This book tells the hundred-year history of Three Rivers, California, from the 1850s to the 1950s. Three Rivers has always been a special place, one of rolling wooded hills, nestled close to the High Sierra mountains. Those mountains feed the rivers that give the place its name. It was an ideal place for the pioneers of this story to settle. The book is divided into two basic parts. The first tells the story of events and places, what life was like for those hardy souls who homesteaded in these hills. The second part relates stories and histories about individual people and their families: when they came to Three Rivers, when they arrived, and how their lives and the lives of their families were impacted by living here. Did they thrive? Did they go elsewhere to search for their dream? The author has endeavored to answer these questions. Book Review: "I am a local history buff and long-time member of the Tulare County Historical Society. When publications appear that pique my interest in Tulare County History, I usually acquire them. The author and her family are well known and highly respected in the Three Rivers area. Ms. Britten's contribution to the area's history by recording the background and lives of its pioneers is well done." -- Evan Long
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Covering an important theme in Humean studies, this book focuses on Hume's hugely influential attempt in book three of his Treatise of Human Nature to derive the conclusion that morality is a matter of feeling, not reason, from its link with action. Claiming that Hume's argument contains a fundamental contradiction that has gone unnoticed in modern debate, this fascinating volume contains a refreshing combination of historical-scholarly work and contemporary analysis that seeks to expose this contradiction and therefore provide a significant contribution to current scholarship in the area. Sophie Botros begins by pointing out that a contradiction concerning whether reason can influence action, or is wholly powerless, occurs in the intermediary premiss. She then moves on to draw out the consequences for recent meta-ethics of the failure to acknowledge this contradiction. Finally, highlighting the root of the argument's power in an article of naturalistic dogma, she suggests how it may be possible to restore to our moral concepts their traditional and integral link with both truth and motivation. A significant and thought-provoking addition to this popular field of study, Hume, Reason and Morality is undoubtedly an important resource for moral philosophers interested in meta-ethics and practical reason, as well as Humean scholars.
An alternative occult and esoteric history of England told through one of its most popular cultural forms: the comedy sitcom. Code: Damp is a sometimes-comedic field report that charts an esoteric code hidden within the twin poles of 1970s sitcoms Rising Damp and The Fall and Rise of Reginald Perrin. Outlining how past cultural patterns condensate and repeat through technology, time is shown to be a damp condensation seeping through the centuries and out onto the telly. Interspersed with the author’s own photographs, prints, Holsten Pils cans, local newspaper entries and carrier bags, as well as a whole host of other characters, the work seems an antiquarian’s conceit that takes time travel as a metaphoric methodology. This is not media studies; more an allegory of all reality as (tele)visual recorded history, excavating the strata of haunted technology from which the fragile band of code comprising our sense of time is briefly emitted. Drawing connections between incidents of ancient and popular culture, from Mark E. Smith’s lyric— “They say damp records the past”—to Rising Damp’s (meta)physical structure of decay, the book finds damp’s temporal power manifest in everything from alchemy, mysticism, and parish folklore to pulp, Time Team, darts, the local newspaper and, of course, the sitcom. Merging the vast with the parochial, the occult with the comedic, Code: Damp tunes into the weird demands of damp as a time-traveling material at the intersections of comedy, myth and technology, taking all three as serious resources to better (dis)orient the ground we stand on.
Epiphanies is a philosophical exploration of epiphanies, peak experiences, 'wow moments', or ecstasies as they are sometimes called. What are epiphanies, and why do so many people so frequently experience them? Are they just transient phenomena in our brains, or are they the revelations of objective value that they very often seem to be? What do they tell us about the world, and about ourselves? How, if at all, do epiphanies fit in with our moral systems and our theories of how to live? And how do epiphanic experiences fit in with the rest of our lives? These are Sophie Grace Chappell's questions in this ground-breaking new study of an area of inquiry that has always been right under our noses, but remains surprisingly under-explored in contemporary philosophy.
The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Sara Shepherd. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. The result of these wide-ranging approaches to the subject of music and literature is a new network of methodologies for the continuing investigation of the culture and society of nineteenth-century music as reflected in that period's literary output.
The Theatre of Timberlake Wertenbaker offers the first comprehensive overview of Wertenbaker's playwriting career which spans more than thirty years of stage plays. It considers the contexts of their initial productions by a range of companies and institutions, including the Royal Court, the Arcola and the Women's Theatre Group. While examining all of Wertenbaker's original stage works, Sophie Bush's companion focuses most extensively on the frequently studied plays Our Country's Good and The Love of the Nightingale, but also draws attention to early unpublished works and more recent, critically neglected pieces, and the counterpoints these provide. The Companion will prove invaluable to students and scholars, combining as it does close textual analysis with detailed historical and contextual study of the processes of production and reception. The author makes comprehensive use of previously undiscussed materials from the Wertenbaker Archive, including draft texts, correspondence and theatrical ephemera, as well as original interviews with the playwright. A section of Performance and Critical Perspectives from other scholars and practitioners offer a range of alternative approaches to Wertenbaker's most frequently studied play, Our Country's Good. While providing a detailed analysis of individual plays, and their themes, theatricalities and socio-historical contexts, The Theatre of Timberlake Wertenbaker also examines the processes and shape of Wertenbaker's career as a whole, and considers what the struggles and triumphs that have accompanied her work reveal about the challenges of theatrical collaboration. In its scope and reference Sophie Bush's study extends to encompass a wealth of additional information about other individuals and institutions and succeeds in placing her work within a broad range of concerns and resonances.
