This textbook familiarises students with the theory and practice of small business management and challenges assumptions that may be held about the way small business management can or should adopt the management practices of larger firms. For students interested in establishing and managing their own small firm, this book helps them to focus their thinking on the realities of life as a small business owner-manager – both its challenges and its rewards. For postgraduate students that are keen to ‘make a difference’, this text enables them to understand how they might consult to small firms and assist owner-managers to establish and grow their ventures. In addition to students, this book is also useful to small business owner-managers as a general guide on how they might better manage their operations. Managers in large corporations and financial institutions who deal with small businesses as clients or suppliers, and professionals such as accountants, lawyers and consultants who provide advice and other services to small businesses will also find the book of interest.
The enduring cultural legacy of Shakespeare’s Juliet Capulet — a history "as vital and provocative as the character herself" (Literary Review). Romeo and Juliet may be the greatest love story ever told, but who is Juliet? Demure ingénue? Or dangerous Mediterranean madwoman? From tearstained copies of the First Folio to Civil War-era fanfiction, Shakespeare’s star-crossed heroine has long captured our collective imagination. Juliet is her story, traced across continents through four centuries of history, theatre, and film. As Oxford Shakespeare scholar Sophie Duncan reveals, Juliet’s legacy stretches beyond her literary lifespan into a cultural afterlife ranging from enslaved African girls in the British Caribbean to the real-life Juliets of sectarian violence in Bosnia and Belfast. She argues that our dangerous obsession with the beautiful dead teenager and Juliet’s meteoric rise as a defiant sexual icon have come to define the Western ideal of romance. Wry and inventive, Juliet is a tribute to fiction’s most famous teenage girl who died young, but who lives forever.
There's a new witch in town! Life in Brooklyn takes a strange turn when Effie discovers MAGIC runs in the family. A middle-grade graphic novel adventure filled with magical hjinks for fans of Phoebe and Her Unicorn and Making Friends. Could there really be witches in Brooklyn?! Effie's aunts are weird. Like, really WEIRD. Really, really, really WEIRD! The secretly-magic kind of weird and that makes Effie wonder . . . does this mean she can do magic, too? Life in Brooklyn takes a strange twist for Effie as she learns more about her family and herself. With new friends who will do whatever they can to be there for her, a cursed pop-star, and her magically-inclined aunts--Effie's life is about to get interesting.
The Routledge History of Medieval Magic brings together the work of scholars from across Europe and North America to provide extensive insights into recent developments in the study of medieval magic between c.1100 and c.1500. This book covers a wide range of topics, including the magical texts which circulated in medieval Europe, the attitudes of intellectuals and churchmen to magic, the ways in which magic intersected with other aspects of medieval culture, and the early witch trials of the fifteenth century. In doing so, it offers the reader a detailed look at the impact that magic had within medieval society, such as its relationship to gender roles, natural philosophy, and courtly culture. This is furthered by the book’s interdisciplinary approach, containing chapters dedicated to archaeology, literature, music, and visual culture, as well as texts and manuscripts. The Routledge History of Medieval Magic also outlines how research on this subject could develop in the future, highlighting under-explored subjects, unpublished sources, and new approaches to the topic. It is the ideal book for both established scholars and students of medieval magic.
During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine's in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, works, and how they combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.
A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politics The American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics. Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice. Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.
In this sly and dazzling contemporary fantasy, the most notorious nine-tailed fox in Korea pairs up with a trickster god–turned–detective to track down a wrathful demon . . . before it can destroy the mortal world. “Enchanting fantasy . . . With an intoxicating mix of action, mystery, and deliciously angsty romance, this reads like the most bingeable K-drama.”—Publishers Weekly (starred review) Kim Hani has retired from a life of devouring souls. She is, simply put, too full. Once known as the infamous Scarlet Fox, she now spends her days working in a coffee shop and annoying a particularly irritating, if unfairly handsome, trickster god as often as she can. That god is Seokga the Fallen. Exiled from the heavenly kingdom of Okhwang, he now begrudgingly resides in the mortal realm, working toward his redemption and suffering through his interactions with the particularly infuriating, if sneakily charming, gumiho barista at his favorite café. But when a powerful demon escapes from the underworld and threatens to end all of humanity, Okhwang’s emperor offers Seokga an enticing bargain: Kill this rogue creature, as well as the legendary and elusive Scarlet Fox, and he will be reinstated as a god. Hani, however, has no intention of being caught. Seokga might be a trickster god, but she has a trick of her own that he’ll never see coming: teaming up. As Seokga’s assistant, Hani will undermine and sabotage his investigation right under his overly pointy nose. Sure, she’ll help him kill the demon, but she certainly won’t allow him to uncover her secret identity while they’re at it. As the bickering partners track their case down a path of mayhem and violence, the god and the gumiho find themselves inescapably drawn to each other. But will the unlikely couple stand together to prevent the apocalypse, or will they let their secrets tear them—and the world—apart?
