The shots that killed President John F. Kennedy in November 1963 were fired from the sixth floor of a nondescript warehouse at the edge of Dealey Plaza in downtown Dallas. That floor in the Texas School Book Depository became a museum exhibit in 1989 and was designated part of a National Historic Landmark District in 1993. This book recounts the slow and painful process by which a city and a nation came to terms with its collective memory of the assassination and its aftermath. Stephen Fagin begins Assassination and Commemoration by retracing the events that culminated in Lee Harvey Oswald’s shots at the presidential motorcade. He vividly describes the volatile political climate of midcentury Dallas as well as the shame that haunted the city for decades after the assassination. The book highlights the decades-long work of people determined to create a museum that commemorates a president and recalls the drama and heartbreak of November 22, 1963. Fagin narrates the painstaking day-to-day work of cultivating the support of influential citizens and convincing boards and committees of the importance of preservation and interpretation. Today, The Sixth Floor Museum helps visitors to interpret the depository and Dealey Plaza as sacred ground and a monument to an unforgettable American tragedy. One of the most popular historic sites in Texas, it is a place of quiet reflection, of edification for older Americans who remember the Kennedy years, and of education for the large and growing number of younger visitors unfamiliar with the events the museum commemorates. Like the museum itself, Fagin’s book both carefully studies a community’s confrontation with tragedy and explores the ways we preserve the past.
There have been more prisons in London than in any other European city. Of these, Newgate was the largest, most notorious and worst. Built during the twelfth century, it became a legendary place - the inspiration of more poems, plays and novels than any other building in London. It was a place of cruelty and wretchedness, at various times holding Dick Turpin, Titus Oates, Daniel Defoe, Jack Sheppard and Casanova. Because prisons were privately run, any time spent in prison had to be paid for by the prisoner. Housing varied from a private cell with a cleaning woman and a visiting prostitute, to simply lying on the floor with no cover. Those who died inside - and only a quarter of prisoners survived until their execution day - had to stay in Newgate as a rotting corpse until relatives found the money for the body to be released. Stephen Halliday tells the story of Newgate's origins, the criminals it held, the punishments meted out and its rebuilding and reform. This is a compelling slice of London's social and criminal history.
Stricken with guilt and grief when his father, mother and brother died in quick succession, Eugene O'Neill mourned deeply for two decades. This critical biography presents an understanding of O'Neill's life, work and slow grieving.
Stephen H. Norwood has written the first systematic study of the American far left's role in both propagating and combating antisemitism. This book covers Communists from 1920 onward, Trotskyists, the New Left and its black nationalist allies, and the contemporary remnants of the New Left. Professor Norwood analyzes the deficiencies of the American far left's explanations of Nazism and the Holocaust. He explores far left approaches to militant Islam, from condemnation of its fierce antisemitism in the 1930s to recent apologies for jihad. Norwood discusses the far left's use of long-standing theological and economic antisemitic stereotypes that the far right also embraced. The study analyzes the far left's antipathy to Jewish culture, as well as its occasional efforts to promote it. He considers how early Marxist and Bolshevik paradigms continued to shape American far left views of Jewish identity, Zionism, Israel, and antisemitism.
Known for - and even overshadowed by - his brutal and spectacular building cuts, Gordon Matta-Clark's oeuvre is unique in the history of American art. He worked in the 1970s on the boarders between art and architecture and his diverse practice is often understood as an outright rejection of the tenets of high modernism. Stephen Walker argues instead for the artist's ambivalent relationship with the architectural heritage he is often claimed to disavow, thus making this the first book to extrapolate Matta-Clark's thinking beyond its immediate context.Walker considers the broad range of Matta-Clark's ephemeral practice, from montage to actual interventions and from performance art and installation to drawing, film and video. Bringing to the fore the consistent themes and issues explored through this broad range of media, and in particular the complex notion of the 'discreet violation', he reveals the continued relevance of Matta-Clark's artistic and theoretical oeuvre to the reception of artistic and architectural work today.
