Lianas are woody vines that were the focus of intense study by early ecologists, such as Darwin, who devoted an entire book to the natural history of climbing plants. Over the past quarter century, there has been a resurgence in the study of lianas, and liana are again recognized as important components of many forests, particularly in the tropics. The increasing amount of research on lianas has resulted in a fundamentally deeper understanding of liana ecology, evolution, and life-history, as well as the myriad roles lianas play in forest dynamics and functioning. This book provides insight into the ecology and evolution of lianas, their anatomy, physiology, and natural history, their global abundance and distribution, and their wide-ranging effects on the myriad organisms that inhabit tropical and temperate forests.
In the year 2069, Dr. Jayson Kenly has become the most hated man alive, although hes wronged no one and committed no crime. He has become a symbol representing peoples fears of artificial intelligence, which emerge as he gathers a crew of sentient androids to embark on a long and perilous voyage. Kenly and his androids travel into space in search of clues that point toward alien life, while seeking to further humanitys knowledge. Each android has its own personality, and during their voyage, they, along with Dr. Kenly, discover incredible secrets about themselvesand their mission. As they set out to explore the solar system, they soon learn that the fate of the earth may ultimately depend upon their success. In this science fiction novel, a human scientist sets out on a journey through the solar system with a crew of androids, where they find that the future of humanity is in their hands.
The European Union means many different things to its many peoples. In Germany, for example, the European project was conceived mainly as post-national, or even post-sovereign. In France, by contrast, President Emmanuel Macron has pursued the vision of a sovereign Europe; that is, an EU that would become a formidable geopolitical actor. Yet, instead, Europe has struggled to ascertain its values abroad and even domestically, facing a sovereignist rebellion from its newer member states, such as Hungary and Poland, and the departure of Britain. The eurozone crisis has undermined the EU’s economic credentials, the refugee crisis its societal cohesion, the failure to stand up to Russia its sense of purpose, and the Covid-19 pandemic its credibility as a protector of European citizens. The key argument of this book is that the multiple crises of the European project are caused by one underlying factor: its bold attempt to overcome the age of nation-states. Left unchecked, supranational institutions tend to become ever more bureaucratic, eluding control of the people they are meant to serve. The logic of technocracy is thus pitted against the democratic impulse, which the European Union is supposed to embody. Democracy in Europe has suffered as a result.
It's the 1930s. Christine, a young Austrian woman whose family has been impoverished by the war, toils away in a provincial post office. Out of the blue, a telegram arrives from an American aunt she's never known, inviting her to spend two weeks in a Grand Hotel in a fashionable Swiss resort. She accepts and is swept up into a world of almost inconceivable wealth and unleashed desire, where she allows herself to be utterly transformed. Then, just as abruptly, her aunt cuts her loose and she has to return to the post office, where - yes - nothing will ever be the same.
A Ukrainian-born British MP’s memoir of being sold into slavery by Nazis as a child—and the long journey that led to his career in politics and business. Born in a small farming town in Western Ukraine that was under Polish rule at the time—but would soon be occupied and annexed by the Soviet Union and then invaded by the Germans—Stefan Terlezki was torn from his family, abducted and sold by the Nazis into slavery in Austria. Eventually, after many adventures and misadventures, he made his way to a DP camp and, finally, the UK. He would go on to be elected as a Member of Parliament for Cardiff, and become a close friend of Margaret Thatcher and other major political figures. He was also an accomplished businessman and served as chairman of his local football club, Cardiff City FC. In this book, he tells his “remarkable” story (BBC News). “A moving life story.” —Wales Online
He strikes at random. His motive unknown. No one is safe... Helsingborg police must solve the unsolveable. A wave of apparently random homicides is sweeping through their idyllic seaside town. The murders have no pattern, no order, no reason. The perpetrator is immune to psychological profiling; forensically untraceable; utterly invulnerable to modern police techniques. The body count is growing. But lead investigator Fabian Risk is distracted by his mission to expose a corrupt colleague, and his boss Astrid is spiralling back into addiction. As the hunt for the solution becoming ever more desperate, their tight-knit team begins to unravel... Motive X is both an explosive, multi-layered thriller and a fearless exploration of the darkest side of human nature. To enter Stefan Ahnhem's world, with its interwoven plotlines and sprawling cast of characters, is to put yourself in the hands of a master storyteller. The story continues in X Ways to Die, available May 2020. REVIEWS FOR STEFAN AHNHEM: 'Atmospheric and complicated [...] with great cop characters and some imaginatively grisly perps' Sunday Times (star pick). 'More gripping than Jo Nesbo, blacker than Stieg Larsson and more bleakly human than Henning Mankell' Tony Parsons. 'Epic in scale and ambition' Daily Mail. 'An intense journey, with an intricate plot... Ahnhem has mastered atmosphere, pacing and intrigue' Crime Review. 'Masterly plotting, grisly murders and chilling suspense: Stefan Ahnhem keeps the threads of this complex, two-country narrative pulled tense' Better Reading.
