An engaging history of the surprising, poignant, and occasionally scandalous stories behind scientific names and their cultural significance Ever since Carl Linnaeus’s binomial system of scientific names was adopted in the eighteenth century, scientists have been eponymously naming organisms in ways that both honor and vilify their namesakes. This charming, informative, and accessible history examines the fascinating stories behind taxonomic nomenclature, from Linnaeus himself naming a small and unpleasant weed after a rival botanist to the recent influx of scientific names based on pop-culture icons—including David Bowie’s spider, Frank Zappa’s jellyfish, and Beyoncé’s fly. Exploring the naming process as an opportunity for scientists to express themselves in creative ways, Stephen B. Heard’s fresh approach shows how scientific names function as a window into both the passions and foibles of the scientific community and as a more general indicator of the ways in which humans relate to, and impose order on, the natural world.
This spotlight on an extraordinary mind collects the most entertaining and enlightening writings by the beloved paleontologist, evolutionary biologist, and celebrant of the wonder of life. 20 illustrations.
This is a comprehensive and up-to-date presentation of the processes by which biological systems, most notably the nervous system, affect behaviour. A fantastic art program, an applauded accessible writing style and a host of pedagogical features make the text relevant to the lives of the students taking biological psychology.
“Ontogeny recapitulates phylogeny” was Haeckel’s answer to 19th-century biology’s most vexing question: what is the relationship between individual development and the evolution of species and lineages? Gould documents the history of the idea of recapitulation from its first appearance among the pre-Socratics to its fall in the early 20th century.
Linguistics, or the science of language, emerged as an independent field of study in the nineteenth century, amid the religious and scientific ferment of the Victorian era. William Dwight Whitney, one of that period's most eminent language scholars, argued that his field should be classed among the social sciences, thus laying a theoretical foundation for modern sociolinguistics. William Dwight Whitney and the Science of Language offers a full-length study of America's pioneer professional linguist, the founder and first president of the American Philological Association and a renowned Orientalist. In recounting Whitney's remarkable career, Stephen G. Alter examines the intricate linguistic debates of that period as well as the politics of establishing language study as a full-fledged science. Whitney's influence, Alter argues, extended to the German Neogrammarian movement and the semiotic theory of Ferdinand de Saussure. This exploration of an early phase of scientific language study provides readers with a unique perspective on Victorian intellectual life as well as on the transatlantic roots of modern linguistic theory.
Thinking about Biology is intended for biology students who are interested in reflecting on the wider contexts of their studies. This 2003 book encourages students to see that biology does not deliver certainties; it discusses how biological ideas become established facts; it uses history to examine how ideas change, and to show that the biological facts that form the basis of a biology course are likely to change too. Each chapter is based on biological topics, and examines them for their philosophical, social and political implications. Topics covered include the role of natural selection in evolution, the history of ideas about fertilisation and inheritance, vivisection, and reductionism. Genetically modified foods, xenotransplantation, eugenics, and genetic testing are some of the controversial subjects discussed. Thinking About Biology should be essential reading for all college students already taking a biology course, and for those contemplating such a course in the future.
From “a captivating storyteller” (Wall Street Journal), the natural history of humankind told through our long relationship with birds For the whole of human history, we have lived alongside birds. We have hunted and domesticated them for food; venerated them in our mythologies, religions, and rituals; exploited them for their natural resources; and been inspired by them for our music, art, and poetry. In Ten Birds That Changed the World, naturalist and author Stephen Moss tells the gripping story of this long and intimate relationship through key species from all seven of the world’s continents. From Odin’s faithful raven companions to Darwin’s finches, and from the wild turkey of the Americas to the emperor penguin as potent symbol of the climate crisis, this is a fascinating, eye-opening, and endlessly engaging work of natural history.
This unique work combines an authoritative account of Veblen's life with a thoughtful appraisal of his interdisciplinary analysis of the origins, nature, and persistence of industrial capitalism. The book goes beyond the myth of Veblen's alleged marginality, and advances an original interpretation of his life's work, with special reference to his ethnicity and to evolutionism. In the process, the author considers the intellectual sources and impact of Veblen's critical social thought, and its continued relevance to understanding the economic and cultural dimensions of global capitalism.
