In this comprehensive introduction to the apostle Paul, Stanley Porter devotes serious consideration both to the background and major contours of Paul’s thought and to the unique contributions of each of his letters. Porter begins by introducing the Pauline tradition and outlining the basics of Paul’s life, the chronology of his ministry, and his several imprisonments. Porter then discusses the background to Paul’s thought, examines some of the major themes of his writings, and treats issues concerning the Pauline epistles, such as pseudonymity and canon. Finally, Porter delves into all thirteen of Paul’s letters individually, placing them within their historical contexts and examining critical issues relating to the content and interpretation of each letter. The result is a thorough, balanced treatment of one of the most important figures in Christianity.
Le chanteur et guitariste de KISS offre aux fans un accès illimité aux coulisses de sa vie personnelle et leur montre comment mener une vie rock'n'roll, offrant les conseils durement gagnés d’une légende de la musique. Paul Stanley nous emmène dans les coulisses du groupe mythique KISS, et révèle comme sa sensibilité unique a toujours guidé sa vie, aussi bien dans sa carrière musicale que dans tous les autres domaines, des affaires à la parentalité en passant par la santé et le bonheur. Au-delà du maquillage, Paul partage des détails fascinants sur sa vie : sa routine de remise en forme, sa philosophie, ses principes commerciaux, la façon dont il maintient son inspiration, sa passion et sa joie après près de 50 ans de succès, notamment des tournées à guichets fermés et 150 millions d'albums vendus. Il se confie sur ses relations, ses difficultés et les moments charnières de sa vie, et offre également aux fans des photos intimes inédites de sa collection personnelle ainsi que des leçons surprenantes sur la discipline et le travail acharné qui ont fait de lui l'une des icônes du rock'n'roll les plus saines et les plus célèbres de l'histoire. Un livre pour les fans qui veulent vivre pleinement, mais qui veulent aussi prendre le contrôle et avancer dans la vie de tous les jours. Paul montre comment vous pouvez faire du rock'n'roll toute la nuit et faire la fête tous les jours, sans y laisser des plumes.
NEW YORK TIMES and INTERNATIONAL BESTSELLER In Face the Music, Paul Stanley—the co-founder and famous “Starchild” frontman of KISS—reveals for the first time the incredible highs and equally incredible lows in his life both inside and outside the band. Face the Music is the shocking, funny, smart, inspirational story of one of rock’s most enduring icons and the group he helped create, define, and immortalize. Stanley mixes compelling personal revelations and gripping, gritty war stories that will surprise even the most steadfast member of the KISS Army. He takes us back to his childhood in the 1950s and ’60s, a traumatic time made more painful thanks to a physical deformity. Born with a condition called microtia, he grew up partially deaf, with only one ear. But this instilled in him an inner drive to succeed in the most unlikely of pursuits: music. With never-before-seen photos and images throughout, Stanley’s memoir is a fully realized and unflinching portrait of a rock star, a chronicle of the stories behind the famous anthems, the many brawls and betrayals, and all the drama and pyrotechnics on and off the stage. Raw and confessional, Stanley offers candid insights into his personal relationships, and the turbulent dynamics with his bandmates over the past four decades. And no one comes out unscathed—including Stanley himself. “People say I was brave to write such a revealing book, but I wrote it because I needed to personally reflect on my own life. I know everyone will see themselves somewhere in this book, and where my story might take them is why I’m sharing it.” —Paul Stanley
This is the HARDBACK version. In a continuation of his memorable Vol. 1, again journey into a world of comedy featuring some of the best comedians and comediennes of a different time and place. Dozens of encounters, each based on a one-on-one interview, some dating as far back as the 1960s, recalled by John Stanley, for thirty-three years an entertainment writer for the San Francisco Chronicle's Datebook. Stanley specialized in exclusive moments with stars and up-and-coming stars, searching for how and why they had succeeded or were trying to succeed with comedy in the worlds of night clubs, television, and motion pictures. Enter the lives of such historic show biz personalities as: Shelley Berman Carol Channing Jim Nabors Ronnie Schell Frank Sutton Richard Kiel Chuck Jones Tom Hanks Carol Burnett James Coco Adrienne Barbeau Conrad Bain Sally Struthers Jean Stapleton Barbara Feldon Ed Platt Don Adams Pat Paulsen The Smothers Brothers Mary Tyler Moore Vicki Lawrence Harvey Korman Tim Conway Ernie Anderson Gale Gordon Phyllis diller Ken Curtis Dom Deluise Jerry Colonna Barbara Eden George Carlin Frank Fontaine Cloris Leachman Dick Shawn Bob Newhart
Drawing on recent discussions of quotations in the fields of rhetorics, linguistics, and literary studies, Stanley argues that Paul's explicit appeals to Jewish Scriptures must be analyzed as rhetorical devices that seek to influence the thoughts, feelings, and actions of a first-century audience, an approach that requires a different set of questions and methods than scholars have typically used in their studies of Paul's quotations. Key questions include why Paul quoted words of Scripture to support some of his arguments and not others; how quotations help to advance the developing arguments of Paul's letters; and how a mostly illiterate first-century audience from a variety of backgrounds might have viewed these sudden intrusions of material from a Jewish religious text. Answering these questions requires paying careful attention to the affective and poetic dimensions as well as the intellectual aspects of the original audience's encounter with the Holy Scriptures of Israel. Christopher Stanley is Professor of Theology at St. Bonaventure University. He is the author of Paul and the Language of Scripture as well as numerous articles on the social, literary, and rhetorical context of Paul's letters.