The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Sara Shepherd. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. The result of these wide-ranging approaches to the subject of music and literature is a new network of methodologies for the continuing investigation of the culture and society of nineteenth-century music as reflected in that period's literary output.
Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality. Volpp examines a series of objects—a robe, a box and a shell, a telescope, a plate-glass mirror, and a painting—drawn from the canonical works frequently mined for information about late imperial material culture, including the novels The Plum in the Golden Vase and The Story of the Stone as well as the short fiction of Feng Menglong, Ling Mengchu, and Li Yu. She argues that although fictional objects invite readers to think of them as illustrative, in fact, inconsistent and discontinuous representation disconnects the literary object from potential historical analogues. The historical resonances of literary objects illuminate the rhetorical strategies of individual works of fiction and, more broadly, conceptions of fictionality in the Ming and Qing. Rather than offering a transparent lens on the past, fictional objects train the reader to be aware of the fallibility of perception. A deeply insightful analysis of late Ming and Qing texts and reading practices, The Substance of Fiction has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.
The Ulster Unionist Party: Country Before Party? uses unprecedented access to the party that dominated Northern Ireland politics for decades to assess the reasons for its decline and to analyse whether it can recover. Having helped produce the Belfast/Good Friday Agreement, the Ulster Unionist Party (UUP) struggled to deliver the deal amid unease over aspects of what its leadership negotiated. Paramilitary prisoner releases, policing changes, and power-sharing with the republican 'enemy' were all controversial. As the UUP leader won a Nobel Peace Prize, his party began to lost elections. For the UUP leadership, acceptance of change was the right thing to do for Northern Ireland - a case of putting country before party. The decades since the peace agreement have seen the UUP eclipsed by the rival Democratic Unionist Party (DUP) even though most of what the UUP agreed in 1998 has remained in place. This book examines the travails of the UUP in recent times. It draws upon the first-ever survey of UUP members and a wide range of interviews, including with the five most recent leaders of the party, to analyse the reasons for its reverses and the capacity to revive. The volume assesses why the UUP's (still sizeable) membership remains loyal and discusses what the UUP and unionism means to those members, in terms of loyalty, policy, national and religious identity, views of other parties and what a shared future in Northern Ireland will constitute. Amid Brexit and talk of a border poll, crises of devolved government, rows with republicans and intra-unionist tensions, how secure and confident does the UUP membership feel about Northern Ireland's future? Written by the same expert team that produced an award-winning book on the DUP, this book is indispensable to understanding parties and political change in divided societies.
The Mechanisation of Natural Philosophy is devoted to various aspects of the transformation of natural philosophy during the 16th and 17th centuries that is usually described as mechanical philosophy . Drawing the border between the old Aristotelianism and the « new » mechanical philosophy faces historians with a delicate task, if not an impossible mission. There were many natural philosophers who actually crossed the border between the two worlds, and, inside each of these worlds, there was a vast spectrum of doctrines, arguments and intellectual practices. The expression mechanical philosophy is burdened with ambiguities. It may refer to at least three different enterprises: a description of nature in mathematical terms; the comparison of natural phenomena to existing or imaginary machines; the use in natural philosophy of mechanical analogies, i.e. analogies conceived in terms of matter and motion alone.However mechanical philosophy is defined, its ambition was greater than its real successes. There were few mathematisations of phenomena. The machines of mechanical philosophers were not only imaginary, but had little to do with the machines of mecanicians. In most of the natural sciences, analogies in terms of matter and motion alone failed to provide satisfactory accounts of phenomena.By the same authors: Mechanics and Natural Philosophy before the Scientific Revolution (Boston Studies in the Philosophy of Science 254).
Today much preaching and teaching throws people back upon themselves to earn their relationship with God and to try to achieve by their own efforts the kind of person that they ought to be. In The Claim of Humanity in Christ, Alexandra Radcliff counters the Torrances' critics to show the significance of their controversial understanding of salvation for the interface between systematic and pastoral theology. Radcliff then constructively extends the implications of the Torrances' work to a liberating doctrine of sanctification. The Christian life is conceived as the free and joyful gift of sharing by the Spirit in the Son's intimate communion with the Father whereby we are turned out of ourselves to reflect the reality of who we are in Christ.
