This moving, suspense-filled story about men at war, and after wear, is a historical novel with all the drama and the verity of the best of its kind. Bu tin one major respect it differs from other stories which vividly re-create exciting and meaningful events in the past: the difference is that we, of today, made the history of which this story grew. We know there were men in the American Army like Sergeant Dondolo and Major Willoughby, for whom World War II was chiefly a once-in-a-lifetime chance to feather their own nests in characteristic though quite dissimilar fashions. There were also unimaginative, methodical good eggs like Corporal Ambramovici, tired, honest, and frustrated officers like Colonel DeWitt, and flamboyant brass like General Farrish. And any one of us might have been Lieutenant David Yates, torn between his loyalty to his wife at home and his passion for a French girl, trying to determine, in the welter of conflict, whether he was involved in a Crusade or a Conquest. We might not know so well Sergeant Bing, fighting against his former countrymen, for whom the war was surely a personal crusade. Men, and often women, are the theme of this novel. The story lies in the development of people, especially of Bing and Yates, under the intensified emotions of war. Some of the people are connected with a Propaganda Intelligence Unit, some with an Armored Division; others are civilians on our side and on the enemy’s. “...Unquestionably the most important fiction to come out of World War II...only a writer of understanding and sympathy, combined with creative artistry, can clothe his characters in flesh and blood—and that is exactly what Heym has done.”—Capt. P. J. Searles, reviewer for the New York Herald Tribune, New York Times and Boston Post.
This is a novel by renowned German writer Stefan Heym, first published in 1951, in which fact and fiction relating to the Communist revolution in Czechoslovakia are skillfully blended in a gripping tale of one of the enigmas of our times. As the story—which centers around three brothers, Thomas, Joseph and Karel—unfolds, the reader becomes acutely aware of the forces that created the anomalies, of those elements brought into focus by the Nazi occupation, the working of the Underground, the tragedies of prison camps, and the hunger for power and survival.
Beginning at the Beginning, Heym introduces both Ahasverus and Lucifer as angels in free fall, cast out of heaven for their opinions of God's order. The story follows their respective oppositions through the rest of time: Ahasverus defiant through protest rooted in love and a faith in progress, and Lucifer rebellious by means of his biblically familiar methods.
Of Smiling Peace is a novel about the hazards of victory, told in the human terms of liberators, liberated and oppressors. As a story it is an absorbing duel of wits and force between resourceful Bert Wolff, American Intelligence officer, and Major Ludwig von Liszt, highly placed German Staff officer. Caught up in this duel—as bait or prize, no one knew which—is the beautiful, shrewd Marguerite Fresneau, Liszt’s mistress. Between the dueling forces is the man Jules-Marie Monaitre—the cynical betrayer-collaborator, the man of Vichy who thinks he can trade “masters” as casually as mistresses. The Monaitres, the Liszts made French North Africa a wilderness of subtly hazardous intrigue. Upon entering Algiers, Wolff is sent to arrest the Nazi Armistice Commission that had been “legally” looting the colony. One man is missing, Liszt, of Franco’s staff, whom Wolff knew by reputation during his days with the Loyalists in Spain. Liszt is a Junker, contemptuous of Nazi party hacks, with German superiority and destiny deeply rooted in his blood and background. To Wolff Liszt becomes the embodiment of the enemy, martially and emotionally.
Beginning at the Beginning, Heym introduces both Ahasverus and Lucifer as angels in free fall, cast out of heaven for their opinions of God's order. The story follows their respective oppositions through the rest of time: Ahasverus defiant through protest rooted in love and a faith in progress, and Lucifer rebellious by means of his biblically familiar methods.
A novel of political intrigue and personal betrayal, The Architects takes readers inside the German Democratic Republic in the late 1950s, shortly after Khruchchev's so-called secret speech denouncing Stalin brought about the release of many victims of Stalinist brutality. Among them is Daniel Wollin, a Communist who fled Hitler for Moscow and now returns to Germany after years of Soviet imprisonment. A brilliant architect, Daniel is taken in by his former colleague, Arnold Sundstrom, who was in exile in Moscow as well - but somehow fared better. Arnold's young wife, Julia, finds in Daniel the key that will unlock the dark secret of her husband's success and of her own parent's deaths in Russia. A story of suspense, romance, and drama, The Architects is also a window on a harrowing period of history that its author experienced firsthand. Although written in English, it was first published in German in 2000; this is the first publication in its original language." --Book Jacket.
