Women's participation, both formal and informal, in the creation of what we now call Spanish America is reflected in its literary legacy. Stacey Schlau examines what women from a wide spectrum of classes and races have to say about the societies in which they lived and their place in them. Schlau has written the first book to study a historical selection of Spanish American women's writings with an emphasis on social and political themes. Through their words, she offers an alternative vision of the development of narrative genresÑcritical, fictional, and testimonialÑfrom colonial times to the present. The authors considered here represent the chronological yet nonlinear development of women's narrative. They include Teresa Romero Zapata, accused before the Inquisition of being a false visionary; InŽs Su‡rez, nun and writer of spiritual autobiography; Gertrudis G—mez de Avellaneda, author of an indigenist historical romance; Magda Portal, whose biography of Flora Trist‡n furthered her own political agenda; Dora Alonso, who wrote revolutionary children's books; Domitila Barrios de Chungara, political leader and organizer; Elvira OrphŽe, whose novel unpacks the psychology of the torturer; and several others who address social and political struggles that continue to the present day. Although the writers treated here may seem to have little in common, all sought to maneuver through institutions and systems and insert themselves into public life by using the written word, often through the appropriation and modification of mainstream genres. In examining how these authors stretched the boundaries of genre to create a multiplicity of hybrid forms, Schlau reveals points of convergence in the narrative tradition of challenging established political and social structures. Outlining the shape of this literary tradition, she introduces us to a host of neglected voices, as well as examining better-known ones, who demonstrate that for women, simply writing can be a political act.
On the eve of the San Francisco Earthquake of 1906, Mercy Wong--daughter of Chinese immigrants--is struggling to hold her own among the spoiled heiresses at prestigious St. Clare's School. When tragedy strikes, everyone must band together to survive"--
How have long-standing and unconscious secular assumptions about religion shaped the post-9/11 climate and its wars? Stacey Gutkowski explores this little-examined, yet crucial, element of British perceptions of and policy towards Jihadism over the last decade, to draw critical conclusions about the relationship between war and the secular. She points to a surprisingly coherent body of secular beliefs that have fuelled policies in Iraq, Afghanistan and counter-terrorism, and that have had mixed results - responsible for both positive strategies and tragic errors. The theory Gutkowski develops on the impact of this secular approach to warfare holds a broader global significance, and cannot be viewed as just a British phenomenon. This book addresses ongoing and critical debates, such as the 'overreach' of Western liberal interventionism in the Middle East, and speaks to policy-makers, security analysts and students of IR, Foreign Policy and Security Studies.
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
Not just a method of crime control or individual punishment in Britain's African territories, the death penalty was an integral aspect of colonial networks of power and violence. Imperial Gallows analyses capital trials from Kenya, Nyasaland and the Gold Coast to explore the social tensions that fueled murder among colonised populations, and how colonial legal cultures and landscapes of political authority shaped sentencing and mercy. It demonstrates how ideas of race, ethnicity, gender and 'civilization' could both spare and condemn Africans convicted of murder in colonial courts, and also how Africans could either appropriate or resist such colonial legal discourses in their trials and petitions. In this book, Stacey Hynd follows the whole process of capital punishment from the identification of a murder victim to trial and conviction, through the process of mercy and sentencing onto death row and execution. The scandals that erupted over the death penalty, from botched executions and moral panics over ritual murder, to the hanging of anti-colonial rebels for 'terrorist' and emergency offences, provide significant insights into the shifting moral and political economies of colonial violence. This monograph contextualises the death penalty within the wider penal systems and coercive networks of British colonial Africa to highlight the shifting targets of the imperial gallows against rebels, robbers or domestic murderers. Imperial Gallows demonstrates that while hangings were key elements of colonial iconography in British Africa, symbolically loaded events that demonstrated imperial power and authority, they also reveal the limits of that power.
Stacey Shubitz and Lynne Dorfman welcome you to experience the writing workshop for the first time or in a new light with Welcome to Writing Workshop: Engaging Today's Students with a Model That Works . Through strategic routines, tips, resources, and short focused video clips, teachers can create the sights and sounds of a thriving writing workshop where:• Both students and teachers are working authors• Students spend most of their time writing—not just learning about it• Student choice is encouraged to help create engaged writers, not compliant ones• Students are part of the formative assessment process• Students will look forward to writing time—not dread it.From explanations of writing process and writing traits to small-group strategy lessons and mini-lessons, this book will provide the know-how to feel confident and comfortable in the teaching of writers.