The world's most revered and eloquent interpreter of evolutionary ideas offers here a work of explanatory force unprecedented in our time--a landmark publication, both for its historical sweep and for its scientific vision. With characteristic attention to detail, Stephen Jay Gould first describes the content and discusses the history and origins of the three core commitments of classical Darwinism: that natural selection works on organisms, not genes or species; that it is almost exclusively the mechanism of adaptive evolutionary change; and that these changes are incremental, not drastic. Next, he examines the three critiques that currently challenge this classic Darwinian edifice: that selection operates on multiple levels, from the gene to the group; that evolution proceeds by a variety of mechanisms, not just natural selection; and that causes operating at broader scales, including catastrophes, have figured prominently in the course of evolution. Then, in a stunning tour de force that will likely stimulate discussion and debate for decades, Gould proposes his own system for integrating these classical commitments and contemporary critiques into a new structure of evolutionary thought. In 2001 the Library of Congress named Stephen Jay Gould one of America's eighty-three Living Legends--people who embody the "quintessentially American ideal of individual creativity, conviction, dedication, and exuberance." Each of these qualities finds full expression in this peerless work, the likes of which the scientific world has not seen--and may not see again--for well over a century.
There are more psychoanalytic theories today than anyone knows what to do with, and the heterogeneity and complexity of the entire body of psychoanalytic though have become staggering. In Relational Concepts in Psychoanalysis, Stephen A. Mitchell weaves strands from the principal relational-model traditions (interpersonal psychoanalysis, British school object-relations theories, self psychology, and existential psychoanalysis) into a comprehensive approach to many of the knottiest problems and controversies in theoretical and clinical psychoanalysis. Mitchell’s earlier book, Object Relations in Psychoanalytic Theory, co-authored with Jay Greenberg, set the stage for this current integration by providing a broad comparative analysis of important thinking on the nature of human relationships. In that classic study Greenberg and Mitchell distinguished between two basic paradigms: the drive model, in which relations with others are generated and shaped by the need for drive gratifications, and various relational models, in which relations themselves are taken as primary and irreducible. In Relational Concepts in Psychoanalysis, Mitchell argues that the drive model has since outlived its usefulness. The relational model, on the other hand, has been developed piecemeal by different authors who rarely acknowledge and explore the commonality of their assumptions or the rich complementarity of their perspectives. In this bold effort at integrative theorizing, Mitchell draws together major lines of relational-model traditions into a unified framework for psychoanalytic thought, more economical than the anachronistic drive model and more inclusive than any of the singular relational approaches to the core significance of sexuality, the impact of early experience, the relation of the past to the present, the interpenetration of illusion and actuality, the centrality of the will, the repetition of painful experience, the nature of analytic situation, and the process of analytic change. As such, his book will be required reading for psychoanalytic scholars, practitioners, candidates in psychoanalysis, and students in the field.
This stimulating and wide-ranging book mounts a profound enquiry into some of the most pressing questions of our age, by examining the relationship between biological science and Christianity. The history of biological discovery is explored from the point of view of a leading philosopher and ethicist. What effect should modern biological theory and practice have on Christian understanding of ethics? How much of that theory and practice should Christians endorse? Can Christians, for example, agree that biological changes are not governed by transcendent values, or that there are no clear or essential boundaries between species? To what extent can 'Nature' set our standards? Professor Clark takes a reasoned look at biological theory since Darwin and argues that an orthodox Christian philosophy is better able to accommodate the truth of such theory than is the sort of progressive, meliorist interpretation of Christian doctrine which is usually offered as the properly 'modern' option.
Historically, the scientific method has been said to require proposing a theory, making a prediction of something not already known, testing the prediction, and giving up the theory (or substantially changing it) if it fails the test. A theory that leads to several successful predictions is more likely to be accepted than one that only explains what is already known but not understood. This process is widely treated as the conventional method of achieving scientific progress, and was used throughout the twentieth century as the standard route to discovery and experimentation. But does science really work this way? In Making 20th Century Science, Stephen G. Brush discusses this question, as it relates to the development of science throughout the last century. Answering this question requires both a philosophically and historically scientific approach, and Brush blends the two in order to take a close look at how scientific methodology has developed. Several cases from the history of modern physical and biological science are examined, including Mendeleev's Periodic Law, Kekule's structure for benzene, the light-quantum hypothesis, quantum mechanics, chromosome theory, and natural selection. In general it is found that theories are accepted for a combination of successful predictions and better explanations of old facts. Making 20th Century Science is a large-scale historical look at the implementation of the scientific method, and how scientific theories come to be accepted.
