Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his career on, Eisenman has been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. For him, form is not simply a cognitive tool that determines a physical structure, which discriminates all that is active from what is passive, what is inside from what is outside. He has always tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently,by discovering Henri Bergson's idea of Time. These different moments underline different phases, different projects, different programmatic manifestos; and above all, an evolving notion of form. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work.
Sudden disappearances worry inhabitants of Trioria, a little town in the Ligurian inland. Caterina Ruggeri, police chief, will have to shed light on the mysterious crimes by going back up to four centuries before: the murder of a witch seems to be hiding the causes of an esoteric vendetta. After being for several years responsible for the Dogs' Unit of the State Police, Caterina Ruggeri, Law graduate, is appointed Police Chief and assigned to the Police District in Imperia. The newly appointed Police Chief, having just arrived at her new working place, will find herself involved in a thorny investigation, during which she'll have to face people linked to an esoteric sect, in a town, that is witches' place par excellence: Triora. Starting from the finding of a burnt woman's body, at the end of the operations of extinguishing a wood fire, Doctor Ruggeri, helped by her vice, Inspector Giampieri, an ex soldier expert in informations technology and sport cars' driver, will have to extend her investigation to occurrences that had happened in those places in far away times. Important protagonist of the adventure is Doctor Ruggeri's dog, Furia, her loyal Springer Spaniel, matchless trail searcher, that in more than in one occasion will be of precious help.
Cicero was not only a great Roman politician, lawyer and orator: he also dealt extensively with philosophy, which he believed constituted the surest foundation for his commitment to civic affairs. Not limiting himself to the translation of previous philosophical thought, he critically addressed central theoretical questions, and thereby made a lasting impact on Roman intellectual life. This book offers a modern guide to interpretations of Cicero’s philosophical studies, one that ranges across his numerous philosophical works. Addressed to students and scholars of ancient philosophy, and to interested readers in the humanities more generally, the volume aims to break down the boundaries between the philosophical, literary and linguistic dimensions of Cicero’s highly influential oeuvre. Stefano Maso is a full professor in Ancient Philosophy at the University of Ca’ Foscari – Venice. Among his books are: Grasp and Dissent: Cicero and Epicurean Philosophy (Brepols 2015); Epicurus on Eidola: Peri Phuseos Book II. Update, Proposals, and Discussions (ed. with F. Masi, Hakkert 2015). He is co-editor of “Lexis. Poetica, retorica e comunicazione nella tradizione classica”.
A refined nobleman, a charming Don Juan, a young imperial soldier. And an alchemist. An ancient journal, an arcanum buried through the centuries, an object for which everyone yearns. And a game of chess. From a Paris that has just survived Terror to baroque Venice and Egypt, between a nowadays Bologna and a Rome contended by both the Vatican and Napoleon, over four centuries for the very same search: that of the ivory hourglass.
Stefano Dall’Aglio sheds new light on the notorious Florentine Lorenzino de’ Medici (also known as Lorenzaccio) and on two of the most infamous assassinations in Italian Renaissance history. In 1537 Lorenzino changed the course of history by murdering Alessandro de’ Medici, first duke of Florence, and paving the way for the accession of the new duke, Cosimo I. In 1548 Lorenzino was killed in Venice in revenge for the assassination. The events surrounding these murders, which Dall’Aglio reconstructs, involved the Medici, their loyalists, Florentine republican exiles, and some of the most powerful sovereigns of the time. The first publication in a century to examine the life of Lorenzino de’ Medici, and the first work in English, this fascinating revisionist history is based on extensive research in the historical archives of Florence and Simancas. The tale is as gripping as a detective novel, as Dall’Aglio unravels a 500-year-old mystery, revealing who was behind the bloody death of the duke’s assassin: the emperor Charles V.
Discover the rich history and culture of some of the world¿s most influential historical places with these highly illustrated books, packed with informative and enlightening descriptions and information
Milan, known worldwide as the economic and fashion capital of Italy, is one of the most advanced cities in the world which, in its completely urbanized area of almost 181.76km², includes also wonderful shops and a great social life, besides, of course, art, a university culture, excellent food and traditions recognizable in everyday life and in daily habits; for example, the rediscovery of the small markets as a place to meet and have a chat, or going for a walk with the family in the streets of the centre. It is not at all easy to determine what is in the name “Milan”: first of all, it refers to a municipality with about 1,300,000 inhabitants, but also to an urban area with about 3,900,000 inhabitants also known as the “Greater Milan” and finally, to a metropolitan area of 7,400,000 inhabitants. Nevertheless, the city is identified by its symbols, and our intention is to introduce you to every aspect of the city of Milan through virtual photographs, texts and some curiosities. It is worth visiting Milan to learn the many realities that surround this city, from the entrepreneurial vocation to the connection with tradition: only by knowing the richness of the past can we confront the present. Enjoy your visit!
