Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
NEW YORK TIMES BESTSELLER • Part love story, part workplace drama, this sharply observed novel is a witty critique of the false judgments we make in a social-media-obsessed world. “Sophie Kinsella keeps her finger on the cultural pulse, while leaving me giddy with laughter. I loved it.”—Jojo Moyes Everywhere Katie Brenner looks, someone else is living the life she longs for, particularly her boss, Demeter Farlowe. Demeter is brilliant and creative, lives with her perfect family in a posh townhouse, and wears the coolest clothes. Katie’s life, meanwhile, is a daily struggle—from her dismal rental to her oddball flatmates to the tense office politics she’s trying to negotiate. No wonder Katie takes refuge in not-quite-true Instagram posts, especially as she's desperate to make her dad proud. Then, just as she’s finding her feet—not to mention a possible new romance—the worst happens. Demeter fires Katie. Shattered but determined to stay positive, Katie retreats to her family’s farm in Somerset to help them set up a vacation business. London has never seemed so far away—until Demeter unexpectedly turns up as a guest. Secrets are spilled and relationships rejiggered, and as the stakes for Katie’s future get higher, she must question her own assumptions about what makes for a truly meaningful life. Sophie Kinsella is celebrated for her vibrant, relatable characters and her great storytelling gifts. Now she returns with all of the wit, warmth, and wisdom that are the hallmarks of her bestsellers to spin this fresh, modern story about presenting the perfect life when the reality is far from the truth.
Based on insights from interviews with key participants in 3 Australian jurisdictions, this book demonstrates the importance of connecting criminal legal system struggles with broader movements for community control, self-determination, and sovereignty.
The Reformation changed forever how the sacrament of the Eucharist was understood. This study of six canonical early modern lyric poets traces the literary afterlife of what was one of the greatest doctrinal shifts in English history. Sophie Read argues that the move from a literal to a figurative understanding of the phrase 'this is my body' exerted a powerful imaginative pull on successive generations. To illustrate this, she examines in detail the work of Southwell, Donne, Herbert, Crashaw, Vaughan and Milton, who between them represent a broad range of doctrinal and confessional positions, from the Jesuit Southwell to Milton's heterodox Puritanism. Individually, each chapter examines how Eucharistic ideas are expressed through a particular rhetorical trope; together, they illuminate the continued importance of the Eucharist's transformation well into the seventeenth century - not simply as a matter of doctrine, but as a rhetorical and poetic mode.
D is for Death is not just a book: it's a captivating and thought-provoking adventure that challenges perceptions and leaves you with a profound appreciation for the one certainty that binds us all – the journey from A to Z, where death becomes a quirky guide through life's mysteries.
A biography of one of the Middle Ages' most controversial, reckless, and heroic figures Born in France in the early thirteenth century to a crusading father of the same name, Simon de Montfort traveled to England in his adulthood, where he claimed the earldom of Leicester and ingratiated himself into King Henry III's inner circles. Initially a trusted advisor, Simon's good relationship with the king did not last. Frustrated by the increasing injustice meted out to his subjects, Simon would go on to rebel against him, marching on the king's hall at Westminster and leading England's first revolution, and imposing a parliamentary system on Henry's rule. Montfort's life touched on nearly every notable event of the thirteenth century, from the holy wars being fought both abroad and closer to home, to the rebellion against the Plantagenets, to his campaigns against Jews in Leicester. The account of his death in battle-swinging his sword to the last-is one of the most graphic ever written of a medieval battlefield. Ambler provides a living portrait of the Middle Ages, brimming with illuminating insights into religion, society, the nobility, warfare, and daily life. In the words of bestselling historian Dan Jones, Ambler is "a dazzlingly talented historian" and her book on Simon de Montfort "marks the arrival of a formidably gifted historian.
Transport your mind back to 1984 – an era where there were no mobile phones, no internet, no nothing... Immerse yourself in this poignant diary of an innocent 16/17-year-old... living every day to the max! Enjoy reading her intriguing, witty and delightful diary...
Originally published in 1988, Accommodating Inequality provides a basis for a radical re-think of housing policy and provision in Australia from a gender perspective. It explores the way that housing in Australia helped to produce patriarchal family structures and simultaneously contributed to the dependence of women on men. At the time the book was originally published housing policy at a theoretical or research level was less explored. Issues such as marginalisation, poverty and low income, domestic responsibility are discussed in relation to housing. The book raised new questions and challenged old debates and provides a clear framework within which feminist housing policy can be situated.
This book problematises and then reshapes critical social work to bring a range of perspectives to what constitutes truly effective and ethical social work practice, moving beyond binary oppositions (where two states or concepts are defined as opposite to each other) to create new words and concepts to be inclusive of a range of identities, practice contexts, and groups or communities of service users. Currently, critical social work, derived from sociological critical theories proliferated in the 1960s, enjoys dominance as the theory that encompasses the ethical principles of social work in Australia. While on the surface critical social work appears to align with the Australian Association of Social Workers’ (AASW) ethical principles of social justice, professional integrity, and respect for persons, practitioners, and students alike find enacting it can be problematic in complex practice situations. Reporting original research of cases from the field, the book focuses on the impact of intersectionality and shows new ways to address the nuance of othering and modern-day colonialism. It will be of interest to researchers, practitioners, and students who are keen to engage with the latest in the field of critical social work and consider implications of this for the development of their own identity.