The definitive source for choosing the optimal herbal therapy- thoroughly revised and updated. Millions of Americans are turning to herbal therapies to heal what ails them-either as an alternative or as a supplement to traditional medicine. From the most trusted name in natural healing, Phyllis A. Balch's new edition of Prescription for Herbal Healing provides the most current research and comprehensive facts in an easy-to-read A- to-Z format, including: Information on more than 200 herbs and herbal combination formulas, ranging from well-known herbs, such as ginseng and St. John's Wort, to less familiar remedies, such as khella and prickly ash Chinese and ayurvedic herbal combinations Discussion of more than 150 common disorders from acne to yeast infection, and suggested herbal treatment therapies
What might the cinema tell us about how and why the prospect of cloning disturbs our most profound ideas about gender, sexuality, difference, and the body? In The Cinematic Life of the Gene, the pioneering feminist film theorist Jackie Stacey argues that as a cultural technology of imitation, cinema is uniquely situated to help us theorize “the genetic imaginary,” the constellation of fantasies that genetic engineering provokes. Since the mid-1990s there has been remarkable innovation in genetic engineering and a proliferation of films structured by anxieties about the changing meanings of biological and cultural reproduction. Bringing analyses of several of these films into dialogue with contemporary cultural theory, Stacey demonstrates how the cinema animates the tropes and enacts the fears at the heart of our genetic imaginary. She engages with film theory; queer theories of desire, embodiment, and kinship; psychoanalytic theories of subject formation; and debates about the reproducibility of the image and the shift from analog to digital technologies. Stacey examines the body-horror movies Alien: Resurrection and Species in light of Jean Baudrillard’s apocalyptic proclamations about cloning and “the hell of the same,” and she considers the art-house thrillers Gattaca and Code 46 in relation to ideas about imitation, including feminist theories of masquerade, postcolonial conceptualizations of mimicry, and queer notions of impersonation. Turning to Teknolust and Genetic Admiration, independent films by feminist directors, she extends Walter Benjamin’s theory of aura to draw an analogy between the replication of biological information and the reproducibility of the art object. Stacey suggests new ways to think about those who are not what they appear to be, the problem of determining identity in a world of artificiality, and the loss of singularity amid unchecked replication.
The Guffin; Mobile Phone Show; What Are They Like?; We Lost Elijah; I'm Spilling My Heart Out Here; Tomorrow I'll Be Happy; Soundclash; Don't Feed the Animals; Ailie and the Alien; Forty-Five Minutes
The Guffin; Mobile Phone Show; What Are They Like?; We Lost Elijah; I'm Spilling My Heart Out Here; Tomorrow I'll Be Happy; Soundclash; Don't Feed the Animals; Ailie and the Alien; Forty-Five Minutes
Drawing together the work of ten leading playwrights – a mixture of established and current writers – National Theatre Connections 2013 offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year's collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.
This is the only book that MCEM candidates will need to pass the MCEM Part B exam. This revision guide is framed around the most recent CEM syllabus, focusing on all the components of the exam. Each section of the book is tailored to match different elements of the syllabus, allowing candidates to revise efficiently and comprehensively. This concise revision tool is completely up-to-date, reflecting the latest developments in the examination. High quality artwork and a bullet-point style help candidates to absorb information quickly. It also includes over 35 short answer questions enabling candidates to gain invaluable exam practice. Exam tips are included throughout the book to help candidates improve their exam technique.
The personalized and empowering experience of a home birth can also occur in a hospital setting. This book presents fifteen powerful testimonies about this kind of emotionally satisfying birth. The stories show that expectant mothers can minimize fear and put technology where it belongs.Dr. Kerr focuses on the Five C's: Choice, Communication, Continuity, Confidence, and Control of protocols. Prospective parents will learn what questions to ask when searching for a provider and how to make their hospital birth the fulfilling experience they desire.
This new book is based upon clinical practice, teaching research and scholarly work undertaken over a period of 10 years. The leading author wrote a doctoral dissertation on much of the material described in this book, but until now it has only been published in scholarly articles within refereed journals. Gerald Monk and John Winslade have jointly published three textbooks, including Narrative therapy in practice: The archaeology of hope (Jossey-Bass), Narrative counseling in the schools (Corwin Press), and Narrative mediation (Jossey-Bass) and numerous other publications. Gerald Monk and Stacey Sinclair have jointly published two book chapters and three articles in widely disseminated referred journals.
