Stanley Morison provided the impetus and judgement behind the programme of typographical revival carried through by the Monotype Corporation in the 1920s and early 1930s. The Tally is an account, historical, critical and functional, of the types cut under Morison's direction during this period. It is an impressive performance: a fine example of what is now recognised as Morison's characteristic blend of erudition and insight. What started as no more than an attempt to record the facts developed, under his hand, into one of the major statements of typographical practice of its time.
During his long career Stanley Morison held appointments as typographical adviser to Cambridge University Press, to the Monotype Corporation, and to The Times, where he was responsible both for its radical new design in 1932 and for the standard history of the paper. These two volumes bring together the majority of his most lasting essays. Many of them, pioneering in their day, are now classics in their field. The collection, first published in 1980, spans a period of forty years. It includes essays on letter-forms in manuscript and in print, beginning with those published in The Flueron in the 1920s, on typefaces in sixteenth-century Italy, on the development of Latin script, on the history of learned presses and on the typography of newspapers.
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