Fiction. "In her debut novel, the aptly named Stephanie Emily Dickinson (who also reminds me of a female Tennessee Williams) gives us Angelique, a sort of hitchhiking Lolita, and somehow makes her heart break in the reader'ss chest. HALF GIRL is 100% thrilling, harrowing, beautiful, and unforgettable"--Jennifer Belle.
In Heat: An Interview with Jean Seberg, Stephanie Dickinson becomes the voice of a legendary movie star and the last All-American girl Jean Seberg. Written as a fictional interview, no question is off-limits (French husbands, love with a Black Panther, alcoholism, death of a child, suicide). The imaginary answers are real and haunting as they pull you into a fascinating world of the 1960s. Dickinson skillfully draws on her own Midwestern childhood and with heart-rending imagery gives us a portrait of a dreamy teenager in Marshalltown who 'watched the bluegill bite the hook's surprise, ' a girl who could never shrug off her small-town roots even as she embraced the Paris life of celebrity. Dickinson has written a book of such depth, knowledge and sensitivity that it should be considered the star's authorized biography because had Jean Seberg read this she would have cried with joy at the prospect of finally being understood." --Marina Rubin "Life's an existential journey for Jean Seberg. It's not easy being a seething adolescent sexpot, a free-love heroine of French New Wave films and Black Panthers, a mother, not to mention Joan of Arc burning at a funeral pyre under the direction of Otto Preminger. A film director or critic cuts through the fine facade between life onstage and off-killing and resurrecting. 'What's real is make-believe...' just as this interview is. Dickinson's great talent lies not in writing aboutJean Seberg but in occupying that space between her spirit and her flesh. Dickinson speaks Seberg, sees Seberg, savors the humiliation of brutish critics until it sours, has felt heavy make up melting on her face, heard the sobs of butterflies alighting in her body's crevices, felt the heat rise from her torched costume, been trapped in a sack, taken to the anvil, hammered. Even then, says Seberg-Dickinson, 'I'm deep in the sky. Alive.' --Maria Lisella
Jacob Lawrence was a talented painter whose work became an important part of the Harlem Renaissance and modern art. Learn about his life, influences, and impact.
In 2008, Katy Perry roared her way to singing stardom. Since then, she has become both a performing powerhouse and a business sensation. This is the story of how she achieved success both on and off the stage.
Part memoir, part indictment, Relentless is one woman's honest and unflinching account of suffering from terminal cancer. In December 2006, Stephanie Greco Larson, a forty-six year old political science professor at Dickinson College, was diagnosed with inoperable cancer. Oncologists told her that the disease would kill her in mere months. In the four years following her diagnosis, Larson endured being pricked, prodded, cut, injected, ignored, and scolded by doctors who tried to stave off her incurable cancer. Drafted between her diagnosis and death in 2011, Relentless provides one patient's perspective of living and dying with peritoneal cancer in the American medical system, a system she found ill-equipped to hear, treat, and comfort those with aggressive and eventually fatal forms of cancer. From health insurance to hospice care, Larson catalogs the shortcomings of the American healthcare system and its failure to serve those who cannot be cured. Larson deconstructs our society's notion that the ideal cancer patient should be the positive fighter who keeps the messy parts of the disease to herself: I'm more comfortable with the term "cancer victim," but that term is passe. It has been stripped from the discourse by those seeking agency, and ironically, by those who want to empower us. If I call myself a cancer victim, people get unhappy. They don't want to think of me as a victim. I don't fit the cowering, helpless stereotype they have in their heads. So they correct me: "You're no victim"; "You're still here, aren't you"; or the generic "Don't say that. You have to stay positive." So if I'm not a victim or a survivor, and I'm not really living with cancer or necessarily in treatment, what am I? I'd say that I am a "cancer sufferer." I am a cancer sufferer. I have cancer. I suffer from it. I am not always fighting. I am not always in treatment. I am not yet dead from cancer, but I will be in months or years, and until then, my life is fundamentally altered by the presence of cancer and the medical protocols for treating it. I am a cancer sufferer. Like fools, I don't suffer it gladly. Edited and published posthumously, Relentless is Larson's refusal to stay silent about the uncomfortable realities of her treatment and terminal illness. Under the steady hands of Meg Allen, her former student, and David Srokose, her devoted husband, this, her final rallying cry, boldly challenges readers to cease substituting catch phrases like "stay positive" and "think pink" for actual compassion. All profits from this memoir go toward the Stephanie Greco Larson Scholarship at Dickinson College in Carlisle, Pennsylvania.
The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties. Drawing together a wide range of texts across all forms of historical fiction - novels, dramas, musicals, films and television - this book re-frames anachronism not as an error, but as a deliberate strategy that emphasises the fictionalising tendencies of all forms of historical writing. The book achieves this by exploring three core themes: the developing trends in the twenty-first century for creators of historical fiction to include deliberate anachronisms, such as contemporary references, music, and language; the ways in which the deliberate use of anachronism in historical fiction can allow us to rethink the relationship between past and present, and; the way that contemporary historical fiction uses anachronism to better understand modern issues and anxieties. This book will appeal to students and scholars of historical fiction, contemporary historical film and television studies, and historical theatre studies.
It's now or never for Gemma, will she finally be able to step away from a life of crime? Mob boss Alfie has new rivals in town – and they might be more than a match for the Essex gangster. Between defending his turf, appeasing his crime lord father and holding onto the woman of his dreams, Alfie knows that something's got to give... Nathan's recovering from his coma and trying to come to terms with his wife's bombshell secret – that her son Luca was fathered by Alfie. Unconvinced of Gemma's loyalty, he turns to his estranged ex-con father for help... Gemma will do anything to give her son a normal life – and she's surprised to find she has unexpected allies. But when the moment of truth arrives, can she trust Nathan to protect her and Luca?
This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII’s most infamous queen. Since her execution on 19 May 1536, Anne’s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.
Today's students all know what the Declaration of Independence is. One of the things they will discover in Understanding the Declaration of Independence is what a beautiful, powerful piece of writing it is, as they read Thomas Jefferson's rough draft in its entirety. They may also be surprised to learn that its authors intended the document as something like a press release to let people know that the Continental Congress had voted for independence. They never envisioned the document becoming a cornerstone of our modern, democratic nation. Readers will learn what effect the Declaration of Independence had on life at the time and how it polarized the people. A fascinating discussion on how the document is perceived today and its relevancy is also included.
Mary Anning was only 12 years old when she excavated the skeleton of an unknown animal. The discovery of the ichthyosaur was the dawn of a new age of science called paleontology, and Anning became one of the leading experts in the study of dinosaurs. Her discoveries helped lay the groundwork for Charles Darwin's theory of evolution and changed the way scientists understood the past. Unfortunately, as a woman of the 1800s, Anning received almost no recognition for her contributions, which were instead credited to the male naturalists who had purchased her specimens. Author Stephanie Bearce brings Anning's remarkable work to life for young readers with research and projects that allow children to experience hands&‑on science as Anning did. Kids will create fossil models in plaster and use tools to extract them, build a Mesozoic diorama of a dinosaur habitat, grow crystals in an eggshell to observe how geodes are formed, and much more!
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