These essays reflect possibilities and practices of radical democracy and radical ecclesia that take form in the textures of relational care for the radical ordinary. Hauerwas and Coels point out political and theological imaginations beyond the political formations, which seems to be the declination and the production of death. The authors call us to a revolutionary politics of 'wild patience' that seeks transformation through attentive practices of listening, relationship-building, and a careful tending to places, common goods, and diverse possibilities for flourishing.
The fourteen architects featured in this book designed 304 hotels and apartment hotels. Many were designed on the European plan for families to live without full service kitchens. Meals were prepared and served in restaurant-type dining rooms catering exclusively to residents and their families. The apartment hotels employed full-time service staffs who prepared and served daily room service meals. The first apartment hotels were built between 1880 and 1895. They were followed by a second wave of construction after the passage of the 1899 building code and the 1901 Tenement House Law. The third wave of apartment hotel construction occurred during the 1920s and ended with the Great Depression of the thirties. The passage of the Multiple Dwelling Act of 1929 altered height and bulk restrictions and permitted high-rise apartment buildings for the first time.
Viewing Louis Zukofsky as a reader, writer, and innovator of twentieth-century poetry, Sandra Stanley argues that his works serve as a crucial link between American modernism and post- modernism. Like Ezra Pound, Zukofsky saw himself as a participant in the transformation of a modern American poetics; but unlike Pound, Zukofsky, the ghetto-born son of an immigrant Russian Jew, was keenly aware of his marginal position in society. Championing the importance of the little words, such as a and the, Zukofsky effected his own proletarian "revolution of the word." Stanley explains how Zukofsky emphasized the materiality of language, refusing to reduce it to a commodity controlled by an "authorial/authoritarian" self. She also describes his legacy to contemporary poets, particularly such Language poets as Ron Silliman and Charles Bernstein.
From a preeminent--and always controversial--jazz critic and intellectual firebrand comes the long-awaited collections of essential essays on the great music and performers of the jazz world.
This updated edition of one of the bestselling and comprehensive Broadway reference books, first published in 1985, has been expanded to include many of the most important and memorable productions of American musical theater, including revivals. Arranged chronologically, beginning with musicals from just after the Civil War, each successive edition of the book has added valuable updates about trends in musical theater as well as capsule features on the most significant musicals of the day. The ninth edition documents important musicals produced since the end of the 2012–2013 season through spring 2019. Broadway Musicals, Show by Show features a wealth of statistics and inside information, plus critical reception, cast lists, pithy commentary about each show, and numerous detailed indexes that no Broadway fan will want to be without. Since its original publication, Broadway Musicals has proved to be an indispensable addition to any Broadway aficionado's library.
In Sanctify them in the Truth Stanley Hauerwas provides an overview of the development of theology and ethics. He considers how the two disciplines interrelate, discusses the nature of sin, how any account of sin requires a more determinative account of moral law, the nature of sanctification, the body as a subject for Christian holiness, and the relationship between sanctification and truthfulness. The volume ends with sermons - Hauerwas emphasizes the freedom the sermons create, as they remind us that the words we use are not our words. The inclusion of sermons also underlines Hauerwas' point that the truth of the gospel cannot be discovered apart from its embodiment in specific communities of faith. The Christian life, he argues, is not about being in possession of "the truth," defined as a set of timeless and universal principles of belief and action. Rather, it is about learning and living the life of truthfulness toward God and one another. For this Cornerstones edition Hauerwas has provided a new preface that places the work in the present debate and brings this remarkable work to a new audience.
On the court and on the field they are the world?s winners, exhibiting a natural grace and prowess their adoring fans can only dream about. Yet so often, off the field our sports heroes lose their perspective, their balance, and ultimately their place. In a work as timely as the latest fracas on the basketball court or the most recent drug-induced scandal in the dugout, Stanley H. Teitelbaum looks into the circumstances behind many star athletes? precipitous fall from grace. ø In his psychotherapy practice, Teitelbaum has worked extensively with professional athletes and sports agents?work he draws on here for insight into the psyche of sports figures and the off-the-field challenges they face. Considering both historical and current cases, he shows how, in many instances, the very factors that elevate athletes to superstardom contribute to their downfall. An evenhanded and honest look at athletes who have faltered, Teitelbaum?s work helps us see past our sports stars? exalted images into what those images?and their frailty?say about our society and ourselves.
