THE THIRD IN A SPECTACULAR NEW SERIES OF TIME TRAVEL ADVENTURES EVOLVING FROM THE WORK OF RAY BRADBURY, AUTHOR OF THE MARTIAN CHRONICLES. SAFARIS TO ANY YEAR IN THE PAST. YOU NAME THE ANIMAL. WE TAKE YOU THERE. The sign said it all, but the hunters soon became the hunted. Their safari took them to the age of dinosaurs, but the hunt went terribly wrong, sending ripples of change throughout the timestream. Eckels, a psychotic time-traveler, has shot a dinosaur and meddled with history, destroying the future and trapping himself in the past. Transported to an alternate prehistoric period by a savage timestorm, Aaron Cofield manages to link up with a lost Time Safari guide, Travis. Together, they must hunt down Eckels and restore the shape of history. Attacked by sentient dinosaurs, Aaron and Travis escape to an alternate medieval Japan. Caught between dinosaurs, ferocious samurai warriors, and the cold-blooded Eckels, the two must fight for their own survival—and to restore the timestream of our future!
THE FIRST IN A SPECTACULAR NEW SERIES OF TIME TRAVEL ADVENTURES EVOLVING FROM THE WORK OF RAY BRADBURY, AUTHOR OF THE MARTIAN CHRONICLES T I M E S A F A R I, I N C. SAFARIS TO ANY YEAR IN THE PAST. YOU NAME THE ANIMAL. WE TAKE YOU THERE. YOU SHOOT IT. The sign said it all, but the hunters soon became the hunted. Their safari took them to the age of dinosaurs, but the hunt went terribly wrong, sending ripples of change throughout the timestream. GREEN TOWN, USA............TIME: THE PRESENT.... Aaron Cofield and Jennifer Mason are discussing their future when they make an incredible discovery: a newly laid dinosaur egg, ready to hatch! Before long the two are caught in an astonishing trip across the millennia to Earth’s dim past, chased by a psychotic member of a Time Safari. Racing against time, they face Mesozoic monsters, mysterious time travelers, and a strange new race of intelligent dinosaurs—humanity’s allies in their effort to rescue the future!
Before he gave us the “one of a kind classic” (The Wall Street Journal) memoir On Writing, Stephen King wrote a nonfiction masterpiece in Danse Macabre, “one of the best books on American popular culture” (Philadelphia Inquirer). From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers. With the insight and good humor his fans appreciated in On Writing, Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.
National Review's Literary Network traces the careers of novelists, journalists, and literary critics who wrote for William F. Buckley, Jr.'s National Review. In the 1950s, the magazine sought to establish itself as a conservative alternative to liberal journals like Partisan Review. To do so, it needed a robust book review section, featuring nationally recognized writers. Between the 1950s and the 1980s, Whittaker Chambers, John Dos Passos, Hugh Kenner, Guy Davenport, Joan Didion, Garry Wills, and D. Keith Mano wrote for the magazine. The magazine boosted their careers and they, in turn, helped make Buckley's version of conservatism respectable. In the pages of National Review and elsewhere, these writers fashioned a body of literary work that takes up and refracts right-wing concerns about tradition, religion, and personal liberty. Uncovering a neglected part of post-World War II American literary history, Stephen Schryer highlights these writers' enduring impact on movement conservatism. Believing in the power of intellectuals, Buckley and his fellow editors argued that the academy, the media, and other institutions had been taken over by a liberal establishment that sought to impose its ideas on the nation. They wanted to establish a network of institutional counter-circuits staffed by conservatives. The magazine's literary intellectuals contributed to this effort, helping conservatives present themselves as a counter-elite sheltering traditional, humanities-based knowledge within a technocratic welfare state. In so doing, they facilitated the magazine's assault on the very possibility of expertise, ushering in the fragmented epistemological landscape that has characterized the United States since the late 1960s.
Now in e-only, this new near-future sci-fi novel explores the boundaries of what makes us human In the near future, humankind has founded colonies on Mars and the inner planets as well as under the oceans, populating them via by direct genetic manipulation, changing us to suit the environment. The haves are those who are "ecomods" (genetically modified) or “surgenmods” (surgically modified); the have-nots are the “typics”—those who haven’t undergone modification. The typics are forced to live in walled-off, filthy, and run-down areas, held away from the wealthier surgenmods, while the ecomods have formed communities based around their own archetypes—insular societies all, each with their own particular customs. There's a greater wall, as well. Someone or something has put a sphere of exclusion around the inner solar system, an unseen barrier that allows no living being to pass beyond AU 3.0. For all humankind knows, this SunWall has existed for only the last half century, when the first manned expeditions attempted to reach Jupiter, or perhaps it existed for aeons, long before humans ever dreamed of flight. Sofia is an ecomod, but not from a standard 'race' that anyone recognizes. She claims to have pierced the SunWall and lived. Against increasingly stubborn resistance, Sofia and the group of misfits who gather around her attempt to uncover the secret of the SunWall and release humankind from its imprisonment.
