In 2005' The New Press published Say It Plain' the celebrated companion to the American Radio Works American Public Media documentary chronicling the great tradition of African American political speech of the past century. In full - throated public oratory' the kind that can stir the soul (Minneapolis Star Tribune)' Say It Plain collected and transcribed speeches by some of the twentieth century's leading African American cultural' literary' and political figures. Many of the speeches were never before available in printed form. Following the success of that path - breaking volume' Say It Loud adds new depth to the oral and audio history of the modern struggle for racial equality and civil rights - focusing directly on the pivotal questions black America grappled with during the past four decades of resistance. With recordings unearthed from libraries and sound archives' and made widely available here for the first time' Say It Loud includes powerful speeches by Malcolm X' Angela Davis' Martin Luther King Jr.' James Cone' Toni Morrison' Colin Powell' and many others. Bringing the rich immediacy of the spoken word to a vital historical and intellectual tradition' Say It Loud illuminates the diversity of ideas and arguments pulsing through the black freedom movement.
Deep Are the Roots celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare's Othello in the United Kingdom, and ending in 1975 with the success of Britain's first Black-led theatre company. In addition to providing a long-overdue critique of Laurence Olivier's Othello, Bourne has unearthed the forgotten story of Paul Molyneaux, a Shakespearean actor of the Victorian era. The twentieth-century trailblazers include Paul Robeson, Florence Mills, Elisabeth Welch, Edric Connor and Pearl Connor-Mogotsi. There are chapters about the groundbreaking work of playwrights at the Royal Court, the first Black drama school students, pioneering theatre companies and three influential dramatists of the 1970s: Mustapha Matura, Michael Abbensetts and Alfred Fagon. Drawing on interviews with leading lights, here is everything you need to know about the trailblazers of Black theatre in Britain and their profound influence on the culture of today.
On the afternoon of December 7, 1941, as a stunned nation gathered around the radio to hear the latest about Pearl Harbor, Eleanor Roosevelt was preparing for her weekly Sunday evening national radio program. At 6:45pm, listeners to the NBC Blue network heard the First Lady’s calm, measured voice explain that the president was conferring with his top advisors to address the crisis. It was a remarkable broadcast. With America on the verge of war, the nation heard first not from their president, but from his wife. Eleanor Roosevelt's groundbreaking career as a professional radio broadcaster is almost entirely forgotten. As First Lady, she hosted a series of prime time programs that revolutionized how Americans related to their chief executive and his family. Now, The First Lady of Radio rescues these broadcasts from the archives, presenting a carefully curated sampling of transcripts of Roosevelt's most famous and influential radio shows, edited and set into context by award-winning author and radio producer Stephen Drury Smith. With a foreword by Roosevelt's famed biographer, historian Blanche Wiesen Cook, The First Lady of Radio is both a historical treasure and a fascinating window onto the power and the influence of a pioneering First Lady.
Nobody describes a naval battle better than Taylor…a flawless demonstration of the biographer’s craft." —Jan Morris, The Guardian Edward Pellew, captain of the legendary Indefatigable, was quite simply the greatest British frigate captain in the age of sail. Left fatherless at age eight, with a penniless mother and five siblings, Pellew fought his way from the very bottom of the navy to fleet command. Victories and eye-catching feats won him a public following. Yet he had a gift for antagonizing his better-born peers, and he made powerful enemies. Redemption came with his last command, when he set off to do battle with the Barbary States and free thousands of European slaves. Opinion held this to be an impossible mission, and Pellew himself, leading from the front in the style of his contemporary Nelson, did not expect to survive. Pellew’s humanity, fondness for subordinates, and blind love for his family, and the warmth and intimacy of his letters, make him a hugely engaging figure. Stephen Taylor gives him at last the biography he deserves.
Walter Gordon and the Rise of Canadian Nationalism is an examination of the origins of Walter Gordon's nationalist ideology and its impact on Canada. It traces his ideas from his family influences and the intellectual currents present in his early years to his work as a chartered accountant, public servant, and head of a small conglomerate. Drawing on extensive interviews and impressive research, Azzi provides not only a biography of an important political figure but a significant study of the political and intellectual controversies that Gordon and his ideas created, shedding light on the larger political and economic questions of the postwar era.
Hazlitt the Dissenter is unique in providing the first book-length account of Hazlitt's early life as a dissenter. As the first multi-disciplinary account of Hazlitt's early literary career, it provides a new insight into the literary, intellectual, political and religious culture of the late eighteenth and early nineteenth century.
In this, the first thoroughly researched scholarly biography of British actor Junius Brutus Booth, Stephen M. Archer reveals Booth to have been an artist of considerable range and a man of sensitivity and intellect. Archer provides a clear account of Booth’s professional and personal life and places him in relationship to his contemporaries, particularly Edmund Kean and William Charles Macready. From 1817 to 1852 Junius Brutus Booth toured throughout North America, enjoying a reputation as the most distinguished Shakespearean tragedian on the American continent. Still, he yearned for success on the British stage, a goal he never attained. His public image as a drunken, dangerous lunatic obscured a private life filled with the richness of a close and loyal family. The worldwide fame assured for the Booth family of actors by John Wilkes Booth’s bone-shattering leap from the President’s box had eluded Junius Brutus Booth throughout his lifelong exile in America. But from that event until today, no American family of actors has stimulated such scrutiny as the Booths. Eight years of research, pursuing Booth from Amsterdam to San Francisco, has resulted in an accurate, fascinating narrative that both records and illuminates the actor’s life.
