Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies--and there were so many--added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her "mixed-blood" brothers and sisters; Gloria, who raised six children (no thanks to all of her "stupid husbands"); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing. From the fabric of these women's lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore. In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community--women who defied expectations and overwhelming odds to make a place in the world for the next generation.
The story of a once vibrant, now vanished off-reservation Ojibwe village—and a vital chapter of the history of the North Shore “We do this because telling where you are from is just as important as your name. It helps tie us together and gives us a strong and solid place to speak from. It is my hope that the stories of Chippewa City will be heard, shared, and remembered, and that the story of Chippewa City and the Grand Marais Chippewa will continue to grow. By being a part of the living narrative, Bimaadizi Aadizookaan, together we can create a new story about what was, what is, and, ultimately, what will be.” —from the Prologue At the turn of the nineteenth century, one mile east of Grand Marais, Minnesota, you would have found Chippewa City, a village that as many as 200 Anishinaabe families called home. Today you will find only Highway 61, private lakeshore property, and the one remaining village building: St. Francis Xavier Church. In Walking the Old Road, Staci Lola Drouillard guides readers through the story of that lost community, reclaiming for history the Ojibwe voices that have for so long, and so unceremoniously, been silenced. Blending memoir, oral history, and narrative, Walking the Old Road reaches back to a time when Chippewa City, then called Nishkwakwansing (at the edge of the forest), was home to generations of Ojibwe ancestors. Drouillard, whose own family once lived in Chippewa City, draws on memories, family history, historical analysis, and testimony passed from one generation to the next to conduct us through the ages of early European contact, government land allotment, family relocation, and assimilation. Documenting a story too often told by non-Natives, whether historians or travelers, archaeologists or settlers, Walking the Old Road gives an authentic voice to the Native American history of the North Shore. This history, infused with a powerful sense of place, connects the Ojibwe of today with the traditions of their ancestors and their descendants, recreating the narrative of Chippewa City as it was—and is and forever will be—lived.
Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies—and there were so many—added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her “mixed-blood” brothers and sisters; Gloria, who raised six children (no thanks to all of her “stupid husbands”); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing. From the fabric of these women’s lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore. In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community—women who defied expectations and overwhelming odds to make a place in the world for the next generation.
The story of a once vibrant, now vanished off-reservation Ojibwe village—and a vital chapter of the history of the North Shore “We do this because telling where you are from is just as important as your name. It helps tie us together and gives us a strong and solid place to speak from. It is my hope that the stories of Chippewa City will be heard, shared, and remembered, and that the story of Chippewa City and the Grand Marais Chippewa will continue to grow. By being a part of the living narrative, Bimaadizi Aadizookaan, together we can create a new story about what was, what is, and, ultimately, what will be.” —from the Prologue At the turn of the nineteenth century, one mile east of Grand Marais, Minnesota, you would have found Chippewa City, a village that as many as 200 Anishinaabe families called home. Today you will find only Highway 61, private lakeshore property, and the one remaining village building: St. Francis Xavier Church. In Walking the Old Road, Staci Lola Drouillard guides readers through the story of that lost community, reclaiming for history the Ojibwe voices that have for so long, and so unceremoniously, been silenced. Blending memoir, oral history, and narrative, Walking the Old Road reaches back to a time when Chippewa City, then called Nishkwakwansing (at the edge of the forest), was home to generations of Ojibwe ancestors. Drouillard, whose own family once lived in Chippewa City, draws on memories, family history, historical analysis, and testimony passed from one generation to the next to conduct us through the ages of early European contact, government land allotment, family relocation, and assimilation. Documenting a story too often told by non-Natives, whether historians or travelers, archaeologists or settlers, Walking the Old Road gives an authentic voice to the Native American history of the North Shore. This history, infused with a powerful sense of place, connects the Ojibwe of today with the traditions of their ancestors and their descendants, recreating the narrative of Chippewa City as it was—and is and forever will be—lived.
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