In a quaint old restaurant, a chef relies on a devilish secret ingredient In Sbirro’s restaurant, there is no electric lighting, no music, and no menu. The only sound is the contented sighs of the regulars, who come every night in hopes that Sbirro will treat them to his signature dish, the famed lamb Amirstan, which comes from a beast so rare, only Sbirro knows how to obtain it. Tonight, two diners at this spectacular relic of a forgotten age will find that lamb Amirstan costs more than they are willing to pay. “The Specialty of the House” was the first story published by Stanley Ellin, who would go on to become one of the great short fiction authors of the twentieth century. From crime to horror to grim tragedy, every story in this collection is as delectable as a cut of meat prepared by Sbirro himself.
Four desperate ex-cons attempt an audacious kidnapping James Flood and his three partners get out of jail with a single number on their minds: $1 million, in cash, for each of them. To get it, they have a simple plan, a mixture of home invasion and kidnapping, with a brilliant twist: Their target is a wealthy family whose religion means they can’t possibly fight back. Armed with enough guns and ammunition to take on an army, Flood and his men storm the house of Marcus Hayworth, the leader of a small Quaker community in upstate New York. Though the police advise Hayworth to pay whatever it takes to set his family free, he plans to retaliate using nonviolent methods. But his commitment to pacifism slips just a bit with every minute that his family remains in the sights of James Flood’s gun.
Two servants discover family skeletons behind the closed doors of a forbidding Manhattan mansion in this mystery by a three-time Edgar Award–winning author. In dire financial straits, young couple Mike and Amy Lloyd—a former cab driver and a New York prep-school teacher, respectively—have signed away their independence to become live-in servants for one of the city’s wealthiest and most private families. At first, the Durie home, a cavernous Gilded Age palazzo off Fifth Avenue, is a maze of intimidation: sixteen other employees, eight Duries in residence, forbidden rooms, and an exact and unbreakable set of rules. For Amy, personal secretary to the aged and blind Miss Margaret, that includes never broaching the subject of her employer’s “condition” or the tragic accident that caused it. On the other hand, Mike, an aspiring writer, is already taking notes for a Durie-inspired novel. A modern gothic, he’s guessing—part Rebecca, part Psycho. Most of the plot, he’ll soon discover, won’t require much imagining. But Amy, bound to the servitude of the matriarch—a woman cut off from the world for fifty years—is growing more curious and unnerved by Miss Margaret’s demands: the sudden trips to the Plaza hotel, the mysterious bank transactions, and an extended invitation to a stranger for a private dinner. By the time Amy realizes the truth—that she and her husband have been enlisted as unwitting accomplices in a subtly played series of moves that could lead to something rather unspeakable—it could be too late.
From a three-time Edgar Award–winning author: A private eye trails a blackmailer, a missing Florida widow, and a double-indemnity swindler. Freelance private investigator Jake Dekker and his lovely assistant, Elinor, are kicking back in Biscayne Bay as they plan their next move on a new case: masquerading as newlyweds and insinuating themselves into the confidence of South Miami Beach’s highly respected Thoren family. Only weeks before, patriarch Walter Thoren died in a car accident after taking out a double-indemnity policy for a cool six figures, and the insurance company suspects fraud. They won’t have to pay if Jake can prove it was suicide. Unfortunately for Jake, things don’t add up: Walter was healthy, sane, and prosperous. And given the particulars of the crash, it couldn’t have been murder. So what exactly are the Thorens concealing? To find out, Jake and Elinor will head down a twisting trail of blackmail, mob connections, kidnapping, family secrets, and sordid sexual indiscretions. But they, too, are being inveigled by a masquerade—and it’s hiding the most shocking scandal under the sun. A dark masterpiece of crime fiction, The Bind was adapted for the 1979 film Sunburn, starring Farrah Fawcett, Charles Grodin, and Art Carney.