From five authors with over two decades of experience teaching origins together in the classroom, this is the first textbook to offer a full-fledged discussion of the scientific narrative of origins from the Big Bang through humankind, from biblical and theological perspectives. This work gives the reader a detailed picture of mainstream scientific theories of origins along with how they fit into the story of God's creative and redemptive action.
Wisely structured and clearly written, God, Reason and Theistic Proofs will make an excellent resource for those looking for an introduction to the debate surrounding the existence of God, or for those seeking intellectual validation for their faith.
In [this book], psychologist Stephen Rothman exposes a major, through remarkably amost completely neglected problem with Darwin's theory of evolution. Its two essential elements, natural selection and reproduction, are in important respects contradictory. In considering their relationship, Rothman makes the revolutionary claim that the evolution of life's complex and diverse reproductive mechanisms is not the consequence of natural selection. In so doing, he exposes the deepest question possible about life's nature-- its reason for being. In meticulously detailed but accessible terms he lays out the crux of the paradox and offers an intriguing solution within a naturalistic framework. In an obstensibly purposeless universe, somehow purposeful life has evolved. For all living things there are two overarching purposes: survival and the creation of new life. Natural selection is about the survival of existing life but has no interest in life's future, whether it persists or perishes. By contrast, reproduction is only about the future of life and has no interest in existing life except as a means to an end. Where do these purposes come from? As Rothamn demonstrates, at every level life is wired to react to danger. Counterintuitively, without danger life would neithr have come into being nor evolved. In the same way, death drives the creation of new life and has propelled the evolution of the mechanisms of reproduction. Written with great clarity and informed by deep learning, this elegant, thoughtful work tackles some of the most challening questions raised by the theory of evolution."--Page [4] Cover.
Born in Port Pirie, South Australia and moving to the UK in the 1950s where he soon established a theatrical agency, at the height of his success, in the 1970s, Robert Stigwood 'Stiggy' was the entertainment industry’s most powerful tycoon. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton. He produced films including Gallipoli, Saturday Night Fever, Tommy and Grease. He was behind West End and Broadway musicals that were huge hits. Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights. In addition to the many periods of success, there were also great crashes including an infamous Chuck Berry tour that failed to attract audiences and forced Stiggy to declare bankruptcy. In early 1966, Stigwood became the booking agent for the Who and also began managing the fledgling British group Cream, signing them to his record label Reaction, and their album was immediately successful. Stigwood’s ability to pick and promote talent was astounding and he was also known for his many fallings-out. In 1967 the Australian group the Bee Gees arrived in the UK and Stigwood claimed that they were going to be as big as the Beatles. By April, the Bee Gees had their first top 20 hit, and by September their first UK no 1. Stigwood moved into theatre production and took Hair to London. After hearing a demo of Andrew Lloyd Webber and Tim Rice’s musical Jesus Christ Superstar, Stigwood invested in the project. He oversaw the New York stage production and in 1973 produced the film adaptation. Stigwood continued to work with Lloyd Webber right up to the 1996 film of Evita. Stiggy got involved in making British television sitcoms and adapting them for US audiences. After watching John Travolta in Welcome Back Kotter, Stigwood signed him to a three-picture deal. After reading an article by British journalist Nik Cohn Stigwood developed it into the feature film Saturday Night Fever and asked the Bee Gees to write its music. The album soundtrack remains the biggest seller of its kind while the film proved a huge hit and helped make disco music an international phenomenon. Stigwood then produced the film of the musical Grease. Stigwood lived it up with private planes, yachts, a Central Park West penthouse and staff. The failure of the big-budget musical film of the Beatles’ album Sgt Pepper’s Lonely Hearts Club Band got to him and he sold his record label. Though his ability to create success had not left him entirely with musical productions and films benefitting from his involvement into the 1990s. For many years he lived a mostly reclusive life in an estate on the Isle of Wight though remained a part of the lives of the Gibb family.
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