And Justice For All: Arthur Chaskalson and the Struggle for Equality in South Africa is a biography of a remarkable life lived in service both to law and to the struggle for social change and justice. The social change it describes is the victory over apartheid, which was won on several fronts and through the efforts of people in many nations, but an important one of those fronts lay in the courts of South Africa itself. Arthur Chaskalson enters the historical record in 1963, when he and a team of talented lawyers represented Nelson Mandela in the historic Rivonia Trial. Chaskalson organized legal and non-profit organizations and served as the first president of South Africa's Constitutional Court, which would eventually lead to the deconstruction of apartheid legislation. In exploring his life and career, we appreciate more clearly the roles lawyers can play in social change and the achievement of a just social order, and at the same time we gain insight into the combination of upbringing, experience, and character that shapes a man first into a 'cause lawyer’ and then into a path-breaking and foundation-laying judge.
This accessible writer's guide provides a helpful framework for creating poetry and navigates contemporary concerns and practices. Stephen Dobyns, author of the classic book on the beauty of poetry, Best Words, Best Order, moves into new terrain in this remarkable book. Bringing years of experience to bear on issues such as subject matter, the mechanics of poetry, and the revision process, Dobyns explores the complex relationship between writers and their work. From Philip Larkin to Pablo Neruda to William Butler Yeats, every chapter reveals useful lessons in these renowned poets' work. Both enlightening and encouraging, Next Word, Better Word demystifies a subtle art form and shows writers how to overcome obstacles in the creative process.
Poetic Community examines the relationship between poetry and community formation in the decades after the Second World War. In four detailed case studies (of Black Mountain College in North Carolina, the Caribbean Artists Movement in London, the Women's Liberation Movement at sites throughout the US, and the Toronto Research Group in Canada) the book documents and compares a diverse group of social models, small press networks, and cultural coalitions informing literary practice during the Cold War era. Drawing on a wealth of unpublished archival materials, Stephen Voyce offers new and insightful comparative analysis of poets such as John Cage, Charles Olson, Adrienne Rich, Kamau Brathwaite, and bpNichol. In contrast with prevailing critical tendencies that read mid-century poetry in terms of expressive modes of individualism, Poetic Community demonstrates that the most important literary innovations of the post-war period were the results of intensive collaboration and social action opposing the Cold War's ideological enclosures.
The sixteen essays assembled in this volume, four of them co-authored, chart the successive phases of a professional life lived in the interstices of Bible and "theory." Engaging such texts as the Song of Songs, 4 Maccabees, Mark, Luke-Acts, John, and Romans, and such themes as the quest for the historical Jesus, the essays simultaneously traverse postmodernism, deconstruction, New Historicism, autobiographical criticism, cultural studies, postcolonial studies, masculinity studies, queer theory, and "posttheory." Individual essay introductions and periodic annotated bibliographies make the volume an advanced introduction to biblical literary criticism. --From publisher's description.
For more than 30 years, National Security Law has helped create and shape an entire new field of law. It has been adopted for classroom use at most American law schools, all of the military academies, and many non-law graduate programs. The Eighth Edition of this leading casebook provides an up-to-date, user-friendly survey of this extremely dynamic field. Relying heavily on original materials and provocative notes and questions, this book encourages students to play the roles of national security professionals, politicians, judges, and ordinary citizens. And, by showing the development of doctrine in historical context, it urges them to see their responsibility as lawyers to help keep this country safe and free. Like earlier editions, the new book deals with basic separation-of-powers principles, the interaction of U.S. and international law, the use of military force, intelligence, detention, criminal prosecution, homeland security, and national security information — more than enough to provide teachers with a rich menu of readings for classes. The Eighth Edition also addresses dramatic new security threats from without and within. New to the Eighth Edition: The COVID pandemic and its national security implications; Efforts to subvert the results of the 2020 presidential election, culminating in the January 6, 2021 attack on the U.S. Capitol, including the criminal liability of participants, and the possible criminal liability, immunity, and disqualification of former President Trump; Russia’s war of aggression in Ukraine; Espionage Act prosecution of former President Trump in the Mar-a-Lago documents case; The October 7, 2023 attacks on Israel by Hamas fighters based in the Gaza Strip; Climate change and its growing threat to world security.
