Guide to the properties and uses of Southern African Wood is a fully illustrated, scientifically accurate guide to the characteristics, properties and uses of wood from 140 Southern African tree species. Species treatments include information on conservation status, uses, mechanical properties, durability, identification features, woodworking properties and comments from wood users on workability. Photographs of tree bark, untreated and treated wood, end-grain macrographs, as well as worked items. Provides information on historical uses, where trees grow, availability and sustainability of the woods and the practicalities of harvesting and processing. Superior quality text and excellent reproduction and printing. The only commercially available book which focuses on the properties of Southern African wood, written in a style that will appeal to a wide audience: professional woodworkers, designers, architects, wood dealers and wood collectors, hobbyists, botanists and anyone interested in trees and wood. A must-have for all who love wood and trees!"--Publisher.
It's with a heavy heart that Jane Austen takes up a new residence at Chawton Cottage in Hampshire. Secretly mourning the lost love of her life, she's stunned to learn that the late Lord Harold Trowbridge has made her heir to an extraordinary bequest: a Bengal chest filled with his diaries, letters, and most intimate correspondence. From these, Jane is expected to write a memoir of the Gentleman Rogue for posterity. But before she can put pen to paper on this labor of love, she discovers a corpse in the cellar of her new home. The dead man was a common laborer, and a subsequent coroner's examination shows he was murdered elsewhere and transported to Chawton Cottage. Suddenly Jane and her family are thrust into the center of a brewing scandal in this provincial village that doesn't take kindly to outsiders in general—and to Austens in particular. And just as Jane glimpses a connection between the murder and the shattering truth concealed somewhere in Lord Harold's papers, violent death strikes yet another unsuspecting vicitim. Suddenly there are suspects and motives everywhere Jane looks—local burglaries, thwarted passions, would-be knights, and members of the royal family itself who want Lord Harold hushed . . . even in death. As the tale of one man's illustrious life unfolds—a life that runs a parallel course to the history of two continents—Jane races against time to catch a cunning killer before more innocent lives are taken. But her determination to protect Lord Harold's legacy could exact the costliest price of all: her own life. Jane and His Lordship's Legacy is historical suspense writing at its very finest, graced with insight, perception, and uncommon intelligence of its singular heroine in a mystery that will test the mettle of her mind and heart.
Brilliant ... Think Miss Marple with a little more of an edge' Michael Jecks, author of The Last Templar Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque town of Ashburton in her trusty van ready to turn her hand to anything. And all too often the 'anything' happens to be murder... In book 1, Dead in Devon , Juno takes on a new client, Old Nick, but little does she expect to be pulled into the shady world of antique dealing and find herself in the middle of a murder investigation. And, if she's not careful, she'll be the next victim, too. In the next instalment, Dead on Dartmoor , Juno becomes embroiled in the death of a man who was apparently the victim of a bizarre accident. But this death is not the only one to have occurred at Moorworthy Chase, and Juno is soon convinced that something is very wrong at Moorworthy... From Devon with Death , Ashburton's mythical blood-drinking demon, Cutty Dyer, is blamed for what might have been a practical joke in poor taste, but then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. In book 4, The Dartmoor Murders , when Juno purchases a wardrobe to stock in her fledgling antiques store, she doesn't expect to find a dead body inside. With another suspicious death, the hunt for a double murderer is on. 'Absolutely perfect for fans of M. C. Beaton' Kate Rhodes, author of Devil's Table
In the first five months of the Great War, one million men volunteered to fight. Yet by the end of 1915, the British government realized that conscription would be required. Why did so many enlist, and conversely, why so few? Focusing on analyses of widely felt emotions related to moral and domestic duty, Juvenile Nation broaches these questions in new ways. Juvenile Nation examines how religious and secular youth groups, the juvenile periodical press, and a burgeoning new group of child psychologists, social workers and other 'experts' affected society's perception of a new problem character, the 'adolescent'. By what means should this character be turned into a 'fit' citizen? Considering qualities such as loyalty, character, temperance, manliness, fatherhood, and piety, Stephanie Olsen discusses the idea of an 'informal education', focused on building character through emotional control, and how this education was seen as key to shaping the future citizenry of Britain and the Empire. Juvenile Nation recasts the militarism of the 1880s onwards as part of an emotional outpouring based on association to family, to community and to Christian cultural continuity. Significantly, the same emotional responses explain why so many men turned away from active militarism, with duty to family and community perhaps thought to have been best carried out at home. By linking the historical study of the emotions with an examination of the individual's place in society, Olsen provides an important new insight on how a generation of young men was formed.