In the sixteenth century, the humanist values and admiration for classical antiquity that marked the early Renaissance spread from Italy throughout the rest of the continent. Part of the "Art through the Centuries" series, this volume is divided into three sections that discuss the important people, concepts, and artistic centres of this period.
Year 2019: once again, the scholar Lucia Balleani and the archaeologist Andrea Franciolini will take us by the hand and guide us through the arcane mysteries of the Renaissance Jesi, among streets, alleys and palaces of a historical centre that, at the gates of the 1920s, begins to regurgitate from the underground ancient and important objects from past eras. The archaeological excavations of Piazza Colocci will in fact reserve unexpected surprises in the eyes of the entire population of Jesi. We begin to follow the events of the characters of the sixteenth century through the discovery of ancient documents and archaeological finds by the young couple of researchers of our time. New winds of war will in fact lead the Captain of Arms of the Royal City of Jesi to the battlefields. After the first two episodes of the series ”The Printer”, here we are at the end, the last episode of the saga dedicated to the Renaissance Jesi. We left Andrea almost at the point of death, helped by his beloved, hidden in disguise. The plot has moved to Urbino, but certainly our two heroes, Andrea Franciolini and Lucia Baldeschi, will have to return to Jesi to fulfill their dream of love. The wedding will have to be a festive and opulent event, and will have to be celebrated by the Bishop of the City of Jesi, Monsignor Piersimone Ghislieri. But are we sure that obscure plots, of destiny and of men, will not be able to hinder for the umpteenth time the union between Andrea and Lucia? The two lovers have found each other again, and for nothing in the world would they want to leave each other again. Andrea finally wants to be a father to his little girl, Laura and, why not, to Lucia's adopted daughter, Anna. The girls are fantastic, they are growing up healthy and lively in the country residence of the Counts Baldeschi, and Andrea is enjoying their closeness. But winds of war will once again lead the Captain of Arms of the Royal City of Jesi to the battlefields. And soon to leave the peace and quiet regained. The Lansquenets press the gates of northern Italy and the Duke of Oak, in a strange alliance with Giovanni De' Medici, better known as Giovanni Dalle Bande Nere, will do his best to prevent German soldiers from reaching Florence and even Rome. Avoiding the sacking of the Eternal City in 1527 will not be an easy task, neither for the Duke Della Rovere, nor for Giovanni dalle Bande Nere, nor for Captain Franciolino de' Franciolini. Let us once again follow the events of the characters of the sixteenth century through the discoveries of ancient documents and archaeological finds of the young couple of researchers of our time. Once again, the scholar Lucia Balleani and the archaeologist Andrea Franciolini will take us by the hand and guide us through the arcane mysteries of the Renaissance Jesi, among streets, alleys and palaces of an old town centre that, at the gates of the 1920s, begins to regurgitate from the underground ancient and important objects from past eras. Translator: Fatima Immacolata Pretta PUBLISHER: TEKTIME
He was financially independent, healthy, blessed with a loving family, and quietly loving the magic of life. Then she appeared, changing life and the destiny of the human race forever.
A landmark biography of the most famous Italian journalist of the twentieth century, an inspiring and often controversial woman who defied the codes of reportage and established the "La Fallaci" style of interview. Oriana Fallaci is known for her uncompromising vision. To retrace Fallaci's life means to retrace the course of history from World War II to 9/11. As a child, Fallaci enlisted herself in the Italian Resistance alongside her father. Her hatred of fascism and authoritarian regimes would accompany her throughout her life. Covering the entertainment industry early on in her career, she created an original, abrasive interview style, focusing on her subject's emotions, contradictions, and facial expressions more than their words. When she grew bored of interviewing movie stars and directors, she turned her attention to the greatest international figures of the time: Khomeini, Gaddafi, Indira Gandhi, and Kissinger, placing herself front and center in the story. Reporting from the front lines of the world's greatest conflicts, she provoked her own controversies wherever she was stationed, leaving behind epic collateral damage in her wake. Thanks to unprecedented access to personal records, Cristina De Stefano brings back to life a remarkable woman whose groundbreaking work and torrid love affairs will not soon be forgotten. Oriana Fallaci allows a new generation to discover her story, and witness the passionate, persistent journalism that we urgently need in these times of upheaval and uncertainty.
