High Stakes, High Hopes tracks the building of urban theorizing in a decade-long urban research and teaching partnership in Cape Town, South Africa.An argument for collaborative urbanism, this book reflects on what was at stake in the partnership and its creative, and at times, conflictive, evolution. High Stakes, High Hopes explores what changed in learning when teaching and assessment occurred inuniversity classrooms, township streets, and ordinary people’s households.Oldfield explores how research and assessment were reshaped when framed in neighbourhood questions and commitments, and what was reoriented in urban theorizing when community activism and township struggles were recognized as sites of valid knowledge-making. Oldfield traces the multiple personal and political relationships at play, exploring the shifting patterns of power in this productive, yet always negotiated, collaboration. This innovative methodologyreveals the ways in which activists, residents, students, and the author experienced and reworked the differences between them. High Stakes, High Hopesshares forms of practice, grounded in teaching, to train a next generation of urbanists to engage the city embedded in multiple publics and politics across the city. The book builds upon an archive of alternative kinds of urban knowledges, experiments which work to inspire more varied forms of urban theorizing.
High Stakes, High Hopes tracks the building of urban theorizing in a decade-long urban research and teaching partnership in Cape Town, South Africa. An argument for collaborative urbanism, this book reflects on what was at stake in the partnership and its creative, and at times, conflictive, evolution. High Stakes, High Hopes explores what changed in learning when teaching and assessment occurred in university classrooms, township streets, and ordinary people’s households. Oldfield explores how research and assessment were reshaped when framed in neighbourhood questions and commitments, and what was reoriented in urban theorizing when community activism and township struggles were recognized as sites of valid knowledge-making. Oldfield traces the multiple personal and political relationships at play, exploring the shifting patterns of power in this productive, yet always negotiated, collaboration. This innovative methodology reveals the ways in which activists, residents, students, and the author experienced and reworked the differences between them. High Stakes, High Hopes shares forms of practice, grounded in teaching, to train a next generation of urbanists to engage the city embedded in multiple publics and politics across the city. The book builds upon an archive of alternative kinds of urban knowledges, experiments which work to inspire more varied forms of urban theorizing.
At last! The long awaited follow-up to the critically acclaimed first vol. From a team of top artists comes a savage and at times poignant indictment of serial killer psychosis. Several notorious crime cases are represented in adult comic strip form, deconstructing the media circus surrounding the phenomenon of the serial killer, while at the same time recognising the impact these pariahs have had on (mis)shaping the Twentieth Century.
A tale based on the early eighteenth-century scandal that inspired Alexander Pope's "The Rape of the Lock" finds a sickly and impoverished Alexander Pope gaining entry into high society and closely following a forbidden affair between the rakish Lord Petre and the coquettish Arabella. A first novel. Reprint. 150,000 first printing.
Sophie Duncan illuminates iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and careers of the actresses who played them. Duncan draws on a wealth of archival material to explore the vital ways in which fin-de-siecle Shakespeare and Victorian theatre culture conditioned each other.
This book represents the first major analysis of Anglo-Australian youth justice and penality to be published and it makes significant theoretical and empirical contributions to the wider field of comparative criminology. By exploring trends in law, policy and practice over a forty-year period, the book critically surveys the ‘moving images’ of youth justice regimes and penal cultures, the principal drivers of reform, the core outcomes of such processes and the overall implications for theory building. It addresses a wide range of questions including: How has the temporal and spatial patterning of youth justice and penality evolved since the early 1980s to the present time? What impacts have legislative and policy reforms imposed upon processes of criminalisation, sentencing practices and the use of penal detention for children and young people? How do we comprehend both the diverse ways in which public representations of ‘young offenders’ are shaped, structured and disseminated and the varied, conflicting and contradictory effects of such representations? To what extent do international human rights standards influence law, policy and practice in the realms of youth justice and penality? To what extent are youth justice systems implicated in the production and reproduction of social injustices? How, and to what degree, are youth justice systems and penal cultures internationalised, nationalised, regionalised or localised? The book is essential reading for researchers, students and tutors in criminology, criminal justice, law, social policy, sociology and youth studies.
This book assesses the security threat and political challenges offered by dissident Irish republicanism to the Northern Irish peace process. Dissident republicanism ranges from those who consider armed struggle to be an essential element of any republican campaign to political reformers and campaign groups. The book charts the divisions in republicanism following the evolution of Sinn Féin into constitutional politics, leaving a rump of ‘militants’. Using in-depth interviews and access to a range of organisations it has been possible to explore the origins, strategy and goals of the various strands of republicanism evident in Northern Ireland today. This book considers the impact of various dissident groupings and their tactics within a post-Good Friday Agreement context and places armed republicanism in Northern Ireland within the broader debate on counter-terrorism after 9/11.
When travel journalist Sophie Campbell squeezed into heels and a hat to investigate the English social season, she got more than she bargained for. Why, she wondered, were events such as the Chelsea Flower Show, the Royal Academy Summer Exhibition, The Derby at Epsom, Royal Ascot, the Henley Royal Regatta, Wimbledon Fortnight and Glorious Goodwood so formal, so fashionable and so famous? Her hectic and sometimes hilarious journey through the English summer proved as exotic as any tribal rite of passage as she swam the River Thames in the dark, partied with owners and trainers at Ascot, camped out for Wimbledon, joined Irish Travellers at The Derby, infiltrated the parents’ stand at the Eton v Harrow cricket match and got caught using a mobile in the Stewards’ Enclosure at Henley. En route she found a fascinating and surprisingly complex social structure dating back to the time of the Stuart monarchs and involving fashion, food, art and the marriage market. The English summer will never be the same again.
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