What is a popular kind of music that originated in the United States? The answer is Jazz. Mixing folk and blues influences, talented artists from Scott Joplin to Wynton Marsalis have kept jazz at the forefront of the American music scene. The musicians portrayed in this book played different instruments and had different styles, but all helped keep jazz fresh and new. Readers follow ten prominent jazz musicians (Scott Joplin, Daniel Louis Armstrong, Edward Kennedy Ellington, Mary Lou Williams, Benjamin David Goodman, John Birks Gillespie, Charles Christopher Parker, Jr., Miles Dewey Davis, III, John Coltrane, and Wynton Marsalis) through their many successes and varied hardships.
The Elect Methodists is the first full-length academic study of Calvinistic Methodism, a movement that emerged in the eighteenth century as an alternative to the better known Wesleyan grouping. While the branch of Methodism led by John Wesley has received significant historical attention, Calvinistic Methodism, especially in England, has not. The book charts the sources of the eighteenth-century Methodist revival in the context of Protestant evangelicalism emerging in continental Europe and colonial North America, and then proceeds to follow the fortunes in both England and Wales of the Calvinistic branch, to the establishing of formal denominations in the late eighteenth and early nineteenth centuries.
This comprhnsve yet accssible txt brngs togethr key resrch and theory in a soc cog and applied cog psych to prvide a thorough grndg in these incrsingly poplar areas. Suitble txt for upper-level undergrads and a refrnce for graduate-level readers alike.
For over forty years Stanley Hauerwas has been writing theology that matters. In this new collection of essays, lectures, and sermons, Hauerwas continues his life's work of exploring the theological web, discovering and recovering the connections necessary for the church to bear faithful witness to Christ in our complex and changing times. Hauerwas enters into conversation with a diverse array of interlocutors as he brings new insights to bear on matters theological, delves into university matters, demonstrates how lives matter, and continues in his passionate commitment to the matter of preaching. Essays by Robert Dean illumine the connections that have made Hauerwas's theological web-slinging so significant and demonstrate why Hauerwas's sermons have a crucial role to play in the recovery of a gospel-shaped homiletical imagination.
The Church Missionary Society (now renamed the Church Mission Society) has been for most of its 200-year history the largest and most influential of the British Protestant missionary agencies. Its bicentenary in 1999 is being marked by the publication of this collection of historical and theological essays by an international team of scholars, including Lamin Sanneh, Kenneth Cragg, and Geoffrey A. Oddie. The volume contains re-assessments of the classic centenary history of the CMS by Eugene Stock and of the strategic vision of Henry Venn, one of the two architects of the Three-Self theory of the indigenous church. There are chapters on the close links between the CMS and the Basel Mission, women missionaries, and regional studies of Samuel Crowther and the Niger mission, Iran, the Middle East, New Zealand, India, and Kikuyu Christianity. The volume makes a major contribution to the growing body of literature on the indigenization of missionary traditions, and will be of interest to historians of the missionary movement and non-western Christianity, as well as theologians concerned with religious pluralism, dialogue, and Christian mission.
This intriguing study introduces multi-generations of males as they were affected by travels and adventures. First the patriarchs set the framework for those who followed. Then insider tales illuminate how the hearts and souls of these modern- day males live out their heritage mantas from childhood to the future land where little is known. This tome addresses the lives and contribution of the men in our families, a companion to Spirited Sisters (2014) which introduced the outstanding women who carried the Vassar-Burgess heritage from generation to generation. This tome begins with the results of genetic testing, leading to pre-historic male roots. It then turns to known historical connections, following which it deals with more recent and contemporary leading men. It is rich with primary materials, including numerous poems, letters, remembrances, and a wide variety of adventures. No longer are they untold legacies for the men have spoken!
Williams, the cofounder of the Crips gang and a nominee for both the Nobel Peace Prize and the Nobel Prize in Literature, became an anti-gang crusader before he was executed in December 2005. In this work he debunked urban myths about prison life and challenged young people to choose the right path. Selected for the Young Adult Library Services Association's Popular Paperbacks for Young Adults list.
September 11, Afghanistan, Iraq--more than ever, this is a time for the church to be taking up the question of what, as Christians, our response to violence should be. In Performing the Faith, Stanley Hauerwas revisits the familiar territory of political nonviolence through discussion of the writings of Dietrich Bonhoeffer-Christian ethicist, theologian, and by some definitions, martyr. This book is an intriguing commentary on Bonhoeffer's bold claim that if our common life rests on lies and injustice, we cannot be a community of peace. Pastors, seminarians, and those interested in Christian ethics are among the many who will be interested in this new word from an unwavering, faithful voice.