Death and Mr. Pickwick is a vast, richly imagined, Dickensian work about the rough-and-tumble world that produced an author who defined an age. Like Charles Dickens did in his immortal novels, Stephen Jarvis has spun a tale full of preposterous characters, shaggy-dog stories, improbable reversals, skulduggery, betrayal, and valor-all true, and all brilliantly brought to life in his unputdownable book. The Posthumous Papers of the Pickwick Club, featuring the fat and lovable Mr. Pickwick and his Cockney manservant, Sam Weller, began as a series of whimsical sketches, the brainchild of the brilliant, erratic, misanthropic illustrator named Robert Seymour, a denizen of the back alleys and grimy courtyards where early nineteenth-century London's printers and booksellers plied their cutthroat trade. When Seymour's publishers, after trying to match his magical etchings with a number of writers, settled on a young storyteller using the pen name Boz, The Pickwick Papers went on to become a worldwide phenomenon, outselling every other book besides the Bible and Shakespeare's plays. And Boz, as the young Charles Dickens signed his work, became, in the eyes of many, the most important writer of his time. The fate of Robert Seymour, Mr. Pickwick's creator, a very different story-one untold before now. Few novels deserve to be called magnificent. Death and Mr. Pickwick is one of them.
Friedrich Kittler was one of the world’s most influential, provocative and misunderstood media theorists. His work spans analyses of historical ‘discourse networks’ inspired by French poststructuralism, influential theorizations of new media, through to musings on music and mathematics. Always controversial and relentlessly unpredictable, Kittler’s work is a major reference point for contemporary media theory, literary criticism and cultural studies. This is the only book of essays currently available in English on an important thinker whose influence across disciplines is growing. The volume situates Kittler’s ideas, explaining and critiquing his sometimes difficult writing, and using his theories to undertake innovative readings of old and new media. It also includes previously untranslated work by Kittler himself. Contributors include Caroline Bassett, Steven Connor, Alexander R. Galloway, Mark B. Hansen, John Durham Peters and Geoffrey Winthrop-Young.
Over the past twenty years, Neil Gaiman has developed into the premier fantasist of his generation, achieving that rarest of combinations—unrivaled critical respect and extraordinary commercial success. From the landmark comic book series The Sandman to novels such as the New York Times bestselling American Gods and Anansi Boys, from children's literature like Coraline to screenplays for such films as Beowulf, Gaiman work has garnered him an enthusiastic and fiercely loyal, global following. To comic book fans, he is Zeus in the pantheon of creative gods, having changed that industry forever. For discerning readers, he bridges the vast gap that traditionally divides lovers of "literary" and "genre" fiction. Gaiman is truly a pop culture phenomenon, an artist with a magic touch whose work has won almost universal acclaim. Now, for the first time ever, Prince of Stories chronicles the history and impact of the complete works of Neil Gaiman in film, fiction, music, comic books, and beyond. Containing hours of exclusive interviews with Gaiman and conversations with his collaborators, as well as wonderful nuggets of his work such as the beginning of an unpublished novel, a rare comic and never-before-seen essay, this is a treasure trove of all things Gaiman. In addition to providing in depth information and commentary on Gaiman's myriad works, the book also includes rare photographs, book covers, artwork, and related trivia and minutiae, making it both an insightful introduction to his work, and a true "must-have" for his ever growing legion of fans.
