This is the first translation of this work into English since 1776, and the only English version that is complete and unadulterated. Sophie von LaRoche is credited with being the first German female novelist and author of the first German "woman's novel." The History of Lady Sophia Sternheim is the first German Bildungsroman with a female protaganist, the first full-fledged German epistolary novel, and the first German sentimental novel. Its autobiographical aspects, incorporating thinly disguised vignettes of Wieland, Goethe, and other great figures of the day, give the work an unmistakably true-to-life flavor and immediacy.
This book analyses and describes Speech and Thought Presentation (S&TP) in French from a broad theoretical perspective, building bridges between linguistic, stylistic and narratological frameworks that have until now been developed separately. It combines the French théorie de l'énonciation and different Anglo-Saxon approaches of reported discourse into a harmonious whole, in order to create a new and exciting paradigm for our conception of S&TP strategies. Basing its findings on actual corpora and going beyond the canonical categories of reported discourse, it shows that the study of S&TP strategies is essential to our understanding of phenomena as diverse as the evolution and categorization of literary genres, the production and staging of 'orality' in literature, the various conceptualizations of the notion of 'Truth' in fiction and non-fiction, the expression of points of view in narrative, the structuring of rhetorical strategies and the construction of the 'Self' versus the representation of the 'Other' in discourse.
This is the first translation of this work into English since 1776, and the only English version that is complete and unadulterated. Sophie von LaRoche is credited with being the first German female novelist and author of the first German "woman's novel." The History of Lady Sophia Sternheim is the first German Bildungsroman with a female protaganist, the first full-fledged German epistolary novel, and the first German sentimental novel. Its autobiographical aspects, incorporating thinly disguised vignettes of Wieland, Goethe, and other great figures of the day, give the work an unmistakably true-to-life flavor and immediacy.
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