Pictorial reconstructions of ancient human ancestors have twin purposes: to make sense of shared ancestry and to bring prehistory to life. Stephanie Moser analyzes the close relationship between representations of the past and theories about human evolution, showing how this relationship existed even before a scientific understanding of human origins developed. How did mythological, religious, and historically inspired visions of the past, in existence for centuries, shape this understanding? Moser treats images as primary documents, and her book is lavishly illustrated with engravings, paintings, photographs, and reconstructions. In surveying the iconography of prehistory, Moser explores visions of human creation from their origins in classical, early Christian, and medieval periods through traditions of representation initiated in the Renaissance. She looks closely at the first scientific reconstructions of the nineteenth century, which dramatized and made comprehensible the Darwinian theory of human descent from apes. She considers, as well, the impact of reconstructions on popular literature in Europe and North America, showing that early visualizations of prehistory retained a firm hold on the imagination—a hold that archaeologists and anthropologists have found difficult to shake.
Inspired by newly discovered antiquities of the ancient world exhibited in the museums of Europe and celebrated in the illustrated press of the day, the leading British history painters Sir Lawrence Alma-Tadema, Sir Edward Poynter and Edwin Long created a striking body of artworks in which archaeology was a prime focus. Of the growing community of historicist and classicist painters in mid-nineteenth century Britain, these artists expressed a passion for archaeological detail, and their aesthetic engagement with ancient material culture played a key role in fostering the enthusiasm for antiquity with wider audiences. Painting Antiquity explores the archaeological dimension of their paintings in detail, addressing how the relationship these artists had with ancient objects represented a distinctive and important development in the cultural reception of the past. The book also considers the inspiration for the movement defined as "archaeological genre painting," the artistic and historic context for this new style, the archaeological sources upon which the artworks were based, and the critical reception of the paintings in the world of Victorian art criticism. Alongside extensive visual evidence, rendered here in both striking color and black-and-white imagery, Stephanie Moser shows how this artistic practice influenced our understanding of ancient Egypt. Further, she argues that these paintings affected the development of archaeology as a discipline, revealing how the painters had an intense engagement with archaeology, representing artefacts in extraordinary detail and promoting the use of ancient material culture according to an aesthetic agenda. The issues raised by placing importance on concepts of beauty and decoration, over values such as rarity, function, or historical use continue to divide archaeologists and art historians in the present day. Ultimately, by demonstrating how the artistic dialogue with antiquity contributed to defining it, Painting Antiquity sheds important new light on the two-way exchanges between visual representations of the past and knowledge formation.
Not even the Civil War can smother the spirit of Christmas, especially in the town of Decatur, Illinois, in 1862, where the ladies of the Basket Brigade board trains to minister to Union soldiers, offering fried chicken, pickled peaches, pound cake, and other dainties to men who haven’t eaten a home-cooked meal since enlisting. Join Sarah, Lucy, and Zona, three compassionate members of the brigade, as they care for wounded heroes—and find love along the way.
3 Talented Women, 3 Christmas Romances Return to Christmases of yesteryear with three women who use their sewing talents to succeed in the late 1800s. But can love also be stitched into their lives? A SEAMLESS LOVE by Judith Miller 1888 – Pullman, Illinois Hannah Cooper possesses a special talent for embroidered fancywork and design which secures her a position in the Dressmaking and Millinery Shop in the Pullman Arcade near Chicago. There she encounters childhood friend Daniel Price who is disappointed to learn Hannah is being courted by a Chicago businessman. With two men vying for her attention, will Hannah seek God’s direction or ignore the warning signs He sets before her? PIN’S PROMISE by Nancy Moser 1906 – Summerfield, England Penelope (Pin) Billings and Jonathan Evers have loved each other since they were children, promising to one day get officially engaged. Both have distinct talents: Pin for sewing dresses and teaching others to sew, and Jonathan—a doctor right out of school—for helping the people of the village. As they become adults and the time to fulfill their promise seems right, a tragic event pulls them apart, making both question their future. Will they discover they are stronger together than apart? MENDED HEARTS by Stephanie Grace Whitson 1890 – Nebraska Rachel Ellsworth has always been encouraged to pursue her passion for art. She looks forward to taking the Grand Tour on her honeymoon and experiencing the great museums of Europe. But when tragedy strikes, Rachel's plans are put on hold and she is forced to stay with two maiden aunts in a small Nebraska town where the most exciting things that ever happen are quilting bees and the county fair. Rachel expects her stay in Lost Creek to be temporary—until a letter from home changes everything. How can a budding artist who loves the big city expect to find happiness in the middle of nowhere?
Join three of today’s bestselling inspirational fiction authors in a collection of Christmas stories from Victorian-era America that are full of second-chance romances. Jilted by her fiancé, Karla packs away her wedding quilts and her plans for marriage. Widow Jane travels to marry a prosperous man she barely knows in order to give her daughter a better life—then is stranded in a winter storm. Ada, a wealthy ingénue, inadvertently causes grave injury to a poor man she once considered quite a catch. Each must search her heart, change her plans. . .and patch together a tender, unexpected life filled with love.
Join three of today’s bestselling inspirational fiction authors in a collection of Christmas stories from Victorian-era America that are full of second-chance romances. Jilted by her fiancé, Karla packs away her wedding quilts and her plans for marriage. Widow Jane travels to marry a prosperous man she barely knows in order to give her daughter a better life—then is stranded in a winter storm. Ada, a wealthy ingénue, inadvertently causes grave injury to a poor man she once considered quite a catch. Each must search her heart, change her plans. . .and patch together a tender, unexpected life filled with love.
Pictorial reconstructions of ancient human ancestors have twin purposes: to make sense of shared ancestry and to bring prehistory to life. Stephanie Moser analyzes the close relationship between representations of the past and theories about human evolution, showing how this relationship existed even before a scientific understanding of human origins developed. How did mythological, religious, and historically inspired visions of the past, in existence for centuries, shape this understanding? Moser treats images as primary documents, and her book is lavishly illustrated with engravings, paintings, photographs, and reconstructions. In surveying the iconography of prehistory, Moser explores visions of human creation from their origins in classical, early Christian, and medieval periods through traditions of representation initiated in the Renaissance. She looks closely at the first scientific reconstructions of the nineteenth century, which dramatized and made comprehensible the Darwinian theory of human descent from apes. She considers, as well, the impact of reconstructions on popular literature in Europe and North America, showing that early visualizations of prehistory retained a firm hold on the imagination—a hold that archaeologists and anthropologists have found difficult to shake.
Established in 1802 as the county seat of Anderson County and originally named Burrville in honor of Aaron Burr, the first-term vice president under Thomas Jefferson, Clinton was renamed by the Tennessee legislature in 1809. The arrival of the railroad after the Civil War made large-scale mining of coal the area's main industry for nearly a century, and the resulting growth in population was one of the deciding factors in the federal government's building of the "Secret City" of Oak Ridge, as part of its World War II Manhattan Project, just 16 miles to the southwest. From the late 1880s until the completion of the Tennessee Valley Authority's Norris Dam in 1936, Clinton was also a major center of the Clinch River freshwater pearl trade. Construction of the dam altered the river's temperature, which killed off the pearl industry, but the creation of Norris Lake became the basis on which the area's tourism industry was founded.
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