The author follows the debates beyond the unexpected unification of the country in 1989/90 and analyses the most recent trends in German historiography, hoping that it doesn't return to the stifling homogeneity that characterized it before the 1960s.
Inhaltsangabe:Abstract: Since Kurt Vonnegut passed away aged 84 earlier this year (11th April 2007), his life and work received considerable media recognition. While FOX-news could not refrain from expressing rather hostile criticism in their Vonnegut obituary, admirers of Vonnegut's works reacted with angry comments to the aforementioned programme. All over the internet bloggers expressed their regrets and wrote their own obituaries commenting on Vonnegut's life as well as his books. Why does the death of an 84 year old author leaving a body of 14 novels, three collections of short stories, one compilation of fictitious interviews with dead celebrities, four works of non-fiction, five plays and one requiem lead to public reactions which differ so widely? How can the works of an author who persisted to write his last book on an old typewriter be so relevant for the technophiles of the blogosphere? These questions alone justify the continuation of an academic discourse on the works of Kurt Vonnegut which has been going on four almost forty years following the publication of Slaughterhouse-Five in 1969. Ever since that novel, critics rarely fail to mention the considerable influence of science fiction on Vonnegut's writing. Man's relationship to technology and the effects of technology on inter-human communication are central motifs in science fiction: hence, the web 2.0 generation's reaction to Vonnegut's death provides an extraordinary indication that the problems pondered upon in Vonnegut's science fiction are still relevant today. However, it has to be said that most critics' references to science fiction elements in Vonnegut's works remain limited to a surface level and evoke the impression that either the scholar is not well informed about the implications of the term 'science fiction' or fails to name his or her references. The effect of such an approach is that the works on the subject will either seem to be apologetic annexions of Vonnegut's novels by science fiction buffs and space opera fans or attempts to minimise the role of science fiction in the works of Kurt Vonnegut to mere parody. Neither impression is adequate for a thorough understanding of the role of science fiction in the works of Kurt Vonnegut. Therefore, in this paper a coordinate system discussing the implication of the term science fiction will be set up, in which Vonnegut's works can be located. In order to find a valid reference point, a fixed set of aspects will be [...]
We perceive the world in which we live through our senses and make sense of it using our minds. In this way, we construct our very own consensus realities, our subjective interpretations of the world as each one of us perceives and understands it. What do we know about how we construct our consensus realities? How do human body and mind connect, as they somehow must to give us the experience of the world that we know we have? The first three book chapters invite the reader to explore what the human brain, philosophy of mind, and psychology can tell us about the relationship between the human body and mind. We all are curious about those things and exploring them is possible for all of us. We have no other choice than to form our own consensus realities, as it is through them that we can make sense of us in this world. Many consensus realities only deviate from objective reality in as much as our personal vanity goes to make us more comfortable with who we are. Others however, can seemingly dissociate themselves to much greater degrees from objective reality, endorsing fake news and false narratives, creating their own make believe worlds in the process. The fourth book chapter looks into some of the implications that has had in the past and might have in the future.
