Two of America's most talented activists team up to deliver a bold and hilarious satire of modern environmental policy in this fully illustrated graphic novel. The U.S. government gives robot machines from space permission to eat the earth in exchange for bricks of gold. A one-eyed bunny rescues his friends from a corporate animal-testing laboratory. And two little girls figure out the secret to saving the world from both of its enemies (and it isn't by using energy-efficient light bulbs or biodiesel fuel). As the World Burns will inspire you to do whatever it takes to stop ecocide before it’s too late.
Can a cartoonist and millions of random strangers change the world? The initial stages of their attempt are chronicled in this book of comics-journalism and written observations. Stephanie McMillan, long-time activist and cartoonist, has waited her entire life for the American people to rise up. Sparked by uprisings around the world, a new movement bursts onto the national scene against a system that denies the people a decent life and puts the planet at risk. With delightful full-color drawings, interviews, dialogue, description, and insightful reflections, this book chronicles the first several months of the fragile and contradictory movement. It situates detailed personal experiences and representative narratives within the broad context of a truly unique and historical global conjuncture. This book will stand as a record of the emerging movement in accessible comics form.
From the winner of the 2012 Robert F. Kennedy Journalism Award, a character-driven tale about our threatened environment and the practicality of putting contemporary revolutionary strategy into action. In The Minimum Security Chronicles, the latest long-form narrative from Robert F. Kennedy Journalism Award–winning cartoonist Stephanie McMillan, lifelong friends Kranti and Bananabelle are rounded up during a protest and locked in a pen by a faraway railroad track. After their escape, when trying to gain proof of their capture, Kranti discovers the future site of a nuclear power plant. After attempting to shut it down, she learns of an even more ecologically dangerous enterprise: a massive geo-engineering project scheduled to begin in a matter of weeks. And so begins the tale of a group of friends—among them an apolitical computer programmer, an aspiring musician who joins the Occupy movement, a lovestruck community gardener, a militant bunny and a guinea pig theorist—who try to halt the plans of evil corporate overlords bent on destroying the earth for profit.
The six women of the Knitting Circle meet every week to chat, eat cake, and make fabulous sweaters. Until the night they realize that they’ve all survived rape—and that not one of their assailants has suffered a single consequence. Enough is enough. The Knitting Circle becomes the Knitting Circle Rapist Annihilation Squad. They declare open season on rapists, with no licenses and no bag limits. With needles as their weapons, the revolution begins. A cop is stabbed through a doughnut hole and into his heart. A country-western singer is found with knitting needles jammed into both ears and his no-means-yes hit song playing. A pedophile priest is killed in the sacristy. As the Circle swells, perpetrators learn to shudder at the sight of business women with knitted briefcases, students with knitted backpacks, roller derby queens with knitted kneepads. They also push back, as organizations of men—from the Chamber of Commerce to the Department of Agriculture to the Autonomous Federated Association of Coalitions of Anarchists for Spontaneous Insurrectionary Sexual Freedom (the AFACASISF, with their unique musical style: deathvomitnoise)—issue statements against the Knitting Circle. More sinister is MAWAR (Men Against Women Against Rape), with their Bible Scrabble and their beefcake Jesus calendar—and a plot to stop the Knitting Circle. Will the Knitting Circle triumph? Or will Officer Flint learn to knit in time to infiltrate it? Will Nick the male ally brave Daisy’s Craft Barn to secure more weapons for the women? Will Marilyn put down her teenage attitude and pick up her knitting needles? Will Circle member Jasmine find true love with MAWAR’s Zebediah?
A furious escaped lab bunny vandalises symbols of corporate greed while arguing political theory with a pigtailed eco-warrior, as Zen Pug observes it all in blissful detachment. They drag her pop culture-bedazzled brother, his anarchist boyfriend and other characters - kicking and screaming - into the struggle against the rapacious thugs and theocratic wingnuts ruling imperial America. Stephanie McMillan's comics, deploying an engaging visual style that draws in everything from folk art to anime, confront the insanity and heartlessness of global capitalism and war.
From the winner of the 2012 Robert F. Kennedy Journalism Award, a character-driven tale about our threatened environment and the practicality of putting contemporary revolutionary strategy into action. In "The Minimum Security Chronicles," the latest long-form narrative from Robert F. Kennedy Journalism Award-winning cartoonist Stephanie McMillan, lifelong friends Kranti and Bananabelle are rounded up during a protest and locked in a pen by a faraway railroad track. After their escape, when trying to gain proof of their capture, Kranti discovers the future site of a nuclear power plant. After attempting to shut it down, she learns of an even more ecologically dangerous enterprise: a massive geo-engineering project scheduled to begin in a matter of weeks. And so begins the tale of a group of friends--among them an apolitical computer programmer, an aspiring musician who joins the Occupy movement, a lovestruck community gardener, a militant bunny and a guinea pig theorist--who try to halt the plans of evil corporate overlords bent on destroying the earth for profit. "From the Trade Paperback edition.