A gripping tale of personal revolution by a man who went from Crips cofounder to Nobel Peace Prize nominee, author, and anti-gang activist. When his LA neighborhood was threatened by gangbangers, Stanley Tookie Williams and a friend formed the Crips, but what began as protection became worse than the original gangs. From deadly street fights with their rivals to drive-by shootings and stealing cars, the Crips' influence—and Tookie's reputation—began to spread across LA. Soon he was regularly under police surveillance, and, as a result, was arrested often, though always released because the charges did not stick. But in 1981, Tookie was convicted of murdering four people and was sent to death row at San Quentin in Marin County, California. Tookie maintained his innocence and began to work in earnest to prevent others from following his path. Whether he was creating nationwide peace protocols, discouraging adolescents from joining gangs, or writing books, Tookie worked tirelessly for the rest of his life to end gang violence. Even after his death, his legacy continues, supported by such individuals as Archbishop Desmond Tutu, Snoop Dogg, Jesse Jackson, and many more. This posthumous edition of Blue Rage, Black Redemption features a foreword by Tavis Smiley and an epilogue by Barbara Becnel, which details not only the influence of Tookie's activism but also her eyewitness account of his December 2005 execution, and the inquest that followed. By turns frightening and enlightening, Blue Rage, Black Redemption is a testament to the strength of the human spirit and an invaluable lesson in how rage can be turned into redemption.
Williams, the cofounder of the Crips gang and a nominee for both the Nobel Peace Prize and the Nobel Prize in Literature, became an anti-gang crusader before he was executed in December 2005. In this work he debunked urban myths about prison life and challenged young people to choose the right path. Selected for the Young Adult Library Services Association's Popular Paperbacks for Young Adults list.
Islands and Empires "was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This is the first one-volume account of the massive impact of Western civilization on the Pacific Islands and the Far East, principally China and Japan. The effects on the two areas were very different since, in the case of the islands, contact was with peoples who were still in the Stone Age, while in the Far East Westerners came up against sophisticated civilizations more ancient and mature than their own. Because of these differences, the book is divided into two sections, the first dealing with the Pacific Islands and the second with the East Asian mainland. Reverse influences--those of the Eastern cultures on the West--are also discussed.
The volume contains Richard II, Henry IV Part One, henry IV Part Two, and Henry V. Each play possesses its own distinctive mood, tone and style, and together they inhabit the turbulent period of change from the usurpation of the throne of Richard II by Bolingbroke to the triumph of heroic kingship in Henry V.
It was like a remake of The Cowboy and the Lady, except that this time they weren't friends. The 1990 Texas governor's race pitted Republican Clayton Williams, a politically conservative rancher and oil millionaire, against Democrat Ann Richards, an experienced progressive politician noted for her toughness and quick wit. Their differences offered voters a choice not only of policies and programs but also of stereotypes and myths of men's and women's proper roles. Claytie and the Lady is the first in-depth look at how gender affected the 1990 governor's race. The authors' analysis reveals that Ann Richards' victory was a result of a unique combination of characteristics. She was simultaneously tough enough to convince voters that she could lead and feminine enough to put them at ease. At the same time, she remained committed to the progressive and women's issues that had won her the early support of feminists and progressives. The authors also show how Clayton Williams' appeal to the Texas cowboy myth backfired when he broke the cowboy code of chivalry to women. The authors set their discussion within the historical context of twentieth-century Texas politics and the theoretical context of gender politics in order to pose a number of thought-provoking questions about the effects of women's participation in political life. Interviews with key players in the 1990 election, including Governor Ann Richards, add a lively and insightful counterpoint to the text.
More than 300 ballplayers have spent time with both the Boston Red Sox and the New York Yankees, opposing teams in one of the most intense rivalries ever in sports. This book examines the century long antagonism between the two clubs, their storied pasts and their evolution during the 20th century. Several what-ifs are considered: what if Babe Ruth had never been traded from the Red Sox to the Yankees? What if the clubs had swapped Joe DiMaggio for Ted Williams, as was proposed by the owners of both teams? What if Alex Rodriguez had gone to Boston, as was originally intended, rather than to New York? The debate as to which team has made out better with shared players is explored.