Sternberg's Diagnostic Surgical Pathology is a flagship book in pathology. This classic 2-volume reference presents advanced diagnostic techniques and the latest information on all currently known diseases. The book emphasizes the practical differential diagnosis of the surgical specimen while keeping to a minimum discussion of the natural history of the disease, treatment and autopsy findings. Contributors are asked to provide their expert advice on the diagnostic evaluation of every type of specimen from every anatomic site. This approach distinguishes it and provides a style of a personal consultation.
The Cambridge Introduction to Contemporary American Fiction explores fiction written over the last thirty years in the context of the profound political, historical, and cultural changes that have distinguished the contemporary period. Focusing on both established and emerging writers - and with chapters devoted to the American historical novel, regional realism, the American political novel, the end of the Cold War and globalization, 9/11, borderlands and border identities, race, and the legacy of postmodern aesthetics - this Introduction locates contemporary American fiction at the intersection of a specific time and long-standing traditions. In the process, it investigates the entire concept of what constitutes an “American” author while exploring the vexed, yet resilient, nature of what the concept of home has come to signify in so much writing today. This wide-ranging study will be invaluable to students, instructors, and general readers alike.
How did diverse women in America understand, explain, and act upon their varied constraints, positions, responsibilities, and worldviews in changing American society between the end of the Revolution and the beginning of the Civil War? Antebellum Women: Private, Public, Partisan answers the question by going beyond previous works in the field. The authors identify three phases in the changing relationship of women to civic and political activities. They first situate women as "deferential domestics" in a world of conservative gender expectations; then map out the development of an ideology that allowed women to leverage their familial responsibilities into participation as "companionate co-workers" in movements of religion, reform, and social welfare; and finally trace the path of those who followed their causes into the world of politics as "passionate partisans." The book includes a selection of primary documents that encompasses both well-known works and previously unpublished texts from a variety of genre
In Law and the Imagination in Medieval Wales, Robin Chapman Stacey explores the idea of law as a form of political fiction: a body of literature that blurs the lines generally drawn between the legal and literary genres. She argues that for jurists of thirteenth-century Wales, legal writing was an intensely imaginative genre, one acutely responsive to nationalist concerns and capable of reproducing them in sophisticated symbolic form. She identifies narrative devices and tropes running throughout successive revisions of legal texts that frame the body as an analogy for unity and for the court, that equate maleness with authority and just rule and femaleness with its opposite, and that employ descriptions of internal and external landscapes as metaphors for safety and peril, respectively. Historians disagree about the context in which the lawbooks of medieval Wales should be read and interpreted. Some accept the claim that they originated in a council called by the tenth-century king Hywel Dda, while others see them less as a repository of ancient custom than as the Welsh response to the general resurgence in law taking place in western Europe. Stacey builds on the latter approach to argue that whatever their origins, the lawbooks functioned in the thirteenth century as a critical venue for political commentary and debate on a wide range of subjects, including the threat posed to native independence and identity by the encroaching English; concerns about violence and disunity among the native Welsh; abusive behavior on the part of native officials; unwelcome changes in native practice concerning marriage, divorce, and inheritance; and fears about the increasing political and economic role of women.
The Trash Phenomenon looks at how writers of the late twentieth century not only have integrated the events, artifacts, and theories of popular culture into their works but also have used those works as windows into popular culture's role in the process of nation building. Taking her cue from Donald Barthelme's 1967 portrayal of popular culture as "trash" and Don DeLillo's 1997 description of it as a subversive "people's history," Stacey Olster explores how literature recycles American popular culture so as to change the nationalistic imperative behind its inception. The Trash Phenomenon begins with a look at the mass media's role in the United States' emergence as the twentieth century's dominant power. Olster discusses the works of three authors who collectively span the century bounded by the Spanish-American War (1898) and the Persian Gulf War (1991): Gore Vidal's American Chronicle series, John Updike's Rabbit tetralogy, and Larry Beinhart's American Hero. Olster then turns her attention to three non-American writers whose works explore the imperial sway of American popular culture on their nation's value systems: hierarchical class structure in Dennis Potter's England, Peronism in Manuel Puig's Argentina, and Nihonjinron consensus in Haruki Murakami's Japan. Finally, Olster returns to American literature to look at the contemporary media spectacle and the representative figure as potential sources of national consolidation after November 1963. Olster first focuses on autobiographical, historical, and fictional accounts of three spectacles in which the formulae of popular culture are shown to bypass differences of class, gender, and race: the John F. Kennedy assassination, the Scarsdale Diet Doctor murder, and the O. J. Simpson trial. She concludes with some thoughts about the nature of American consolidation after 9/11.
