An extraordinarily powerful and personal meditation on race, culture, and identity. When Stan Grant was born in Australia in 1963, the national census classed him and his family among the country’s flora and fauna. As Aboriginal Australians, their history and culture had been suppressed for centuries. A legacy of racism stood between him and the opportunities that white Australia - the so-called Lucky County - seemed awash with. But Grant was lucky enough to find an escape route through education. Finding early inspiration in the writing of James Baldwin and fellow indigenous activists at the Australian National University, on completing his studies he went on to become one of the country's leading journalists. As a correspondent for CNN he travelled extensively, covering conflicts in the Middle East, Africa, and Asia. Struck by how common humanity can live on in the face of repression and mass destruction - from North Korea to Pakistan to Baghdad - the lives of individuals he met spoke to him of sacrifice, endurance, and the undying call of family and homeland. And in the stories of other dispossessed peoples, he saw that of his own. In Talking To My Country, Grant draws on his own life and community to respond to the ongoing racism that he sees around him. He writes with passion and striking candour of the sorrow, shame, anger, and hardship of being an indigenous man. Forthright and unblinking, Stan reaches beyond his own heritage to show how the effects of colonialism and racism are everyday realities that still shape our world, and how we should never grow complacent in the fight to overcome them.
From Stan Grant, leading journalist and author of the critically acclaimed bestsellers Talking to My Country and Australia Day, comes an extraordinary and powerful call to action. 'History is not weighted on the scales, it is felt in our bones. It is worn on our skin. It is scarred in memory.' The Queen reigned for seventy years. She came to the throne at the height of Empire and died with the world at a tipping point. What comes next after the death of what Stan Grant calls 'the last white Queen'? From one of our most respected and award-winning journalists, Stan Grant, The Queen is Dead is a searing, viscerally powerful, emotionally unstoppable, pull-no-punches book on the bitter legacy of colonialism for indigenous people. Taking us on a journey through the world's fault lines, from the war in Ukraine, the rise of China, the identity wars, the resurgence of white supremacy, and the demand that Black Lives Matter, The Queen is Dead is a full-throated, impassioned argument on the necessity for an end to monarchy in Australia, the need for a Republic, and what needs to be done - through the Voice to Parliament and beyond - to address and redress the pain and sorrow and humiliations of the past. Momentous and timely, The Queen is Dead carries an urgent, undeniable and righteous demand for justice, for a reckoning, and a just settlement with First Nations people.
As an Aboriginal Australian, Stan Grant has had to contend with his country’s racist legacy all his life. Born into adversity, he found an escape route through education and the writing of James Baldwin, going on to become one of Australia’s leading journalists. As a correspondent for CNN, he travelled the world, covering conflicts everywhere, from Baghdad to North Korea. Struck by how the human spirit can endure in the face of repression, he found the experiences of individuals he met spoke to him of the undying call of family and homeland. In the stories of other dispossessed peoples, he saw that of his own. In Tell it the World, Grant responds to the ongoing racism that he sees around him. He writes with passion and striking candor of the anger, shame, and hardship of being an indigenous man. In frank, mesmerizing prose, Grant argues that the effects of colonialism and oppression are everyday realities that still shape our world.
Why does identity demand a choice between black and white? Tribalism, nationalism and sectarianism are dividing the world into us and them. Are we hard wired for hate? Stan Grant argues that it is time to leave identity behind and to embrace cosmopolitanism. On Identity is a meditation on hope and community. 'Love is always the answer, it is said. Not if you are trying from somewhere in the Aboriginal domain to answer the cruel question, "Are you black or white?" Mapping family ties or finding a sense of self should be about love, but in the end, it is too often about politics. You must read this book if you have wondered why we make the choices we do.' MARCIA LANGTON
A family memoir, charting the political and social changes of Aborigines over the period of 40 years. This is a story, spanning the generations of the 'Wiradjuri people'.