A murderous game. The killer makes the rules. Death hangs on the roll of the dice. In murder investigations, it pays to keep things simple: motive, method, opportunity. But the case in front of Detective Fabian Risk is a nightmare. A killer who strikes out of nowhere. No apparent motive. No consistent method. Victims are tortured, strangled, burned, dismembered – each grisly killing carried out with savage precision, as if following the rules of a hellish game. Fear and chaos have spread through the seaside town of Helsingborg. While Fabian Risk hunts the killer, his life is falling apart: a son on the run from the law; a daughter gravely injured; a colleague with dark secrets of his own. But there's no turning back now. The game of death is on, and Fabian Risk must play to win. After all, there are many ways to die... This explosive thriller from Scandinavia's most inventive storyteller concludes the epic events of Motive X. Reviews for Stefan Ahnhem: 'Atmospheric and complicated... with great cop characters and some imaginatively grisly perps' Sunday Times (star pick) 'More gripping than Jo Nesbo, blacker than Stieg Larsson and more bleakly human than Henning Mankell' Tony Parsons 'Epic in scale and ambition' Daily Mail 'An intense journey, with an intricate plot... Ahnhem has mastered atmosphere, pacing and intrigue' Crime Review 'Masterly plotting, grisly murders and chilling suspense: Stefan Ahnhem keeps the threads of this complex, two-country narrative pulled tense' Better Reading
Catchers of the Light' is a History of Astrophotography. It tells the true stories of the 46 pioneers who did most to master the art of celestial photography, as it was known during its early days; and whose efforts have made it possible for us to see the many magnificent pictures of the Universe featured in books, magazines and on the internet. In its TWO magnificent volumes is contained an unbelievable collection of tales of adventure, adversity and ultimate triumph and tells the uplifting stories of this small band of ordinary men and women, who did such extraordinary things; overcoming obstacles as diverse as war, poverty, cholera, death, very unfriendly cannibal natives and even exploding donkeys. It has been written with a no specific audience in mind - it is a book for anybody in fact - astronomers, photographers, historians, genealogists, art dealers, students, artists, doctors, farmers, builders, teachers & many more. If you like to read about the lives of special people - those who never give up - no matter what - and who succeed in achieving the seemingly impossible - then this is the book for you. This book of 1600 or so pages, with 1800 or more photographs/illustrations and over 2000 references/notes - represents the FIRST fully detailed and professionally researched book on the subject; and tells of the incredible lives of the pioneers of Astrophotography, each with their own incredible story to tell - they were the ‘Catchers of the Light’. Catchers of the Light is divided into ten Parts (I-X), each covering a specific aspect of the subject- I: Origins of Astrophotography; II: Lunar Astrophotography; III: Solar Astrophotography; IV: Solar System Astrophography; V: Deep Space Astrophotography; VI: Photographic Astronomical Spectroscopy; VII: Photographic Sky Surveys; VIII: Astrographs; IX: Modern Digital Age; X: Appendices. The following men and women are to be found in the pages of the book; who are the 'Catchers of the Light': Louis Jacques Mande Daguerre (1787-1851); Joseph Nicephore Niepce (1765-1833); Frederick Scott Archer (1814-1857); Richard Leach Maddox (1816-1902); John William Draper (1811-1882); Maurice Loewy (1833-1907); Pierre Henri Puiseux (1855-1928); William Henry Pickering (1858-1938); Armand Hippolyte Leon Fizeau (1819-1896); Jean Bernard Leon Foucault (1819-1868); Warren De La Rue (1815-1889); Pierre Jules Cesar Janssen (1824-1907); John Adams Whipple (1822-1891); William Usherwood (1821-1915); Pierre Paul Henry (1848-1905); Mathieu Prosper Henry (1849-1903); Maximillian Franz Joseph Cornelius Wolf (1863-1932); William Cranch Bond (1789-1859); George Phillips Bond (1825 -1865); Benjamin Apthorp Gould (1824-1896); Henry Draper (1837-1882); Isaac Roberts (1829-1904); William Edward Wilson (1851-1908); James Edward Keeler (1857-1900); Edward Emerson Barnard (1857-1923); Williamina Paton Strevens Fleming (1857-1911); Lewis Morris Rutherfurd (1816-1892); Father Pietro Angelo Secchi (1818-1878); William Huggins (1824-1910); Margaret Lindsay Murray (1848-1915); Edward Charles Pickering (1846 - 1919); Hermann Vogel (1841-1907); Wilhelm Oswald Lohse (1845-1915); Julius Scheiner (1858-1913); Edwin Powell Hubble (1889-1953); Milton Lasell Humason (1891-1972); Amedee Ernest Barthelemy Mouchez (1821-1892); David Gill (1843-1914); William Parsons (1800-1867); Andrew Ainslie Common (1841-1903); George Willis Ritchey (1864 1945); Henri Chretien (1879-1956); Bernhard Voldemar Schmidt (1879-1935); . Eugen von Gothard (1857-1909); Alfred Rordame (1862-1931); Marcel De Kerolyr (1873-1969). If you have seen or read ‘Longitude’ the story of John Harrison, the country carpenter who built the first clock that could accurately tell the time at sea, and who also made ‘Del Boy’ a ‘millionaire’, then you will love the ‘Catchers of the Light’.
