Bootleggers, swindlers, gold miners and serial killersCharlotte has courted them all. The Queen City is renowned for its skyline, sports teams and dizzying growth, but just below its smooth, polished exterior lies a dark past full of crime and myriad misdeeds. This second history of Charlotte has been concealed and denied by those who retell the citys story, and by those who have lived it. Until now. In Wicked Charlotte, discover the tale of the Chicago gangsters who invaded the city looking to pull a heist to fund sinister maneuverings in their bosss criminal trial. Learn how a golden nugget found in a nearby creek changed Charlotte from a trading crossroads into a rough and tumble town full of fortune seekers bent on finding a quick dollar and instant riches. And read about the details of the death of one of Charlottes most gifted writers, who met his end in a seedy hotel room in Mexico. This raucous book sheds light on these incidents and many more, revealing a side of Charlottes history that few will recognize. The sordid events described here took place on familiar streets and in well known neighborhoods, but rarely have the stories passed beyond the circles of those who lived them. Charlotte has played host to a multitude of villainous characters, and has seen scores of unsavory deeds played out on its shadowy streets. Wicked Charlotte brings it all to the forefront, as never before.
The author of Wicked Charlotte roots out the spirited secrets of two small towns deep in the Appalachian Mountains. When the sun slips behind the trees and shadows lengthen near dusk, the mountains and valleys of Highlands and Cashiers whisper their tales of lost loves, deals gone bad, and ghosts who walk the night. This tourist destination is rich in folklore and legend—from rumors of a magical mountain volcano to the ghost of a white owl. Learn the stories and firsthand accounts of hauntings and the hard to explain. Listen to the voices winding through the hemlocks, or is it just the wind? Includes photos!
Bootleggers, swindlers, gold miners and serial killersCharlotte has courted them all. The Queen City is renowned for its skyline, sports teams and dizzying growth, but just below its smooth, polished exterior lies a dark past full of crime and myriad misdeeds. This second history of Charlotte has been concealed and denied by those who retell the citys story, and by those who have lived it. Until now. In Wicked Charlotte, discover the tale of the Chicago gangsters who invaded the city looking to pull a heist to fund sinister maneuverings in their bosss criminal trial. Learn how a golden nugget found in a nearby creek changed Charlotte from a trading crossroads into a rough and tumble town full of fortune seekers bent on finding a quick dollar and instant riches. And read about the details of the death of one of Charlottes most gifted writers, who met his end in a seedy hotel room in Mexico. This raucous book sheds light on these incidents and many more, revealing a side of Charlottes history that few will recognize. The sordid events described here took place on familiar streets and in well known neighborhoods, but rarely have the stories passed beyond the circles of those who lived them. Charlotte has played host to a multitude of villainous characters, and has seen scores of unsavory deeds played out on its shadowy streets. Wicked Charlotte brings it all to the forefront, as never before.
The author of Wicked Charlotte roots out the spirited secrets of two small towns deep in the Appalachian Mountains. When the sun slips behind the trees and shadows lengthen near dusk, the mountains and valleys of Highlands and Cashiers whisper their tales of lost loves, deals gone bad, and ghosts who walk the night. This tourist destination is rich in folklore and legend—from rumors of a magical mountain volcano to the ghost of a white owl. Learn the stories and firsthand accounts of hauntings and the hard to explain. Listen to the voices winding through the hemlocks, or is it just the wind? Includes photos!
Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.
Randall Jarrell (1914–1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers—including Bishop, Lowell, and Arendt—in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.
Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty—and sheer variety—leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline-making urgency of Claudia Rankine’s Citizen to the stark pathos of Louise Glück, the limitless energy of Juan Felipe Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), and poems by prizewinning poets near the start of their careers (such as Brandon Som), and by others who are not—or not yet—well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today.
This textbook presents the essential research findings on human touch and haptic perception in a concise manner for students and health professionals. Focusing on anatomical, neural and physiological as well as psychological, social and clinical aspects, the scope of this book ranges from the fetus in the womb to the older adult in need of care. The chapters can be read individually or consecutively, and cross-chapter content is indicated by chapter references. Key learning points are highlighted at the end of each section, and figures, illustrations, and references facilitate the learning process. The quality of the presented study results has been critically analyzed and only randomized controlled studies are reported, which gives the reader a critical representation of the current state of knowledge. The textbook also provides valuable suggestions for future research by noting blind spots in existing research, and by pointing to methodological challenges in the implementation of high quality studies. Hence, this textbook is not only a representation of current knowledge, but also an epistemological analysis of the research process. There has been a surge of research about the sense of touch in the past ten years, which is incorporated in this book. This textbook will be an invaluable tool for physiotherapists, occupational therapists, nurses and other health professionals in everyday professional life.
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