A deeply powerful, poetic and compelling book on the challenges facing our world, from one of Australia's most experienced journalists and international commentators, Stan Grant. History is turning. In only a few short decades, we have come a long way from Francis Fukuyama's declaration of the 'end of history' and the triumph of liberal democracy in 1989. Now, with the inexorable rise of China, the ascendancy of authoritarianism and the retreat of democracy, the world stands at a moment of crisis. This is a time of momentous upheaval and enormous geopolitical shifts, compounded by the global pandemic, economic collapse and growing inequality, Islamist and far right terror, and a resurgent white supremacy. The world is in lockdown and the showdown with China is accelerating - and while the West has been at the forefront of history for 200 years, it must now adapt to a world it no longer dominates. At this moment, we stand on a precipice - what will become of us? Stan Grant is one of our foremost observers and chroniclers of the world in crisis. Weaving his personal experiences of reporting from the front lines of the world's flashpoints, together with his deep understanding of politics, history and philosophy, he explores what is driving the world to crisis and how it might be averted. He fears the worst, but begins to chart the way forward. There is bitterness, anger and history here, but there is also the capacity for negotiation, forgiveness and hope. A powerful and incisive analysis of the state of our world, and our place within it.
Keneally’s caricature of a self-loathing Jimmie Blacksmith is a lost opportunity to explore the complex ways that Aboriginal people . . . were pushing against a white world that would not accept them for who they were; that would not see them as equal; that, in truth, would not see them as human. Acclaimed journalist Stan Grant weaves literary criticism, philosophy and memoir to shed light on The Chant of Jimmie Blacksmith. Drawing parallels with Indigenous writers Tara June Winch and Bruce Pascoe, Grant brilliantly re-examines Keneally’s novel, raising questions about identity, modernity and storytelling. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.
The extraordinary powerful family story that reckons with the legacy of Australia's history from award-winning journalist and author of Talking To My Country
The extraordinary powerful family story that reckons with the legacy of Australia's history from award-winning journalist and author of Talking To My Country
Where do I belong? Who am I? The blood of my fathers links me to a much older place and time. I've walked in the footprints of my ancestors: I've sat by the riverbank at night and imagined them around me. I am all that they have made me. Journalist Stan Grant was born in 1963, a son of the Wiradjuri people. By the early sixties these once proud warriors were scattered onto mission camps and the fringes of rural towns. Growing up a Wiradjuri, a tribe ravaged by alcoholism, poverty, abuse and neglect, the young Stan was more familiar with broken glass and mangy dogs than with dot paintings and corroborees. Yet, while acknowledging the cliched bleakness that was part of his childhood, Grant celebrates the resilience of his family. He champions his sawmiller father - a man whose life is written on his body. A man who lumped logs three times his size at any mill where he could find work and whose missing fingers were a sign of escape not carelessness. He proudly describes his mother - a wiry and tough woman who fell in love with a wild black man, had three children under three years old and who made sure her children's plates were full by keeping hers empty. The Tears of Strangers takes us to a world of dusty roads, run-down sawmill shacks and rats so big they'd scrape the enamel off dinner plates. It is a world revealed as sad, courageous, joyous and humorous. Stan Grant has confronted the ugliness of his childhood, where violence became a habit, and embraced the good, where blood and love are intertwined, to paint a true picture of what it meant to be born into the Wiradjuri people and to grow up caught between two cultures - a boy who would try to scrub his skin white.
In Quarterly Essay 64, Stan Grant takes a deep and passionate look at Indigenous futures, in particular the fraught question of remote communities. In a landmark essay, Stan Grant writes Indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive, but to prosper. Their legacy is the extraordinary flowering of Indigenous success - cultural, sporting, intellectual and social - that we see today. Yet this flourishing coexists with the boys of Don Dale and the many others like them who live in the shadows of the nation. Grant examines how such Australians have been denied the possibilities of life, and argues eloquently that history is not destiny; that culture is not static. In doing so, he makes the case for a more capacious Australian Dream. "The idea that I am Australian hits me with a thud. It is a blinding self-realisation that collides with the comfortable notion of who I am. To be honest, for an Indigenous person, it can feel like a betrayal somehow - at the very least, a capitulation. We are so used to telling ourselves that Australia is a white country: am I now white? The reality is more ambiguous ... To borrow from Franz Kafka, identity is a cage in search of a bird." —Stan Grant, The Australian Dream This issue also contains correspondence discussing Quarterly Essay 63, Enemy Within, from Patrick Lawrence, Nicole Hemmer, Bruce Wolpe, Dennis Altman, David Goodman, Patrick McCaughey, Gary Werskey, and Don Watson.