This book presents the first comprehensive study of the collecting, consumption and display of Chinese porcelain in Britain from the 16th to the 20th century, as well as the impact of this activity on British culture. Beginning with the early porcelains acquired as objects of exotica and vessels for the consumption of tea and coffee, followed by porcelains for display in the country house interior, the first part of this book reveals the role of porcelain in Britain's developing economic relations with China and the impact of this material on both daily life and interior design. The subsequent diplomatic and political conflicts of the 18th and 19th centuries provide a framework for an examination of British consumption of Chinese porcelain as both spoils of war and iconic representations of China, material which helped to shape and influence British perceptions of China. The final section demonstrates how these perceptions of China and its porcelain began to change significantly in the 20th century with porcelains acquired as works of art and displayed publicly in museums. Collectors in Britain began to specialise in this area and actively invented a 'field' of Chinese ceramics that was promulgated by learned societies and culminated in the founding of a museum of Chinese ceramics in London by one of the foremost British collectors, Sir Percival David, who donated his world class collection to the University of London in 1950.
Are women naturally better caregivers than men? Can paid care in an institutuion be good care? Can voluntary community care replace government welfare? Is the caring family disappearing? What role should government play in supporting or regulating families? Is day care for children as good as home care? Using engaging case studies and research findings, this lively new book from the Gender Lens Series explores these and other questions and controversies, challenging the notion that caregiving is a "natural" pattern and demonstrating how it is thoroughly social. Written in an inviting and readable style, the authors address complex issues about caring, making them accessible to undergraduate students and lay people. The book shows those who will enter diverse caregiving professions how to see their particular occupation as influenced by the larger society and broader social relations of caring. It also shows how beliefs about gender and family shape caregiving, and how caregiving affects gender inequality.
The fourth edition continues to provide psychologists with a fresh and engaging approach to the field of psychology of adult development and aging. It focuses on three themes: a multidisciplinary approach, positive images of aging, and the newest and most relevant research. Recent articles and updates to the information on demography, economics, and public policy are presented. The Aging in the News feature includes a story of a remarkable achievement by a middle-aged or older adult. The Assess Yourself boxes are also updated with new questions. Psychologists appreciate this mix of examples and discussions that make the material come to life.
Creating Texts emphasises a practical approach to composition and enables students to understand what is involved in the creation of a text and to learn from the practice of other writers. Extensively rewritten and updated from Walter Nash's earlier volume, Designs in Prose, attention is paid to the general theory of composition, in both traditional and original terms, so that students are made familiar with the basic resources of composition, in grammar and in the lexicon. The essence of every chapter is the discussion of examples of text, sometimes devised by the authors, but more often drawn from the work of authors writing in diverse styles of English. This practical approach is most evident in the final section of the book where detailed suggestions for projects and exercises reinforce the connection between theory and practice, and encourage students to develop their creative sense and to adapt their style of writing to fit the particular audience and context. In addition, this section is cross-referenced to the main text to allow students to consult easily the relevant chapter.
You're Invited to Savor Some Grace Today What do you do when everyone expects you to be amazing...and you've got nothing left to give? It's an issue all busy women share—that pressure to always be a go-getter when sometimes all you want to do is get going (and stay gone for a long time). Join author and speaker Stacey Thacker as she walks you through God's mercies and shows you how to... identify what's dragging you down so you can find the specific encouragement you need increase your trust in Jesus by learning practical ways to rest when you're depleted accept the invitation to see God big when you're fresh out of amazing Whether you're short on time, energy, motivation, hope, or all of the above, only one thing can bring your weary spirit back to life: Jesus.