The internationally acclaimed Canadian humorist, Stephen Leacock produced over thirty books of light-hearted sketches and essays. The beguiling fantasies and hilarious tales of ‘Literary Lapses’ (1910), ‘Nonsense Novels’ (1911) and ‘Sunshine Sketches of a Little Town’ (1912) helped launch Leacock’s career as a master writer of humour. He also produced learned and well-researched non-fiction books, including important historical works on his beloved home of Canada and reviews of literary figures. For the first time in publishing history, this eBook presents Leacock’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Leacock’s life and works * All 27 short story collections, with individual contents tables * Features rare books appearing for the first time in digital publishing, including ‘Hellements of Hickonomics’ * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare non-fiction works available in no other collection, including ‘How to Write’ and ‘Our British Empire’ * Includes Leacock’s play and autobiography * Features Peter McArthur’s seminal biography – discover Leacock’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Fiction Literary Lapses Nonsense Novels Sunshine Sketches of a Little Town Behind the Beyond Arcadian Adventures with the Idle Rich Moonbeams from the Larger Lunacy Further Foolishness Essays and Literary Studies Frenzied Fiction The Hohenzollerns in America Winsome Winnie My Discovery of England College Days Over the Footlights The Garden of Folly Winnowed Wisdom Short Circuits The Iron Man and the Tin Woman Laugh with Leacock The Dry Pickwick Afternoons in Utopia Hellements of Hickonomics in Hiccoughs of Verse Done in Our Social Planning Mill Model Memoirs Too Much College My Remarkable Uncle Happy Stories Last Leaves The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play “Q”: A Farce in One Act The Non-Fiction Elements of Political Science Baldwin, Lafontaine, Hincks: Responsible Government Adventurers of the Far North The Dawn of Canadian History The Mariner of St. Malo The Unsolved Riddle of Social Justice Mackenzie, Baldwin, Lafontaine, Hincks Economic Prosperity in the British Empire Mark Twain Charles Dickens: His Life and Work Humor: Its Theory and Technique, with Examples and Samples The Greatest Pages of American Humor Humor and Humanity Here Are My Lectures My Discovery of the West Our British Empire Canada: The Foundations of Its Future Our Heritage of Liberty Montreal: Seaport and City Canada and the Sea While There is Time How to Write The Autobiography The Boy I Left Behind Me The Biography Stephen Leacock by Peter McArthur Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Melville: Fashioning in Modernity considers all of the major fiction with a concentration on lesser-known work, and provides a radically fresh approach to Melville, focusing on: clothing as socially symbolic; dress, power and class; the transgressive nature of dress; inappropriate clothing; the meaning of uniform; the multiplicity of identity that dress may represent; anxiety and modernity. The representation of clothing in the fiction is central to some of Melville's major themes; the relation between private and public identity, social inequality and how this is maintained; the relation between power, justice and authority; the relation between the "civilized" and the "savage." Frequently clothing represents the malleability of identity (its possibilities as well as its limitations), represents writing itself, as well as becoming indicative of the crisis of modernity. Clothing also becomes a trope for Melville's representations of authorship and of his own scene of writing. Melville: Fashioning in Modernity also encompasses identity in transition, making use of the examination of modernity by theorists such as Anthony Giddens, as well as on theories of figures such as the dandy. In contextualizing Melville's interest in clothing, a variety of other works and writers is considered; works such as Robinson Crusoe and The Scarlet Letter, and novelists such as Fenimore Cooper, Nathaniel Hawthorne, Henry James, Jack London, and George Orwell. The book has at its core a consideration of the scene of writing and the publishing history of each text.
