The Chinese Internet market, with its countless people looking to consume innovative products, offers a huge potential for foreign Internet firms. Still, almost none of them have so far been successful in this highly competitive environment. Foreign Internet firms obviously face numerous difficulties and risks when entering China, leaving those behind that don't enter prepared. The mission of this book is to give an answer to the question of how technology companies with an online based business model can avoid the same fate as their counterparts and at the same time use the massive growth opportunities that China has to offer. The main findings in this book are based on a Master Thesis written by one of the authors as well as subsequent research on the topic. It is then supplemented with unique and valuable insights from self-conducted interviews with top European entrepreneurs. We hope you enjoy reading this book!
Ferns are easy to grow and readily available in big box stores, garden centers, and mail-order nurseries, making them a popular ornamental among new and advanced gardeners. Perfect for containers, borders, layered gardens, foliage accents, and shady areas, ferns come in a range of colors and varieties. The Plant Lover’s Guide to Ferns, by fern enthusiasts Richie Steffen and Sue Olsen, is packed with information on these reliable plants. The book includes profiles for 134 plants, with information on growth and propagation, advice on using ferns in garden design, and lists of where to buy the plants and where to view them in public gardens.
Praise for Jalsaghar My hands memorize your hourglass waist. /Slow winds pass through distant sands, sifting grains. Imagine that beauty rethought in stanza after stanza. The ghazal is the Satie of poetry, sustained by the whirling dervish, its couplets braiding into the brain. Steffen Horstmanns Jalsaghar is a stunning homage to the late Agha Shahid Ali (Terese Svoboda, author of Professor Harrimans Steam Air-Ship). A rapproachment with a formal tradition demands incisive cultural evaluation; an assay of a formal tradition not ones own demands that one become a naturalized citizen of a nation of poetry. The sure-footedness with which Steffen Horstmann navigates the ghazal forma kind of poem often misunderstood in Anglophone practiceis a testimony to long and devoted study as well as to Horstmanns skill as a practitioner, his keen ear, and his passion for the possibilities of the kind of dtente poetry offers: a genuine cross-pollination of the music, the landscapes, the souls of distant and yet always kindred lives (T. R. Hummer, author of Skandalon). Steffen Horstmanns book of contemporary ghazals shows us the ways in which formin this case precise, musical, devotional in its originscan act as a vehicle for meditation. The rhymes and repetitions of the ghazal are part prayer, part spell, and as such they bind together in language the world of material things and the world of spirit, which is also a world of longing. Agha Shahid Ali brought the tradition of the ghazal into the center of our contemporary and American poetic repertoire; Steffen Horstmann has carried it into our young century, made it new (Mark Wunderlich, author of The Earth Avails).
Anthropocene Theater and the Shakespearean Stage revises the anthropocentric narrative of early globalization from the perspective of the non-human world in order to demonstrate Nature's agency in determining ecological, economic, and colonial outcomes. It welcomes readers to reimagine theater history in broader terms, and to account for more non-human and atmospheric players in the otherwise anthropocentric history of Shakespearean performance. This book analyses plays, horticultural manuals, cosmetic recipes, Puritan polemics, and travel writing in order to demonstrate how the material practices of the stage both catalyze and resist early forms of globalization in an ecological arena. William Steffen addresses the role of an understudied ecological performance history in determining Shakespeare's iconic cultural status, and models how non-human players have undermined Shakespeare's authoritative role in colonial discourse. Finally, this book makes a celebratory argument for the humanities in the age of climate change, and invites interdisciplinary engagement a research community that is compelled to find strategies for cultivating a hopeful tomorrow amidst unprecedented anthropogenic environmental changes.
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