Stacey Dash didn't have the ideal American childhood. Growing up in the South Bronx, her friends were the hustlers, hookers, and gang members who struggled in the face of futility, who sold drugs instead of living on food stamps, who settled matters with fists, knives, and guns because it seemed their only option, who stood tall against broken dreams. Dash's rough upbringing shaped the rest of her life—her relationships, her politics, even her faith. She has seen how conservative and liberal policies play out in the real world, and her experiences have made her the proud conservative she is today. That's why Stacey Dash, a Fox News contributor and Hollywood actress best known for starring in the 1995 classic Clueless, is now telling her story. Amidst all the heated racial rhetoric and the divisive language that flows from T.V., the Internet, self-appointed black spokespeople, and even President Obama, Dash feels compelled to speak out and say something true about race, politics, and America.
Third in the exciting new mystery series featuring ex-police dog handler Daniel Whelan Daniel’s ex-colleague, police officer Joey Matsuki, has asked for his help. Joey is concerned for the safety of his fiancée, Tami, who has reported sightings of a sinister, hoodie-clad figure lurking in the area. Joey fears the involvement of a notorious local criminal recently released from prison. But with nothing concrete to go on and police resources scarce, he’s asked Daniel to keep an eye on Tami on his behalf. Working undercover as Tami’s temporary horsebox driver, Daniel soon begins to believe there may be more to the situation than meets the eye. As he questions Tami’s friends and neighbours, it becomes clear that something is not quite right. There are things people aren’t telling him; small but significant incidents that can’t be explained. Events take a tragic turn when there is a fatal hit-and-run incident. But was it really an accident – and could Tami herself have been the intended target?
A woman struggles to escape her past in a thriller boasting a “fabulous setting, gripping suspense and a masterful hero” (Milly Johnson). Madeleine Frost is finally free. After enduring her boyfriend’s increasingly controlling and bullying behavior, she has finally had enough. For her safety—and that of her young daughter—she is leaving. But where to? With little choice, Maddie ends up at her estranged father’s hotel, where she meets the rough-edged Christopher “Bandit” Lawless—an ex-marine and gamekeeper of the grounds—who hides his own painful past behind a hard exterior. After discovering the diary of a previous landowner, Maddie and Bandit find themselves immersed in the history of the old house, uncovering its secrets, scandals, and tragedies—and the truth about each other. But when Madeleine’s ex shows up, determined to reclaim what he believes is his, Maddie and Bandit will have to stand together and fight for the love they have only just found . . .
I know that living with a chronic illness in this inaccessible world is tough. Trust me, I know. But you deserve to find peace and contentment just as much as anybody else. So welcome to your one-stop guide on how to make the most of life alongside your condition, in a way that truly works for you'. Chronic illness affects everybody differently, but we all share the goal of living meaningfully and making the most of what we have. This book exists to help you take accessible steps towards that goal and build a life that truly feels like yours. Instead of focusing on the medical side of long-term conditions, this book dives into the important parts of everyday living that often go unspoken about - from practical advice on friendships, dating and independent living, to more reflective guidance on rediscovering your identity and learning to self-advocate. Between these pages, you'll find bespoke information and resources curated through 10+ years of lived experience, alongside words of wisdom from diverse contributors and subject experts. This book also contains journal prompts, resource lists, and (perhaps most importantly) words of comfort and validation that people with life-altering conditions simply do not hear enough.
The true story behind this fitness phenomenon and its long, controversy-plagued road to popular success. While millions today find the Pilates system helps to strengthen the core, improve posture, and recover from or prevent injuries and pain, Pilates has been clouded in controversy since the beginning. Its origin story is one of greed, ego, celebrities, and lies, with heated legal controversy that threatened the industry. In The Pilates Effect, Stacey Redfield and Sarah Holmes reveal the hidden history of Pilates. From humble beginnings, Joseph Pilates founded the groundbreaking regimen in New York City and worked closely with his partner Clara to rehabilitate and renew dancers who had been injured or were aging. Although Joseph’s core strengthening regimen was touted as “fifty years ahead of [its] time,” finance and health issues plagued Joe and Clara’s business. A small and devoted group of followers, including Carola Trier, would fight to spread the practice that they felt gave them a second chance at life and rehabilitated their bodies and souls. A fascinating and inspiring story of fitness in America, The Pilates Effect showcases the people and events that formed an iconic industry, and reveal how it offers positive change for everyday people regardless of gender, ethnicity, or background.
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