A narrative account of the evacuation of the Texians in 1836, which was redeemed by the defeat of the Mexican army and the creation of the Republic of Texas. Two events in Texas history shine so brightly that they can be almost blinding: the stand at the Alamo and the redemption at San Jacinto, where General Sam Houston’s volunteers won the decisive battle of the Texas Revolution. But these milestones came amid a less obviously heroic episode now studiously forgotten—the refugee crisis known as the Runaway Scrape. Propulsive, lyrical, and richly illustrated, Texian Exodus transports us to the frigid, sodden spring of 1836, when thousands of Texians—Anglo-American settlers—fled eastward for the United States in fear of Antonio López de Santa Anna’s advancing Mexican army. Leading Texas historian Stephen L. Hardin draws on the accounts of the Runaways themselves to relate a tale of high stakes and great sorrow. While Houston tried to build a force that could defeat Santa Anna, the evacuees suffered incalculable pain and suffering. Yet dignity and community were not among the losses. If many of the stories are indeed tragic, the experience as a whole was no tragedy; survivors regarded the Runaway Scrape as their finest hour, an ordeal met with cooperation and courage. For Hardin, such qualities still define the Texas character. That it was forged in retreat as well as in battle makes the Runaway Scrape essential Texas history.
THE RANDOM HOUSE CROSSWORD PUZZLE DICTIONARY MORE THAN 700,000 CLUES AND ANSWER WORDS! THE MOST COMPREHENSIVE POCKET CROSSWORD DICTIONARY ON THE MARKET! COMPREHENSIVE More clue words, special categories, and subcategories than any comparable dictionary In-depth coverage of people, places, and things AUTHORITATIVE Extensive coverage of modern history, popular culture, politics, literature, sports, and much more General vocabulary and synonyms checked against the voluminous Random House dictionary and thesaurus files CLEARLY ORGANIZED Clue words and clue information printed in easy-to-spot bold typeface All answer words grouped by their number of letters
Underworld: n. 1. the part of society comprising those who live by organized crime and immorality. 2. the mythical abode of the dead under the earth. Take a walk on the dark side of the street in this unique exploration of the fears and desires at the heart of the British Empire, from the Regency dandy’s playground to the grim and gothic labyrinths of the Victorian city. Enter a world of gin spinners, sneaksmen and Covent Garden nuns, where bare-knuckled boxers slog it out for dozens of rounds, children are worth more dead than alive, and the Thames holds more bodies than the Ganges. This is the Modern Babylon, a place of brutal poverty, violent crime, strong drink, pornography and prostitution; of low neighborhoods and crooked houses with windows out like broken teeth, wraithlike urchins with haunted eyes, desperate, ruthless and vicious men, and the broken remnants of once fine girls: a grey, bleak, infernal place, where gaslights fail to pierce the pestilential fog, and coppers travel in pairs, if they venture there at all. Combining the accessibility of a popular history with original research, this book brings the denizens of this vanished world once more to life, along with the voices of those who sought to exploit, imprison or save them, or to simply report back from this alien landscape that both fascinated and appalled: the politicians, the reformers, the journalists and, above all, the storytellers, from literary novelists to purveyors of penny dreadfuls. Welcome to the 19th century underworld…
Robin Hood is a national English icon. He is portrayed as a noble robber, who, along with his band of merry men, is said to have stolen from the rich and given to the poor. His story has been reimagined many times throughout the centuries. Readers will be introduced to some of the candidates who are thought to have been the real Robin Hood, before journeying into the fifteenth century and learning about the various ‘rymes of Robyn Hode’ that were in existence. This book then shows how Robin Hood was first cast as an earl in the sixteenth century, before discussing his portrayals as a brutish criminal in the eighteenth century. Then learn how Robin Hood became the epitome of an English gentleman in the Victorian era, before examining how he became an Americanized, populist hero fit for the silver screen during the twentieth century. Thus, this book will take readers on a journey through 800 years of English cultural and literary history by examining how the legend of Robin Hood has developed over time
By seeing London, I have seen as much of life as the world can show.' - Samuel Johnson From Chaucer's pilgrims meeting in a Southwark inn to the Hogwarts Express leaving from King's Cross, London has always been a popular place for writers to weave into their own work. With its bustling, multicultural population and unique localised weather, the city is almost a character in its own right. Fictional London explores the capital through the eyes of both the reader and the writer. Celebrated London historian Stephen Halliday traces the stories from one end of London to the other, digging into the history and character that has made it an unrivalled source of inspiration for authors and poets from the Middle Ages to the early 2000s and beyond.
