This volume offers a thorough description of anxiety from a phenomenological perspective. Building on Bakhtin’s insights, the author develops the method of “phenomenological polyphony,” which can do justice to the essential ambiguity of anxiety. In this polyphony, the voices of Kierkegaard, Husserl, Freud, Blumenberg, Heidegger, Sartre, Adorno, Derrida and Levinas are particularly recognizable. The book explores new perspectives on the complex relation between anxiety, fear, and trauma with reference to different disciplines, from art history to cultural anthropology, from psychopathology to theology, from literature to political philosophy. When is anxiety justified? When does anxiety cease to function as an effective and reasonable signal preventing imminent threats, and when does it become an invasive projection of our own ghosts? This volume presents a deep philosophical inquiry into the affective phenomenon that can both protect us from danger and be a danger in itself. Moreover, the author explores the relevance of anxiety in the context of philosophical anthropology. In various theoretical frameworks, the difference between anxiety and fear serves as a criterion for distinguishing human beings from animals in particular. Accordingly, research on anxiety is crucial for defining human nature as such. The analysis presented in this volume shows how an alteration of the dimensions of embodiment, time-consciousness, and phantasy takes place in anxiety. Furthermore, the author elaborates on new categories for understanding of anxiety, such as quasi-intentional imaginative anticipation, which eludes the traditional differentiation between perception and imagination. The work culminates in a phenomenological analysis of five essential traits of anxiety: 1. its quasi-intentional imaginative anticipation; 2. its negative inspiration; 3. the recurrence of bodily manifestations; 4. the interlocution with an alien power; 5. its negative teleology.
This special issue of Cinéma & Cie analyses the logic and processes of re-intermediation emerging in the contemporary European media industry landscape, providing an opportunity to bring questions of availability, text circulation and gatekeeping to the centre of scholarly debates and investigations. Through contributions showcasing a wide array of methodological and theoretical approaches, the volume illustrates and analyses the presence of new gatekeepers, their impact in shaping texts and their consumption in different European contexts. Its case studies include file sharing, Curzon Home Cinema, VOD services and the problematic implementation of the Digital Single Market policy.
Rather than categorizing vulvar disorders by standard classifications such as neoplastic, inflammatory, or infective, this book describes the disorders by key presenting symptoms—such as erythema, bullae, plaques, cysts, or ulcers. This approach allows clinicians to quickly formulate a correct diagnosis. Vulval Dermatologic Diagnosis: Diagnosis by Clinical Presenting Sign combines clinical images with short, concise descriptions to facilitate the timely and correct identification of various vulvar disorders. The book includes hundreds of color clinical photographs for ease of diagnosis. For many disorders, a clinical description, etiology, epidemiology, diagnosis, differential diagnosis, and treatment are also included. Written by leaders in the field with extensive clinical expertise in the area, these distinguished physicians and scientists consolidate decades of experience into one single volume. This book is a valuable and useful resource for dermatologists, gynecologists, family physicians, and medical students.
This volume offers a thorough description of anxiety from a phenomenological perspective. Building on Bakhtin’s insights, the author develops the method of “phenomenological polyphony,” which can do justice to the essential ambiguity of anxiety. In this polyphony, the voices of Kierkegaard, Husserl, Freud, Blumenberg, Heidegger, Sartre, Adorno, Derrida and Levinas are particularly recognizable. The book explores new perspectives on the complex relation between anxiety, fear, and trauma with reference to different disciplines, from art history to cultural anthropology, from psychopathology to theology, from literature to political philosophy. When is anxiety justified? When does anxiety cease to function as an effective and reasonable signal preventing imminent threats, and when does it become an invasive projection of our own ghosts? This volume presents a deep philosophical inquiry into the affective phenomenon that can both protect us from danger and be a danger in itself. Moreover, the author explores the relevance of anxiety in the context of philosophical anthropology. In various theoretical frameworks, the difference between anxiety and fear serves as a criterion for distinguishing human beings from animals in particular. Accordingly, research on anxiety is crucial for defining human nature as such. The analysis presented in this volume shows how an alteration of the dimensions of embodiment, time-consciousness, and phantasy takes place in anxiety. Furthermore, the author elaborates on new categories for understanding of anxiety, such as quasi-intentional imaginative anticipation, which eludes the traditional differentiation between perception and imagination. The work culminates in a phenomenological analysis of five essential traits of anxiety: 1. its quasi-intentional imaginative anticipation; 2. its negative inspiration; 3. the recurrence of bodily manifestations; 4. the interlocution with an alien power; 5. its negative teleology.
The Maximalist Novel sets out to define a new genre of contemporary fiction that developed in the United States from the early 1970s, and then gained popularity in Europe in the early twenty-first century. The maximalist novel has a very strong symbolic and morphological identity. Ercolino sets out ten particular elements which define and structure it as a complex literary form: length, an encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narrratorial omniscience, paranoid imagination, inter-semiocity, ethical commitment, and hybrid realism. These ten characteristics are common to all of the seven works that centre his discussion: Gravity's Rainbow by Thomas Pynchon, Infinite Jest by David Foster Wallace, Underworld by Don DeLillo, White Teeth by Zadie Smith, The Corrections by Jonathan Franzen, 2666 by Roberto Bolaño, and 2005 dopo Cristo by the Babette Factory. Though the ten features are not all present in the same way or form in every single text, they are all decisive in defining the genre of the maximalist novel, insofar as they are systematically co-present. Taken singularly, they can be easily found both in modernist and postmodern novels, which are not maximalist. Nevertheless, it is precisely their co-presence, as well as their reciprocal articulation, which make them fundamental in demarcating the maximalist novel as a genre.
Rather than categorizing vulvar disorders by standard classifications such as neoplastic, inflammatory, or infective, this book describes the disorders by key presenting symptoms—such as erythema, bullae, plaques, cysts, or ulcers. This approach allows clinicians to quickly formulate a correct diagnosis. Vulval Dermatologic Diagnosis: Diagnosis by Clinical Presenting Sign combines clinical images with short, concise descriptions to facilitate the timely and correct identification of various vulvar disorders. The book includes hundreds of color clinical photographs for ease of diagnosis. For many disorders, a clinical description, etiology, epidemiology, diagnosis, differential diagnosis, and treatment are also included. Written by leaders in the field with extensive clinical expertise in the area, these distinguished physicians and scientists consolidate decades of experience into one single volume. This book is a valuable and useful resource for dermatologists, gynecologists, family physicians, and medical students.
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