled the country. It has entertained the Master of the Queen’s music, Sir Michael Tippett, socialist scrapper Fred Copeman, rebellious soul Pete Doherty, influential writer Joe Orton, lifetime litigant Lord Alfred Douglas, fraudster John Stonehouse and professional con Charles Bronson. In this book, you’ll read about the forgotten, as well as the famous; the plain as well as the extraordinary. It is an enthralling gallery of rogues, liars, spies, mountebanks, lovers of courtroom strife and general, all-round villains who did anything to get rich.
Develop an essential understanding of the principles of equine disease with this one-of-a-kind, problem-based resource! Extensively revised and updated with contributions from an international team of experts, Equine Internal Medicine, 3rd Edition reflects the latest clinical research in equine medicine and focuses on the basic pathophysiologic mechanisms that underlie the development of various equine diseases to help you confidently diagnose, treat, and manage patient conditions. Problem-based approach outlines how to apply the latest clinical evidence directly to the conditions you’ll encounter in practice. Pathophysiology is emphasized throughout, providing a sound basis for discussions of the diagnosis, treatment, and prognosis that follow. Body systems chapters begin with a thorough discussion of the diagnostic method appropriate to the system, including physical examination, clinical pathology, radiography, endoscopy, and ultrasonography. Flow charts, diagrams, and algorithms clarify complex material. Extensive content updates help you improve patient care with up-to-date research and clinical evidence across the full spectrum of equine practice, including: New sections on biofilm ahesins, resistance to phagocytosis, and host substrate utilization New information on changes in body weight Recent findings on fibrocoxib and diclofenac Expanded and reorganized coverage of critical care New material on inborn errors of metabolism and acquired myopathies Detailed treatment information on various disorders of the reproductive tract A new section on toxicoses causing signs related to liver disease or dysfunction Bound-in companion DVD includes more than 120 high-quality video clips that guide you through procedures related to the cardiovascular and neurologic systems.
Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.
The first book to explore the life and extraordinary work of the legendary moviemaker who directed Singin' in the Rain, On the Town, and Funny Face, from the author of David Lean ("Silverman has captured one of the world's truly great filmmakers"—Billy Wilder). Stanley Donen is the man who forever changed the Hollywood musical, moving it away from the Busby Berkeley extravagance to a felt integration of the songs and dances. He is also the man who helped shape the sophisticated romance exemplified by Indiscreet and Charade. The author, with Donen's cooperation, has brilliantly revealed Donen's fifty-year career—first in the theater, next in Hollywood, and then abroad. We see Donen's collaborations with Fred Astaire, Cary Grant, Gene Kelly, and Frank Sinatra. And we see his work with Rodgers and Hart, Alan Lerner, Comden and Green, Roger Edens, Arthur Freed, Michael Kidd, and Bob Fosse. We watch Donen growing up in the South in the 1930s, seeking refuse at movies, watching Fred Astaire dance on the screen, and forever changed by it. And then at sixteen, fleeing to New York, where he lands his first job in the chorus of the groundbreaking musical Pal Joey, directed by George Abbott, starring Gene Kelly...and appearing next in Best Foot Forward. We follow Donen west to MGM (first he was a chorus boy, then assistant choreographer)...next embellishing Anchors Aweigh, dreaming up the almost technically impossible notion of having its star, Gene Kelly, dance with a cartoon character, Jerry the Mouse...and in the next decade making one great musical after another. We hear Donen's recollections of life and work on the sets of Singin' in the Rain, Royal Wedding, Funny Face, Seven Brides for Seven Brothers, On the Town, The Pajama Game, Indiscreet, Charade, Two for the Road, Arabesque, Bedazzled, and other movies he directed. We see him through the eyes of more than one hundred of his contemporaries whom, in addition to Donen himself, Silverman has interviewed at length, from Kay Thompson and Billy Wilder to Deborah Kerr, Audrey Hepburn, Debbie Reynods, Gregory Peck, and Cyd Charisse. Dancing on the Ceiling gives, close up, a great director and a lost Hollywood on whose silver screen wit and charm abounded.
