Set in the turbulent, colorful 1970's, What We Set in Motion finds the daughter of a prominent South Carolina Lowcountry family fleeing to New York's Greenwich Village to become a dancer. With patience and focus, Nadine's ensuing chaotic, sometimes dangerous, life shows her that each choice is a milestone in forging her own destiny.
With festive season fast approaching, amateur sleuth Juno Browne helps organise a Christmas Fair to raise funds for a local animal sanctuary. The event is a success, but whilst Santa is handing out presents in the fairy-lit grotto, a murder is being committed in a dark corner of the garden. Juno discovers the body of Bob the Blacksmith, found clutching a horseshoe decorated with a sprig of elder. Suspicion falls on Bob's long-suffering wife, Jackie, and on Don Drummond, with whom Bob violently quarrelled in the past. From this cloud of suspicion, Juno begins to make connections between Bob's murder and previous 'accidental' deaths, but her course is obstructed by those who insist on links to ancient folklore. Determined to take the evidence with a generous pinch of salt, Juno navigates pagan ceremonies and astrological connections that turn up yet more bodies on a deadly path to the truth.
Brilliant ... Think Miss Marple with a little more of an edge' Michael Jecks, author of The Last Templar Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque town of Ashburton in her trusty van ready to turn her hand to anything. And all too often the 'anything' happens to be murder... In book 1, Dead in Devon , Juno takes on a new client, Old Nick, but little does she expect to be pulled into the shady world of antique dealing and find herself in the middle of a murder investigation. And, if she's not careful, she'll be the next victim, too. In the next instalment, Dead on Dartmoor , Juno becomes embroiled in the death of a man who was apparently the victim of a bizarre accident. But this death is not the only one to have occurred at Moorworthy Chase, and Juno is soon convinced that something is very wrong at Moorworthy... From Devon with Death , Ashburton's mythical blood-drinking demon, Cutty Dyer, is blamed for what might have been a practical joke in poor taste, but then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. In book 4, The Dartmoor Murders , when Juno purchases a wardrobe to stock in her fledgling antiques store, she doesn't expect to find a dead body inside. With another suspicious death, the hunt for a double murderer is on. 'Absolutely perfect for fans of M. C. Beaton' Kate Rhodes, author of Devil's Table
Juno Browne, self-proclaimed Domestic Goddess who can turn her hand to cleaning, dog walking or home help jobs, is feeling overworked and underpaid. Her elderly client, Maisie is demanding more of her time and staff absences at the Ashburton antiques shop she also owns are making business difficult. She is not the only one with problems, very serious problems however. Her friend Elizabeth is being blackmailed, and dear Ricky's errant nephew is on the run from criminals in London. Juno's attempts to help take her from an isolated manor house on Dartmoor to London's glittering theatreland. Can she avoid being fatally entangled in threads of deceit and murder?
In the hours of darkness what will come to light?In the Dartmoor town of Ashburton, reluctant antique shop owner and accidental amateur sleuth, Juno Browne, has cash-flow problems. So, when the mild and gentlemanly bookbinder, Frank Tinkler, rents a room above the shop, he seems like the answer to a prayer.At home, Juno accidentally disturbs intruders and shortly afterwards, one of them falls to his death from a viaduct. Was it accident, suicide or murder? When Juno recognises his accomplice as Frank's nephew, Scott, she decides to investigate .
When Juno Browne purchases a wardrobe to stock in her fledgling antiques store, she doesn't expect to find a dead body inside. And when the man she bought it from, rascally farmer Fred Crick, is found battered to death in his blazing cottage, the hunt for a double murderer is on. Despite the police struggling to connect the two deaths, this time Juno is resolved to ignore her impulse to investigate. Until, that is, a stranger arrives who bears an uncanny resemblance to the dead man in the wardrobe. Determined to discover how his identical twin brother died and impressed by Juno's reputation in the local press as Ashburton's amateur sleuth, Henry tries to drag her into his quest to solve the mystery, with disastrous results.
When Juno Browne finds a life-sized effigy floating in the River Ashburn, a note attached claims it as the work of Cutty Dyer, Ashburton's mythical blood-drinking demon. But despite Juno's instinct that this is a sign of trouble ahead, the police dismiss her find as a practical joke. Then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. But as suspicion falls on someone close to her, Juno finds herself drawn into solving the mystery, desperate to prove her friend's innocence. As the rain falls steadily and the level of the River Ashburn continues to rise, Juno must unmask the real identity of Cutty Dyer, or risk being swept away on a murderous tide.
Murder is a messy business, especially for the person who has to clear up afterwards: in this case, me. I didn't commit the murder, you understand, I just found it. Him, I found him ...Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque town of Ashburton in her trusty van ready to turn her hand to anything. But when she takes on a new client, Old Nick, little does she expect to be pulled into the shady world of antique dealing and find herself in the middle of a murder investigation - and, if she's not careful, the next victim, too.