This is a delightful book, a small gem replete with insightful, provocative pieces about both American culture and Jewish life. I think that Stephen Whitfield is one of the most original essayists on these two topics. Few other scholars combine the density of his knowledge with the verve of his prose". -- Hasia R. Diner, New York University
Many Jewish artists and writers contributed to the creation of popular comics and graphic novels, and in The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick takes readers on an engaging tour of graphic novels that explore themes of Jewish identity and belief. The creators of Superman (Jerry Siegel and Joe Shuster), Batman (Bob Kane and Bill Finger), and the Marvel superheroes (Stan Lee and Jack Kirby), were Jewish, as was the founding editor of Mad magazine (Harvey Kurtzman). They often adapted Jewish folktales (like the Golem) or religious stories (such as the origin of Moses) for their comics, depicting characters wrestling with supernatural people and events. Likewise, some of the most significant graphic novels by Jews or about Jewish subject matter deal with questions of religious belief and Jewish identity. Their characters wrestle with belief—or nonbelief—in God, as well as with their own relationship to the Jews, the historical role of the Jewish people, the politics of Israel, and other issues related to Jewish identity. In The Quest for Jewish Belief and Identity in the Graphic Novel, Stephen E. Tabachnick delves into the vivid kaleidoscope of Jewish beliefs and identities, ranging from Orthodox belief to complete atheism, and a spectrum of feelings about identification with other Jews. He explores graphic novels at the highest echelon of the genre by more than thirty artists and writers, among them Harvey Pekar (American Splendor), Will Eisner (A Contract with God), Joann Sfar (The Rabbi’s Cat), Miriam Katin (We Are On Our Own), Art Spiegelman (Maus), J. T. Waldman (Megillat Esther), Aline Kominsky Crumb (Need More Love), James Sturm (The Golem’s Mighty Swing), Leela Corman (Unterzakhn), Ari Folman and David Polonsky (Waltz with Bashir), David Mairowitz and Robert Crumb’s biography of Kafka, and many more. He also examines the work of a select few non-Jewish artists, such as Robert Crumb and Basil Wolverton, both of whom have created graphic adaptations of parts of the Hebrew Bible. Among the topics he discusses are graphic novel adaptations of the Bible; the Holocaust graphic novel; graphic novels about the Jews in Eastern and Western Europe and Africa, and the American Jewish immigrant experience; graphic novels about the lives of Jewish women; the Israel-centered graphic novel; and the Orthodox graphic novel. The book concludes with an extensive bibliography. No study of Jewish literature and art today can be complete without a survey of the graphic novel, and scholars, students, and graphic novel fans alike will delight in Tabachnick’s guide to this world of thought, sensibility, and artfulness.
This exciting new book provides a thorough and comprehensive review of growth hormone physiology and pathophysiology, including its therapeutic and agricultural use.