The Handbook of Therapeutic Storytelling enables people in the healing professions to utilise storytelling, pictures and metaphors as interventions to help their patients. Communicating in parallel worlds and using simple images and solutions can help to generate positive attitudes, which can then be nurtured and enhanced to great effect. Following an "Introduction" to the therapeutic use of stories, which closes with helpful "Instructions for use", the book is divided into two parts, both of which contain a series of easily accessible chapters. Part One includes stories with specific therapeutic applications linked to symptoms and situations. Part Two explains and investigates methods and offers a wide range of tools; these include trance inductions, adaptation hints, reframing, the use of metaphor and intervention techniques, how stories can be structured, and how to invent your own. The book also contains a detailed reference section with cross-referenced key words to help you find the story or tool that you need. With clear guidance on how stories can be applied to encourage positive change in people, groups and organisations, the Handbook of Therapeutic Storytelling is an essential resource for psychotherapists and other professions of health and social care in a range of different settings, as well as coaches, supervisors and management professionals.
The bestselling author of The Science of Happiness delivers a book “suffused with genuine wonder and affection for the beauty of particle physics” (Foreword Reviews). A single rose suggests the sublime interdependence of all life. A sudden storm points to the world’s unpredictability. A marble conjures the birth of the cosmos. How to Love the Universe shows us how everyday objects and events can reveal some of the deepest mysteries in all of science. In ten eye-opening chapters of lyrical prose, Stefan Klein contemplates time, space, dark matter, and more, encouraging us to fall in love with the universe the same way scientists do: The more we know about twenty-first-century physics, the more enchanting our world becomes. You won’t look at a rose the same way again. “Cosmic inflation and warped space, the measurement of time, and the search for dark energy are all examined in thoughtful, accessible language that brings ideas to vivid life. Klein’s latest work encourages readers to think, consider, and give in to scientific fascination.” —Publishers Weekly “In this finely written book, Stefan Klein brings a poetic and distinctive perspective to some fascinating fundamental questions.” —Martin Rees, Astronomer Royal “Klein sets forth to share the poetry of the universe and succeeds, offering a grounding in the science and beauty that comprises the world around us. The text is easily attainable to casual readers and scientists alike, and will help both to understand the universe better.” —Library Journal
A comparative study of the cultural impact of the Great War on British and German societies. Taking medievalism as a mode of public commemorations as its focus, this book unravels the British and German search for historical continuity and meaning in the shadow of an unprecedented human catastrophe.
This book provides an introduction to the complex field of ubiquitous computing Ubiquitous Computing (also commonly referred to as Pervasive Computing) describes the ways in which current technological models, based upon three base designs: smart (mobile, wireless, service) devices, smart environments (of embedded system devices) and smart interaction (between devices), relate to and support a computing vision for a greater range of computer devices, used in a greater range of (human, ICT and physical) environments and activities. The author details the rich potential of ubiquitous computing, the challenges involved in making it a reality, and the prerequisite technological infrastructure. Additionally, the book discusses the application and convergence of several current major and future computing trends. Key Features: Provides an introduction to the complex field of ubiquitous computing Describes how current technology models based upon six different technology form factors which have varying degrees of mobility wireless connectivity and service volatility: tabs, pads, boards, dust, skins and clay, enable the vision of ubiquitous computing Describes and explores how the three core designs (smart devices, environments and interaction) based upon current technology models can be applied to, and can evolve to, support a vision of ubiquitous computing and computing for the future Covers the principles of the following current technology models, including mobile wireless networks, service-oriented computing, human computer interaction, artificial intelligence, context-awareness, autonomous systems, micro-electromechanical systems, sensors, embedded controllers and robots Covers a range of interactions, between two or more UbiCom devices, between devices and people (HCI), between devices and the physical world. Includes an accompanying website with PowerPoint slides, problems and solutions, exercises, bibliography and further reading Graduate students in computer science, electrical engineering and telecommunications courses will find this a fascinating and useful introduction to the subject. It will also be of interest to ICT professionals, software and network developers and others interested in future trends and models of computing and interaction over the next decades.