What role did offers of physical healing (or the hope of receiving it) play in the missionary program of the apostle Paul? What did he do to treat the many illnesses and injuries that he endured while pursuing his mission? What did he advise his followers to do regarding their health problems? Such questions have been broadly neglected in studies of Paul and his churches, but Christopher D. Stanley shows how vital they truly become once we recognize how thoroughly “pagan” religion was implicated in all aspects of Greco-Roman health care. What did Paul approve, and what did he reject? Given Paul's silence on these subjects, Stanley relies on a cross-cultural and interdisciplinary approach to develop informed judgments about what Paul might have thought, said, and done with regard to his own and his followers' health care. He begins by exploring the nature and extent of sickness in the Roman world and the four overlapping health care systems that were available to Paul and his followers: home remedies, “magical” treatments, religious healing, and medical care. He then examines how Judeans and Christians in the centuries before and after Paul viewed and engaged with these systems. Finally, he speculates on what kinds of treatments Paul might have approved or rejected and whether he might have used promises of healing to attract people to his movement. The result is a thorough and nuanced analysis of a vital dimension of Greco-Roman social life and Paul's place within it.
Did Paul ever meet Jesus and hear him teach? A century ago, a curious assortment of scholars - William Ramsay, Johannes Weiss, and James Hope Moulton - thought that he had. Since then, their idea has virtually disappeared from New Testament scholarship, to be revived in this monograph. When Paul Met Jesus is an exercise in both biblical exegesis and intellectual history. After examining the positive arguments raised, it considers the negative influence of Ferdinand Christian Baur, William Wrede, and Rudolf Bultmann on such an idea, as they drove a growing wedge between Jesus and Paul. In response, Stanley E. Porter analyzes three passages in the New Testament - Acts 9:1-9 and its parallels, 1 Corinthians 9:1, and 2 Corinthians 5:16 - to confirm that there is New Testament evidence that Paul encountered Jesus. The implications of this discovery are then explored in important Pauline passages that draw Jesus and Paul back together again.
Rather than make a career of poetry, Stanley Thompson has engaged a number of careers from which he has drawn the details and essence of personal experience which he brings forth in Sonnets of Life Well Spent. Motivated by the death of his beloved wife Patricia in 2011, the stories of his journey have come into sharper focus with an enhanced meaning that has allowed him to present this collection of 126 poems in the style of memoir. The reader will not only experience sonnets in the format, and even in the tone, of William Shakespeare, but will come to appreciate the life of the author, a life, indeed, well spent.
