This open access book traces the development of sociology in Germany from the late 19th century to the present day, providing a concise overview of the main actors, institutional processes, theories, methods, topics and controversies. Throughout the book, the author relates the disciplines history to its historical, economic, political and cultural contexts. The book begins with sociology in the German Reich, the Weimar Republic, National Socialism and exile, before exploring sociology after 1945 as a key discipline of the young Federal Republic of Germany, and reconstructing the periods from 1945 to 1968 and from 1968 to 1990. The final chapters are devoted to sociology in the German Democratic Republic and the period from 1990 to the present day. This work will appeal to students and scholars of sociology, and to a general readership interested in the history of Germany. Stephan Moebius is Professor of Sociological Theory and Intellectual History at the University of Graz, Austria.
This open access book traces the development of sociology in Germany from the late 19th century to the present day, providing a concise overview of the main actors, institutional processes, theories, methods, topics and controversies. Throughout the book, the author relates the disciplines history to its historical, economic, political and cultural contexts. The book begins with sociology in the German Reich, the Weimar Republic, National Socialism and exile, before exploring sociology after 1945 as a key discipline of the young Federal Republic of Germany, and reconstructing the periods from 1945 to 1968 and from 1968 to 1990. The final chapters are devoted to sociology in the German Democratic Republic and the period from 1990 to the present day. This work will appeal to students and scholars of sociology, and to a general readership interested in the history of Germany. Stephan Moebius is Professor of Sociological Theory and Intellectual History at the University of Graz, Austria.
This remarkable book endures as a true masterpiece of mathematical exposition. The book is overflowing with mathematical ideas, which are always explained clearly and elegantly, and above all, with penetrating insight. It is a joy to read, both for beginners and experienced mathematicians. Geometry and the Imagination is full of interesting facts, many of which you wish you had known before. The book begins with examples of the simplest curves and surfaces, including thread constructions of certain quadrics and other surfaces. The chapter on regular systems of points leads to the crystallographic groups and the regular polyhedra in $\mathbb{R}^3$. In this chapter, they also discuss plane lattices. By considering unit lattices, and throwing in a small amount of number theory when necessary, they effortlessly derive Leibniz's series: $\pi/4 = 1 - 1/3 + 1/5 - 1/7 + - \ldots$. In the section on lattices in three and more dimensions, the authors consider sphere-packing problems, including the famous Kepler problem. One of the most remarkable chapters is ``Projective Configurations''. In a short introductory section, Hilbert and Cohn-Vossen give perhaps the most concise and lucid description of why a general geometer would care about projective geometry and why such an ostensibly plain setup is truly rich in structure and ideas. The chapter on kinematics includes a nice discussion of linkages and the geometry of configurations of points and rods that are connected and, perhaps, constrained in some way. This topic in geometry has become increasingly important in recent times, especially in applications to robotics. This is another example of a simple situation that leads to a rich geometry. It would be hard to overestimate the continuing influence Hilbert-Cohn-Vossen's book has had on mathematicians of this century. It surely belongs in the pantheon of great mathematics books.
A rollicking vampire-filled graphic novel heist that will keep you guessing until the very end for fans of Bram Stoker's Dracula and Ocean's Eleven from award-nominated animator and comic book creator Stephan Franck "Silver is so big, bold and juicy! I absolutely love this book!” —Bill Sienkiewicz, Eisner Award–winning artist of Moon Knight and Elektra: Assassin “There may not be a better original vampire comic book in America than Silver.” —ComicBookBin "A dynamic, thrill-filled story— A really, really fun ride!” —Tim Sale, , Eisner Award–winning, bestselling artist of Batman: The Long Halloween There are only two kinds of objects in this world. The ones that shine and the ones that don’t. JAMES FINNIGAN, master thief, only concerns himself with objects from the first category. Those objects don’t hide in plain sight. They hide in dark places. When Finnigan loses his grifter gang’s entire fortune in a job gone wrong, he’s desperate to make amends. He stumbles on his chance to do so in the crypt of the Harker Foundation, where he finds a bar of pure silver and a notebook that tells of the Silver Dragon, an ancient, immeasurable treasure beyond imagination. It’s a tall tale, but also Finnigan’s only lead. To make up for what he’s lost, he formulates the heist of the millennium in search of the Silver Dragon. There’s just one catch: the famed treasure is said to be hidden in a castle full of vampires. Set in the noir-pulp era of the 1930s in a world where Bram Stoker’s Dracula is more fact than fiction, Silver is a genre-bending, rip-roaring romp that’s equal parts gothic horror and pure adventure. With its ensemble cast of misfits, beautifully sharp art, and whip-smart humor, Stephan Franck has struck gold in the first of this critically acclaimed duology.
This compact introduction to Mathematicaaccessible to beginners at all levelspresents the basic elements of the latest version 3 (front §End.txt.Int.:, kernel, standard packages). Using examples and exercises not specific to a scientific area, it teaches readers how to effectively solve problems in their own field. The cross-platform CD-ROM contains the entire book in the form of Mathematica notebooks, including color graphics, animations, and hyperlinks, plus the program MathReader.
Abundance of Life' traces the stylistic and iconographic evolution of Etruscan wall paintings over their 500 year history. The text also examines what the paintings reveal about the daily life, politics, and religion of this ancient society.
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