An invaluable addition to the Citadel 100 series that ranks the most prominent Italian figures in history--from the Chairman of the Board to the Mayor of New York City Now more than ever, Americans have entered into a passionate love affair with all things Italian, from the world-changing adventures of Christopher Columbus to the drama of opera to Italian cinema to the epic family saga of The Sopranos. The Italian 100 chronicles the rich legacy of Italians and Italian-Americans in a ranking of the most influential 100 and the enduring nature of their contributions. The giants who immeasurably changed the size and shape of our world--Galileo (ranked #1), Christopher Columbus (#2), and Marconi (#3)--grace the top of the list, while artistic and literary giants such as Michaelangelo, Leonardo da Vinci, Botticelli, Petrarch, and Dante feature prominently. Also profiled are the brilliant (and sometimes despotic) political leaders such as Niccolo Machiavelli, Lorenzo de' Medici, Garibaldi, Rudolph Giuliani, and Benito Mussolini, and geniuses of music, theater, and film such as Vivaldi, Puccini, Pavarotti, Fellini, Scorcese, and Sinatra. The Italian 100 also highlights less-familiar figures who have left legacies of equal magnitude, such as Guido of Arezzo, who invented the musical staff: Leonardo Fibonacci, who introduced Arabic numerals to the Western world, Saint Fabiola, the Roman matron credited with cofounding the first public hospital in Western Europe; and Bartolommeo Cristofori, inventor of the modern piano. Part cultural companion, part historical reference, and part celebration, The Italian 100 is a fresh and sometimes controversial look at a people who, throughout more than fifteencenturies, have had an enormous and profound effect on every aspect of the modern world.
The cultures of ancient China and ancient Greece have exerted immeasurable influence on later civilizations. The texts and cultural values of classical China spread throughout East Asia and became the foundation of learning in Korea, Japan and Vietnam. Greek learning and culture receive credit for many of the intellectual paradigms of the West. Probably the one which is most distinctly Western is the tradition of logical proof and the related assumption that, as Aristotle put it in 'Metaphysics' 980, 'we all desire to know.' In contrast, the Chinese tradition, as exemplified by Laozi's 'Dao de jing,' cautions that through our desire to know we may forfeit wisdom, thus engendering a split between knowledge and wisdom. 'The Siren and the Sage' is a comparative study of what some of the most influential writers of ancient China and ancient Greece thought it meant to know and whether they distinguished knowledge from wisdom. It surveys selected works of poetry, history and philosophy from roughly the eighth through the second centuries BCE, focusing on the 'Odyssey,' the ancient Chinese 'Classic of Poetry,' Thucydides' 'History of the Peloponnesian War,' Sima Qian's 'Records of the Historian,' Plato's 'Symposium,' Laozi's 'Dao de jing' and the writings of Zhuangzi. The intention, through such juxtaposition, is to introduce foundational texts of each tradition, texts which continue to influence most of the world's peoples. It is intriguing to ask what awareness, if any, these distinctive cultures had of each other. A considerable body of scholarship comparing ancient Greece and ancient China now exists. Scholars are presenting evidence that the two cultures may actually have been aware of each other's presence, even though that awareness was presumably indirect, perhaps mediated by the nomadic peoples of Central Asia. While not directly contributing evidence, the authors argue that comparing the cultures of Greece and China will continue to be an irresistible and important scholarly debate. The book offers a provocative study which is accessible to students and general readers and at the same time contributes to the debate.
Analyzes the medieval dramatic tradition of history plays (Vengeance of Our Lord) on the siege and destruction of Jerusalem, 70 CE, which enjoyed widespread popularity in the 14th-16th centuries in Germany, France, England, Spain, and Italy. Describes the development of the tradition, and shows how medieval dramatists made use of antisemitic stereotypes and transformed the distant non-Christian past to address contemporary Christian audiences. Traces the sources of this dramatic tradition to Hesegippus's translation of Josephus Flavius in which the fall of Jerusalem is interpreted by Hesegippus as God's punishment of the Jews for deicide, to Church sermons on the Gospels, and to the Vindicta Salvatoris genre describing Titus as a recent convert leading a Christian crusade against deicide Jews who reject the true faith. Includes microfiche reproductions of "Ludus de assumptione beatae Mariae virginis, " "Gothaer Botenrolle, " and Eustache Marcade's "La vengance Jhesucrist.