The shots that killed President John F. Kennedy in November 1963 were fired from the sixth floor of a nondescript warehouse at the edge of Dealey Plaza in downtown Dallas. That floor in the Texas School Book Depository became a museum exhibit in 1989 and was designated part of a National Historic Landmark District in 1993. This book recounts the slow and painful process by which a city and a nation came to terms with its collective memory of the assassination and its aftermath. Stephen Fagin begins Assassination and Commemoration by retracing the events that culminated in Lee Harvey Oswald’s shots at the presidential motorcade. He vividly describes the volatile political climate of midcentury Dallas as well as the shame that haunted the city for decades after the assassination. The book highlights the decades-long work of people determined to create a museum that commemorates a president and recalls the drama and heartbreak of November 22, 1963. Fagin narrates the painstaking day-to-day work of cultivating the support of influential citizens and convincing boards and committees of the importance of preservation and interpretation. Today, The Sixth Floor Museum helps visitors to interpret the depository and Dealey Plaza as sacred ground and a monument to an unforgettable American tragedy. One of the most popular historic sites in Texas, it is a place of quiet reflection, of edification for older Americans who remember the Kennedy years, and of education for the large and growing number of younger visitors unfamiliar with the events the museum commemorates. Like the museum itself, Fagin’s book both carefully studies a community’s confrontation with tragedy and explores the ways we preserve the past.
This analysis of racism in late 19th-century France views the subject not in isolation, but in its social context, as an indicator and symptom of social change. It also provides general analysis of anti-Semitic ideology in France, and of the Jewish response to this challenge.
Annotation Explores the contributions and challenges presented when scientific authority enters the realm of environmental affairs. Practical examples and case studies illustrate that science must be relevant, credible, and democratic.
LAJSA Book Award Winner, 2017, Latin American Jewish Studies Association As Cuba industrialized in the nineteenth century, an epochal realignment of the social order occurred. In this period of change, two seemingly disparate, yet nevertheless intertwined, ideological forces appeared: anti-Semitism and abolitionism. As the antislavery movement became organized in Cuba, the argument grew that Jews participated in the African slave trade and in New World slavery, and that this participation gave Jews extraordinary influence in the new Cuban economy and culture. What was remarkable about this anti-Semitism was the decidedly small Jewish population on the island in this era. This form of anti-Semitism, Silverstein reveals, sprang almost exclusively from mythological beliefs.
As you develop into active adult participants in Australian society, it is vital that you understand the ways in which state, national and international legal systems can and do affect you and those around you. This book will equip you with the knowledge and skills you need to effectively participate as a citizen now and in the future. [adapted from back cover].
Law and Society in England 1750–1950 is an indispensable text for those wishing to study English legal history and to understand the foundations of the modern British state. In this new updated edition the authors explore the complex relationship between legal and social change. They consider the ways in which those in power themselves imagined and initiated reform and the ways in which they were obliged to respond to demands for change from outside the legal and political classes. What emerges is a lively and critical account of the evolution of modern rights and expectations, and an engaging study of the formation of contemporary social, administrative and legal institutions and ideas, and the road that was travelled to create them. The book is divided into eight chapters: Institutions and Ideas; Land; Commerce and Industry; Labour Relations; The Family; Poverty and Education; Accidents; and Crime. This extensively referenced analysis of modern social and legal history will be invaluable to students and teachers of English law, political science, and social history.
Comedian and actor Stephen Fry's witty and practical guide, now in paperback, gives the aspiring poet or student the tools and confidence to write and understand poetry. Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled, he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started. Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics. Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension. Fry's method works, and his enthusiasm is contagious as he explores different forms of poetry: the haiku, the ballad, the villanelle, and the sonnet, among many others. Along the way, he introduces us to poets we've heard of but never read. The Ode Less Travelled is not just the survey course you never took in college, it's a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try.
Crime fiction--a product of the burgeoning metropolis of the 19th century--features specialists who identify criminals to protect an anxious citizenry. Before detectives came to play the central role, the protagonists tended to be lawyers or other professionals. Major English writers like Gaskell, Dickens and Collins contributed to the genre--Fergus Hume's The Mystery of a Hansom Cab was a best-seller in 1887--and American and French authors created new forms. This book explores thematic aspects of 19th century crime fiction's complex history, including various social and gender roles between different time periods and settings, and the imperial elements that made Sherlock Holmes seem dynamically contemporary.
