The Jewish King Lear, written by the Russian-Jewish writer Jacob Gordin, was first performed on the New York stage in 1892, during the height of a massive emigration of Jews from eastern Europe to America. This book presents the original play to the English-speaking reader for the first time in its history, along with substantive essays on the play’s literary and social context, Gordin’s life and influence on Yiddish theater, and the anomalous position of Yiddish culture vis-�-vis the treasures of the Western literary tradition. Gordin’s play was not a literal translation of Shakespeare’s play, but a modern evocation in which a Jewish merchant, rather than a king, plans to divide his fortune among his three daughters. Created to resonate with an audience of Jews making their way in America, Gordin’s King Lear reflects his confidence in rational secularism and ends on a note of joyful celebration.
The Jewish King Lear, written by the Russian-Jewish writer Jacob Gordin, was first performed on the New York stage in 1892, during the height of a massive emigration of Jews from eastern Europe to America. This book presents the original play to the English-speaking reader for the first time in its history, along with substantive essays on the play’s literary and social context, Gordin’s life and influence on Yiddish theater, and the anomalous position of Yiddish culture vis-�-vis the treasures of the Western literary tradition. Gordin’s play was not a literal translation of Shakespeare’s play, but a modern evocation in which a Jewish merchant, rather than a king, plans to divide his fortune among his three daughters. Created to resonate with an audience of Jews making their way in America, Gordin’s King Lear reflects his confidence in rational secularism and ends on a note of joyful celebration.
In today's fast-paced world, leaders need to move at speed. The rate of innovation and change in organisations and the challenges of impatient investors or shareholders mean leadership decisions must be quick, smart and deliver real impact. Superfast provides cutting edge inspiration and a host of exciting ideas about how to accelerate performance in an agile and thoughtful way, shedding new light on leading in a world which is fluid and uncertain. You'll learn the practical solutions to leadership questions which the most savvy global leaders employ, and map your own shortcut to personal and professional success. Leadership is not just about moving fast, however. Superfast will show you how to use your time in the smartest, most efficient way possible - slowing down when necessary to get decisions right and accelerating elsewhere to unlock growth. Stop waiting around. Superfast will give you the tools to lead well and make change happen.
Workaholic attorney Samantha Sweeting has just done the unthinkable. She’s made a mistake so huge, it’ll wreck any chance of a partnership. Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere. Asking for directions at a big, beautiful house, she’s mistaken for an interviewee and finds herself being offered a job as housekeeper. Her employers have no idea they’ve hired a lawyer–and Samantha has no idea how to work the oven. She can’t sew on a button, bake a potato, or get the #@%# ironing board to open. How she takes a deep breath and begins to cope–and finds love–is a story as delicious as the bread she learns to bake. But will her old life ever catch up with her? And if it does…will she want it back?
A fatal hazing accident thirteen years ago comes back to haunt the families involved in this first full-length novel featuring fan favorite detective Joe Bashir. Sexy Pakistani-American Detective Joe Bashir is called to a crime scene in the wealthy foothills of California, where politically ambitious Bryce Engler’s dinner party is ruined when a guest’s body is found in a pool of blood. Two days later, Engler’s beautiful wife Gail lies dead at the foot of a cliff on nearby Mount Diablo. When Joe turns to Gail’s sister Marva for insight into the family history, he discovers that thirteen years earlier, Gail was responsible for the hazing death of a fellow co-ed. Her then-boyfriend engineered a cover-up that deflected blame onto another girl. As Joe searches out everyone who might still hold a murderous grudge, he realizes there was more to the Engler marriage than meets the eye….
Stella Hardesty runs a side business helping battered women. When Chrissy Shaw asks Stella for help, it seems like a straightforward case. When Chrissy's husband disappears with her two-year-old son, Stella risks her own life to recover the boy.