His father humiliated, a teenage boy vows bloody revenge Every sports fan in New York knows Al Judge, the hard-bitten reporter whose column is the scourge of gamblers, gangsters, and corrupt players across the city. Sixteen-year-old George LaMain is Judge’s biggest fan—right up until the night he decides the writer has to die. George is in his father’s saloon, waiting for his dad to give him his birthday present: a trip to the fights at Madison Square Garden. They are about to leave when Judge demands George’s father strip and lie down on the barroom floor. George doesn’t know why, but his old man does it—and Judge beats him senseless in front of the whole bar. When he’s finished crying, George takes his father’s gun and sets out into the night. To avenge his disgraced father, he plans to gun Al Judge down. But before he can become a killer, this birthday boy will have to grow into a man.
Hired as a tutor for a madwoman’s son, an American expatriate scraps to stay alive A washed-up heavyweight with dreams of becoming a writer, Reno Davis is down to his last franc when he lands a job as a bouncer at a sprawling Paris discotheque. His first night, he saves a slumming beauty from a pair of café toughs, and she rewards him with a well-paid job tutoring her darling son. But what she really wants is a bodyguard to keep her precious baby safe from terrors real and imagined. Reno’s new boss is a mental case, paranoid and delusional, whose lovers have a bad habit of dying violent deaths. But in this case, her paranoia may be justified. Protecting the boy draws Reno into an international conspiracy that stretches from Paris to Rome to the killing fields of northern Algeria. When the bullets start to fly, this ex-fighter begins to fear that he may be punching above his weight.
In the wake of a tragic accident, a young college student haunted by guilt moves to New York City to shake the past and discover his destiny. After three years at Temple University, Dan Egan was still trying to find out who he was. Frustratingly unmoored, he moved from engineering to fine arts and finally to humanities, plowed under each time. He was the one in the back row, sleeping behind dark glasses—the “ivy beleaguered” dilettante soon to be adrift in the very real world of working men. Now, following his expulsion after a tragic dorm fire, Dan has finally been defined. He’s the guy who failed to save his roommate—all-American football hero, Time magazine’s golden cover boy, and Dan’s best friend since childhood. Maybe Dan will take the midnight train to Philadelphia and weather the worst of the family storm. Maybe not. Wherever Dan’s headed, he’ll be carrying his buddy’s ghost. Then he meets the Barbara Jean Avery, the dumb, sweet still-virginal child bride of a dangerous old crust named Michael. She reads movie magazines, flounces around Coney Island, and has Technicolor dreams that will never come true. Dan’s got a thing for her; maybe she can make his dreams come true. Without even trying, without even realizing, Barbara Jean and Michael are going to change Dan’s life. A novel that flirts with the mysteries of being human—from the comic to the sexual to the tragic—The Winter After This Summer is a singular work in the canon of a three-time Edgar Award–winning author, a late coming-of-age story written with a fierce and respectful regard for man’s fate.
A grisly murder reveals the hateful secrets that lie beneath a small town’s surface The locals call her the Ballou. An illustrator for a high-fashion magazine, she has been the talk of the upstate town of Sutton ever since she first appeared, paying cash for one of the finest houses on Nicholas Street. Daring, gaudy, and grand, she inspires envy in the women and lust in the men. And in one member of this quiet town, she is about to inspire murder. The trouble starts when her rakish New York lover moves in full time, scandalizing the prudish Ayers family next door. When the Ayers’ maid pays a social call to the Ballou, she finds her lying dead at the foot of a staircase—gray, cold, and fabulous no more. Suspicion falls on the Ayerses, whose starched exterior hides a wealth of ugly secrets. From this interlocking narrative told from the perspectives of the citizens of Sutton comes a reminder that no town is too small for murder.
Edgar Award winner: Investigating a crooked cop, a private detective gets too close to the case. The investigators of the Conmy-Kirk detective agency don’t work in trench coats, drink on the job, or carry pistols. They are researchers who comb newspapers and government records in search of the tiny details that could make or break their clients’ fortunes. It is painstaking and unromantic, but as co-owner Murray Kirk is about to learn, those details can mean the difference between life and death. The district attorney is cracking down on corruption in the NYPD, and the search is spreading like wildfire, forcing hundreds of policemen to resign in disgrace. When Conmy-Kirk is hired to clear the name of one of the accused, Kirk finds himself falling for his client’s daughter, a moral infraction that draws him deeper into the city’s underworld than he ever wanted to slip. This work isn’t like it is in the movies—if Murray Kirk catches a bullet, he’ll stay dead.