The greatest trick the videogame industry ever pulled was convincing the world that videogames were games rather than a medium for making metagames. Elegantly defined as “games about games,” metagames implicate a diverse range of practices that stray outside the boundaries and bend the rules: from technical glitches and forbidden strategies to Renaissance painting, algorithmic trading, professional sports, and the War on Terror. In Metagaming, Stephanie Boluk and Patrick LeMieux demonstrate how games always extend beyond the screen, and how modders, mappers, streamers, spectators, analysts, and artists are changing the way we play. Metagaming uncovers these alternative histories of play by exploring the strange experiences and unexpected effects that emerge in, on, around, and through videogames. Players puzzle through the problems of perspectival rendering in Portal, perform clandestine acts of electronic espionage in EVE Online, compete and commentate in Korean StarCraft, and speedrun The Legend of Zelda in record times (with or without the use of vision). Companies like Valve attempt to capture the metagame through international e-sports and online marketplaces while the corporate history of Super Mario Bros. is undermined by the endless levels of Infinite Mario, the frustrating pranks of Asshole Mario, and even Super Mario Clouds, a ROM hack exhibited at the Whitney Museum of American Art. One of the only books to include original software alongside each chapter, Metagaming transforms videogames from packaged products into instruments, equipment, tools, and toys for intervening in the sensory and political economies of everyday life. And although videogames conflate the creativity, criticality, and craft of play with the act of consumption, we don’t simply play videogames—we make metagames.
The 1960s ushered in a time of creative freedom and idealism reflected in the popular music and films on both sides of the Atlantic. At the forefront of driving that creative change were four mop-topped musicians from Liverpool, The Beatles. While many scholars have examined their role as songwriters, as countercultural and political figures, and as solo artists, few have considered the important role film played in The Beatles' career. This book focuses on the overlooked films the Beatles performed in from 1964 to 1970 in order to chart their journey from pop stars to musicians. Through these case studies, The Beatles on Screen uncovers how the relationship between film and pop music has changed the ways in which bands communicate with their fans.
What can you learn from one of the most successful companies in the world? The Spanx Story will help you understand and adopt the competitive strategies, workplace culture, and daily business practices that enabled entrepreneur Sara Blakely to dominate the shapewear industry and become a billionaire. Sara Blakely had a problem. She had a beautiful pair of white designer pants hanging in her closet just calling out to her to wear them, even though they accented her least favorite feature: cellulite. After searching high and low for a solution and coming up empty, an idea was born: Spanx. The Spanx Story chronicles Sara’s journey from long nights researching patent and trademark law, to years of cold shoulders she received from the titans of the pantyhose industry, to the cold call that led to the shelves of Nieman Marcus. It was a long road of incredible hard work and determination that led Spanx to become the iconic brand it is today. Through Sara’s story, you will learn: How to develop an idea and turn it into a business. How to start a company with very little capital by thinking outside of the box and dedicating every spare moment to your goal. How to recognize when it’s better to hire a CEO than to be the CEO. How to stay the course and continue to believe in your idea, despite naysayers and going against an industry resistant to innovation. The Spanx Story educates and inspires entrepreneurs and innovators to find the problem for their solutions and persevere through the hard work that goes into building a billion-dollar company.