For a man who endured so much bodily suffering during the course of his ministry, the apostle Paul has surprisingly little to say about health, medical care, or healing in his letters. Christopher D. Stanley explores the reasons for this silence and what we might reasonably infer regarding Paul's views on the subject. He focuses in particular on two questions that have been neglected in previous scholarship on the apostle Paul:first, what did Paul think, say, and do regarding the treatment of his own and his followers' illnesses and injuries, including "pagan" modes of medical care? And second, how did his ideas on this subject affect the success of his missionary enterprise? Stanley begins with a thorough and nuanced examination of the nature and extent of sickness and injury in the Greco-Roman world, and then moves into a critical review of the three overlapping systems of care that were available to treat it: folk remedies, religious healing, and medical cures. From there this volume transitions to a consideration of what is known about how Jews and Christians other than Paul viewed and used these systems in the first few centuries of the Christian era. Stanley finally speculates on what Paul himself might have thought about the available modes of treatment, what he might have taught his followers on the subject, and how his teachings might have affected the success of his missionary enterprise."--
“Nothin’ to Lose brought back great memories of our days touring with KISS in the ‘70s. The book is an incredible ride through KISS’s early days and a must read for any KISS fan!” — Don Powell, Slade “Like taking a time machine back to the ‘70s, Nothin’ to Lose is a wild and no holds barred look at the rise of KISS.” — Eric Carmen, Raspberries “In Nothin’ to Lose you witness first-hand the extraordinary transformation of four struggling musicians from New York City overcoming almost insurmountable odds to become worldwide superstars. This is the definitive account of KISS’s early years.” — Kevin Cann, author of David Bowie: Any Day Now “The KISS boys will go down in history for their indefatigable work ethic, spirit, and insatiable appetite for all things honest-to-God outrageous rock ‘n’ roll. KISS is the real deal and this book is the real story of the American rock ‘n’ roll dream.” — Ted Nugent “Nothin’ to Lose is an electrifying look at a band that changed the course of rock and roll history by sticking to their guns and blazing their own trail of heavy metal thunder. I couldn’t put it down. Two thumbs up!” — Joe Perry, Aerosmith “Rises above the standard cookie-cutter anecdotes... [for] a unique look at the origins of one of the greatest rock bands of all time. Anyone who wants to know what it was like to make it in rock ‘n’ roll in the seventies will need to pick this up.” — Dale Sherman, author of Black Diamond: The Unauthorized Biography of KISS “Told with complete accuracy and attention to detail... Mandatory reading for every new artist. This is a masterpiece!” — Kenny Kerner, Co-producer of KISS and Hotter Than Hell “A joyous and mesmerizing exploration of the early history of the ‘Hottest Band in the World’... This book is addictive. You won’t be able to put it down!” — Julian Gill, author of the Kiss Album Focus series “From KISS’s earliest days playing crummy bars in front of 50 people to headlining arenas, Nothin’ to Lose is a gripping look at the underbelly of rock ‘n’ roll. And as one of the members of KISS’s original road crew, I should know, I was there.” — Peter "Moose" Oreckinto, KISS roadie (1973-1976) “The ultimate KISS book. . . Nothin’ to Lose gives the insider’s perspective any KISS fan must have — Charles R. Cross, author of Heavier than Heaven: A Biography of Kurt Cobain “Even casual fans will be enthralled.” — Robert Rodriguez, author of Revolver: How The Beatles Reimagined Rock 'N' Roll “Revel in the roar of the greasepaint and the smell of the crowd as they share it all, blow-by-blow, first hand.” — Paul Myers, author of A Wizard A True Star: Todd Rundgren In The Studio “A fascinating read about one of rock’s most outrageous bands.” — Simon Kirke, Bad Company/Free “I found the story of KISS’s fanatical determination, shockingly rare matter-of-fact common sense, raw luck, exquisite timing-not to mention the sheer brinksmanship of the whole lunatic enterprise-exhilarating and inspiring.” — Binky Philips, My Life in the Ghost of Planets: The Story of a CBGB Almost-Was “A vivid oral history of the early days of one of rock’s most outrageous and enduring bands, Nothin’ to Lose makes every reader an eyewitness to the dawn of Kiss. Here’s a book that screams out: C’mon and read me.” — David Browne, author of Goodbye 20th Century: A Biography of Sonic Youth “An incredibly vivid and gripping oral history that illustrates how Kiss went through a slow and steady transformation from a loft party band to the hottest concert attraction capable of blowing anybody and everybody off the stage.” — Daniel Siwek, House of Blues “If you thought you knew everything there was to know about KISS . . . well, you’d be wrong. . . Buy this book or just KISS off!” — Alice Cooper “A fascinating chronicle of the construction of a multimedia phenomenon.” — Publishers Weekly A rollicking oral history. — Kirkus Reviews Does the world really need another KISS book? Perhaps not, but the world really needs Sharp’s . . . KISS book. . . Full of extraordinary primary-source material that will keep KISS fans up at night, Sharp’s excellent work should serve as a blueprint for future rock oral histories.” — Library Journal (starred review)
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