Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project. Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence.
Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project. Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence.
From its days as a small village named Bucktown to its 150th anniversary in 2012, the borough of Dunmore is more than just a suburb of Scranton. Boasting an ethnically diverse population and several of the best schools in the commonwealth of Pennsylvania, Dunmore has come a long way since changing its name from Bucktown in the hope of receiving financial assistance that never came. Using vintage photographs, Images of America: Dunmore aims to celebrate not just the town's history but also its people. The photographs depict lives of earlier generations who share one thing in common with their modern counterparts: their pride in their hometown.
Reconstructing Italy traces the postwar transformation of the Italian nation through an analysis of the Ina-Casa plan for working class housing, established in 1949 to address the employment and housing crises. Government sponsored housing programs undertaken after WWII have often been criticized as experiments that created more social problems than they solved. The neighborhoods of Ina-Casa stand out in contrast to their contemporaries both in terms of design and outcome. Unlike modernist high-rise housing projects of the period, Ina-Casa neighborhoods are picturesque and human-scaled and incorporate local construction materials and methods resulting in a rich aesthetic diversity. And unlike many other government forays into housing undertaken during this period, the Ina-Casa plan was, on the whole, successful: the neighborhoods are still lively and cohesive communities today. This book examines what made Ina-Casa a success among so many failed housing experiments, focusing on the tenuous balance struck between the legislation governing Ina-Casa, the architects who led the Ina-Casa administration, the theory of design that guided architects working on the plan, and an analysis of the results-the neighborhoods and homes constructed. Drawing on the writings of the architects, government documents, and including brief passages from works of neorealist literature and descriptions of neorealist films by Pier Paolo Pasolini, Italo Calvino and others, this book presents a portrait of the postwar struggle to define a post-Fascist Italy.
Stephanie Beacham is one of the leading actors of her generation. In the course of a career which spans over 40 years, the RADA trained actress has treaded the boards of some of the most prestigious theatres in the world from the National Theatre to Broadway, made countless appearances on television in much loved series such as Tenko, Connie, Bad Girls and Coronation Street and starred in feature films alongside some of the greatest actors of their time such as Marlon Brando and Ava Gardner. But it was in her incarnation as the smouldering super-bitch Sable Colby in the long-running blockbuster soap of eighties Dynasty that Stephanie will perhaps be best remembered. It was a role that would bring the celebrated beauty both worldwide fame and awards and would earn her a fortune. But Stephanie's life has not always been glamour and glitz - for all the highs, she has had her low moments too as she reveals in this extraordinarily candid but heart-warming memoir. Born with just 40% hearing the young Stephanie would have to overcome her deafness to face the world and make it in a profession where hearing meant everything. She would struggle as a young actress, would go through the pain and the heartache of a divorce, raise her children as a single-parent, as well as overcoming a health scare which nearly killed her in her mid-thirties. And it would be this near death experience that would send Stephanie on what she describes as a 'spiritual adventure' to arm her with both the tools and knowledge she believes she needed to propel her through the rest of her life.
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