A comprehensive introduction that provides essential information and advice on study skills, research and careers for students of Health Studies. Ideal pre-course reading, it covers the core components of the course, reflective activities and stacks of useful resources to makes readers explore further and reflect on their learning.
“An extraordinary story... she writes with warmth, lovely earthy detail and a pathos which keeps a lump lodged in the throat.”—The Daily Mail Philippa Smith is in her forties and has a beautiful newborn baby girl. She also has no husband, and nowhere to turn. So she turns to the only place she knows: the beginning. Retracing her life, she confronts the daily obstacles, historic events, and even TV shows that shaped her very existence. From the tragedy of her childhood abandonment, to the astonishing accomplishments of those close to her, Philippa learns of the sacrifices others chose to make, and the outcome of buried secrets. What Philippa eventually discovers is a celebration of life, love, and the golden era of television—a reflection of everyday people, in not so everyday situations. “A powerful first novel.”—Katie Fforde, author of A Rose Petal Summer “Bold, warm, rich, amusing…sits well alongside more established authors like Kate Atkinson’s Behind the Scenes at the Museum.”—Hello Magazine “A warm, moving, wonderful read.”—Wendy Holden, author of The Royal Governess
In the first integrated biographical study of his work, this book situates British historian Raphael Samuel (1934–1996) in relation to his distinctive form of activist politics as they developed from youthful Cold War communism to the first British New Left, 1960s radicalism to the 1980s history wars. As the catalyst behind the History Workshop movement, Samuel championed the democratisation of history-making and practised an eclectic form of people’s history in his own work. His unique approach was controversial, drawing impassioned responses from across the ideological spectrum, the most sustained critique often coming from his left-wing contemporaries. It is argued here that this compelling figure has been unjustly neglected and that he continues to offer important insights into the politics of history-making in a post-Marxist world.
Now that laws promoting racial equality exist, some people argue that racism as a whole has been eradicated despite evidence to the contrary. Highly publicized racist incidents are generally dismissed as the exception rather than commonplace. Readers discover that this mindset ignores covert or hidden racism, which often deals with hurtful generalizations. In-depth sidebars and detailed photographs augment the engaging narrative as it discusses the history of American racism and its lasting effects. Discussion questions prompt young adults to confront their own biases. In addition, the fight for racial justice is highlighted in annotated quotes from experts.
A British clergyman’s wife navigates a too-crowded house during the holiday season in this novel from “a born storyteller” (The Daily Mail). That was the point at which I should've put my foot down. Stamped it hard. Stopped the past repeating itself. But what did I do? I did what Mum used to do in times of crisis. I left the room and went to put the kettle on. Vicky is a reluctant curate’s wife, struggling to come to terms with her own bereavement and her husband’s newfound faith. Then, one Boxing Day, a knock on the door brings her annoying big brother, his teenage son, and a cello into her life, turning her world upside down. With her small terrace house in Penge now fit to burst, Vicky struggles to manage her three children and the joys of everyday family life. As a new threat lurks behind every corner, hope appears in the most unlikely of circumstances. Enchanting, alternately funny, sad, and bittersweet, This Holey Life reminds us that it’s not a race, it’s a journey. “Sophie Duffy is a real find.”—Laurie Graham
2020 began with firestorms raging through the country, followed by floods, and then a global pandemic that has changed how Australians think, feel and live. We all experienced this year differently, but one thing rings true for all of us: this is a year we won’t forget. This anthology brings together original work from a diverse collection of Australian voices, from writers to scientists, journalists to historians, all expressing what 2020 meant to them. They write of ash falling from the sky, fish dying on riverbanks, loved ones lost, loved ones reunited, the historical resonance of fire and plague for Indigenous Australians, geopolitical tensions, the changed nature of travel, friendships rekindled on Zoom, the urgency of the Black Lives Matter movement, the state of the arts and the media, the importance of nurturing our inner lives, communities destroyed and communities rebuilding. FIRE FLOOD PLAGUE is a vital cultural record of the resilience and humanity needed in these extraordinary times. Including original pieces from Lenore Taylor, Nyadol Nuon, Christos Tsiolkas, Melissa Lucashenko, Billy Griffiths, Jess Hill, Kim Scott, Brenda Walker, Jane Rawson, Omar Sakr, Richard McGregor, Jennifer Mills, Gabrielle Chan, John Birmingham, Tim Flannery, Rebecca Giggs, Kate Cole-Adams, George Megalogenis, James Bradley, Alison Croggon, Melanie Cheng, Kirsten Tranter, Tom Griffiths, Joëlle Gergis and Delia Falconer.
Is this the stuff of dreams or is this the Hollywood nightmare? A series of disasters in her home town causes Australian actress Alice Evans to flee to Hollywood where she finds life is not the glittery stuff of dreams. It's the Hollywood nightmare. She is forced to navigate her way round the city in a cheap Japanese rental car lurching from one audition to the next. She has no money in the bank, no friends, and her auditions aren't exactly setting the town on fire. She shares an apartment in the decidedly non-glamorous Miracle Mile district with an out of work swimsuit model and two bellicose cats who have a habit of invading her suitcase when she's not looking. Alice begins to suspect she's come to the worst place on earth to turn her luck around but she's hell bent on her mission to succeed. One day she has a chance meeting with an Irishman called Nick who encourages her to think carefully about holding onto long-held dreams when life could open up many new possibilities.
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