From Rodney King and “driving while black” to claims of targeting of undocumented Latino immigrants, relationships surrounding race, ethnicity, and the police have faced great challenge. Race, Ethnicity, and Policing includes both classic pieces and original essays that provide the reader with a comprehensive, even-handed sense of the theoretical underpinnings, methodological challenges, and existing research necessary to understand the problems associated with racial and ethnic profiling and police bias. This path-breaking volume affords a holistic approach to the topic, guiding readers through the complexity of these issues, making clear the ecological and political contexts that surround them, and laying the groundwork for future discussions. The seminal and forward-thinking twenty-two essays clearly illustrate that equitable treatment of citizens across racial and ethnic groups by police is one of the most critical components of a successful democracy, and that it is only when agents of social control are viewed as efficient, effective, and legitimate that citizens will comply with the laws that govern their society. The book includes an introduction by Robin S. Engel and contributions from leading scholars including Jeffrey A. Fagan, James J. Fyfe, Bernard E. Harcourt, Delores Jones-Brown, Ramiro Martínez, Jr., Karen F. Parker, Alex R. Piquero, Tom R. Tyler, Jerome H. Skolnick, Ronald Weitzer, and many others.
In the 1880s, George Grossmith was the dazzling comic star of Gilbert and Sullivan's immensely popular Savoy operas. London theatregoers waited excitedly for the next production, knowing that George would be cast in the lead role of the ‘patter man'. He was also many other things in his life, including Bow Street court reporter, piano entertainer for high society, and in the 1890s, with his brother Weedon, the author of the humorous classic work of fiction, The Diary of a Nobody, which has never been out of print and continues to inspire other writers. In this fascinating book, Stephen Wade tells the story of Grossmith’s life, from Penny Reading entertainer to self-styled ‘society clown.’ A Victorian Somebody places him firmly in context, recalls the many friends and colleagues who worked with George, and puts him once again centre stage, exactly where he should be.
More than a hundred years after its founding, psychoanalysis remains influential and controversial far outside its core sphere of activity in the 'clinic'. In a wide range of cultural and social disciplines, psychoanalytic ideas are drawn on to explain human subjectivity and its relationship with the social world. This lucid and engaging book explores these interventions through detailed examination of how psychoanalytic ideas apply in literature, politics, social psychology, philosophy and psychosocial studies. The highly-regarded and influential author, Stephen Frosh, shows how psychoanalysis can at times greatly illuminate these fields of study, and how at other times it might misread them. He also asks what psychoanalysis can learn from the disciplines with which it is in dialogue, and particularly how it can retain its own capacity for critical thought. Sophisticated and stimulating, yet accessible and approachable, this important book: - Provides a critical exploration that will stimulate further debate about the place of psychoanalysis in intellectual life - Develops the newly emerging psychosocial perspective as one that links psychological and social theories in novel ways. Psychoanalysis Outside the Clinic will be of profound interest to students and academics across a wide range of disciplines, particularly those taking courses in social, cultural or political theory at undergraduate or postgraduate level or studying on programmes in Psychoanalytic or Psychosocial Studies.
Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematically, the book offers a comprehensive analysis of the stunningly original formal innovations in novels by Conrad, Joyce, Woolf, Proust, Gide, Faulkner, Dos Passos, Kafka, Musil and others. Kern contextualizes and explains how formal innovations captured the dynamic history of the period, reconstructed as ten master narratives. He also draws briefly on poetry and painting of the first half of the twentieth century. The Modernist Novel is set to become a fundamental source for discussions of the genre and a useful introduction to the subject for students and scholars of modernism and twentieth-century literature.
Private faces in public places Are wiser and nicer Than public faces in private places. W.H. Auden, dedication to Stephen Spender, 1932 Stephen Spender wrote almost a million words of journal entries between his September Journal in 1939 and his death in 1995. In choosing from these voluminous journals for the new edition, the editors have tried to provide a picture of the various lives Spender brought together in autobiographical form. The earlier 1985 edition of the Journals was overseen by the author, and it privileged his thoughts about poetry - his own and other people's. The new edition includes the final ten years of Spender's life and provides access to the more intimate thoughts and feelings of the private man, but equally documents his life as a public intellectual who played a part in shaping the European literary and intellectual culture of his age. As we look back on the dramatic events of the twentieth century, we find that Spender was involved in many of them: the reconstruction of Germany and the construction of Europe (as Unesco's first Literary Councillor), the development of the cultural Cold War (as editor of Encounter), the founding of Israel, the anti-Vietnam movement in America. The Journals provide a personal version of sixty turbulent years of the twentieth century, hovering between diary, autobiography and history.