An illustrated exploration of Girlfriends (1965/66), one of Sigmar Polke's important early paintings. The artist Sigmar Polke (1941–2010) worked across a broad range of media—including photography, painting, printmaking, sculpture, and film—and in styles that varied from abstract expressionism to Pop. This volume in Afterall's One Work series offers an illustrated exploration of Freundinnen (Girlfriends 1965/66), one of Polke's important early paintings. Taken from a found image of two young women, and using the raster dots also found in mass media reproductions, Girlfriends offers a statement about the use and social function of images. Stefan Gronert approaches Girlfriends through its deliberate and elusive ambiguity, providing technical detail and historical background that allow some of the work's motivation and depth to become clearer. Gronert analyzes Polke's relationship to his tutors and peers, especially Gerhard Richter; describes the art historical context in which Polke worked; and discusses some of the social and political issues to which Girlfriends refers. Considering such topics as the distinction between Polke and Alain Jacquet in their use of photographed material, between Polke's use of the raster technique and that of Roy Lichtenstein, and the feminist discourse of the time, Gronert draws on a variety of critical interpretations of Polke's work, including some material that has not yet been translated into English.
Wes Anderson on Stefan Zweig: "I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well." The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Beware of Pity, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host—s lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health.
2018 ASJA Award-Winner in the Biography/History Category Is it possible to make direct contact with the dead? Do the departed seek to make contact with us? The conviction that both things are true was the cornerstone of spiritualism, a kind of do-it-yourself religion that swept the Western world from the 1850s to the 1930s. Prominent artists and poets, prime ministers and scientists, all joined hands around the séance table. But the movement's most famous spokesman by far was Sir Arthur Conan Doyle, whose public quarrels with Houdini over the truth of spiritualism made headlines across the country. Known to the world as the creator of Sherlock Holmes, Conan Doyle had undergone what many considered an enigmatic transformation, turning his back on the hyper-rational Holmes and plunging into the supernatural. What was it that convinced a brilliant man, the creator of the great exemplar of cold, objective thought, that there was a reality beyond reality? Though most modern sources make Conan Doyle out to be a kindly but credulous old fool, and though the spiritualist era was rife with fraud, Stefan Bechtel and Laurence Roy Stains take a closer look. They reexamine the old records of trance mediums and séances, and they discover that what Conan Doyle and his colleagues uncovered is as difficult to dismiss now as it was then.
Nancy's car is stolen! A rare copy of Edgar Allen Poe's first story has vanished! A girl has been kidnapped! All before this story even begins! To set things right and satisfy a crazed Poe fan, Nancy Drew must solve a sixty-year-old mystery that's daunted millions and discover the true identity of the person who visits Poe's grave every year, toasting the writer and leaving three roses. Fortunately, she has plenty of help as her two new pals, the Dana Girls, accompany her on her quest to discover Poe's Lost Verse!