This book examines school and college fiction for girls in Britain and the United States, written in the first half of the twentieth century, to explore the formation and ideologies of feminine identity. Nancy G. Rosoff and Stephanie Spencer develop a transnational framework that recognises how both constructed and essential femininities transcend national boundaries. The book discusses the significance and performance of female friendship across time and place, which is central to the development of the genre, and how it functioned as an important means of informal education. Stories by Jessie Graham Flower, Pauline Lester, Alice Ross Colver, Elinor Brent-Dyer, and Dorita Fairlie Bruce are set within their historical context and then used to explore aspects of sociability, authority, responsibility, domesticity, and possibility. The distinctiveness of this book stems from the historical analysis of these sources, which have so far primarily been treated by literary scholars within their national context. Winner of the History of Education Society Anne Bloomfield Prize for the best book on history of education published in English 2017-19
Could your pet help you with your math homework? Discover how amazing animals use number sense in this fun and fact-filled investigation. Animals know a lot more about numbers than you might think. Guppies can tell large numbers from small ones, hyenas can count, and chimpanzees can use Arabic numerals! Readers will get to know these extraordinary animals and more—and how scientists study their number sense. Each chapter wraps up with an interview with a researcher and a hands-on activity that give readers the chance to challenge their own math skills. Illustrations brimming with personality, along with colorful photos, sidebars, and splashy facts, make for an entertaining delve into these fascinating studies in this second book in the Extraordinary Animals series. A bibliography as well as an “Add to Your Knowledge” section at the back encourage more discovery.
When Juno Browne finds a life-sized effigy floating in the River Ashburn, a note attached claims it as the work of Cutty Dyer, Ashburton's mythical blood-drinking demon. But despite Juno's instinct that this is a sign of trouble ahead, the police dismiss her find as a practical joke. Then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. But as suspicion falls on someone close to her, Juno finds herself drawn into solving the mystery, desperate to prove her friend's innocence. As the rain falls steadily and the level of the River Ashburn continues to rise, Juno must unmask the real identity of Cutty Dyer, or risk being swept away on a murderous tide.
This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated with a reliance on ultimately incarcerating systems of superstition.
In the wake of the devastating WWI, three Jews headed the most valuable territory in the British Empire in addition to a strategically important new addition. Edwin Montagu held the position of Secretary of State for India, Rufus Isaacs (Lord Reading) was the newly appointed Viceroy of India, and Herbert Samuel arrived in Jerusalem as the first High Commissioner of Palestine. Their appointments came at a time of great upheaval as Indian nationalists clamoured for independence, pan-Islamists fought to keep the defeated Ottoman Empire intact and the sultan in Constantinople, and Zionists sought to build on the wartime promise by the British government to create a Jewish homeland in Palestine in face of opposition by Palestinians and pan-Islamists. The task of tackling these issues was made all the more difficult by accusations that Jews were not loyal to the British Empire and its goals, a view promoted by the appearance of the antisemitic Protocols of the Elders of Zion in English translation. This book follows this web of divisive imperial politics, and nationalist and pan-Islamist aspirations in India and Palestine, through the lives and work of these three men whose efforts were coloured by the post-war fear of a declining empire that was being corroded from within.
The freedom to practice religion without government interference predates the founding of the United States. The Puritans and other religions came to the New World partly so they could openly worship without persecution. While persecution certainly still existed, this idea became a big part of the First Amendment to the Constitution. This detailed volume introduces readers to the right to freedom of religion through historical context, challenges to that right, and Supreme Court rulings on cases dealing with freedom of religion. The main content is unbiased and written in clear language appropriate for readers exploring this important topic.
Now in its second edition, Britain since 1688 is an accessible and comprehensive introduction to British History from 1688 to the present day that assumes no prior knowledge of the subject. Chronological in structure yet thematic in approach, the book guides the reader through major events in British history from the Glorious Revolution of 1688, offering extensive coverage of the British Empire and continuing through to recent events such as Britain’s exit from the European Union. Fully revised and updated using the most recent historical scholarship, this edition includes discussion of the Brexit referendum and Britain’s subsequent exit from the European Union, along with increased coverage of Britain’s imperial past and its legacy in the present. New sidebars on themes such as race, immigration, religion, sexuality, the presence of empire and the experience of warfare are carried across chapters to offer students current and relevant interpretations of British history. Written by a team of expert North American university professors and supported by textboxes, timelines, bibliographies, glossaries and a fully integrated companion website, this textbook provides students with a strong grounding in the rich tapestry of events, characters and themes that encompass the history of Britain since 1688.
