New South Wales, 1885 When Alice Ryan wakes to find thugs surrounding her cottage, on the hunt for her no-good brother, she escapes into the surrounding bush. It is wealthy landowner Robert Farrer who finds her the next morning, dishevelled, injured, and utterly unwilling to share what she knows. With criminals on the loose and rumours that reckless bushrangers have returned to the area, Robert is determined to keep Alice out of danger, and insists on taking her into his home-despite the scandal it may cause. Convincing her to stay on with him for her own safety, however, is going to take some work. What Robert doesn't expect is his growing attraction to the forthright, unruly woman staying in his home. Before either of them can settle into their odd new situation, their home and wellbeing come under threat and they will need to trust each other to survive. But they are both keeping secrets, secrets that have the potential to ruin their burgeoning love, their livelihood ... and their lives.
Orthopaedic and Trauma Nursing provides practitioners working in orthopaedic and musculoskeletal trauma settings with the essential evidence, guidance and knowledge required to underpin effective practice. This comprehensive and contemporary textbook explores the variety of adult and paediatric clinical settings where orthopaedic and trauma practitioners work, including acute wards, clinics, community hospitals, nursing homes and patients' homes. Divided into 5 sections, this book looks at: key issues in orthopaedic and musculoskeletal trauma care; specialist practice issues; common orthopaedic conditions and their care and management; musculoskeletal trauma care; and care of children and young people. Suitable for students at degree level as well as those clinicians practicing in more advanced orthopaedic and trauma care roles, Orthopaedic and Trauma Nursing is a foremost authority on orthopaedic and musculoskeletal practice for both students and practitioners. Orthopaedic and Trauma Nursing: Is strongly supported by the latest evidence, with chapters summarizing evidence, with reference to relevant and seminal research Offers practical guidance based on the relevant evidence Focuses on the perspective of the patient with patient narrative and case studies throughout Includes a section specifically dealing with children and young people
This volume compares characteristics of Old English literature to ‘Matter of England’ romances to determine whether key aspects of the poetry of the former continued in these stories on into the Middle English period. First, the book demonstrates the contemplative tone, respect for nature, and communal mindset present via monastic and hagiographic traditions in Old English poetry, before arguing that the midland romances, King Horn and Athelston, also possess these characteristics. Ultimately, it reveals important aspects of the afterlife of Old English literature and culture in England. Some intriguing discoveries are detailed, including unexpected points of contact between the English and Arabs in both the pre- and post-Conquest periods, as shown by the etymology of Saracen diction in King Horn. Furthermore, comparisons with the dreamer in The Dream of the Rood and an examination of the Old English verb “þencan” used by the Saracen reveal a complicated characterization, which goes deeper than what may be expected for the stock pagan enemy in Middle English romance. The book also investigates the possibility that, in Athelston, there is a reference to the Viking Guthrum, revealing the complex associations that late medieval English culture might have had with its Viking/Anglo-Saxon past. Finally, while looking at Athelston through the lens of the Anglo-Saxon natural world, this study probes what feels like a very Old English sense of kenotic love (via St. Edmund). This is manifested in the promise of grace at the outset of the romance, one that oversees not only a chain of events leading to King Athelston’s final submission and repentance, but also the unification of disparate cultures and a leveling of hierarchies. These romances seem to imbue the stories with a spiritual component, a “concrete universal,” and signify metonymy similar to the elegiac hopeful longing and the communal in the Old English poetry.
Despite their growing attraction, both Peter and Elizabeth have secrets that will come between them. New South Wales, 1887 Peter Rowe's life is in the city, but his soul is in Australia's southern tablelands - a place he's never seen. Taking the new land manager's position on the thriving estate of Endmoor is the chance he needs to discover what happened to the family he has never met. What he doesn't expect to find in the bush is his employer's talented, beautiful sister. Elizabeth Farrer's world is changing rapidly. An artist whose work has begun to gain acclaim, her brother's marriage has made her redundant in her own home and she intends to leave the country and make a life of her own. Her plans would take her far from her beloved New South Wales, but with the arrival of Endmoor's newest employee - a man unlike any other she has met - she discovers there might just be a reason to stay right where she is. Just as they conquer their most difficult obstacles, old prejudices rise up and threaten to keep them apart ...
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