Until the mid-1960s, most commentators of the Gospel of John were aware of a polemic against 'the Jews,' yet they did not consider it with reference to contemporary ethical discussion. A shift in focus in Johannine scholarship is noticeable from the mid-1960s and 1970s to the present, where commentators began to connect the Gospel's polemic against 'the Jews' with potential anti-Judaism in the text. As yet, very little work has been done to answer the question of how this change in sensitivity came about. This book is a historiography of one scholar's growing awareness of potential anti-Judaism in the Gospel of John with the intention of using this individual history to explain the larger trend in biblical studies. Sonya Cronin examines the published work of Raymond Brown, a prominent Catholic New Testament scholar, between the years 1960-1998. The book contextualizes Brown's work by evaluating the impact of ecclesiastical statements and the influence of earlier and contemporary Johannine scholarship on Brown's biblical interpretation, and then posits theories as to why change occurs at specific times.
Integrating theoretical perspectives with carefully grounded ethnographic analyses of everyday interaction and experience, Living Translation examines the worlds of international translators as well as U.S. teachers and students of Chinese medicine, focusing on the transformations that occur as participants engage in a “search for resonance” with foreign terms and concepts. Based on a close examination of heated international debates as well as specific texts, classroom discussions, and interviews with publishers, authors, teachers, and students, Sonya Pritzker demonstrates the “living translation” of Chinese medicine as a process unfolding through interaction, inscription, embodied experience, and clinical practice. By documenting the stream of conversations that together constitute this process, the book thus traces the translation of Chinese medicine from text to practice with an eye towards the social, political, historical, moral, and even personal dimensions involved in the transnational production of knowledge about health, illness, and the body.
With more than 250 lists, home educators, private school teachers, and others will find important facts and essential information in one easy-to-use resource.
How to Keep an Alien is a funny and tender autobiographical tale in which Irish Sonya and Australian Kate meet and fall in love, but Kate's visa is up and she must leave the country. Together they must find a way to prove to the Department of Immigration that they have the right to live together in Ireland. The paper trail of evidence for 'the visa people' takes them on a global odyssey from County Offaly to the Queensland Bush. It's a tricky business coming from opposite ends of the earth. It takes an Olympian will and the heart of a whale, but above all else, paperwork. How to Keep an Alien is written and performed by Sonya Kelly, with Justin Murphy. Sonya Kelly's debut show, The Wheelchair on My Face, won a Scotsman Fringe First Award in 2012 and was the New York Times Critics' Pick. This edition was published to coincide with a revival of the original production, including performances at the Traverse Theatre, Edinburgh.
Celebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird – as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change. This edition contains a foreword by Anne Enright, Booker prize winner and Laureate of Irish Fiction.
This book examines a range of royalist women’s cultural responses to war, dislocation, diaspora and exile through a rich variety of media across multiple geographies of the archipelago of the British Isles and as far as The Hague and Antwerp on the Continent, thereby uniquely documenting comparative links between women’s cultural production, types of exile and political allegiance. Offering the first full length study to therorize the royalist condition as one of diaspora, it chronologically charts a series of ruptures beginning with initial displacement and dispersal due to civil war in the early 1640s and concludes with examination of the homecoming for royalist exiles after the restoration in 1660. As it retrieves its subjects’ varied experiences of exile, and documents how these politically conscious women produce contrasting yet continuous forms of cultural, personal and political identities, it challenges conventional paradigms which all too neatly categorize royalism and exile during this seminal period in British and European history.
This book examines a range of royalist women’s cultural responses to war, dislocation, diaspora and exile through a rich variety of media across multiple geographies of the archipelago of the British Isles and as far as The Hague and Antwerp on the Continent, thereby uniquely documenting comparative links between women’s cultural production, types of exile and political allegiance. Offering the first full length study to therorize the royalist condition as one of diaspora, it chronologically charts a series of ruptures beginning with initial displacement and dispersal due to civil war in the early 1640s and concludes with examination of the homecoming for royalist exiles after the restoration in 1660. As it retrieves its subjects’ varied experiences of exile, and documents how these politically conscious women produce contrasting yet continuous forms of cultural, personal and political identities, it challenges conventional paradigms which all too neatly categorize royalism and exile during this seminal period in British and European history.
Until the mid-1960s, most commentators of the Gospel of John were aware of a polemic against 'the Jews,' yet they did not consider it with reference to contemporary ethical discussion. A shift in focus in Johannine scholarship is noticeable from the mid-1960s and 1970s to the present, where commentators began to connect the Gospel's polemic against 'the Jews' with potential anti-Judaism in the text. As yet, very little work has been done to answer the question of how this change in sensitivity came about. This book is a historiography of one scholar's growing awareness of potential anti-Judaism in the Gospel of John with the intention of using this individual history to explain the larger trend in biblical studies. Sonya Cronin examines the published work of Raymond Brown, a prominent Catholic New Testament scholar, between the years 1960-1998. The book contextualizes Brown's work by evaluating the impact of ecclesiastical statements and the influence of earlier and contemporary Johannine scholarship on Brown's biblical interpretation, and then posits theories as to why change occurs at specific times.
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