As uncomfortable as it is, we need to reckon with our history. On January 26, no Australian can really look away. There are the hard questions we ask of ourselves on Australia Day. Since publishing his critically acclaimed, Walkley Award-winning, bestselling memoir Talking to My Country in early 2016, Stan Grant has been crossing the country, talking to huge crowds everywhere about how racism is at the heart of our history and the Australian dream. But Stan knows this is not where the story ends. In this book, Australia Day, his long-awaited follow up to Talking to My Country, Stan talks about reconciliation and the indigenous struggle for belonging and identity in Australia, and about what it means to be Australian. A sad, wise, beautiful, reflective and troubled book, Australia Day asks the questions that have to be asked, that no else seems to be asking. Who are we? What is our country? How do we move forward from here?
Stan Gober is an American icon. Each Sunday afternoon over 2,000 high spirited revelers celebrate life at Stan's Seafood Restaurant on Marco Island, Florida. They include Harley riding neurologists, desperate housewives and the ubiquitous good 'ol boys who populate southwest Florida. Book includes a CD of Stan's favorite songs and jokes.
I am honored and delighted to write the foreword to this very first book about SystemC. It is now an excellent time to summarize what SystemC really is and what it can be used for. The main message in the area of design in the 2001 International Te- nologyRoadmapfor Semiconductors (ITRS) isthat“cost ofdesign is the greatest threat to the continuation ofthe semiconductor roadmap. ” This recent revision of the ITRS describes the major productivity improvements of the last few years as “small block reuse,” “large block reuse ,” and “IC implementation tools. ” In order to continue to reduce design cost, the - quired future solutions will be “intelligent test benches” and “embedded system-level methodology. ” As the new system-level specification and design language, SystemC - rectly contributes to these two solutions. These will have the biggest - pact on future design technology and will reduce system implementation cost. Ittook SystemC less than two years to emerge as the leader among the many new and well-discussed system-level designlanguages. Inmy op- ion, this is due to the fact that SystemC adopted object-oriented syst- level design—the most promising method already applied by the majority of firms during the last couple of years. Even before the introduction of SystemC, many system designers have attempted to develop executable specifications in C++. These executable functional specifications are then refined to the well-known transaction level, to model the communication of system-level processes.
Collects X-Men (1963) #1 & #129, Giant-Size X-Men #1, Uncanny X-Men #171, #200, #213, #267 & #287, New X-Men (2001) #116 And Free Comic Book Day: X-Men 2008. Ever since Charles Xavier opened his school's doors to the mutants of the world, his X-Men have welcomed those from all walks of life into their ranks! See how your favorite mutants joined your favorite mutant team! Witness the initiations of Marvel Girl! Wolverine! Colossus! Nightcrawler! Banshee! Storm! Kitty Pryde! Rogue! Magneto! Gambit! Bishop! And Pixie! Featuring the threats of the Hellfire Club, Fenris, Fitzroy, the N'Garai and the Shadow King!
The man behind Spider-Man, The X-Men, The Incredible Hulk, and a legion of other superheroes tells his own amazing story in a book packed with punch, humor, anecdotes, and a gallery of never-before-seen photographs. Stan Lee is the most legendary name in the history of comicbooks. The leading creative force behind the rise of Marvel Comics, he brought to life some of the world's best-known heroes and most infamous villains. His stories, featuring super- heroes who struggled against personal hang-ups and bad guys who possessed previously unseen psychological complexity, added wit and subtlety to a field previously locked into flat portrayals of good vs. evil. Lee put the human in the super-human. In the process, he created a new mythology for the twentieth century. In this treasure trove of marvelous memories, Stan tells the story of his life with the same inimitable wit, energy, and offbeat spirit that he brought to the world of comicbooks. He moves from his impoverished childhood in Manhattan to his early days writing comicbooks, followed by military training films during World War II, through the rise of the Marvel empire in the 1960s to his recent adventures in Hollywood. The story of a man who earned respect by blazing new creative trails in a storytelling form once dismissed as just for kids, Excelsior! is an inspirational story about following one's vision, no matter the odds. Yet it's also the story of how some of the most exciting and memorable characters in the pop-culture universe came to thrill a generation.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.