This book seeks to rectify misrepresentations of Popperian thought with a historical approach to Popper’s philosophy, an approach which applies his own mature view, that we gain knowledge through conjectures and refutations, to his own development, by portraying him in his intellectual growth as just such a series. Gattei seeks to reconstruct the logic of Popper’s development, in order to show how one problem and its tentative solution led to a new problem.
Presenting a critical history of the philosophy of science in the twentieth century, focusing on the transition from logical positivism in its first half to the "new philosophy of science" in its second, Stefano Gattei examines the influence of several key figures, but the main focus of the book are Thomas Kuhn and Karl Popper. Kuhn as the central figure of the new philosophy of science, and Popper as a key philosopher of the time who stands outside both traditions. Gattei makes two important claims about the development of the philosophy of science in the twentieth century; that Kuhn is much closer to positivism than many have supposed, failing to solve the crisis of neopostivism, and that Popper, in responding to the deeper crisis of foundationalism that spans the whole of the Western philosophical tradition, ultimately shows what is untenable in Kuhn's view. Gattei has written a very detailed and fine grained, yet accessible discussion making exceptionally interesting use of archive materials.
Rectifying misrepresentations of Popperian thought with a historical approach to Popper’s philosophy, Gattei reconstructs the logic of Popper’s development to show how one problem and its tentative solution led to a new problem.
Presenting a critical history of the philosophy of science in the twentieth century, focusing on the transition from logical positivism in its first half to the "new philosophy of science" in its second, Stefano Gattei examines the influence of several key figures, but the main focus of the book are Thomas Kuhn and Karl Popper. Kuhn as the central figure of the new philosophy of science, and Popper as a key philosopher of the time who stands outside both traditions. Gattei makes two important claims about the development of the philosophy of science in the twentieth century; that Kuhn is much closer to positivism than many have supposed, failing to solve the crisis of neopostivism, and that Popper, in responding to the deeper crisis of foundationalism that spans the whole of the Western philosophical tradition, ultimately shows what is untenable in Kuhn's view. Gattei has written a very detailed and fine grained, yet accessible discussion making exceptionally interesting use of archive materials.
Deep pelvic endometriosis is one of the most severe expressions of a disease that may involve all the pelvic organs – bladder, ureters, rectosigmoid colon – causing debilitating symptoms and leading to impaired quality of life in young women. The chapters cover both diagnostic and therapeutic aspects of this disease. The central role of diagnostic imaging in surgical decision making is highlighted, as well as the difficulties involved in careful planning of surgical treatment, and special attention is paid to minimally invasive techniques. The paramount importance of a multidisciplinary team, involving the expertise of radiologists, gastroenterologists, and psychologists, as well as the skills of the gynecologist, urologist, and colorectal surgeon is underlined throughout the text..
This book provides a comprehensive overview of the development of economics from its beginnings, at the end of the Middle Ages, up to contemporary developments. It is strong on contemporary theory, providing extensive coverage of the twentieth century, particularly since the Second World War. The second edition has been revised and updated to take account of new developments in economic thought.
Straight from the personal archives of Dolce & Gabbana, here is their scrapbook featuring photographs and memorabilia of all the celebrities the designers dress. Like pages from the personal photo album of Domenico Dolce & Stefano Gabbana, Hollywood: Dolce & Gabbana brings to life the work of these two brilliant fashion designers. A scrapbook of the designers' creative lives, these pages offer an intimate glimpse into celebrities' personal and public interpretations of Dolce & Gabbana's art. Featuring photographs by some of the hottest fashion photographers of our time, both on the red carpet and in private sittings, and celebrities' personal items, such as handwritten notes and lipstick blots on napkins, this book captures the unique, young and ever-evolving cutting-edge style that is Dolce & Gabbana. It explores the designers' relationships with the beautiful people they dress, including Hollywood royalty such as Madonna and Demi Moore, Nicole Kidman, Isabella Rossellini, Susan Sarandon, Tina Turner, Gwyneth Paltrow and many others. A favorite for its fashion extremes, Dolce & Gabbana truly symbolizes both Hollywood glamour and urban style.
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