Moore offers a reading of the Gospels of Mark and Luke, applying the poststructuralist techniques of Derrida, Lacan and Foucault. He argues that whereas the language of the Gospels is concrete, pictorial and often startling, the language of modern scholarship tends to be propositional and abstract.
Shelley said, in his Defence of Poetry, that poetry should be both centre and circumference of knowledge. In his new book, Spender takes Shelley's claim and relates it to modern literature. He points out that, ever since the Industrial Revolution, writers have been conscious of there being a problem of creating literature in the industrial era. All the discussions of tradition, symbolism, myth and the rest are part of a conscious strategy of writers to come to terms with a modern world which they feel presents quite special problems for them. Spender shows how Matthew Arnold's idea that criticism might be more important than poetry in our time, was taken over by poets who wrote criticism, and how in tern they have become superseded by critics who write poetry. The critical intelligence tens to absorb creative energy. He discusses the difference between the creative and critical functions and things that the present tendency of criticism to supersede creativity, and for poetry to become an academic exercise conducted by poets who are dons, is having a stifling effect on poetry. He thinks that there is an increasing tendency for the most creative activity of literature to become shut off from life and fermented, and that literature should be related much more to contemporary history, and less to dogmatic principles of academic criticism. This is a book in which the writer tried to reassert the relationship of literature to modern life. He believes that this relationship was the pre-occupation of writers in the 1920s and 1930, but that since then literature has become increasingly split into the writing of the new academics and that of aggressive anti-intellectuals. He things that contemporary criticism should be on a much wider basis, and take into account the history and the society in which we live, as well as the abstract principles which recent critics have evolved. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
There have been more prisons in London than in any other European city. Of these, Newgate was the largest, most notorious and worst. Built during the twelfth century, it became a legendary place - the inspiration of more poems, plays and novels than any other building in London. It was a place of cruelty and wretchedness, at various times holding Dick Turpin, Titus Oates, Daniel Defoe, Jack Sheppard and Casanova. Because prisons were privately run, any time spent in prison had to be paid for by the prisoner. Housing varied from a private cell with a cleaning woman and a visiting prostitute, to simply lying on the floor with no cover. Those who died inside - and only a quarter of prisoners survived until their execution day - had to stay in Newgate as a rotting corpse until relatives found the money for the body to be released. Stephen Halliday tells the story of Newgate's origins, the criminals it held, the punishments meted out and its rebuilding and reform. This is a compelling slice of London's social and criminal history.
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
What is the relationship between poetry and power? Should poetry be considered a mode of authority or an impotent medium? And why is it that the modern poets most commonly regarded as authoritative are precisely those whose works wrestle with a sense of artistic inadequacy? Such questions lie at the heart of Shades of Authority, prompting fresh insights into three of the most important poets of recent decades: Robert Lowell, Geoffrey Hill, and Seamus Heaney. Through attentive close readings, James shows how their responsiveness to matters of political and cultural import lends weight to the idea of poetry as authoritative utterance—but also how each is exercised by a sense of the limitations and liabilities of language itself.
Obtain optimal outcomes with masterful guidance! The Cowboy’s Conundrum: Complex and Advanced Cases in Shoulder Arthroscopy brings you step-by-step advice from preeminent orthopaedic surgeons, helping you to successfully perform even the most challenging techniques and achieve the best results. Authored by Stephen S. Burkhart, MD and his expert team of surgeons, creators of bestselling titles A Cowboy’s Guide to Advanced Shoulder Arthroscopy and The Cowboy’s Companion: A Trail Guide for the Arthroscopic Shoulder Surgeon, The Cowboy’s Conundrum brings you the collective wisdom of world authorities who have been intimately involved in pioneering and refining today’s approaches to minimally invasive shoulder surgery. Dr. Burkhart uses his trademark “cowboy” flair to communicate essential clinical pearls in an approachable and entertaining manner.