He was complex, quirky, pugnacious, and difficult. He seemed to create enemies wherever he went, even among his friends. A fireplug of a man who stood only five feet eight inches in his stocking feet, he began as a taxidermist and an adventurer who tracked tigers in Borneo with friendly headhunters, lead crocodile-hunting expeditions in the Orinoco, and scouted the last remaining bison in the Montana territories. William Temple Hornaday (1854–1937) was also a man ahead of his time. He was the most influential conservationist of the nineteenth century, second only to his great friend and ally Theodore Roosevelt. When this one-time big-game collector witnessed the wanton destruction of wildlife prevalent in the Victorian era, he experienced an awakening and devoted the rest of his life to protecting our planet’s endangered species. Hornaday founded the National Zoo in Washington, D.C., served for thirty years as director of the renowned Bronx Zoo, and became a fierce defender of wild animals and wild places. He devoted fifty years to fighting gun manufacturers, poachers, scandalously lax game-protection laws, and the vast apathy of the American public. He waged the “Plume Wars” against the feathered-hat industry and is credited with having saved both the Alaskan fur seal and the American bison from outright extinction. Mr. Hornaday’s War restores this major figure to his rightful place as one of the giants of the modern conservation movement. But Stefan Bechtel also explores the grinding contradictions of Hornaday’s life. Though he crusaded against the wholesale slaughter of wildlife, he was at one time a trophy hunter, and what happened in 1906 at the Bronx Zoo, when Hornaday displayed an African man in an “ethnographic exhibit,” shows a side of him that is as baffling as it is repellant. This gripping book takes an honest look at a fascinating, enigmatic man who both represented and transcended his era’s paradoxical approach to wildlife, and who profoundly changed the course of the conservation movement for generations to come.
Beginning at the Beginning, Heym introduces both Ahasverus and Lucifer as angels in free fall, cast out of heaven for their opinions of God's order. The story follows their respective oppositions through the rest of time: Ahasverus defiant through protest rooted in love and a faith in progress, and Lucifer rebellious by means of his biblically familiar methods.
This tale of missing children and mythic monsters is “a fantastic novel in every sense of the word” (Karl Ove Knausgård). Summer 1978. A young boy disappears without a trace from a summer cabin. His mother claims he was carried away by a giant. He is never found. Twenty-five years later, another child goes missing. This time there’s a lead, a single photograph taken by Susso Myrén. She’s devoted her life to the search for trolls, legendary giants known as stallo who can control human thoughts and assume animal form. Convinced that the fabled beasts are real, she follows the trail of missing children to northern Sweden. But humans, some part stallo themselves, have been watching over the creatures for generations, and this hidden society of protectors won’t hesitate to close its deadly ranks. Mixing folklore and history, suspense and the supernatural, The Shapeshifters is an extraordinary journey into a frozen land where myth bleeds into reality. “Spjut has accomplished the masterstroke of writing convincingly about the existence of trolls and other mythical creatures in the Nordic forests . . . all this unfolds in a language that captures the everyday reality we know so well, with such precision and exquisite style that the words seem to sparkle on the page.” —Karl Ove Knausgård, author of My Struggle “A fun, cunning crime thriller . . . If you enjoy the novels of Michael Koryta or Tana French’s The Secret Place . . . you might eat up The Shapeshifters.” —Chicago Tribune “Spjut turns Scandinavian mythology upside down in a shades-of-gray world built for lovers of fantastical suspense.” —Publishers Weekly
Hobson's Island (so called because Mr. Hobson bought it, or did Mr. Hobson buy it because it was so called?) enjoyed decades of isolation in the Atlantic Ocean. For years, the caretakers lived there peacefully, with only a cow for company and an empty house to care for. But all is suddenly disrupted when a wave of unusual visitors arrive: a deposed African king fleeing a revolution, a Hobson descendant claiming ownership, government agents eyeing the nation-less real estate, and scientists looking to test a dangerous new invention. In typical Themerson fashion, the comic is wound up with the serious and let go to devastating effect. A clever and apt parodying of Cold War power plays and twisted science, Hobson's Island is a strangely touching, sympathetic, and emotional account of the families and individuals brought together and broken up by Hobson's Island.
What has happened to American foreign policy? Stefan Halper and Jonathan Clarke argue that the members of what used to be called the foreign policy establishment are no longer doing the job of keeping our foreign policy informed and rational. Instead, hungry to coin the next Big Idea, they are in the business of advancing simplistic, glib mythologies. The result is that Americans are often presented with a fantasy world of nightmare scenarios rather than with explanations that lead to rational choices. Taking to task such well-known figures as Samuel Huntington, Noam Chomsky, and Jeffrey Sachs, Halper and Clarke argue for a revival of integrity within our foreign policy elite so that America's standing in the world can be restored. A book that pulls no punches, The Silence of the Rational Center is both a penetrating diagnosis and a stirring call to reform in what is possibly the most important area of American political life.