Stephen Railton's study of the American Renaissance proposes a fresh way of conceiving the writer as a performing artist and the text as an enactment of the drama of its own performance. Railton focuses on how major prose works of the period are preoccupied with their readers--how they seek to negotiate the conflicted space between the authors, who brought to the act of publication their own anxieties of ambition and identity, and the contemporary American reading public, which, as a growing mass audience in a democracy, had acquired an unprecedented authority over the terms of literary performance. New readings of Emerson's orations, Poe's tales, the sketches of the Southwest Humorists, Walden, Uncle Tom's Cabin, The Scarlet Letter, and Moby-Dick relocate American writers in the dramatic context in which they suffered and thrived. The book attends closely to historicist issues, arguing that one of the most profound ways that the culture shaped these texts was also the most immediate--as the audience each writer had to address. Equally concerned with biographical themes, it appreciates each of the major works within the larger pattern of the writer's public career and private needs. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Introduction to Criminology: Why Do They Do It? offers a contemporary and integrated discussion of key criminological theories to help students understand crime in the 21st century. Focusing on why offenders commit crimes, authors Pamela J. Schram and Stephen G. Tibbetts apply established theories to real-life examples to explain criminal behavior. Coverage of violent and property crimes is included throughout theory chapters so that students can clearly understand the application of theory to criminal behavior. The Third Edition includes new and expanded coverage of timely topics, such as victimization, measuring crime, multicide, gun control, and hate crimes. This title is accompanied by a complete teaching and learning package.
What is visible to the naked eye has been exhaustively raked over; in UNDERGROUND LONDON, acclaimed travel writer Stephen Smith provides an alternative guide and history of the capital. It's a journey through the passages and tunnels of the city, the bunkers and tunnels, crypts and shadows. As well as being a contemporary tour of underground London, it's also an exploration through time: Queen Boudicca lies beneath Platform 10 at King's Cross (legend has it); Dick Turpin fled the Bow Street Runners along secret passages leading from the cellar of the Spaniards pub in North London; the remains of a pre-Christian Mithraic temple have been found near the Bank of England; on the platforms of the now defunct King William Street Underground, posters still warn that 'Careless talk costs lives'. Stephen Smith uncovers the secrets of the city by walking through sewers, tunnels under such places as Hampton Court, ghost tube stations, and long lost rivers such as the Fleet and the Tyburn. This is 'alternative' history at its best.
The continuing story of Tom and Annie. The story of Eli Rubenstein, the only man conceived in Dachau, and the owner of an island in the Calvados Chain off the tail of New Guinea.
A crime historian explores groundbreaking cold-case investigations, the advent of DNA evidence, and its role in long-delayed convictions and exonerations. When geneticist, Professor Alec Jeffreys worked with Leicestershire police on the 1986 case against Colin Pitchfork—the first person convicted of murder based on DNA evidence—a revolution started in the application of forensic expertise. Since then there have been several major cases in which long-standing murders and rapes have been revisited by teams of cold case detectives. Armed with DNA sampling, they have changed the landscape of criminal investigation, as well as the fates of those who thought they could get away with murder, and those who were wrongly convicted. From initial and intensive DNA lab work to the final serving of justice, true crime historian Stephen Wade examines some of the most high-profile cases of recent years: the controversial suspect in the murder of Rachel Nickell in London; the unsolved slayings of schoolchildren Keith Lyon and Lesley Molseed; the notorious World’s End pub killings; the erroneous charges against the “Cardiff Three”; the fate of Sean Hodgson, subject of one of the greatest miscarriages of justice in English history; and many more.
A popular crime genre in the nineteenth century, urban mysteries have largely been ignored ever since. This historical and critical text examines the origins of the innovative genre, which grappled with the rise of enormous, anonymous cities, beginning in France in 1842, then spreading rapidly across the continent and to America and Australia. Writers covered include Eugene Sue, George Reynolds, Paul Feval, George Lippard, "Ned Buntline" and Donald Cameron.
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