A young drug runner gets revenge on a crime syndicate in this novel of deception and international double crosses from an Edgar Award–winning author. By the time David Hanna Shaw is shuttled off to an Ivy League school by his preoccupied mother, the brilliant young linguist is already fluent in a half dozen languages. He’s also a quick study in international swindling, deceit, drug smuggling, and currency profiteering. That’s what comes from having been dragged across every European capital by a mendacious diplomat father. Then, one day, innately unsettled and anxious, David suddenly disappears from campus. Finally on his own and living only for himself, David heads back to Europe, where he becomes a professional drifter, taking on odd jobs as everything from a brothel handyman in Paris to an occasional courier for a cadre of smugglers in Amsterdam. Swayed by the cash, and a beautiful new lover, David has found his niche—only to be betrayed by his syndicate bosses and left for dead. Now, David’s only thoughts are of revenge. But for a smart man like David, murder is too common. The payback he has planned is an intricate game of deception, multiple identities, and psychological torture as ingenious as it is devious. And it should be. After all, David has been taught by a master.
From a three-time Edgar Award–winning author: Local rituals and a lost painting draw a New York businessman into intrigue on a remote Pacific island. Ben Smith, a market researcher from New York City, has arrived on Santo Stefano, an island two hundred miles off the coast of Peru. At the behest of his company’s seafood division, he’s gauging the potential profitability of the island’s abundance of rock lobsters. Encouraging a little tin-pot country to draw foreign investment should be a breeze—a beautiful one, too, berthed, as he is, in such an exotic locale. But Ben’s interests are soon divided between the seductive Infanta Elissa, daughter of the island’s powerful guano king, and another American tourist who has come in search of a reportedly lost and invaluable Panama portrait painted by French post-Impressionist artist Paul Gauguin. And something sinister is taking over Santo Stefano. The locals call it festa brava, a ritualistic hanging ceremony, dating back centuries, in which competitors test their courage against the gallows. Whether you survive or not, it’s said to be the ultimate experience. As an undercurrent of violence and unease rises closer to the surface, Ben wonders what else awaits him on the island, how it will change him, and how far he’ll be expected to go on a journey of adventure, self-exploration, and absolute fear. From a Mystery Writers of America Grand Master, The Panama Portrait is “a [spellbinding], sophisticated, barbaric, and hypnotic” thriller (Kirkus Reviews).
Edgar Award Finalist: A former Miami Beach tennis pro discovers the dangerous price of marrying for money in “one of the year’s best chillers” (The New York Times Book Review). There was a time when Davis Cup winner Chris Monte had it all. Now, down and out in Dade County, restringing racquets at a South Beach tennis shop and hiring himself out for an occasional lesson, he’s dead broke. Then, along comes Elizabeth Jones, a mousy student with an irresistible proposition: fifty thousand dollars in exchange for marrying her. As sole beneficiary of the Valentine estate, Elizabeth is set to inherit a fortune. There’s only one stipulation: She must be married. She’ll collect, they’ll divorce, and Chris will get paid off. Simple. But there are a few details Elizabeth left out, including the other claimants who are ruthlessly scheming to get their shares; her former boss, a goon with shady connections; her institutionalized mother, the target of whispers and gossip; the syndicate representative behind the execution of the will; and the pressing question of the actual identity of the deceased. Before long, Chris is in over his head. And wondering what his real part is in this twisted game of family secrets, Chris has good reason to fear that in agreeing to marry Elizabeth, he’s set in motion the carefully drawn plans for his own murder. From a Mystery Writers of America Grand Master, The Valentine Estate is a gripping thriller and was named an Edgar Award finalist for Best Novel.
Ellin consistently wrote the best mystery stories of his time' Lawrence Block Stanley Ellin's first short story, 'The Specialty of the House', about a New York restaurant with a special gourmet menu, was published in Ellery Queen's Mystery Magazine in 1948 and caused an immediate sensation, winning him a special Ellery Queen Award. 'The House Party' and 'The Blessington Method' subsequently both won Edgar Awards. Stanley Ellin, who was made a Grand Master of the Mystery Writers of America in 1980, is acknowledged as one of the great masters of the 20th-century short story, and this volume brings together the best of his work in the genre.
