Tim Slater and Roger Freedman have worked to improve astronomy and overall science education for many years. Now, they’ve partnered to create a new textbook, a re-envisioning of the course, focused on conceptual understanding and inquiry-based learning. Investigating Astronomy: A Conceptual Approach to the Universe is a brief, 15-chapter text that employs a variety of activities and experiences to encourage students to think like a scientist.
This autotheoretical Element, written in the tense space between feminist and trans theory, argues that movement between 'woman' and 'nonbinary' is possible, affectively and politically. In fact, a nonbinary structure of feeling has been central in the history of feminist thought, such as in Simone de Beauvoir's The Second Sex (1949). This structure of feeling is not antifeminist but indexical of a desire for a form of embodiment and relationality beyond binary sex and gender. Finally, the Element provides a partial defense of nonbinary gender identity by tracing the development of the term in online spaces of the early 2000s. While it might be tempting to read its development as symptomatic of the forms of selfhood reproduced in (neo)liberal, racialized platform capitalism, this reading is too simplistic because it misses how the term emerged within communities of care.
At once brave and athletic, virtuous and modest, female martyrs in the second and third centuries were depicted as self-possessed gladiators who at the same time exhibited the quintessentially "womanly" qualities of modesty, fertility, and beauty. L. Stephanie Cobb explores the double embodiment of "male" and "female" gender ideals in these figures, connecting them to Greco-Roman virtues and the construction of Christian group identities. Both male and female martyrs conducted their battles in the amphitheater, a masculine environment that enabled the divine combatants to showcase their strength, virility, and volition. These Christian martyr accounts also illustrated masculinity through the language of justice, resistance to persuasion, and-more subtly but most effectively-the juxtaposition of "unmanly" individuals (usually slaves, the old, or the young) with those at the height of male maturity and accomplishment (such as the governor or the proconsul). Imbuing female martyrs with the same strengths as their male counterparts served a vital function in Christian communities. Faced with the possibility of persecution, Christians sought to inspire both men and women to be braver than pagan and Jewish men. Yet within the community itself, traditional gender roles had to be maintained, and despite the call to be manly, Christian women were expected to remain womanly in relation to the men of their faith. Complicating our understanding of the social freedoms enjoyed by early Christian women, Cobb's investigation reveals the dual function of gendered language in martyr texts and its importance in laying claim to social power.
Imprint -- Subvention -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Abbreviations -- Introduction -- 1. Bodies in Pain: Ancient and Modern Horizons of Expectation -- 2. Text and Audience: Activating and Obstructing Expectations -- 3. Divine Analgesia: Painlessness in a Pain-Filled World -- 4. Whose Pain?: Pain as a Locus of Meaning in Christian Martyr Texts -- 5. Narratives and Counternarratives: Discourse and Early Christian Martyr Texts -- Conclusion -- Notes -- Bibliography -- Index
From gleaming hardstone statues to bright frescoes, the unexpected and often spectacular Egyptian objects discovered in Roman Italy have long presented an interpretive challenge. How they shaped and were shaped by religion, politics, and identity formation has now been well researched. But one crucial function of these objects remains to be explored: their role as precious goods in a collector’s economy. The Romans imported and recreated Egyptian goods in the most opulent materials available – gold, gems, expensive wood, ivory, luxurious textiles – and displayed them like true treasures. This is due in part to the way Romans encountered these items, as argued in this book: first as dazzling spolia from the war against Cleopatra, then as costly wares exchanged over the expanding Roman trade routes. In this respect, Romans treated Egyptian art surprisingly similarly to Greek art. By examining the concrete mechanisms through which Egyptian objects were acquired and displayed in Rome, this book offers a new understanding of this impressive material at the crossroads of Hellenistic, Roman, and Egyptian culture.
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