This book critically engages with each step of the proceedings in the South China Sea landmark arbitration case, showing that the Arbitral Tribunal lacked jurisdiction to decide the case and that several of the claims presented were also inadmissible.
A ground-breaking collection of essays regarding the history, implementation and challenges of using "antisemitism" and related terms as tools for both historical analysis and public debate. A unique, sophisticated contribution to current debates in both the academic and the public realms regarding the nature and study of antisemitism today"--
This self-contained title demonstrates an important interplay between abstract and concrete operator theory. Key ideas are developed in a step-by-step approach, beginning with required background and historical material, and culminating in the final chapters with state-of-the-art topics. Good examples, bibliography and index make this text a valuable classroom or reference resource.
Teaches students the art and practice of comparison in the globalizing world, fully updated to reflect recent scholarship and major developments in the field Comparing Religions: The Study of Us that Changes Us is a wholly original, absorbing, and provocative reimagining of the comparative study of religion in the 21st century. The first textbook of its kind to foreground the extraordinary or “paranormal” aspects of religious experience, this innovative volume reviews the fundamental tenets of the world’s religions, discusses the benefits and problems of comparative inquiry, explores how the practice can impact a person's worldview and values, and much more. Asserting that religions have always engaged in comparing one another, the authors provide insights into the history, trends, debates, and questions of explicit comparativism in the modern world. Easily accessible chapters examine the challenges of studying religion using a comparative approach rather than focusing on religious identity, inspiring students to think seriously about religious pluralism as they engage in comparative practice. Throughout the text, a wealth of diverse case studies and vivid illustrations are complemented by chapter outlines, summaries, toolkits, discussion questions, and other learning features. Substantially updated with new and revised material, the second edition of Comparing Religions: Draws from both comparative work and critical theory to present a well-balanced introduction to contemporary practice Explains classic comparative themes, provides a historical outline of comparative practices, and offers key strategies for understanding, analyzing, and re-reading religion Draws on a wide range of religious traditions to illustrate the complexity and efficacy of comparative practice Embraces the transcendent nature of the religious experience in all its forms, including in popular culture, film, and television Contains a classroom-proven, three-part structure with easy-to-digest, thematically organized chapters Features a companion website with information on individual religious traditions, additional images, a glossary, discussion questions, and links to supplementary material Comparing Religions: The Study of Us that Changes Us, Second Edition, is the perfect textbook for undergraduate students and faculty in comparative religion, the study of religion, and world religions, as well as a valuable resource for general readers interested in understanding this rewarding area.
Tale of Tales is an epic fantasy saga based on myths, legends, and folk fairytales which have enthralled generations worldwide. Deep in the forgotten past, a dark force awakens… Senka is an ill-fated child who survives a mysterious devastating attack only to be hounded by unnatural forces with a black horseman at the helm. She finds herself on a perilous quest alongside a group of enigmatic misfits, brought together through chance encounters and unforeseen alliances. Chosen by the gods or beguiled into believing so by the far-seeing daughter of a witch, the companionship seeks to unravel the secrets of a fateful prophecy as they battle deadly shadows rising from the depths of time. Experience the thrill of swords and sorcery in wandering a medieval world of mythical creatures, dark forests, and lost cities with these unsung heroes, in a race for their very lives! Appealing to adult and young readers alike, Tale of Tales is a unique new voice in the tradition of the greatest narrated epics and classic fantasy books – a truly remarkable fresh series of novels that will ignite the imagination of any avid fantasy reader. “Odd in an endearing way, both very familiar and completely different.” —Claire Buss, winner of the Raven Award for Favorite Fantasy/SciFi novel. Ready to set forth on a captivating heroic journey? Don’t miss out on Nikola Stefan’s epic fantasy series, with A Strange Bunch as the beginning of your great adventure… into a dark past that just might have been. At the request of Vitor Publishing, this title is DRM-free for the benefit of readers.
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