Religious StudiesOver the last thirty years African American voices and perspectives have become essential to the study of the various theological disciplines. Writing out of their particular position in the North American context, African American thinkers have contributed significantly to biblical studies, theology, church history, ethics, sociology of religion, homiletics, pastoral care, and a number of other fields. Frequently the work of these African American scholars is brought together in the seminary curriculum under the rubric of the black church studies class. Drawing on these several disciplines, the black church studies class seeks to give an account of the broad meaning of Christian faith in the African American experience. Up to now, however, there has not been a single, comprehensive textbook designed to meet the needs of students and instructors in these classes. Black Church Studies: An Introduction will meet that need. Drawing on the work of specialists in several fields, it introduces all of the core theological disciplines from an African American standpoint, from African American biblical interpretation to womanist theology and and ethics to sociological understandings of the life of African American churches. It will become an indispensable resource for all those preparing to serve in African American congregations, or to understand African American contributions to the study of Christian faith. Looks at the diverse definitions and functions of the Black Church as well as the ways in which race, class, religion, and gender inform its evolution. Provides a comprehensive view of the contributions of African American Scholarship to the current theological discussion. Written by scholars with broad expertise in a number of subject areas and disciplines. Will enable the reader to relate the work of African American theological scholars to the tasks of preaching, teaching, and leading in local congregations. Will provide the reader the most comprehensive understanding of African American theological scholarship available in one volume. Stacey Floyd-Thomas, Brite Divinity SchoolJuan Floyd-Thomas, Texas Christian UniversityCarol B. Duncan, Wilfrid Laurier UniversityStephen G. Ray Jr., Lutheran Theological Seminary-PhiladelphiaNancy Lynne Westfield, Drew UniversityTheology/Theology and Doctrine/Contemporary Theology
The remarkable story of the early Baptist movement in Cornwall. Beginninig with a miraculous healing near Truro it ends with the remarkable ministry of Georger Charles Smith of Penzance.
This account of McClellan’s 1862 campaign is “a wonderful book” (Ken Burns) and “military history at its best” (The New York Times Book Review). From “the finest and most provocative Civil War historian writing today,” To the Gates of Richmond is the story of the one of the conflict’s bloodiest campaigns (Chicago Tribune). Of the 250,000 men who fought in it, only a fraction had ever been in battle before—and one in four was killed, wounded, or missing in action by the time the fighting ended. The operation was Gen. George McClellan’s grand scheme to march up the Virginia Peninsula and take the Confederate capital. For three months McClellan battled his way toward Richmond, but then Robert E. Lee took command of the Confederate forces. In seven days, Lee drove the cautious McClellan out, thereby changing the course, if not the outcome, of the war. “Deserves to be a classic.” —The Washington Post
At the heart of this text strides James Catton, less than five feet tall but a giant in the field of sporting journalism. It is the story of his career, from boy reporter in 1870s Lancashire to editor of the influential Manchester-based weekly Athletic News and then grand old man of Fleet Street sports writing in the 1920s and ’30s. The book also presents the story of others, too—the first journalists to turn action into news as raw, carnivalesque, violent pastimes were replaced by codified and commercialised games. Detailing the history of their trade, the book searches for the roots of sports journalism, pushing, for the first time, the newspaper reporter to the foreground in the shared history of the press and sport. Editorial recruitment, training, writing styles, pay, status, rivalry and camaraderie, technology, celebrity, the press box, the player-reporter and drinking culture are all examined, as are the values men like Catton claimed sport, at its best, represented.
Records the military, political, social, and cultural history of the Civil War through photographs, artifacts, period illustrations, maps, essays by historians, and firsthand accounts.
From Pulitzer Prize-Winning Movie Critic Stephen Hunter Comes A Brilliant, Freewheeling, And Witty Look At The Movies. Evanston, Illinois, was an idyllic 1950s paradise with stately homes, a beautiful lake, a world-class university, two premier movie houses, and one very seedy movie theater -- the Valencia. This was the site of Washington Post film critic Stephen Hunter's misspent youth. Instead of going to school, picking up girls, or tossing a football, Hunter could be found sitting in the fifteenth row, right-hand aisle seat of the Valencia, sating himself on one B-list movie after another. The Valencia had a sticky floor, smelly bathrooms, ancient popcorn, and a screen set in a hideously tacky papier-mache castle wall. It was also the only place in town to see westerns, sci-fi pictures, cops 'n' robbers flicks, slapstick comedy, and Godzilla. In Now Playing at the Valencia, the author of such bestselling novels as Havana and Pale Horse Coming has compiled his favorite movie reviews written between 1997 and 2003, bringing to the discussion the passionate feelings for cinema he discovered in the '50s, a time when genres were forming, mesmerizing stars played unforgettable characters, and enduring classics were made. While filmmaking has changed tremendously since Hunter first frequented the Valencia, the view from the fifteenth row, and the thrill of down and dirty entertainment, has remained the same.
Everything that could go wrong did. This fascinating true crime explores the of wrongful conviction of Josh Kezer and the ways in which our legal system can prioritize politics over true justice.
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