An organizational approach to more effective school leadership, online and off “Leadership, especially in a school setting, is too important to be merely intuitive. In this generous book, Steve and Reshan outline a new way of thinking for a new kind of leader. Recommended.” Seth Godin, author of What to Do When it’s Your Turn (and it’s Always Your Turn) "If you're a school leader, Blending Leadership is the book you need to guide your thinking in today's increasingly networked educational environment. Your students and staff may have varying degrees of comfort with technology, but this book will give you solid guidance on how to lead them both online and offline and chart a path to the future.” Daniel H. Pink, author of Drive Blending Leadership provides all school leaders with a unique approach to utilizing technology for more effective learning and leadership. As the online aspects of schools become just as important as their brick-and-mortar counterparts, leaders must be as effective screen-to-screen as they are face-to-face. Drawing from research, experience, and real-world examples, this book explores and unpacks six core beliefs necessary for the blended leader to succeed. Between email, websites, apps, updates, tweets, attachments, infographics, YouTube, and unceasing notifications, most people are inundated with digital detritus, and they either grow to ignore it or get swept under it. Effective blended leaders see these distractions as spurs to action, models, test cases, remixable commodities, and learning opportunities. Blending Leadership gives you the perspective you need to excel and the knowledge to leverage the tools at your disposal.
Melville: Fashioning in Modernity considers all of the major fiction with a concentration on lesser-known work, and provides a radically fresh approach to Melville, focusing on: clothing as socially symbolic; dress, power and class; the transgressive nature of dress; inappropriate clothing; the meaning of uniform; the multiplicity of identity that dress may represent; anxiety and modernity. The representation of clothing in the fiction is central to some of Melville's major themes; the relation between private and public identity, social inequality and how this is maintained; the relation between power, justice and authority; the relation between the "civilized" and the "savage." Frequently clothing represents the malleability of identity (its possibilities as well as its limitations), represents writing itself, as well as becoming indicative of the crisis of modernity. Clothing also becomes a trope for Melville's representations of authorship and of his own scene of writing. Melville: Fashioning in Modernity also encompasses identity in transition, making use of the examination of modernity by theorists such as Anthony Giddens, as well as on theories of figures such as the dandy. In contextualizing Melville's interest in clothing, a variety of other works and writers is considered; works such as Robinson Crusoe and The Scarlet Letter, and novelists such as Fenimore Cooper, Nathaniel Hawthorne, Henry James, Jack London, and George Orwell. The book has at its core a consideration of the scene of writing and the publishing history of each text.
When it was published twenty years ago, Rethinking What Works with Offenders made a major contribution to criminological knowledge on why people stopped offending, and the impact the probation service had on the desistance process. Unlike other studies that had relied on official conviction data, it was the first to make use of self-reported data, including interviews with men and women on probation, and their supervising Probation Officers. It reconceptualised probation outcomes in terms of degrees of success rather than as 'successful' or 'unsuccessful' and offered important policy implications of these conclusions. The Twentieth Anniversary edition contains the original text along with a new Foreword by Shadd Maruna and Fergus McNeill, locating the book historically and assessing its continued importance to Criminology. It also includes a new chapter by the author reporting on the key findings of the follow-up interviews in 2004 and 2010-12, reflecting on key developments in the field and developing a theory of assisted desistance. Furthermore, it features four new commentaries from Mark Halsey, Isabelle F.-Dufour, Martine Herzog-Evans and José Cid reflecting on the importance and legacy of the book. This book presents an important and challenging range of findings on 'what works' in probation and with offenders and remains essential reading for anybody professionally concerned with the present and future of probation.
The corpus of literary works shaped by the Renaissance and the Baroque that appeared in Spain during the sixteenth and seventeenth centuries had a transforming effect on writing throughout Europe and left a rich legacy that scholars continue to explore. For four decades after the Spanish Civil War the study of this literature flourished in Great Britain and Ireland, where many of the leading scholars in the field were based. Though this particular 'Golden Age' was followed by a decline for many years, there have recently been signs of a significant revival. The present book seeks to showcase the latest research of established and younger colleagues from Great Britain and Ireland on the Spanish Golden Age. It falls into four sections, in each of which works by particular authors are examined in detail: prose (Miguel de Cervantes, Francisco de Quevedo, Baltasar Gracian), poetry (The Count of Salinas, Luis de Gongora, Pedro Soto de Rojas), drama (Cervantes, Calderon, Lope de Vega), and colonial writing (Bernardo Balbuena, Hernando Dominguez Camargo, Alonso de Ercilla). There are essays also on more general themes (the motif of poetry as manna; rehearsals on the Golden Age stage; proposals put to viceroys on governing Spanish Naples). The essays, taken together, offer a representative sample of current scholarship in England, Scotland, and Ireland.
