Salado is an enigma of the past. One of the most spectacular cultures of the ancient Southwest, its brilliant polychrome pottery has been subjected to varied interpretations, from religious cult to artistic horizon. Stephen Lekson now uses data from two Salado sites—a large pueblo and a small farmstead—to clarify long-standing misconceptions about this culture. By combining analysis of the large whole-vessel collection at Dutch Ruin with the scientific excavation of Villareal II, a picture of Salado emerges that enables Lekson to evaluate previous competing theories and propose that Salado represents a major fourteenth-century migration of Pueblo peoples into the Chihuahuan deserts. Lekson demonstrates that late, short-lived Salado farmsteads—difficult to identify archaeologically in areas with larger Mimbres concentrations—coexisted with larger Salado towns, and he argues that Salado in the Upper Gila region appears as a substantial in-migration of Mogollon Uplands populations into what was a vacant river valley. Throughout the fourteenth century, Salado communities in the Upper Gila were integrated into the larger Salado horizon and were closely connected to Casas Grandes, as indicated by the export of serpentine to the city of Paquimé and the occurrence of Casas Grandes pottery at Upper Gila Salado sites. The book includes illustrations of 71 vessels from Dutch Ruin plus a full-color frontispiece. Through analysis of these two sites, Lekson has taken a large step toward clearing up the mystery of Salado. His work will be welcomed by all who study the movements of peoples in the prehispanic Southwest.
Stephen H. Lekson offers a lively, provocative thesis, which attempts to reconceptualize the meaning of the monumental 11th-century structures in Chaco Canyon and its importance to the understanding of the entire Southwest.
This reappraisal of archaeology conducted at the Saige-McFarland site presents for the first time a substantial body of comparative data from a Mimbres period site in the Gila drainage. Lekson offers a new and controversial interpretation of the Mimbres sequence, reintroducing the concept of the Mangas phase first proposed by the Gila Pueblo investigations of the 1930s and demonstrating a more gradual shift from pithouse to pueblo occupance than has been suggested previously.
In this volume Steve Lekson argues that, for over a century, southwestern archaeology got the history of the ancient Southwest wrong. Instead, he advocates an entirely new approach, one that separates archaeological thought in the Southwest from its anthropological home and moves to more historical ways of thinking. Focusing on the enigmatic monumental center at Chaco Canyon, the book provides a historical analysis of how Southwest archaeology confined itself, how it can break out of those confines, and how it can proceed into the future. Lekson suggests that much of what we believe about the ancient Southwest should be radically revised. Looking past old preconceptions brings a different Chaco Canyon into view. More than an eleventh-century Pueblo ritual center, Chaco was a political capital with nobles and commoners, a regional economy, and deep connections to Mesoamerica. By getting the history right, a very different science of the ancient Southwest becomes possible and archaeology can be reinvented as a very different discipline."--Provided by publisher.
Eighty-five black-and-white photos and accompanying essays share the beauty of the canyons and mesas of the Colorado Plateau and the history of the resourceful inhabitants.
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