Discover the rich history and culture of some of the world¿s most influential historical places with these highly illustrated books, packed with informative and enlightening descriptions and information
Do you feel a bit like Indiana Jones, or as a good romantic do you prefer the English Sherlock Holmes style?In short, are you ready to become that detective you always wanted to study and analyze maps and old codes?To search and locate around Europe the traces of that enormous loot that to this day seems to have disappeared into thin air following the ruinous fall of Nazism and fascism?Well, in case of an affirmative answer you are in the right place, indeed, in the right book. Here you will find lots of data, maps, directions, tips and everything you need to know about where to go, what to look for and what to do once you find it... Let the wonderful adventure begin!
Year 2017: the young scholar Lucia Balleani, arranging and classifying the texts of the library of the Hoenstaufen Foundation, starts working in the old palace that had been the residence of the noble Baldeschi-Balleani family, of which she is a direct descendant. A series of visions linked to what happened to Lucia Baldeschi, of the same name, will lead the reader to discover with her an interesting story that took place in the same place 500 years before. During the Renaissance Jesi is rich in art and culture and where new and sumptuous palaces are built on the ruins of the ancient Roman city, lives a young countess, Lucia Baldeschi. The girl is the granddaughter of an evil Cardinal, weaver of obscure plots aimed at centralizing both temporal and ecclesiastical power in his own hands. Lucia, a person with a strong intelligence, becomes friend with a printer, Bernardino, with whom she share the passion for the rebirth of the arts, sciences and culture, which are characterizing the period throughout Italy. She will find herself caught between the duty to obey her uncle, who made her grow up and educate her in the palace in the absence of her parents, and the passionate love for Andrea Franciolini, son of the People's Capitan and designated victim of the Cardinal's tyranny. The story is also told through the eyes of Lucia Balleani, a young scholar descendent of the noble family. In 2017, exactly 500 years after the events, she discovered ancient documents in the family palace, and reconstructed the complex history of which traces had been lost.
This book serves as a guide to discovering the most interesting volcano sites in Italy. Accompanied by some extraordinary contemporary images of active Neapolitan volcanoes, it explains the main volcanic processes that have been shaping the landscape of the Campania region and influencing human settlements in this area since Greek and Roman times and that have prompted leading international scientists to visit and study this natural volcanology laboratory. While volcanology is the central topic, the book also addresses other aspects related to the area’s volcanism and is divided into three sections: 1) Neapolitan volcanic activity and processes (with a general introduction to volcanology and its development around Naples together with descriptions of the landscape and the main sites worth visiting); 2) Volcanoes and their interactions with local human settlements since the Bronze Age, recent population growth and the transformation of the territory; 3) The risks posed by Neapolitan Volcanoes, their recent activity and the problem of forecasting any future eruption.
In Revolutionary Tunisia: Inequality, Marginality, and Power, Stefano Pontiggia examines marginality and inequality in Tunisia through the stories of people living in Redeyef, a mining town in the Tunisian south that is well known for its militant past. Considering the ongoing formation of the post-revolutionary Tunisian state, Pontiggia explores the extent to which state-led institutions, local power relations, the social structure, and the dynamics of space production coincide to perpetuate inequality. Far from being a process of exclusion from wealth and development, Pontiggia asserts, marginality is instead synonymous with a gradual integration of territories and populations into a socio-territorial hierarchy that is rooted in the colonial experience. What emerges is a country whose revolution is characterized by change as much as continuity with the past.