By 1880, London, capital of the largest empire ever known, was the richest, most populous city in the world. And yet it remained an overcrowded, undergoverned city with huge slums gripped by poverty and disease. Over the next three decades, London began its transformation into a new kind of city - one of unprecedented size, dynamism and technological advance. In this highly evocative account, Stephen Iinwood defines an era of unique character and importance by delving into the lives and textures of the booming city. He takes us - by hansom cab, bicycle, electric tram or motor bus - from the glittering new department stores of Oxford Street to the synagogues and sweat shops of the East End, from bohemian bars and gaudy mushc halls to the well-kept gardens of Edwardian surburbia. 'Essential reading for the scholar, the historian and the lover of London. ..He is equally at home with the grand sweep and the human detail, always supported by immaculate research...Inwood can throw off with elegant ease a concise explanation of technicalities that the reader was vaguely aware of not understanding and perhaps meant to look up sometime.' Liza Picard Financial Times Magazine
What’s scarier than a murderer? Someone with the charisma to compel others to kill for them . . . or to kill themselves. Meet these cult leaders—and get an inside look at their beliefs and how they controlled others. Some cults, led by leaders like Charlie Manson, Jim Jones, and David Koresh, are notorious. But others are less well known, such as Shoko Asahara and his doomsday cult, Aum Shinrikyo, who orchestrated the sarin gas attack on the Tokyo subway. Or Joseph Di Mambro and Luc Jouret, who founded the Order of the Solar Temple, a doomsday cult that led to the death of 51 members by murder or suicide. Then there is Marshall Applewhite, leader of Heaven’s Gate, who, along with 38 followers, killed themselves in the belief that the Hale-Bopp comet signaled the arrival of a spaceship that would transport them to a higher plane of existence. What makes cult leaders so compelling is their often-unfathomable power over their adherents. Why do people kill others or themselves for a questionable set of beliefs? Killer Cults tells the stories behind both famous and unfamiliar cults, and the people behind them. Across a series of profiles, we learn the jaw-dropping truth behind some of the most mystifying and deadly cults, and their leaders, all of whom led their followers down a dark, murderous path.
Tory gangs, madmen, war criminals, frauds, anarchists, duelists, kidnappers, and more scandal-makers throughout four centuries of Irish history. Dublin is a wonderful, energetic cultural center—the pride of Irish achievements in architecture, arts, and literature. But it is also a city of paradoxes and conflicts—and a long, fascinating history of crime. Stephen Wade now reveals Dublin’s “strange eventful history” in this thrilling collection of murderers, thieves, daredevil highwaymen, libelers, seducers, and bloody avengers—from eighteenth-century turncoats to Victorian-era rogues to a twentieth-century parliamentary candidate with a killer past. Amid tales of sensational investigations and infamous courtroom trials, readers will discover the truth behind the disappearance of the Crown Jewels in 1907; the bizarre motives of nineteenth-century serial killer John Delahunt; and the startling charges leveled against Oscar Wilde’s father, a revolutionary doctor embroiled in a felonious and sexual cause célèbre of his own.
fascinating guide to religion and its place in the world today. In God Is Not One, bestselling author Stephen Prothero makes a fresh and provocative argument that, contrary to popular understanding, all religions are not simply ''different paths to the same God.'' Instead, he shows that the differences between the major religions are far greater than we think: they each ask different questions, tackle different problems, and aim at different goals. God Is Not One highlights the unique aspects of the world's major religions, with chapters on Islam, Christianity, Confucianism, Hinduism, Buddhism, Yoruba religion, Judaism, Daoism and atheism. Lucid and compelling, God Is Not One offers a new understanding of religion for the twenty-first century.
Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex and sexuality, revolution, imperialism, capitalism, and desire all through complicated ethical engagements. These engagements invariably come packaged in, and are shaped by, the language of spectrality. In its capacity to articulate a particular sort of relationship between the past, the present and the future, the spectral concerns the basic question of how to proceed, how to live with-maybe even address-ethical indeterminacy. Whether their spectral rhetoric traces the logics of capitalist possession (Conrad), queer "friendship" and paganized Christianity (Forster), regressive politics haunted by historical traumas (Butts), or the devious passages of perverse desire (Bowen), these writers locate something like hope in their ghosts. The ethical and political impasses they chart through their spectral rhetoric are not final, but temporary, and the drive to overcome them constitutes a tensile optimism.
Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space. To mark the book’s twentieth anniversary, Kern provides an illuminating new preface about the breakthrough in interpretive approach that has made this a seminal work in interdisciplinary studies.
This book examines how violent anti-colonial struggles and the legal, military and political techniques used by colonial governments to contain them have been imagined in literature and law. Case studies examined include Ireland, India, South Africa, Algeria, Kenya, Israel-Palestine, Iraq, Afghanistan and Northern Pakistan.