One of the most famous voices to have survived from the Roman world, Catullus's poetry is still amongst the most popular and widely read. But what is it that makes this 2,000-year-old voice so relevant, so personal, and so endlessly fascinating? Reinvigorating discussions around the nature of Catullus's lyricism, Catullus in Twentieth-Century Music takes a completely new approach to Catullus and ideas of lyric. It centres around four musical works from the twentieth century, each one capturing the essence of Catullus in musical retellings and showcasing a very personal response to the original text. Considering how and why these musical composers used Catullus's poetry as their stimulus allows us to uncover new ideas about Catullus's poetry. By considering the very process of reception, Stephanie Oade takes a broader view of lyric, identifying traits and characteristics that are common to both music and poetry, thus transcending the boundaries of individual art forms in order to consider the genre in larger, interdisciplinary terms. It offers insights into compositional processes and challenges audiences to think about ways of engaging with music and poetry. More than anything, it shows how ancient voices continue to resound in modernity and offer everlasting expression for our own experiences and emotions.
This ground-breaking study provides an entertaining insight into popular film in Brazil, situating major box-office successes such as 'Central Station' (Walter Salles, 1998), in their socio-historical context.
How can a song help the hungry and persecuted to survive? Stephanie Sieburth’s Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime’s dehumanizing treatment following the Spanish Civil War (1936–39). Piquer’s coplas were sad, bitter stories of fallen women, but they offered a way for the defeated to cope with chronic terror, grief, and trauma in the years known as the “time of silence.” Drawing on the observations of clinical psychotherapy, Sieburth explores the way in which listening to Piquer’s coplas enabled persecuted, ostracized citizens to subconsciously use music, role-play, ritual, and narrative to mourn safely and without fear of repercussion from the repressive state. An interdisciplinary study that includes close readings of six of Piquer’s most famous coplas, Survival Songs will be of interest to specialists in modern Spanish studies and to clinical psychologists, musicologists, and those with an interest in issues of trauma, memory, and human rights.
Excavations at Wigmore Castle were carried out in 1996 and 1998 as a precursor to repair and consolidation of the castle by English Heritage. The castle had remained the honorial caput of the Mortimer family from the late 11th century through to 1425, an unusually long tenure amongst Marcher lordships. The Mortimer family became increasingly important players in the history of England. Thereafter the Mortimer inheritance passed to the Dukes of York and from there to the Crown. Evidence of the earliest castle was found during the excavations, including part of a substantial 12th-century timber building, part of which had been used as a kitchen. Here remains of a sequence of hearths, cooking pots and food remains were found. The construction of defences in stone probably began in the 12th century. The effect of conflict on the castle was indicated by the presence of ballista balls, arrowheads, a possible crannequin and fragments of plate armour. A possible period of neglect occurred in the later 14th century but by the 15th century the castle was the scene of renewed activity including the rebuilding of the curtain wall. Dietary evidence and some of the artefacts indicate that there was high-status occupation, in which hunting played an important role that continued throughout the 15th century. By the 16th century the castle fabric was beginning to fall into disrepair and evidence of repairs and modifications were noted. Nevertheless, high-status occupation continued and the castle remained to play an important role as a secondary seat of the Council of the Marches. However, by the early 17th century decline at the castle appears to have been terminal. The castle was now owned by the Harley family and it is they who are credited with the pre-emptive slighting of the castle during the Civil War. The slighting is not evident in the excavated areas, and the area in and around the East Tower appears to have been derelict well before the mid-17th century. Pottery, clay pipe and other artefacts which can definitely be ascribed to the Civil War are few. An oxshoe found in the latest deposits may well be associated with the removal of fallen stone for building elsewhere. Thereafter the castle appears to have been little visited and almost total ruination had set in by the early 18th century. In 1995 the castle was taken into English Heritage Guardianship and has been consolidated and restored as a romantic ruin.
This multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Japanese American Incarceration argues that the incarceration of Japanese Americans created a massive system of prison labor that blurred the lines between free and forced work during World War II"--
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