Returning from a brief holiday, Juno Browne is relieved to find that no one has been murdered in the picturesque Dartmoor town of Ashburton while she was away. Though uncharitable friends suggest that the quiet was simply due to her absence. Just as she's settling back into her routine at the antiques shop and as domestic helper and dog walker, the brutal killing of local journalist Sandy Thomas shocks the town and Juno is swept up into a fresh murder inquiry. What was Sandy really investigating on the night she was killed? With a spate of dog kidnappings to contend with as well, the Devon countryside never felt less tranquil, and inevitably Juno's amateur sleuthing skills will be called upon once again .
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
Stephen F. Austin grew up to become known as the Father of Texas. Readers can learn about his interesting and incredible life in this appealing biography that has been translated into Spanish and highlights both Austin's life and Texas history. Through vivid images and illustrations, supportive text, an accommodating glossary and index, and fascinating facts, readers will learn about Texas pioneers, the empresario system, Freemasons, and how Austin became such an important figure in Texas history. This 6-Pack includes six copies of this title and a lesson plan.
Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque village of Ashburton in her trusty van ready to turn her hand to anything. Despite warnings to the contrary, she ventures into the shady world of antiques dealing when she takes on a new client, Old Nick, who has a reputation for conducting business by the back door. When Juno prevents two menacing thugs from giving Nick a beating, itââ'¬â"[s clear one of his deals has gone horribly wrong ââ'¬'' and it isnââ'¬â"[t long before Nick is found dead. As the police search for answers starts to stall, Juno begins her own investigation. But when one of her suspects is killed and Juno is herself the subject of unwanted attention, she must piece the puzzle together before she becomes the next victim.
On the day Juno Browne's van goes up in flames and nearly cooks a dog, Juno meets James Westershall, owner of Moorworthy Chase, a large family estate. She is invited, along with her friends from Old Nick's, to bring along their goods for sale to an upcoming garden fete. Included in the invitation is the newest and most irritating member of the Old Nick's team, Gavin. During the fete Gavin wanders off and is later discovered dead in nearby woods, apparently the victim of a bizarre accident. A police investigation ensues, but results are inconclusive and Juno has a theory of her own. As she begins to investigate, she discovers that Gavin's is not the only strange death to have occurred at Moorworthy Chase, including that of an expert, researching colonies of rare bats in caves on the Moorworthy Estate. It soon becomes clear to Juno that there is something very wrong at Moorworthy and the caves contain a dark and dangerous secret.
When Juno Browne purchases a wardrobe to stock in her fledgling antiques store, she doesn't expect to find a dead body inside. And when the man she bought it from, rascally farmer Fred Crick, is found battered to death in his blazing cottage, the hunt for a double murderer is on. Despite the police struggling to connect the two deaths, this time Juno is resolved to ignore her impulse to investigate. Until, that is, a stranger arrives who bears an uncanny resemblance to the dead man in the wardrobe. Determined to discover how his identical twin brother died and impressed by Juno's reputation in the local press as Ashburton's amateur sleuth, Henry Gillow tries to drag her into his quest to solve the mystery, with disastrous results.
Ever since Eve was banned from the garden, women have endured the oftentimes painful and inaccurate definitions foisted upon them by the patriarchy. Maiden, mother, and crone, representing the three stages assigned to a woman’s life cycle, have been the limiting categories of both ancient and modern (neo-pagan) mythology. And one label in particular rankles: crone. The word conjures a wizened hag—useless for the most part, marginalized by appearance and ability. None of us has ever truly fit the old-crone image, and for today’s midlife women, a new archetype is being birthed: the creatrix. In Creatrix Rising, Stephanie Raffelock lays out—through personal stories and essays—the highlights of the past fifty years, in which women have gone from a quiet strength to a resounding voice. She invites us along on her own transformational journey by providing probing questions for reflection so that we can flesh out and bring to life this new archetype within ourselves. If what the Dalai Lama has predicted—that women will save the world—proves true, then the creatrix will for certain be out front, leading the pack.
All around us, older women flourish in industry, entertainment, and politics. Do they know something that we don’t, or are we all just trying to figure it out? For so many of us, our hearts and minds still feel that we are twenty-something young women who can take on the world. But in our bodies, the flexibility and strength that were once taken for granted are far from how we remember them. Every day we have to rise above the creaky joints and achy knees to earn the opportunity of moving through the world with a modicum of grace. Yet we do rise, because it’s a privilege to grow old, and every single day is a gift. Peter Pan’s mantra was “never grow up”; our collective mantra should be “never stop growing.” This collection of user-friendly stories, essays, and philosophies invites readers to celebrate whatever age they are with a sense of joy and purpose and with a spirit of gratitude.
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