In Shakespeare Our Contemporary (1964), Polish critic Jan Kott defines one purpose of scholarship in the humanities that summarises the chief aim of this project: ‘The writing of history and, above all, literary criticism can, and must, always be understood as an attempt to find in the past aspects of human experience that can shed light on the meaning of our own times’. That is precisely what From the ‘Troubles’ to Trumpism: Ireland and America, 1960–2023 attempts to do. Aided by the insights of Irish and Northern Irish playwrights, poets and novelists, this book uses America’s historical relationship with Ireland and Northern Ireland as a means of understanding the rise of Trumpism and assessing its potential to incite a new American ‘Troubles’. Three related aims are to demonstrate the interdependence of Ireland and the United States since the Famine in Ireland and the American Civil War in the nineteenth century; to delineate the political and economic obstacles in the latter decades of the last century that prevented this relationship from evolving into a more consequential partnership; and to identify the underappreciated leaders who played crucial roles in both the brokering of the Good Friday Agreement and the inception of a revised foreign policy.
Kniha se zabývá texty z anglicky psaných literatur, které svým způsobem zpochybňují fiktivní, osobní či akademické žánrové konvence ve vztahu k literární auto/biografii, a spíše upozorňují na mnohoznačnost způsobů psaní o životě a konstruování subjektivity. Každá ze čtyř kapitol zkoumá specifický typ transgresivní auto/biografie: pastorální biografii v dílech Petera Ackroyda, Johna Bergera a Paula Cartera; kolaborativní auto/biografie domorodých obyvatel v Austrálii v textech Kima Scotta a Hazel Brown a Rity a Jackie Hugginsových; beletrizované autobiografie A. Newmana a Forresta Reeda; a bioregionální biografie Emily Carrové a Emmy Bell Milesové.
Diane di Prima: Visionary Poetics and the Hidden Religions reveals how central di Prima was in the discovery, articulation and dissemination of the major themes of the Beat and hippie countercultures from the fifties to the present. Di Prima (1934--) was at the center of literary, artistic, and musical culture in New York City. She also was at the energetic fulcrum of the Beat movement and, with Leroi Jones (Amiri Baraka), edited The Floating Bear (1961-69), a central publication of the period to which William S. Burroughs, Jack Kerouac, Allen Ginsberg, Charles Olson, and Frank O'Hara contributed. Di Prima was also a pioneer in her challenges to conventional assumptions regarding love, sexuality, marriage, and the role of women. David Stephen Calonne charts the life work of di Prima through close readings of her poetry, prose, and autobiographical writings, exploring her thorough immersion in world spiritual traditions and how these studies informed both the form and content of her oeuvre. Di Prima's engagement in what she would call the hidden religions can be divided into several phases: her years at Swarthmore College and in New York; her move to San Francisco and immersion in Zen; her researches into the I Ching, Paracelsus, John Dee, Heinrich Cornelius Agrippa, alchemy, Tarot, and Kabbalah of the mid-sixties; and her later interest in Tibetan Buddhism. Diane di Prima: Visionary Poetics and the Hidden Religions is the first monograph devoted to a writer of genius whose prolific work is notable for its stylistic variety, wit and humor, struggle for social justice, and philosophical depth.
Stephen Eric Bronner revisits the modernist project's groundbreaking innovations, itsexperimental imagination, and its utopian politics. Reading the artistic and intellectual achievements of the movement's leading figures against larger social, political, and cultural trends, he follows the rise of a flawed yet salient effort at liberation and its confrontation with modernity. Modernism at the Barricades features chapters on expressionism, futurism, surrealism, and revolutionary art and includes fresh perspectives on the work of Arnold Schoenberg, Wassily Kandinsky, and Emil Nolde, among others. The volume illuminates an international avant garde intent on resisting bureaucracy, standardization, scientific rationality, and the increasing commodification of mass culture. Modernists sought new ways of feeling, new forms of expression, and new possibilities of experience while seeking to refashion society. Liberation was their aim, along with the invigoration of daily life—yet their process entangled political resistance with the cultural. Exploring both the political responsibility of the artist and the manipulation of authorial intention, Bronner reconfigures the modernist movement for contemporary progressive purposes and offers insight into the problems still complicating cultural politics. He ultimately reasserts the political dimension of developments often understood in purely aesthetic terms and confronts the self-indulgence and political irresponsibility of certain so-called modernists today. The result is a long overdue reinterpretation and rehabilitation of the modernist legacy for a new age.
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