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Available for the first time in an e-bundle, the first four books in Sophie Littlefield’s Anthony and RT Award-winning and Edgar-nominated series featuring the unforgettable Stella Hardesty, a salty heroine who works outside of the law in rural Missouri. "Crime fiction hasn't seen a character as scrappy, mean, and incredibly appealing as Stella in a long time. (A-)"—Entertainment Weekly on A Bad Day for Sorry A BAD DAY FOR SORRY At first glance, Stella Hardesty looks like a typical housewife. Then she kills her abusive husband with a wrench right before her fiftieth birthday. Now, she's so busy delivering justice, helping other women deal with their own abusive husbands and boyfriends, that she's barely got time to run her sewing shop. When young mother Chrissy Shaw asks Stella for help with her no-good husband, Roy Dean, it looks like an easy case until Roy Dean disappears with Chrissy's two-year-old son, Tucker. Stella quickly learns that Roy Dean was involved with some very scary men, as she tries to sort out who's hiding information and who's merely trying to kill her. It's going to take a hell of a fight to get the little boy back home to his mama, but if anyone can do it, it's Stella Hardesty. A BAD DAY FOR PRETTY When a tornado destroys the snack shack at the demolition derby track, pulling up the concrete foundation and unearthing a woman's body, the main suspect in the woman's murder is Neb Donovan---he laid the foundation, and there's some pretty hard evidence pointing to his guilt. Years ago, Neb's wife asked Stella for help getting him sober. Stella doesn't believe the gentle man could kill anyone, and she promises his frantic wife she'll look into it. A BAD DAY FOR SCANDAL When Prosper homegirl turned big-city businesswoman Priss Porter returns to town with a body in her trunk, she calls Stella Hardesty to dispose of it. Her uppity ways don't convince Stella to take the job, and Priss attempts to blackmail her with a snapshot of Stella doing what she does best: curing woman-beaters by the use of force. A BAD DAY FOR MERCY A call from Stella's little sister brings the news that Stella's step-nephew, Chip, has been threatened with serious bodily harm if he doesn't settle his unpaid gambling debts. So Stella makes the drive to Chip's home in Wisconsin, only to walk in on a wee-hours dismemberment. Chip and his girlfriend, Natalya, insist the man was left, already dead, on their porch. Suspicious but compelled to help family, Stella tracks down other suspects, including the deceased's business partner, a purveyor of black-market Botox, and a jilted violist. Matters are complicated by the unexpected arrival of BJ Broderson, who has picked the worst possible time to pursue his amorous intentions toward Stella.
This thesis deals with the concept and consequences of marketization in the nonprofit sector. Marketization describes the process of nonprofit organizations becoming more business-like and is caused, among other things, by increased competition for scarce resources, the rise of professionalism, and calls for more transparency and efficiency by funders and the public. Research about marketization is inconclusive; some researchers believe marketization can increase not only efficiency, but also effectiveness of organizations, while others fear that nonprofits lose their focus on a social mission. The four articles presented in this thesis focus on the theoretical and practical implications of nonprofits relying more on earned income, a dominant feature of marketization, and nonprofits actively and passively adopting management practices and tools from the for-profit sector, another key characteristic of increased marketization. The results show that marketization can increase the economic and social performance of an organization, and, when handled well and implemented through a clear strategic focus, foster mission achievement. Particularly the focus on beneficiaries and internal processes can help organizations to better fulfill their mission. A loss of focus on the mission must be feared if regulatory forces act on the organization without a simultaneous professionalization of management, or if an organization focuses too much on its competitors.
Over the past three decades, research efforts and interventions have been implemented across the United States to increase the persistence of underrepresented minority (URM) students in science, technology, engineering, and math (STEM). This Element systematically compares STEM interventions that offer resources and opportunities related to mentorship, research, and more. We organize the findings of this literature into a multi-phase framework of STEM integration and identity development. We propose four distinct phases of STEM integration: Phase 1: High School; Phase 2: Summer before College; Phase 3: First Year of College; and Phase 4: Second Year of College through Graduation. We combine tenets of theories about social identity, stereotypes and bias, and the five-factor operationalization of identity formation to describe each phase of STEM integration. Findings indicate the importance of exploration through exposure to STEM material, mentorship, and diverse STEM communities. We generalize lessons from STEM interventions to URM students across institutions.
That’s no cupid, it’s a bridesmaid with a crossbow. Stella Hardesty is a seamstress with a sideline job in vigilante justice in this entertaining ebook in the Edgar-nominated and award-winning Bad Day series. Two days before her best friend gets married, Stella Hardesty has nothing more pressing on her mind than fitting into her fluffy pink bridesmaid gown, mixing her next cocktail, and enjoying a romantic weekend with her sometimes beau, BJ Brodersen. Just as she’s headed to the bridal shower, word comes that BJ and smokin’ hot sheriff Goat Jones have gotten into a dustup over Stella’s affections. Before Stella can recover from this startling development, more bad news comes along. The minister’s niece, the hard-to-love pageant princess Divinity Flycock, has been arrested for the murder of her fiancé. The bride begs Stella to clear Divinity’s name so that her minister will be able to perform the nuptials. When Stella starts digging into the case, however, she uncovers a world of jealous nightclub singers, firearms dealers, and the ugly underbelly of reality TV. Hot on the trail of the truth, she’s distracted by the arrival of the sheriff, who finally seems ready to make a claim for her affections.
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