A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
Sophia will be entering into the 6th grade this year (2015) and has always been interested in words, phrases, analogies and idioms. One of her more quirky attributes is the ability to take an idiom and use it in an entirely new way that somehow actually fits the current situation. Sophia sees things differently than most people and this compliments her ability to churn out poetry that is sometimes good, sometimes bad, sometimes funny, and sometimes sad. When Sophia was a small child we read to her almost every night, mostly the same old children's books we have all come to love/hate, but occasionally we would read Shel Silverstein and of course Dr. Seuss, these she loved. I will never forget the time when Sophia was able to recite all of Shel Silverstein's "Hungry Mungry" after only hearing it twice. She has a gift, and while this current collection represents Sophia's efforts in its infancy, I do hope you will enjoy it. By the way if you are reading these poems out loud it helps if you imagine Seuss's "The Cat in the Hat" with a guitar singing Silverstein's "The Giving Tree." -Good Luck- John S. Fitch, Sophia's Dad
Nina Baxter collectionne les déceptions amoureuses depuis toujours... Mais peu importe, tout cela ne fait que la rendre plus forte ! Un jour, elle a l'opportunité de partir en tournée avec The Point, LE plus grand groupe pop-rock du moment. Sans doute le rêve de toutes les jeunes filles de son âge. Sauf elle. Très vite, elle prend conscience que derrière les paillettes et les cris hystériques de ses fans, le groupe cache de lourds secrets. Alors qu'elle se rapproche de Jamie, la star de la bande, elle voit les rapports entre les rockers se fissurer. Cela fait des mois qu'ils n'ont plus écrit de nouvelles chansons... Rivalités, disputes, mais aussi jalousies (Sigrid, la petite amie actuelle de Jamie ne compte pas se laisser faire)... Nina va devoir adopter un nouveau rôle : celui qui consiste à recoller les morceaux. Elle sait qu'elle peut calmer le jeu lorsqu'ils sont tous ensemble, mais peut-elle se contrôler quand elle se retrouve en tête à tête avec Jamie ?
Mira, Aaron und Liam versuchen irgendwie durch den Unialltag ihres Chemiestudiums zu kommen. Neben Vorlesungen, Laborpraktika und üblen Projektarbeiten genießen die drei aber auch jeden anderen Vorzug des Studentenlebens. Als es jedoch nach einer verhängnisvollen Party heiß herging, droht die Freundschaft zwischen den dreien zu zerfallen.
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
Nina Baxter collectionne les déceptions amoureuses depuis toujours Mais peu importe, tout cela ne fait que la rendre plus forte ! Un jour, elle a l'opportunité de partir en tournée avec The Point, LE plus grand groupe pop-rock du moment. Sans doute le rêve de toutes les jeunes filles de son âge. Sauf elle. Très vite, elle prend conscience que derrière les paillettes et les cris hystériques de ses fans, le groupe cache de lourds secrets. Alors qu'elle se rapproche de Jamie, la star de la bande, elle voit les rapports entre les rockers se fissurer. Cela fait des mois qu'ils n'ont plus écrit de nouvelles chansons Rivalités, disputes, mais aussi jalousies (Sigrid, la petite amie actuelle de Jamie ne compte pas se laisser faire) Nina va devoir adopter un nouveau rôle : celui qui consiste à recoller les morceaux. Elle sait qu'elle peut calmer le jeu lorsqu'ils sont tous ensemble, mais peut-elle se contrôler quand elle se retrouve en tête à tête avec Jamie ?
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