After midnight on December 10, 1964, in Ferriday, Louisiana, African American Frank Morris awoke to the sound of breaking glass. Outside his home and shoe shop, standing behind the shattered window, Klansmen tossed a lit match inside the store, now doused in gasoline, and instantly set the building ablaze. A shotgun pointed to Morris’s head blocked his escape from the flames. Four days later Morris died, though he managed in his last hours to describe his attackers to the FBI. Frank Morris’s death was one of several Klan murders that terrorized residents of northeast Louisiana and Mississippi, as the perpetrators continued to elude prosecution during this brutal era in American history. In Devils Walking: Klan Murders along the Mississippi in the 1960s, Pulitzer Prize finalist and journalist Stanley Nelson details his investigation—alongside renewed FBI attention—into these cold cases, as he uncovers the names of the Klan’s key members as well as systemized corruption and coordinated deception by those charged with protecting all citizens. Devils Walking recounts the little-known facts and haunting stories that came to light from Nelson’s hundreds of interviews with both witnesses and suspects. His research points to the development of a particularly virulent local faction of the Klan who used terror and violence to stop integration and end the advancement of civil rights. Secretly led by the savage and cunning factory worker Red Glover, these Klansmen—a handpicked group that included local police officers and sheriff’s deputies—discarded Klan robes for civilian clothes and formed the underground Silver Dollar Group, carrying a silver dollar as a sign of unity. Their eight known victims, mostly African American men, ranged in age from nineteen to sixty-seven and included one Klansman seeking redemption for his past actions. Following the 2007 FBI reopening of unsolved civil rights–era cases, Nelson’s articles in the Concordia Sentinel prompted the first grand jury hearing for these crimes. By unmasking those responsible for these atrocities and giving a voice to the victims’ families, Devils Walking demonstrates the importance of confronting and addressing the traumatic legacy of racism.
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
In a world rife with conflict and tension, how does a great power prosecute an irregular war at a great distance within the context of a regional struggle, all within a global competitive environment? The question, so pertinent today, was confronted by the British nearly 250 years ago during the American War for Independence. And the answer, as this book makes plain, is: not the way the British, under Lieutenant General Charles, Earl Cornwallis, went about it in the American South in the years 1778–81. Southern Gambit presents a closely observed, comprehensive account of this failed strategy. Approaching the campaign from the British perspective, this book restores a critical but little-studied chapter to the narrative of the Revolutionary War—and in doing so, it adds detail and depth to our picture of Cornwallis, an outsize figure in the history of the British Empire. Distinguished scholar of military strategy Stanley D. M. Carpenter outlines the British strategic and operational objectives, devoting particular attention to the strategy of employing Southern Loyalists to help defeat Patriot forces, reestablish royal authority, and tamp down resurgent Patriot activity. Focusing on Cornwallis’s operations in the Carolinas and Virginia leading to the surrender at Yorktown in October 1781, Carpenter reveals the flaws in this approach, most notably a fatal misunderstanding of the nature of the war in the South and of the Loyalists’ support. Compounding this was the strategic incoherence of seeking a conventional war against a brilliant, unconventional opponent, and doing so amidst a breakdown in the unity of command. Ultimately, strategic incoherence, ineffective command and control, and a misreading of the situation contributed to the series of cascading failures of the British effort. Carpenter’s analysis of how and why this happened expands our understanding of British decision-making and operations in the Southern Campaign and their fateful consequences in the War for Independence.
In this book, controversial and world-renowned theologian, Stanley Hauerwas, tackles the issue of theology being sidelined as a necessary discipline in the modern university. It is an attempt to reclaim the knowledge of God as just that – knowledge. Questions why theology is no longer considered a necessary subject in the modern university, and explores the role it should play in the development of our “knowledge” Considers how theology is often excluded from the knowledges of the modern university because these are constituted by an understanding of time necessary to make economic and state realities seem inevitable Argues that it is precisely this difference that makes Christian theology an essential resource for the university to achieve its task - that is, to form people who are able to imagine a different world through critical and disciplined reflection Challenges the domesticated character of much recent theology by suggesting how prayer and the love of the poor are essential practices that should shape the theological task Converses with figures as diverse as Luigi Giussani, David Burrell, Stanley Fish, Wendell Berry, Jeff Stout, Rowan Williams and Sheldon Wolin Published in the new and prestigious Illuminations series.
The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop—from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way "pop stars"? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah!, this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues and jazz to Broadway, country, crooning, and beyond—Let's Do It is essential reading for all music lovers. "An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century."—Neil Tennant (The Pet Shop Boys)
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