***THE TOP TEN AUSTRALIAN BESTSELLER*** 'The perfect novel to curl up with on a cosy night in' Hello 'The story of these resilient women is tender and intimate . . . As heartwarming, fulfilling and Australian as a lamb roast and full-bodied shiraz' Australian Women's Weekly LONGLISTED FOR THE INDIE BOOK AWARD FOR DEBUT FICTION 2018 SHORTLISTED FOR THE AUSTRALIAN BOOK INDUSTRY AWARDS 2018: General Fiction Book of the Year and LONGLISTED FOR THE AUSTRALIAN BOOK INDUSTRY AWARDS 2018: Matt Richell Award for New Writer of the Year Books bring them together - but friendship will transform all of their lives. An epic saga of five very different women who come together in the Northern Territory of the 1970s. In 1978 the Northern Territory has begun to self-govern. Cyclone Tracy is a recent memory and telephones not yet a fixture on the cattle stations dominating the rugged outback. Life is hard and people are isolated. But they find ways to connect. Sybil, the matriarch of Fairvale Station, run by her husband, Joe, misses her eldest son, Lachlan. It is up to their second son, Ben, to take his brother's place, while Kate, Sybil's English daughter-in-law, is thousands of miles away from home and finding it difficult to adjust to life at Fairvale. Rita, Sybil's oldest friend, is now living in Alice Springs and working for the Royal Flying Doctor Service. Sallyanne, mother of three, dreams of a life far removed from the dusty town of Katherine where she lives with her difficult husband. And Della, who left Texas for Australia looking for adventure and work on the land, needs some purpose in her life. Sybil comes up with a way to give them all companionship: they all love to read, and she starts a book club. If you loved The Guernsey Literary and Potato Peel Society, The Little Coffee Shop of Kabul and The Little Paris Bookshop, you will devour this story of five different women united by one need: to overcome the vast distances of Australia's Top End with friendship, tears, laughter, books and love. 'An absolute gem of a novel, with the most evocative sense of place . . . A definite treat for any book club' BETTER READING 'This close-knit Australian saga has rightly earned comparisons to THE THORN BIRDS' iBOOKS EDITOR 'A delightful novel... Sophie Green's beautiful mingling of the book club members' lives down through the years is a testament to her clever storytelling... She provides vivid descriptions of both the triumphs and hardships of life in the outback so readers can empathise with all the joys and heartaches experienced by each one' STARTS AT SIXTY **Includes bonus extract from Sophie's heartwarming new novel Thursdays at Orange Blossom House**
Vernon Lee was the pen name of Violet Paget – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was an active correspondent who included many well-known figures among her circle. This scholarly edition of her letters makes a selection from more than 30 archives worldwide.
Strategically located at the western edge of the Atlantic World, the French post of Natchitoches thrived during the eighteenth century as a trade hub between the well-supplied settlers and the isolated Spaniards and Indians of Texas. Its critical economic and diplomatic role made it the most important community on the Louisiana-Texas frontier during the colonial era. Despite the community’s critical role under French and then Spanish rule, Colonial Natchitoches is the first thorough study of its society and economy. Founded in 1714, four years before New Orleans, Natchitoches developed a creole (American-born of French descent) society that dominated the Louisiana-Texas frontier. H. Sophie Burton and F. Todd Smith carefully demonstrate not only the persistence of this creole dominance but also how it was maintained. They examine, as well, the other ethnic cultures present in the town and relations with Indians in the surrounding area. Through statistical analyses of birth and baptismal records, census figures, and appropriate French and Spanish archives, Burton and Smith reach surprising conclusions about the nature of society and commerce in colonial Natchitoches.
This book offers a comprehensive overview of work-life balance in the context of women’s entrepreneurship, specifically focusing on the factors that influence this balance. Using thematic qualitative text analysis, it interprets semi-structured interviews with experts in the field of women’s entrepreneurship, and based on this, presents the “7M” model, which is composed of seven dimensions and the corresponding factors that influence the work-life balance of women entrepreneurs. It also provides an in-depth analysis of all seven dimensions and describes the specific role of each dimension, highlighting the fact that women entrepreneurs are a highly heterogeneous group and that their work-life balance results from a complex interplay of various inter-related factors.
