What is nostalgia in television? How far does a nostalgic text trigger nostalgic emotions? And how are nostalgic series received by different audience groups? Stefanie Armbruster uses an interdisciplinary approach as analytical and theoretical basis. Her detailed analyses identify nostalgia in reruns, remakes and period dramas such as "Knight Rider" or "Mad Men". Focus group discussions with German and Spanish viewers give new insights into its reception. The in-depth study helps to understand the interrelation of nostalgic texts and nostalgic reception better and explores a decisive part of a phenomenon that is omnipresent in our current TV landscape.
Beloved authors Julia Quinn, Elizabeth Boyle, Laura Lee Guhrke, and Stefanie Sloane deliver the stories of four friends from Mrs. Rochambeaux’s Gentle School for Girls who find an old sixpence in their bedchamber and decide that it will be the lucky coin for each of their weddings . . . “Something Old” Julia Quinn’s prologue introduces her heroine, Beatrice Heywood, and the premise for Four Weddings and a Sixpence. “Something New” In Stefanie Sloane’s unforgettable story, an ever-vigilant guardian decrees that Anne Brabourne must marry by her twenty-first birthday. But love finds her in the most unexpected of ways. “Something Borrowed” Elizabeth Boyle tells the tale of Cordelia Padley, who has invented a betrothed to keep her family from pestering her to wed. Now she’ll need to borrow one to convince them she’s found her true love. “Something Blue” In Laura Lee Guhrke’s story, unlucky Lady Elinor Daventry has her sixpence stolen from her and must convince the rake who pilfered the coin to return it in time for her own wedding. “ . . . and a Sixpence in Her Shoe”
What is nostalgia in television? How far does a nostalgic text trigger nostalgic emotions? And how are nostalgic series received by different audience groups? Stefanie Armbruster uses an interdisciplinary approach as analytical and theoretical basis. Her detailed analyses identify nostalgia in reruns, remakes and period dramas such as "Knight Rider" or "Mad Men". Focus group discussions with German and Spanish viewers give new insights into its reception. The in-depth study helps to understand the interrelation of nostalgic texts and nostalgic reception better and explores a decisive part of a phenomenon that is omnipresent in our current TV landscape.
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