United Nations: A History begins with its creation in 1945. Although the organization was created to prevent war, many conflicts have arisen, ranging from The Korean War, to The Six Day War, to genocide in Bosnia and Rwanda. Stanley Meisler’s in-depth research examines the crises and many key political leaders. In this second edition, Meisler brings his popular history up to date with accounts of the power struggles of the last fifteen years, specifically spotlighting the terms of secretaries-general Boutros Boutros-Ghali, Kofi Annan and Ban Ki-moon. This is an important, riveting, and impartial guide through the past and recent events of the sixty-five-year history of the United Nations.
When the World Calls is the first complete and balanced look at the Peace Corps’s first fifty years. Revelatory and candid, journalist Stanley Meisler’s engaging narrative exposes Washington infighting, presidential influence, and the Volunteers’ unique struggles abroad. He deftly unpacks the complicated history with sharp analysis and memorable anecdotes, taking readers on a global trek starting with the historic first contingent of Volunteers to Ghana on August 30, 1961. In the years since, in spite of setbacks, the ethos of the Peace Corps has endured, largely due to the perseverance of the 200,000 Volunteers themselves, whose shared commitment to effect positive global change has been a constant in one of our most complex—and valued—institutions.
Beginning with the birth of the U.N., when Roosevelt, Stalin, Truman, and Gromyko set the stage, United Nations brings us a cast of profoundly important and colorful international players: the brilliant Dag Hammarskjold, who became the most daring, imaginative secretary-general the U.N. ever had; Nikita Khrushchev, who electrified the General Assembly as he pounded his shoe in protest over the Congo; Ralph Bunche, the grandson of a slave and "the Jackie Robinson of American diplomacy", who won the Nobel Peace Prize for his U.N. work in the Middle East; and U.S. ambassador Daniel Patrick Moynihan, who walked out of the General Assembly over the Third World's anti-Zion resolution. United Nations is a story filled with action and heartbreak.
For a couple of decades before World War II, a group of immigrant painters and sculptors, including Amedeo Modigliani, Marc Chagall, Chaim Soutine and Jules Pascin dominated the new art scene of Montparnasse in Paris. Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence. Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.
In this thoughtful, balanced biography, former Los Angeles Times foreign and diplomatic correspondent Stanley Meisler traces Kofi Annan’s unconventional rise from optimistic student to striving personnel and budget specialist in the United Nations bureaucracy to full-time manager of the world’s crises. The book presents a unique portrait of this widely admired leader, with Annan’s own view of events tempered and augmented by those of his allies and opponents, defenders and detractors.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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