Learn how to place communication and participation at the heart of evidence-based healthcare The Knowledgeable Patient: Communication and Participation in Health sits at the forefront of the challenging, changing 21st century landscape. The 'knowledgeable patient' as an individual can take many forms: patient, family carer, consumer advocate, or member of the public interested in health issues. In each of these roles, knowledgeable patients interact with health professionals by asking questions about the evidence for treatment, seeking support, exchanging views, and contributing experiences and new ideas on how to improve the health system. Drawing from several research paradigms, The Knowledgeable Patient is an essential guide to a new era of complex healthcare. Integrating consumer stories and evidence from systematic reviews, it examines key communication and participation issues in a range of contexts, including: surgery safe medicine use chronic disease self management the complexity of multimorbidity notification of rare disease risk. The Knowledgeable Patient is international in scope with researched examples spanning living in the community, health service treatment, governance, and policy making. It provides health professionals with new ideas, concepts, evidence, and practical tools to understand the central role of communication and participation to a well-functioning health system. It is an ideal reference for undergraduate and postgraduate students studying the health sciences. Watch a video about The Knowledgeable Patient: Communication and Participation in Health from the author, Sophie Hill: bit.ly/xNYCqG
Covering an important theme in Humean studies, this book focuses on Hume's hugely influential attempt in book three of his Treatise of Human Nature to derive the conclusion that morality is a matter of feeling, not reason, from its link with action. Claiming that Hume's argument contains a fundamental contradiction that has gone unnoticed in modern debate, this fascinating volume contains a refreshing combination of historical-scholarly work and contemporary analysis that seeks to expose this contradiction and therefore provide a significant contribution to current scholarship in the area. Sophie Botros begins by pointing out that a contradiction concerning whether reason can influence action, or is wholly powerless, occurs in the intermediary premiss. She then moves on to draw out the consequences for recent meta-ethics of the failure to acknowledge this contradiction. Finally, highlighting the root of the argument's power in an article of naturalistic dogma, she suggests how it may be possible to restore to our moral concepts their traditional and integral link with both truth and motivation. A significant and thought-provoking addition to this popular field of study, Hume, Reason and Morality is undoubtedly an important resource for moral philosophers interested in meta-ethics and practical reason, as well as Humean scholars.
A murder. A master detective. A gathering of suspects. Between the covers of a book or on the big screen, is there anything more compelling than a great crime story? In the expert hands of Agatha Christie—one of the world’s bestselling novelists—every crime and every search for justice became a work of art. Story Grid Editor and writing coach Sophie B. Thomas set out to understand Christie’s genius for storytelling by dissecting her most acclaimed work, The Murder of Roger Ackroyd. Thomas follows beloved sleuth Hercule Poirot scene-by-scene to map the structure of Christie’s masterpiece, showing writers how the book fulfills all its readers’ expectations before ambushing them with an unexpected ending. What are the must-have moments in every mystery, and how does Christie pull them off in such an innovative way? What made the book’s narrative device so revolutionary? How does a great writer sustain narrative drive from page one to the ending payoff? Thomas brings expertise and passion for the writer’s craft to her analysis as she answers all these questions and more. All the clues are there. Are you ready to begin the investigation?
This book is the first detailed academic study of megachurches in the UK. In particular, it explores the nature and significance of social engagement by megachurches in the context of London. The research contains empirical case studies of two Anglican and three African diaspora Pentecostal churches. As well as exploring the range of social engagement activities provided by these churches, the study offers explanations in term of theological motivations and the influence of globalisation. Subsequently, the book outlines the importance of the findings for the relationship between church and society in the contemporary context, addressing the implications for social policy and practice. The book advances discussions in public theology, megachurch studies, Pentecostal and Charismatic studies and ecclesiology.
Creating Spaces for an Ageing Society considers the existing social science literature on shared neighbourhood spaces through the perspective of an ageing population. It asks the question; how can we use social infrastructure to build local neighbourhoods that are supportive of the social relationships we need in later life?
Funny, lively and unpredictable, stand-up comedy is above all a medium to be enjoyed. Popular as a good night out and packing the TV schedules, stand-up permeates British society and culture. Ubiquitous though it is, we are generally reluctant to consider comedy's social consequences. When comedians offend we seem ready to consider the potential for stand-up to do some wider harm, yet we rarely consider the good that it might do. This book looks at the social and political impact of stand-up comedy in both its positive and negative forms. Drawing on exclusive interviews with comedians such as Stewart Lee, Josie Long, Joe Wilkinson and Mark Thomas, and examples of comic material on everything from revolution, terrorism and homosexuality, to knitting and the inefficiency of the home shower, it explores comedy's role in determining our attitudes and opinions. While revealing the conventions comics use to manage audience response, Sophie Quirk demonstrates how comedy audiences allow themselves to be manipulated, and the potential harm – and real benefits – that may arise from 'just' being funny.
Sophie Chao examines the multispecies entanglements of oil palm plantations in West Papua, Indonesia, showing how Indigenous Marind communities understand and navigate the social, political, and environmental demands of the oil palm plant.
This book provides an overview of the theory, practice and context of entrepreneurship and innovation at both the industry and firm level. It provides a foundation of ideas and understandings designed to shape the reader’s thinking and behaviour to better appreciate the role of innovation and entrepreneurship in modern economies, and to recognise their own abilities in this regard. The book is aimed at students studying advanced levels of entrepreneurship, innovation and related fields as well as practitioners (for example, managers, business owners). As entrepreneurship and innovation are largely indivisible elements and cannot be adequately understood if studied separately, the book provides the reader with an overview of these elements and how they combine to create new value in the market. This edition is updated with recent international research, including research and examples from Europe, the US, and the Asia-Pacific region.
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