This collection of published papers on the development of the publishing cycle from author to reader includes work by many of the leading authorities on the history of the book in the nineteenth century, including James Barnes, Simon Eliot, Kate Flint, Elizabeth McHenry, Robert Patten, David Vincent and Ronald Zboray. It contains examples of different approaches, reflecting the fact that scholars come from a variety of disciplinary traditions, such as bibliography, typography, literary studies, library studies and the history of science. The introduction provides an overview of both the historical context and recent work on the subject. The volume is divided into five sections: National Publishing Structures in America, France, and Russia; International Trade; Publishing Practices; Distribution; Reading. The collection includes work in the tradition of French book history which has focussed on the systems and structures of the publishing industry and Anglo-American book history characterised by detailed analyses of the publication of a specific title or the practices of an individual reader.
The year's finest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Peter Atkins, Cliver Barker, Glen Hirschberg, Joe Hill and Caitlin R. Kiernan. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.
Stephen Crane's first novel is the tale of a pretty young slum girl driven to brutal excesses by poverty and loneliness. It was considered so sexually frank and realistic, that the book had to be privately printed at first. It and GEORGE'S MOTHER, the shorter novel that follows in this edition, were eventually hailed as the first genuine expressions of Naturalism in American letters and established their creator as the American apostle of an artistic revolution which was to alter the shape and destiny of civilization itself.
This much-needed study of the British Empire Exhibition reveals durable, persistent connections between empire and domestic society in Britain during the interwar years. It demonstrates that the Exhibition was a marker of how by 1924, imperial relations were increasingly likely to be shaped by forces located on the colonial periphery.
Explore the most interesting, scenic, and historic places in Albuquerque, New Mexico, via 30 self-guided walking tours. Basking in an average of 310 days of sunshine per year, Albuquerque is a welcoming environment that offers walkable landscapes ranging from its wilderness edge to its industrial core. Yet, given Burque’s history and massive sprawl, navigating it on foot requires some guidance from an expert. That’s where Walking Albuquerque by local author and explorer Stephen Ausherman comes in handy. With 30 routes mapped out in the valley, the heights, and beyond, this first-of-its-kind comprehensive guidebook covers the entire city and surrounding areas. Whether strolling down neon-bedazzled avenues, promenading through Victorian neighborhoods, exploring volcanic vistas, or wandering the wooded banks of the Rio Grande, each trek is an enlightening excursion into Albuquerque’s deep history and richly diverse culture. You can experience the local art scene, indulge in exotic cuisine, visit sacred places, and enjoy more open space than any other city in America—nearly 3,000 square feet of parkland per person. Inside you’ll find: 30 self-guided walking tours of the city National landmarks and famous filming locations Hidden treasures that even locals don’t often know about Architecture, trivia, and more If you’re looking for a quick workout, a full day’s entertainment, or something in between, Walking Albuquerque will get you there. You’ll feel as if you’re being led by your closest friend. So find a route that appeals to you, and walk Albuquerque!
The history of the old county of Yorkshire has been concerned with the great and the good, the ambitious and the downright unscrupulous. Its broad acres has had more than its fair share of highprofile murders, especially though not exclusively in its burgeoning urban centres. Now there is a reference work to bring together most of the principal murders, from the mid-eighteenth century when Dick Turpin went to the York gallows, through to the end of hanging in 1964.In a time-span of two centuries, Yorkshire has witnessed a range of tragic narratives including husbands killing their wives, homicidal attacks in the night alleys and courts, gangs at work looking for vulnerable victims on dark streets and country lanes.Many of these tales are from the countryside too. Revenge and jealousy on and around farms, clashes between poachers and gamekeepers and shootings in rolling hills and valleys.Other factors in the social scene are also recounted, including legal and historical features, definitions, explanations, even short accounts of lives of murderers and of course the enigmatic hangmen.STEPHEN WADE specialises in writing criminal and military history. He hasauthored several volumes in Wharncliffes Foul Deeds Series as well as Unsolved Yorkshire Murders. He teaches courses in crime writing and crime history at the University of Hull and also works as a writer in prisons.
Immortality is a subject which has long been explored and imagined by science fiction writers. In his intriguing new study, Stephen R.L.Clark argues that the genre of science fiction writing allows investigation of philosophical questions about immortality without the constraints of academic philosophy. He reveals how fantasy accounts of issues such as resurrection, disembodied survival, reincarnation and devices or drugs for preserving life can be used as an important resource for philosophical inquiry and examines how a society of immortals might function through a reading of the vampire myth. How to Live Forever is a compelling study which introduces students and professional philosophers to the possibilities of using science fiction in their work. It includes extensive suggestions for further reading, both fictional and philosophical, and examines the work of such major science fiction authors as Arthur C. Clarke, Frank Herbert, Larry Niven, William Gibson, and Colin Wilson.