From a Mystery Writers of America Grand Master: A Manhattan PI heads to Florida to deal with movie stars, a mysterious guru, and murder. New York City private eye John Milano’s new client is an old flame—and the fire is still burning in Miami Beach. It wasn’t too many years ago that superstar Sharon Bauer dumped John for an aged and infirm billionaire at the instruction of her very persuasive yogi, Kalos, renowned master of “The Path.” Following Kalos’s advice was practically a guarantee of enlightenment for his receptive disciple. But now, the only thing Sharon is feeling is terror. It’s not until John arrives at Sharon’s lavish Florida compound that he realizes her fears aren’t just another performance. A fun weekend house party with Hollywood friends has turned into an intimate mystery: Kalos has received a series of unnerving and anonymous notes threatening his life. Though John can’t bear the sight of the influential mystic, he’s agreed to protect him, for Sharon’s sake. But he soon learns that Kalos isn’t the only target. Nor is he the only guest to harbor buried secrets and mortal enemies. In fact, Sharon’s past is littered with them. And when a sudden death shakes the well-guarded estate, John and Sharon know they’re about to follow a path that’s a lot more permanent than spiritual nirvana. Star Light, Star Bright is a “richly entertaining” crime novel from an Edgar Award–winning master of suspense (Miami Herald).
Stanley Ellin's first short story, 'The Specialty of the House', about a New York restaurant with a special gourmet menu, was published in Ellery Queen's Mystery Magazine in 1948 and caused an immediate sensation, winning him a special Ellery Queen Award. 'The House Party' and 'The Blessington Method' subsequently both won Edgar Awards. Stanley Ellin, who was made a Grand Master of the Mystery Writers of America in 1980, is acknowledged as one of the great masters of the 20th-century short story, and this volume brings together the best of his work in the genre.
Edgar Award Finalist: A former Miami Beach tennis pro discovers the dangerous price of marrying for money in “one of the year’s best chillers” (The New York Times Book Review). There was a time when Davis Cup winner Chris Monte had it all. Now, down and out in Dade County, restringing racquets at a South Beach tennis shop and hiring himself out for an occasional lesson, he’s dead broke. Then, along comes Elizabeth Jones, a mousy student with an irresistible proposition: fifty thousand dollars in exchange for marrying her. As sole beneficiary of the Valentine estate, Elizabeth is set to inherit a fortune. There’s only one stipulation: She must be married. She’ll collect, they’ll divorce, and Chris will get paid off. Simple. But there are a few details Elizabeth left out, including the other claimants who are ruthlessly scheming to get their shares; her former boss, a goon with shady connections; her institutionalized mother, the target of whispers and gossip; the syndicate representative behind the execution of the will; and the pressing question of the actual identity of the deceased. Before long, Chris is in over his head. And wondering what his real part is in this twisted game of family secrets, Chris has good reason to fear that in agreeing to marry Elizabeth, he’s set in motion the carefully drawn plans for his own murder. From a Mystery Writers of America Grand Master, The Valentine Estate is a gripping thriller and was named an Edgar Award finalist for Best Novel.
The enormously wealthy Durie family occupies a gigantic baroque turn-of-the-century mansion on Manhattan's Upper East Side. The family, whose fortune was established in Colonial times, is traditionally shy of all public notice and proud that no scandal has ever touched its name. Newly married Michael and Amy Lloyd, bright young teachers in a private school, suddenly find themselves unemployed and apparently unemployable. When all cash and credit are gone, Michael and Amy decide to take up positions on the Durie household staff. But as the Lloyds learn to cope with their positions as servants they slowly become aware that the seventy-year-old matriarch Margaret Durie is, for her own unexplained reasons, enlisting them as her helpless accomplices in a subtly designed series of events that will ultimately lead to a thunderous scandal ... and a ghastly death.