The first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world. In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug. Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr. While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932. The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings. The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
Here is the story of Sir David Lean, one of the greatest moviemakers of all time, director of such epics as Lawrence of Arabia, Doctor Zhivago, The Bridge on the River Kwai, and A Passage to India. Stephen M. Silverman spent the better part of a year meeting with Lean to secure firsthand information for this book. An intensely private man, Lean opened up to Silverman and shared with him the story of his life - from his Quaker upbringing, through his decade as Britain's star film editor, to his work as a director, earning him through his intelligent, literate films a reputation for perfection. Lean's movies, which collected an unprecedented twenty-seven Academy Awards, are noted for their stunning pictorial content as well as their strong narrative flow, and many of Lean's colleagues have shared their personal recollections with the author, who has added a new afterword to the book. The memories and anecdotes from such film notables as Alec Guinness, Katharine Hepburn, Julie Christie, Maurice Jarre, John Mills, Omar Sharif, Judy Davis, and Sarah Miles serve to further enliven this already vivid biographical and critical study. Katharine Hepburn starred in Summertime, Lean's first film to be shot entirely on location. Her Introduction discusses Sir David as both an incomparable director and a great friend. Rolling Stone: "Stephen M. Silverman has guided the famously reclusive Lean into lively, witty, and informative recollections of his life and work on such hits as The Bridge on the River Kwai, Doctor Zhivago, Brief Encounter, and A Passage to India, as well as Lawrence [of Arabia]. Here's that rare book on movies that can really be called indispensable." Los Angeles Times: "Perhaps most surprising to his friends, [Lean] allowed himself to be interviewed at length by critic Stephen Silverman. David Lean is interesting not least for the candor with which Lean admitted that the reviews of Ryan's Daughter devastated him and almost paralyzed him creatively." The Boston Globe: "Bright, chatty, cant-free . . . Without lapsing into critspeak, Silverman adroitly lays out the evidence for what's shaping up as an emergent reassessment of Lean's output and provides flavorful eyewitness testimony, pro and con." Chicago Tribune: "It's fitting that the most exquisitely crafted book on film should deal with one of the motion pictures' supreme craftsmen, David Lean . . . . Lean himself contributes many insights and anecdotes, and there are fascinating behind-the-camera tales of both his meticulous technique and his messy battles with producers and stars." Financial Times: "This portrait of the film director as old lion is well-researched and highly readable. We goggle at the account of Lean's Quaker upbringing and his parents' horror of the cinema. (They wanted him to become an accountant.) We follow Lean's early creative romances with Noël Coward (four films) and Charles Dickens (two). And we listen to Lean and Katharine Hepburn . . . quarreling via Silverman over who was responsible for her ill-fated jump into the Venice canal in Summertime." Variety: "As lavish as Lean's best films, Stephen M. Silverman's David Lean is an important addition to the collective library of film books.
Quantum wormhole technology brings about the end of human privacy in a novel “fizzing with ideas” by two of science fiction’s most acclaimed authors (Kirkus Reviews). From Arthur C. Clarke, the brilliant mind that brought us 2001: A Space Odyssey, and Stephen Baxter, the Philip K. Dick Award–winning author of The Time Ships, comes a novel of a day, not so far in the future, when the barriers of time and distance have suddenly turned to glass. When a brilliant, driven industrialist harnesses cutting-edge physics to enable people everywhere, at trivial cost, to see one another at all times—around every corner, through every wall—the result is the sudden and complete abolition of human privacy, forever. Then the same technology proves able to look backward in time as well. The Light of Other Days is a story that will change your view of what it is to be human.
Updated annually, the 31st edition of Mayson, French and Ryan on Company Law provides the most current and comprehensive treatment of this area. This textbook continues to deliver, with clarity, accurate technical detail balanced with theoretical discussion and quotes from important cases.