Given the fact that there are perhaps 400 billion stars in our Galaxy alone, and perhaps 400 billion galaxies in the Universe, it stands to reason that somewhere out there, in the 14-billion-year-old cosmos, there is or once was a civilization at least as advanced as our own. The sheer enormity of the numbers almost demands that we accept the truth of this hypothesis. Why, then, have we encountered no evidence, no messages, no artifacts of these extraterrestrials? In this second, significantly revised and expanded edition of his widely popular book, Webb discusses in detail the (for now!) 75 most cogent and intriguing solutions to Fermi's famous paradox: If the numbers strongly point to the existence of extraterrestrial civilizations, why have we found no evidence of them? Reviews from the first edition: "Amidst the plethora of books that treat the possibility of extraterrestrial intelligence, this one by Webb ... is outstanding. ... Each solution is presented in a very logical, interesting, thorough manner with accompanying explanations and notes that the intelligent layperson can understand. Webb digs into the issues ... by considering a very broad set of in-depth solutions that he addresses through an interesting and challenging mode of presentation that stretches the mind. ... An excellent book for anyone who has ever asked ‘Are we alone?’." (W. E. Howard III, Choice, March, 2003) "Fifty ideas are presented ... that reveal a clearly reasoned examination of what is known as ‘The Fermi Paradox’. ... For anyone who enjoys a good detective story, or using their thinking faculties and stretching the imagination to the limits ... ‘Where is everybody’ will be enormously informative and entertaining. ... Read this book, and whatever your views are about life elsewhere in the Universe, your appreciation for how special life is here on Earth will be enhanced! A worthy addition to any personal library." (Philip Bridle, BBC Radio, March, 2003) Since gaining a BSc in physics from the University of Bristol and a PhD in theoretical physics from the University of Manchester, Stephen Webb has worked in a variety of universities in the UK. He is a regular contributor to the Yearbook of Astronomy series and has published an undergraduate textbook on distance determination in astronomy and cosmology as well as several popular science books. His interest in the Fermi paradox combines lifelong interests in both science and science fiction.
This book provides theory, comparison, and synthesis to establish a carefully considered framework for approaching the study of courts and their functions throughout the world of the ancient Maya. It is based on the annual meeting of the American Anthropological Association.
For nearly twenty-five years The Mammoth Book of Best New Horror has been the world's leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction. Comprising the most outstanding new short fiction by both contemporary masters of horror and exciting newcomers, this multiple award-winning series also offers an overview of the year in horror, a comprehensive necrology of recent obituaries, and an indispensable directory of contact details for dedicated horror fans and writers. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction. Praise for previous Mammoth Books of Best New Horror: 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.' Lisa Tuttle, The Times. 'The best horror anthologist in the business is, of course, Stephen Jones, whose Mammoth Book of Best New Horror is one of the major bargains of this as of any other year.' Roz Kavaney. 'An essential volume for horror readers.' Locus
A fully-updated and reworked version of the classic book by Stephen Kemmis and Robin McTaggart, now joined by Rhonda Nixon, The Action Research Planner is a detailed guide to developing and conducting a critical participatory action research project. The authors outline new views on ‘participation’ (based on Jürgen Habermas’s notion of a ‘public sphere’), ‘practice’ (as shaped by practice architectures), and ‘research’ (as research within practice traditions). They provide five extended examples of critical participatory action research studies. The book includes a range of resources for people planning a critical participatory research initiative, providing guidance on how to establish an action research group and identify a shared concern, research ethics, principles of procedure for action researchers, protocols for collaborative work, keeping a journal, gathering evidence, reporting, and choosing academic partners. Unlike earlier editions, The Action Research Planner focuses specifically on critical participatory action research, which occupies a particular (critical) niche in the action research 'family'. The Action Research Planner is an essential guide to planning and undertaking this type of research.