A collection of cartoons, illustrations, and paintings that condense the complicated narratives of famous books into one-page works of art. "A subversive volume that translates a series of complex works of literature into a single-page illustration . . . A variety of artists rise to a unique literary and visual challenge." —Kirkus Reviews The Catcher in the Rye. Lolita. Moby-Dick. Infinite Jest. I Know Why the Caged Bird Sings. A Room of One’s Own. Native Son. These are but a handful of classic works spectacularly distilled by Mr. Fish and a very talented group of painters, illustrators, graphic designers, and political cartoonists into succinct snapshots that are at times funny, sad, inspiring, rude, crude, beautiful, profound, stomach-turning, and mind-blowing. Includes original artwork from: Mr. Fish, Ted Rall, Stephanie McMillan, Sarah Awad, Eli Valley, Wes Tyrell, Tamara Knoss, Keith Henry Brown, Sam Henderson, Lodi Marasescu, Surag Ramachandran, Tami Knight, Eric J. Garcia, Marissa Dougherty, Siri Dokken, John G., Andy Singer, Tara Seibel, Gary Dumm, Clare Kolat, Nate Ulsh, Benjamin Slyngstad, Ron Hill, JP Trostle, John Kovaleski, and Beth McCaskey.
This report is a follow-up to Harriger and McMillan's Speaking of Politics: Preparing College Students for Democratic Citizenship through Deliberative Dialogue (Kettering Foundation Press, 2007). That book described a four-year study at Wake Forest University in which students, called Democracy Fellows, were exposed to the process of deliberative dialogue both inside and outside of the classroom. The focus of this report is an alumni study of the Democracy Fellows 10 years after their graduation. For purposes of comparison, they are matched with a class cohort that did not participate in the Democracy Fellows study. The authors describe differences in the ways that the Democracy Fellows and their classmates understand citizenship. They found that the Democracy Fellows have a more "complex and nuanced understanding of citizenship and its responsibilities." Ten years later, they are more likely to be politically active and express more eagerness "to engage with people who hold different beliefs." Their classmates' concepts of citizenship are "more legalistic and less complex than those of the Democracy Fellows." The authors of this follow-up study bring together research insights from the literature on political socialization, political participation, and deliberative democracy, with a particular focus on whether and how interventions during the college experience might shape subsequent civic engagement. Their work demonstrates the enduring impact of learning to deliberate.
In this darkly comic novel, the six women of the Knitting Circle meet every week to talk, eat cake, and make fabulous sweaters. The easy-going circle undergoes a drastic change when the members realize they are all the survivors of rape—worse still, that none of their attackers suffered consequences—and the group becomes the vengeful Knitting Circle Rapist Annihilation Squad, taking punishment into their own hands via their knitting needles. As the women take their revenge, groups of men issue statements against the vigilante ladies, from the Chamber of Commerce to the sinister Men Against Women Against Rape (MAWAR), plotting to stop and punish the Knitting Circle. Featuring strong female characters, this satirical piece explores love, revenge, feminism, violence, and knitting.
From the winner of the 2012 Robert F. Kennedy Journalism Award, a character-driven tale about our threatened environment and the practicality of putting contemporary revolutionary strategy into action. In The Minimum Security Chronicles, the latest long-form narrative from Robert F. Kennedy Journalism Award–winning cartoonist Stephanie McMillan, lifelong friends Kranti and Bananabelle are rounded up during a protest and locked in a pen by a faraway railroad track. After their escape, when trying to gain proof of their capture, Kranti discovers the future site of a nuclear power plant. After attempting to shut it down, she learns of an even more ecologically dangerous enterprise: a massive geo-engineering project scheduled to begin in a matter of weeks. And so begins the tale of a group of friends—among them an apolitical computer programmer, an aspiring musician who joins the Occupy movement, a lovestruck community gardener, a militant bunny and a guinea pig theorist—who try to halt the plans of evil corporate overlords bent on destroying the earth for profit.
A furious escaped lab bunny vandalises symbols of corporate greed while arguing political theory with a pigtailed eco-warrior, as Zen Pug observes it all in blissful detachment. They drag her pop culture-bedazzled brother, his anarchist boyfriend and other characters - kicking and screaming - into the struggle against the rapacious thugs and theocratic wingnuts ruling imperial America. Stephanie McMillan's comics, deploying an engaging visual style that draws in everything from folk art to anime, confront the insanity and heartlessness of global capitalism and war.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.