Historic-archaeological Thriller A secret hidden for centuries, places soaked with magic, a tormented love story, an occult sect: these are the ingredients of a novel where history and irony, archaeology and mystery are mixed to create a captivating story. A fascinating trip throughout space and time, from ancient romans to medieval crusades, from the byzantine empire to the Renaissance House of Medici, until today. Tarsus (Turkey), 8 July 2010. A university professor finds in his excavations what many looked for in vain: the tomb of Julian the Apostate, the philosophe emperor. But the sepulchre is empty and right after the discovery the archaeologist is found dead. Has he been murdered? Who stole Julian’s mortal remains? Where is the famous treasure that was buried with the roman emperor? That’s from here that the adventure starts for Francesco Speri, a bank employee passionate about history, who, with the help of his beloved Chiara, investigates among ancient sites and ciphered codes. The intrigue gets thicker when a neo-pagan organisation will try in any way to stop the protagonist, who is willing to go on with his researches of the professor and the Apostate at all costs… Translator: Arianna Vanin PUBLISHER: TEKTIME
The tension between interior and exterior has always been present in architecture, differently articulated over the centuries, and expressed through several means of representation. Contemporary architecture is often characterized by the total interpenetration of interior and exterior configurations: often the differentiation between these two dialectical poles has become undistinguishable, boundaries blurry and the result of any design process is a hybrid product, based on the superposition of different and heterogeneous layers. Starting from the 18th century, Interior Landscapes describes the principles of the relationship between interior and exterior landscapes in architecture. It unveils the invariant forms that have crossed the History of Architecture, and which have periodically re-emerged to shape contemporary design episodes. By borrowing different interpretative elements—drawings, photographs, illustrations—Interior Landscapes is configured as a visual atlas, aimed to demonstrate how, through the contamination of interior and exterior, always- new architectural insights emerge. Comprising detailed essays that contribute insightfully to the international discourse, Stefano Corbo unpacks the general re-organization of topics internal to the territory of architecture. This book distinguishes itself with almost 70 unique plates of etchings, sketches, illustrations and photographs, each linking carefully and directly the visual with the theory, providing unique entry points and examinations of this text’s fascinating observations.
Keppel Archibald Cameron Creswell (1879-1974) developed an early interest in Islamic architecture, considering photography as an essential tool for recording architectural artefacts. This volume presents the photographs that concern Mesopotamia, Syria and Jordan, kept today at the Biblioteca Berenson in Florence.
Mass Contacts is an astounding story that says that Contact has begun from one who knows. A detailed report of contacts with human type aliens on the Adriatic coast, which answers many of our questions, this book is a milestone for ufologists wh study Contact. They were here and many look like us! It's time for disclosure. Paola Leopizzi Harris-Researcher and Author: Connecting the Dots; Making Sense of UFO Phenomena; Exopolitics: How Does One Speak to a Ball of Light? This book is a true milestone in the spreading of the reality of contacts between our humanity and extraterrestrials, both in the past and now; it gives rise to vital importants, hints in order to understand the epoch-making events that are waiting for us, and inteat with them in the best way. Tom Bosco-NEXUS Magazine-Edizione Italiana Eng. Stefani Breccia and I are friends, and have been responsible keepers of truths that not always were sharable with other people. Both of us have dedicated a significant part of our lives to UFO's, myself trying to spread this reality in the best way. Stefano trying to understand its roots, both being aware of how important the phenomenon is. And so I have acted as a midwife to the important result of Stefano's work, being convinced that reading this book is at the same time necessary and useful. Roberto Pinotti-Director, Centro Ufologico Nationale (CUN), Italy This book, based upon memories of experiences covering a period of many years, is charming above all for it concerns the contact, first, and then the coexistence of humans and aliens, working toward a single goal. Paolo Di Girolama-Professor and writer.
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.
This intensive foundation course in Italian is designed for students with no previous knowledge of the language. Accompanying audio material containing dialogues, listening exercises and pronunciation practice is available to purchase separately in CD format. These two audio CDs are designed to work alongside the accompanying book. Students using the Routledge Intensive Italian Course will practise the four key skills of language learning - reading, writing, speaking, and listening - and will acquire a thorough working knowledge of the structures of Italian. The Routledge Intensive Italian Course takes students from beginner to intermediate level in one year.
Beauty is in the eye of the beholder, and appearance lies in the mind of the observer. The latter is playing an increasingly important role in nearly all of our buying decisions: it informs us as to the quality of an automobile cabin, the desirability of an iPhone, the handle of a woollen sweater - the list is endless.Given the exponential rise in internet commerce and the ubiquity of smart devices, the ability to predict buyers' perceptions formed from interaction with digital media is maybe more important than those obtained by handling the real article.Thus, the science of appearance metrology is becoming increasingly critical. It concerns the development of methodologies, procedures, and equipment which allow us to predict observers' perceptions. The field is therefore highly multidisciplinary: physical measurement, psychophysics, media generation, image processing, statistics, and vision science.This book is a compilation of recent research relating to perception and appearance.