At ten, David Shaw, a silent and observant little boy already fluent in half a dozen languages, was being dragged through the capitals of Europe by a diplomat father and a beautiful scatterbrained mother. At twenty, in the midst of the troubled 1960s, David abruptly disappeared from his Ivy League college - to be reborn as Jan Van Zee, amiable Dutch drifter, making his way around Europe and working as an occasional courier for a syndicate of smugglers. At thirty he is cruelly betrayed and left for dead by the syndicate, and now lives only for revenge against an apparently all-powerful and invulnerable foe. Reverting to his true identity, David returns to America to claim his vast inheritance, and sets out to execute a consummate vengeance against each of the syndicate's three bosses
Four desperate ex-cons attempt an audacious kidnapping James Flood and his three partners get out of jail with a single number on their minds: $1 million, in cash, for each of them. To get it, they have a simple plan, a mixture of home invasion and kidnapping, with a brilliant twist: Their target is a wealthy family whose religion means they can’t possibly fight back. Armed with enough guns and ammunition to take on an army, Flood and his men storm the house of Marcus Hayworth, the leader of a small Quaker community in upstate New York. Though the police advise Hayworth to pay whatever it takes to set his family free, he plans to retaliate using nonviolent methods. But his commitment to pacifism slips just a bit with every minute that his family remains in the sights of James Flood’s gun.
The radiation therapist's primary concern is the treatment of patients with malignant dis ease. However, there are definite indications for radiation treatment for benign diseases that do not respond to conventional methods of treatment. It may be the treatment of choice in the unusual instance of a life-threatening benign disease that cannot be surgi cally or medically managed. The present volume by Order and Donaldson represents a major statement on the uti lization of radiation techniques in the management of benign disease. The initial report of the Committee on Radiation Treatment of Benign Disease from the Bureau of Radiological Health recommended that consideration be given to the quality of radiation, the total dose, overall time, underlying organs at risk and shielding factors before the institution of radiation therapy. Infants and children should be treated with ionizing radiation only in very exceptional cases and after careful evaluation of the potential risk compared with the expected benefit. Direct irradiation of the skin areas overlying organs that are particularly prone to late effects such as the thyroid, eye, go nads, bone marrow, and breast should be avoided. Meticulous radiation protection tech niques should be used in all instances and the depth of penetration of the x-ray beam should be chosen in accordance with depth of the pathologic process'.
The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop—from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way "pop stars"? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah!, this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues and jazz to Broadway, country, crooning, and beyond—Let's Do It is essential reading for all music lovers. "An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century."—Neil Tennant (The Pet Shop Boys)
It's been ten years since clean-cut, sexy-as-hell police officer Todd Keenan had a white-hot fling with Erin Brown, the provocative, wild rocker chick next door. Their power exchange in the bedroom got under his skin. But love wasn't in the cards just yet . . . Now, life has thrown the pair back together. But picking up where they left off is tough, in light of a painful event from Erin's past. As Todd struggles to earn her trust, their relationship takes an unexpected and exciting turn when Todd's best friend, Ben, ends up in their bed--and all three are quite satisfied in this relationship without a name. As the passion they share transforms Erin, will it be enough to help her face the evil she thought she had left behind?
From the entry of Shakespeare's birth in the Stratford church register to a Norwegian production of Macbeth in which the hero was represented by a tomato, this enthralling and splendidly illustrated book tells the story of Shakespeare's life, his writings, and his afterlife. Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public. Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.
In a desolate part of Brooklyn, a retired history professor plots mass murder The withered old man speaks into a tape recorder. This is not a confession, he explains, but a presentation. He is Charles Witter Kirwan, a former academic who has lived his whole life in the same house and watched his childhood neighborhood turn from white to black. Now, stricken with terminal cancer, Kirwan has decided to fight back against his neighbors. His may be the ravings of a lunatic racist, but the dynamite in his basement is real. He is going to blow up the apartment building next door—and take some sixty African Americans with it. Private investigator John Milano is on the trail of a stolen painting when he catches wind of Kirwan’s mad plan. He has forty-eight hours to stop the bombing, and to keep those innocents from following this twisted, hateful man into death.
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