Through this dramatic history by Stefan Heym, we become intimate with the story of the maverick and internationalist Karl Radek, known as the editor of the newspaper of record throughout the Soviet era, Isvestia. Beginning as Lenin's companion at the dawning of the October Revolution, Radek later became Stalin's favorite intellectual - only to find himself entangled in the great purges of the late 1930s and scripting his own trial. In this, his last historical novel, Heym reveals Radek as a brilliant Bolshevik journalist and politician who found himself at every turn of the wheel of fate. A central figure of the communist world, Radek was such a controversial and perennially ambiguous personality that even his historical biography seems a work of fiction. With his thick glasses and most non-Aryan appearance, marked by what some might have seen as distinctively Jewish argumentative skills and humor, Radek's enormous talent as a writer, political acumen, and continuous curiosity carried him through event after event. In the struggles of the revolutionary movement Radek changed sides several times and came into conflict with Stalin, was exiled to Siberia, capitulated and resumed his editorial duties at Isvestia - only to get caught up in the purge trials and sentenced to prison, where he died."--
By unleashing the international productive forces, the reorganization of international production has ushered in the Götterdämmerung of international finance capital. At the beginning of its crusade around the globe, international finance capital still reveled in fantasies of omnipotence and dreams of eternity. Today, their mood is one of general hangover: the crisis-proneness of the social system proves irreversible. But the turn of a new era already looms on the horizon; the dawning of the international socialist revolution becomes visible. And yet, the old masters will not make way voluntarily, even if they drag the whole of humanity with them into capitalist barbarism. The decision for the international revolution must be made by the workers and the masses themselves. To help them make this decision and together with them sweep every obstacle out of the way so that they can fulfill their historical mission - that, in a nutshell, sums up the tasks of the Marxist-Leninists in the whole world today.
Even the biographical individual is a social category', wrote Adorno. ‘It can only be defined in a living context together with others.’ In this major new biography, Stefan Müller-Doohm turns this maxim back on Adorno himself and provides a rich and comprehensive account of the life and work of one of the most brilliant minds of the twentieth century. This authoritative biography ranges across the whole of Adorno's life and career, from his childhood and student years to his years in emigration in the United States and his return to postwar Germany. At the same time, Muller-Doohm examines the full range of Adorno's writings on philosophy, sociology, literary theory, music theory and cultural criticism. Drawing on an array of sources from Adorno's personal correspondence with Horkheimer, Benjamin, Berg, Marcuse, Kracauer and Mann to interviews, notes and both published and unpublished writings, Muller-Doohm situates Adorno's contributions in the context of his times and provides a rich and balanced appraisal of his significance in the 20th Century as a whole. Müller-Doohm's clear prose succeeds in making accessible some of the most complex areas of Adorno's thought. This outstanding biography will be the standard work on Adorno for years to come.
A scintillating biographical study of the one of the greatest philosophers of the nineteenth century, by one of the bestselling writers of the twentieth. In this vivid biography, Zweig eschews traditional academic discussion and focuses on Nietzsche's habits, passions and obsessions. This work, concentrating on the man rather than the work, on the tragedy of his existence and his apartness from the world in which he moved in enforced isolation, is a tour de force, drawing the reader inexorably into Nietzsche's tragic trajectory. Illustrated with numerous photographs relating to Nietzsche and his European locations, this superb translation by Will Stone is essential reading for anyone interested in Nietzsche, Zweig, first-class biographies and philosophy.
This book examines the testing and modeling of materials and structures under dynamic loading conditions. Readers get an in-depth analysis of the current mathematical modeling and simulation tools available for a variety of materials, alongside discussions of the benefits and limitations of these tools in industrial design. Following a logical and well organized structure, this volume uniquely combines experimental procedures with numerical simulation, and provides many examples.
After years of Soviet imprisonment, Daniel Wollin returns to East Germany in the late 1950s, following Krushchev's secret speech. Daniel is taken in by his former colleague Arnold. Together they work to redesign the communist future. But Julia, Arnold's wife begins to uncover the lies holding her marriage together.
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