The first collection and translation into English of the earliest biographical accounts of Galileo’s life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani’s Historical Account, an extensive and influential biography of Galileo written in 1654 by his last and most devoted pupil. Viviani’s text is accompanied by his “Letter to Prince Leopoldo de’ Medici on the Application of Pendulum to Clocks” (1659), his 1674 description of Galileo’s later works, and the long inscriptions on the façade of Viviani’s Florentine palace (1702). The collection also includes the “Adulatio perniciosa,” a Latin poem written in 1620 by Cardinal Maffeo Barberini—who, as Pope Urban VIII, would become Galileo’s prosecutor—as well as descriptive accounts that emerged from the Roman court and contemporary European biographers. Featuring the original texts in Italian, Latin, and French with their English translations on facing pages, this invaluable book shows how Galileo’s pupils, friends, and critics shaped the Galileo myth for centuries to come, and brings together in one volume the primary sources needed to understand the legendary scientist in his time.
Martin Heidegger and Hans-Georg Gadamer undoubtedly belong among the most important representatives of twentieth-century phenomenological hermeneutics, which represents, in turn, one of the major traditions within so-called continental philosophy. Respectively teacher and pupil, during their long and philosophically intense lives and careers Heidegger and Gadamer greatly contributed to the development of philosophical thought in our age, providing significant and often decisive contributions in various fields of philosophical inquiry. Their main works, Being and Time (1927) and Truth and Method (1960), respectively amount to the great “classics” of contemporary philosophy, both being extraordinarily influential books without which the history of twentieth- and also twenty-first century philosophy as we know it would not be conceivable. This book addresses a number of problems concerning aesthetics, metaphysics, language and philosophical anthropology, by focusing on Heidegger’s and Gadamer’s specific contributions in these fields, and by establishing fruitful and original comparisons between their views and those of other relevant thinkers of our time, such as Hannah Arendt, Richard Rorty and John McDowell. The book adopts a comparative approach that portrays the complex philosophical problems and concepts at the core of this investigation from various points of view, thus broadening the philosophical horizon, generating a more comprehensive perspective, and underlining the compatibility of different philosophical views.
With fun, fascinating vignettes, a renowned neurobiologist illuminates the interconnectedness of plant life and how we can learn from it to better plan our communities. We animals account for a paltry 0.3% of the planet’s biomass while plants add up to 85%. And when, with just a little training, we are able to look at the world without seeing it solely as humanity’s playground, we cannot help but notice the ubiquity of plants. They are everywhere, and their stories are inevitably bound up with ours. As every tree in a forest is linked to all the others by an underground network of roots, uniting them to form a super organism, so plants constitute the nervous system, the plan that is the “greenprint” of our world. To ignore the existence of this plan is one of the most serious threats to the survival of our species. In this latest book, the brilliant Stefano Mancuso is back to illuminate the greenprint of our world. He does it through unforgettable stories starring plants that combine an inimitable narrative style with remarkable scientific rigor, from the story of the red spruce that gave Stradivarius the wood for his fourteen violins, to the Kauri tree stump, kept alive for decades by the interconnected root system of nearby trees. From the mystery of the slipperiness of the banana skin to the plant that solved the “crime of the century,” the Lindbergh kidnapping, by way of wooden ladder rungs.
To the governments and corporations buying up vast tracts of the Third World, it is ‘land leasing’; to its critics, it is nothing better than ‘land grabbing’ – the engine powering a new era of colonialism. In this arresting account of how millions of hectares of fertile soil are stolen to feed wealthy westerners thousands of miles away, journalist Stefano Liberti takes readers on a tour of contemporary exploitation. It is a journey encompassing a Dutch-owned model farm in Ethiopia; a conference in Riyadh, where representatives of Third World governments compete to attract Saudi investors; meetings in Rome where the fate of nations is decided; and the headquarters of the Movement of Landless Workers in São Paulo. Since the food crisis of 2007–8, when the cost of staples such as rice and corn went through the roof, the race to acquire land in the southern hemisphere has become more intense than ever. Land Grabbing is the shocking story of how one half of the world is starved to feed the other.
Questa storia non ha coordinate precise, non ha un tempo né uno spazio. È un taccuino zeppo di appunti e frammenti di un viaggiatore che insegue se stesso in spicchi esotici di cielo, in città deserte e ramificate, nell'intimità forzata dei check-in. Il suo viaggio è un lento adeguarsi alla condizione di fuggiasco, la proiezione del suo rapporto col mondo e con l'amore, che vuole di volta in volta poter riscrivere. Succede ogni giorno, nel tragitto di ritorno a casa. Ogni giorno ci aspettiamo di essere da un'altra parte, diversi da ciò che siamo, intrusi perfino nella nostra porzione impercettibile di mondo. Col pensiero, prima o poi, di essere altrove.