Colin Ward and the Art of Everyday Anarchy is the first full account of Ward’s life and work. Drawing on unseen archival sources, as well as oral interviews, it excavates the worlds and words of his anarchist thought, illuminating his methods and charting the legacies of his enduring influence. Colin Ward (1924–2010) was the most prominent British writer on anarchism in the 20th century. As a radical journalist, later author, he applied his distinctive anarchist principles to all aspects of community life including the built environment, education, and public policy. His thought was subtle, universal in aspiration, international in implication, but, at the same time, deeply rooted in the local and the everyday. Underlying the breadth of his interests was one simple principle: freedom was always a social activity. This book will be of interest to students, scholars, and general readers with an interest in anarchism, social movements, and the history of radical ideas in contemporary Britain.
With a key theme for every week of the year, this resource contains extended multi-sensory reminiscence group session plans for older adults. Written by experienced occupational therapists, it provides detailed session plans for running successful and therapeutically-valuable activities within group sessions, from remembering school days to celebrating the natural wonders of the British Isles. Each plan has been developed to be suitable for people with a variety of abilities, including for those with dementia, and help to support memory, sensory function, confidence, communication, connection, as well as overall physical and emotional wellbeing. Activities range from cognitive activities such as word games, food tasting, music and poetry to group discussions. Session plans are accompanied by downloadable colour photographs and word cards to be used as tools for discussion.
D is for Death is not just a book: it's a captivating and thought-provoking adventure that challenges perceptions and leaves you with a profound appreciation for the one certainty that binds us all – the journey from A to Z, where death becomes a quirky guide through life's mysteries.
In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age. Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated.
I took my tears and turned them into paintings' In the electric calm of a blue-painted room, a dying woman reassembles the images of an extraordinary life. The woman is Mexican painter Frida Kahlo. The life is one of struggle - with love, with the body, with her country, and most of all, with her art. La Casa Azul is a collaboration between Quebeçois playwright Sophie Faucher, who also played Frida Kahlo in this production, and internationally acclaimed director Robert Lepage.
When travel journalist Sophie Campbell squeezed into heels and a hat to investigate the English social season, she got more than she bargained for. Why, she wondered, were events such as the Chelsea Flower Show, the Royal Academy Summer Exhibition, The Derby at Epsom, Royal Ascot, the Henley Royal Regatta, Wimbledon Fortnight and Glorious Goodwood so formal, so fashionable and so famous? Her hectic and sometimes hilarious journey through the English summer proved as exotic as any tribal rite of passage as she swam the River Thames in the dark, partied with owners and trainers at Ascot, camped out for Wimbledon, joined Irish Travellers at The Derby, infiltrated the parents’ stand at the Eton v Harrow cricket match and got caught using a mobile in the Stewards’ Enclosure at Henley. En route she found a fascinating and surprisingly complex social structure dating back to the time of the Stuart monarchs and involving fashion, food, art and the marriage market. The English summer will never be the same again.
The definitive book for adults from an iconoclast of the children's book world. Colorful and curious. Experimental and improvisational. Each of Hervé Tullet's creations, whether the bestselling children's book Press Here or the internationally traveling Ideal Exhibition, breaks the boundaries of art. Tullet is a renowned author and artist who urges people of any age to create playfully and joyfully. In this deluxe volume—part career-spanning monograph, part artist's manifesto—he shares his origins, his inspirations, and his methods alongside illustrations, sketches, fine art, and photographs of his installations. Hervé Tullet's Art of Play features commentary from curator Aaron Ott and children's literature expert Leonard S. Marcus. It's sure to become a favorite among parents, teachers, and librarians as well as art lovers and creatives. With this book, as with all his work, Hervé Tullet invites you to join him on an exuberant journey of creativity. BESTSELLING AUTHOR: Tullet is an New York Times–bestselling author and a perennial favorite among buyers and sellers of children's books as well as among the art crowd. His books have been translated into many languages, and he's been featured in exhibitions around the world. CREATIVITY FOR EVERYONE: Tullet's experiential art delights a range of audiences, from children to museumgoers. It appeals on many levels—as a radically inclusive fine art practice, as a bridge between children and adults, and as a purely joyful experience of color and motion. INSIDE THE ARTIST'S PROCESS: This book offers a fascinating glimpse behind the scenes. Tullet describes everything from his use of sketchbooks to his musical inspirations. Creatives in all media will glean valuable insight into the artist's process. Perfect for: Fans of Hervé Tullet Artists, illustrators, and writers Creatives of all stripes Parents, teachers, and librarians who love children's books Contemporary art aficionados
Crochet is hot news on the catwalk, with Julien McDonald, Karl Lagerfeld and Gianfranco Ferre all including crochet items in their recent collections. It's easy, amazingly versatile and quick - but there are not many exciting patterns out there for the young and fashionable woman. This book aims to change all that. As well as covering all the basic techniques with clear, step-by-step instructions, it also includes 30 specially-designed projects for stylish items of clothing and accessories. In addition, it also has a section on using crochet to customize existing garments to create a unique new look. All the patterns are relatively easy for the beginner, and use a wide range of the interesting new yarns that are currently available.
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