Science fiction and the United States military often inhabit the same imaginative space. Weapons technology has taken inspiration from science fiction, from the bazooka and the atomic bomb to weaponized lasers and drones. Star-spangled superheroes sold war bonds in comic books sent to GIs during World War II, and adorned the noses of bombers. The same superheroes now appear in big-budget movies made with military assistance, fighting evil in today's war zones. A missile shield of laser satellites--dreamed up by writers and embraced by the high command--is partially credited with ending the Cold War. Sci-fi themes and imagery are used to sell weapons programs, military service and wars to the public. Some science fiction creators have willingly cooperated with the military; others have been conscripted. Some have used the genre as a forum for protest. This book examines the relationship between the U.S. military and science fiction through more than 80 years of novels, comics, films and television series, including Captain America, Starship Troopers, The Twilight Zone, Dr. Strangelove, Star Trek, Iron Man, Bill the Galactic Hero, The Forever War, Star Wars, Aliens, Ender's Game, Space: Above and Beyond and Old Man's War.
Fantasy is one of the most visible genres in popular culture - we see the creation of magical and imagined worlds and characters in every type of media, with very strong fan bases in tow. This latest guide in the successful Bloomsbury Must-Read series covers work from a wide range of authors: Tolkien, Philip Pullman, Terry Pratchett, Michael Moorcock, Rudyard Kipling and C.S Lewis to very contemporary writers such as Garth Nix and Steven Erikson. If you want to expand your range of reading or deepen your understanding of this genre, this is the best place to start.
Best New Horror has established itself as the world's premier horror annual, showcasing the talents of the very best writers working in the horror and dark fantasy field today. In this latest volume, the multi-award winning editors have chosen razor-sharp stories of suspense and disturbing tales of terror by authors on the cutting edge of the genre. Along with a comprehensive review of the year and a fascinating necrology, this is the book no horror fan can afford to miss.
It has been argued that science fiction (SF) gives a kind of weather forecast – not the telling of a fortune but rather the rough feeling of what the future might be like. The intention in this book is to consider some of these bygone forecasts made by SF and to use this as a prism through which to view current developments in science and technology. In each of the ten main chapters - dealing in turn with antigravity, space travel, aliens, time travel, the nature of reality, invisibility, robots, means of transportation, augmentation of the human body, and, last but not least, mad scientists - common assumptions once made by the SF community about how the future would turn out are compared with our modern understanding of various scientific phenomena and, in some cases, with the industrial scaling of computational and technological breakthroughs. A further intention is to explain how the predictions and expectations of SF were rooted in the scientific orthodoxy of their day, and use this to explore how our scientific understanding of various topics has developed over time, as well as to demonstrate how the ideas popularized in SF subsequently influenced working scientists. Since gaining a BSc in physics from the University of Bristol and a PhD in theoretical physics from the University of Manchester, Stephen Webb has worked in a variety of universities in the UK. He is a regular contributor to the Yearbook of Astronomy series and has published an undergraduate textbook on distance determination in astronomy and cosmology as well as several popular science books.
This book seeks to bring understanding of both complexity and temporality into criminology. It outlines why these are important in criminological models of causation and explanation and explores them by drawing on theories and approaches in political science, comparative history, social theory and systems analyses. It discusses what is meant by complexity and introduces historical institutionalism (which is rarely used in criminology) to criminological audiences; it introduces what is known as ‘why-because’ analyses to the social sciences. This style of thinking is used to explore the causes of major transportation accidents (such as aeroplane or ferry disasters) and involves the integration of structural, organisational and agentic inputs in accounting for such disasters. Chapters on realistic evaluation, theories of structuration and agency, and research design and research methods are included with an example project based on the author's recent studies of Thatcherism which shows how these theories can be applied to empirical data. This book speaks to those interested in criminology, sociology, political science, research methods and the wider social sciences.
Best New Horror has established itself as the world's most admired annual collection, showcasing the very best in contemporary horror fiction. For this latest bloodcurdling feast of terror, the multi-award winning editors have chosen such modern masterpieces as the first book publication of a new ghost story by Clive Barker; Peter Straub's stunning novella set in a fear-haunted Vietnam; John Lennon's alternate history by Ian R. MacLeod, and Kim Newman's acclaimed novella about Victorian vampires. Plus razor sharp stories on the cutting edge of horror by some of the greatest contemporary masters of fear, including Peter Atkins, Poppy Z. Brite, John Brunner, Christopher Fowler, Thomas Ligotti, M. John Harrison, Lisa Tuttle, Karl Edward Wagner, Kate Wilhelm, Douglas E. Winter and many more.
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.
New fantasy and horror from the UK and USA, including stories by Guy N. Smith and J. N. Williamson. Lin Carter's last story from the land of Yish. A terror-filled summer from Charles L. Grant. Profile of Chris Achilleos, mater of fantasy art. ...and news and views from the world of fantasy.
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