In Revolutionary Tunisia: Inequality, Marginality, and Power, Stefano Pontiggia examines marginality and inequality in Tunisia through the stories of people living in Redeyef, a mining town in the Tunisian south that is well known for its militant past. Considering the ongoing formation of the post-revolutionary Tunisian state, Pontiggia explores the extent to which state-led institutions, local power relations, the social structure, and the dynamics of space production coincide to perpetuate inequality. Far from being a process of exclusion from wealth and development, Pontiggia asserts, marginality is instead synonymous with a gradual integration of territories and populations into a socio-territorial hierarchy that is rooted in the colonial experience. What emerges is a country whose revolution is characterized by change as much as continuity with the past.
In Revolutionary Tunisia: Inequality, Marginality, and Power, Stefano Pontiggia examines marginality and inequality in Tunisia through the stories of people living in Redeyef, a mining town in the Tunisian south that is well known for its militant past. Considering the ongoing formation of the post-revolutionary Tunisian state, Pontiggia explores the extent to which state-led institutions, local power relations, the social structure, and the dynamics of space production coincide to perpetuate inequality. Far from being a process of exclusion from wealth and development, Pontiggia asserts, marginality is instead synonymous with a gradual integration of territories and populations into a socio-territorial hierarchy that is rooted in the colonial experience. What emerges is a country whose revolution is characterized by change as much as continuity with the past.
Metal, Rap, and Electro in Tunisia is a trip into the music scenes of Tunisia after the Arab Springs. Based on extensive field research, the book explores the social life of heavy metal, rap, and electronic music in a North African country whose mass revolution of 2010/2011 led the way to a troubled and yet unique democracy. What is it like to be part of a music scene in a place affected by poverty and inequality? How do the many conflicted souls of Tunisian Islam shape local metal, rap, and electro? What are the social and cultural stakes for music in a nation constantly represented as a bridge between Europe and the Middle East? How do music scenes articulate the complex political scenario that followed the Tunisian revolution of 2011? Barone answers these questions by offering new theoretical reflections on youth cultures and popular music in a global perspective, and thus pushing the debate on "post-subcultures" and scenes forward. At the same time, the book offers a dense sociological analysis of youth and music in reality - the Tunisian one - whose society, culture, religion, and politics are at stake in a historical transformation.
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