Mural is a haunting ‘confession’ by a psychopath known only as D. Held in a secure facility, he has been asked by his psychiatrist to write down his thoughts, admissions, anxieties and uncertainties. They are at first revealed through the stories of other people’s lives and obsessions. Specifically, D is pre-occupied with a British man who spent his early years as a schoolteacher in Australia before becoming a renowned sexologist. D is also consumed by Australia’s most prolific public artist, a man whose highly erotic watercolours are at odds with his stained-glass church windows. D writes of his meeting with a boyhood friend. He recounts the true tale of a Frenchman who went mad because he believed prehistoric stones in Brittany were shifting. Downes navigates the real and the imagined, traversing fact and fiction. Mural is daring, acknowledging the influences of European writers such as Thomas Bernhard and WG Sebald while moving into new and original territory. It is both provocative and tender, a highly explosive fable about sexuality, religion, art and obsession. ‘Mural is an engrossing read! A fascinating, lively voiced protagonist with a strange tale to tell; I was really engaged from the start.’ – Dr Gwen Adshead, consultant forensic psychiatrist and psychotherapist who has worked for many years with prisoners, including in Britain’s renowned high-security psychiatric hospital Broadmoor. Co-author of The Devil You Know: Encounters in Forensic Psychiatry ‘Stephen Downes takes us inside the mind of a deranged and violent criminal. We don’t know – or need to know or perhaps even want to know – what ‘D’ has done. But the insight into his thinking and psychopathy, thanks to Downes’s elegant, taut and compelling storytelling – ensures that this short, powerful novel will shadow its readers long after the final page.’ – Paul Daley, author of Jesustown and writer for The Guardian ‘A gripping interior account of an unhinged and violent mind. The narrator, D, institutionalised and guilty of unnamed atrocities, directs an extended monologue to his psychiatrist that is in turn reflective, cultured and misanthropic. D is a memorable character, vividly painted: a sharp-edged combination of erudition and paranoia. Downes skilfully creates a growing sense of menace as D’s thoughts twist and turn around his varied tics and fixations. This is a viscerally compelling portrait of derangement that will appeal to readers of quality fiction.’ – Nick Haslam, Professor of Psychology, University of Melbourne and co-author of Troubled Minds: Understanding and treating mental illness ‘Stephen Downes has written a captivating novel, if not to say a one-person drama. Mural traverses mental and psychological landscapes, interspersed with haunting illustrations that recall the melancholic doom of W. G. Sebald.’ – Uwe Schütte, academic, author, and leading Sebald scholar
Yale University's Elizabethan Club is the home of an outstanding collection of rare editions of early English literature, including the four Folios of Shakespeare, the famous forty quartos acquired from the Huth Collection, the finest of the four known copies of Venus and Adonis, and the unique copy of the first Troilus and Cressida. This volume by Stephen Parks makes available for the first time a detailed bibliographical catalogue of the collection, including full details of provenance, binding, and condition of each of the books.
Find free content and save on permission fees Millions of creative works—books, artwork, photos, songs, movies, and more—are available copyright-free in the public domain. Whether your tastes run to Beethoven or Irving Berlin, Edvard Munch or Claude Monet, you’ll find inspiration in The Public Domain. The only book that helps you find and identify which creative works are protected by copyright and which are not, The Public Domain covers the rules for: writings music art photography architecture maps choreography movies video software databases collections For the first time in decades, new works began to enter the public domain in 2019, and more are entering each year. The 9th edition is completely updated to include new public domain resources and to cover the latest legal changes to copyright protection of songs, books, photos, and other creative works, as well as public domain rules outside the U.S.
Stephen Hawking, the Lucasian Professor of Mathematics at Cambridge University, has made important theoretical contributions to gravitational theory and has played a major role in the development of cosmology and black hole physics. Hawking's early work, partly in collaboration with Roger Penrose, showed the significance of spacetime singularities for the big bang and black holes. His later work has been concerned with a deeper understanding of these two issues. The work required extensive use of the two great intellectual achievements of the first half of the Twentieth Century: general relativity and quantum mechanics; and these are reflected in the reprinted articles. Hawking's key contributions on black hole radiation and the no-boundary condition on the origin of the universe are included. The present compilation of Stephen Hawking's most important work also includes an introduction by him, which guides the reader though the major highlights of the volume. This volume is thus an essentialitem in any library and will be an important reference source for those interested in theoretical physics and applied mathematics. It is an excellent thing to have so many of Professor Hawking's most important contributions to the theory of black holes and space-time singularities all collected together in one handy volume. I am very glad to have them". Roger Penrose (Oxford) "This was an excellent idea to put the best papers by Stephen Hawking together. Even his papers written many years ago remain extremely useful for those who study classical and quantum gravity. By watching the evolution of his ideas one can get a very clear picture of the development of quantum cosmology during thelast quarter of this century". Andrei Linde (Stanford) "This review could have been quite short: 'The book contains a selection of 21 of Stephen Hawking's most significant papers with an overview written by the author'. This w
This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.
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