A comprehensive and interdisciplinary approach to the economics of the production, distribution, and consumption of wine. Wine economics is a growing subfield that examines the economics of the production, distribution, and consumption of wine. In this book, Stefano Castriota takes a comprehensive and interdisciplinary approach to the study of wine economics, drawing on literature from industrial organization, welfare economics, economic policy, political economy, management, finance, health economics, law, and criminology.
For four centuries, the Camp Ashaninkas of the Peruvian Amazon have fought for their identity and independence in the face of Spanish colonialism and Peruvian national expansionism. Stefan Varese wrote about the Campa Ashaninkas in the mid-1960s, after three seasons of field research among them and three years of archival research. He titled his book La Sal de Los Cerros, after the invaded Mountain of Salt that had been the center of Campa Ashaninka trade and power for millennia. Salt of the Mountain makes Varese's classic work of anthropology available in English for the first time, updated with a new preface and introduction by the author. Varese conducted his research with an explicit commitment to letting the Campa Ashaninkas speak for themselves. Using their myths and cosmological interpretations as source material, Varese presents new readings of both colonial Spanish and modern Peruvian documents relating to the tribe. He chronicles the relentless success of European geographic annexation and the continuing failure of European cultural assimilation. Living among the Campa Ashaninkas, Varese found that their worldview rejects the modern notion that assimilation is inevitable, and he developed a deep respect for their fiercely independent spirit. For this reason, he calls his work an "approximation" rather than a description or history.
Sentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought to the fore serious contemporary problems including the widespread execution of deserters, the treatment of the insane, and anxieties relative to social and familial roles. They also developed a specifically operatic version of the dominant language of sensibility. This wide-ranging study involves such major cultural figures as Goldoni, Diderot and Mozart, while refining our understanding of the theatrical genre system of their time.
A fresh, comprehensive biography of the pioneering educator and activist who changed the way we look at children’s minds, from the author of Oriana Fallaci. Born in 1870 in Chiaravalle, Italy, Maria Montessori would grow up to embody almost every trait men of her era detested in the fairer sex. She was self-confident, strong-willed, and had a fiery temper at a time when women were supposed to be soft and pliable. She studied until she became a doctor at a time when female graduates in Italy provoked outright scandal. She never wanted to marry or have children—the accepted destiny for all women of her milieu in late nineteenth-century bourgeois Rome—and when she became pregnant by a colleague of hers, she gave up her son to continue pursuing her career. At around age thirty, Montessori was struck by the condition of children in the slums of Rome’s San Lorenzo neighborhood, and realized what she wanted to do with her life: change the school, and therefore the world, through a new approach to the child’s mind. In spite of the resistance she faced from all sides—scientists accused her of being too mystical, and the clergy of being too scientific, traditionalists of giving children too much freedom, and anarchists of giving them too much structure—she would garner acclaim and establish the influential Montessori method, which is now practiced throughout the world. A thorough, nuanced portrait of this often controversial woman, The Child Is the Teacher offers an unbiased perspective from an author who is not a member of the Montessori movement, but who has been granted access to original letters, diaries, notes, and texts written by Montessori herself, including an array of previously unpublished material.
This book explores the causes and implications of the Libyan crisis since the anti-Gaddafi uprisings of 2011 from the perspective of the EU and NATO. It asks the question of why those organizations failed to stabilize the country despite the serious challenges posed by the protracted crisis to European and transatlantic stakes in the region. This book argues that such failure originated in a twofold problem common to both organizations: their prioritization of legitimacy over strategy, and their path dependence – the insufficient degree of adaptation to meet the different needs of the crisis. Through a critical and integrated analysis of official sources and extensive interviews with EU, NATO, UN, and national government officials and militaries, as well as from NGO personnel, Libyan institutions and civil society, and media, the volume brings the perspective of both state and non-state actors to the fore. It reveals how wrong assumptions and centrifugal forces within the EU and NATO hampered initiatives, and how the inability to use hard power judiciously and effectively in an increasingly complex and multifaceted scenario worsened the crisis. This allowed for unprecedented influence of regional and global competitors such as Egypt, the United Arab Emirates (UAE), Turkey and Russia in the richest African country. This book will be of key interest for scholars and students of Libya and North Africa, NATO, the European Union, security and conflict studies, Middle East studies, migration, terrorism, peacebuilding and, more broadly, international relations.
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