The Sai Baba movement, centered on the Indian guru Sathya Sai Baba (b. 1926), today attracts a global following from Japan to South Africa. Regarded as a divine incarnation, Sathya Sai Baba traces his genealogy to Shirdi Sai Baba (d. 1918), a mendicant in colonial India identified with various Sufi and devotional genealogies. The movement, thus, has “roots” in Shirdi Sai Baba but as it globalizes, it has developed conjunctions with other religious traditions, New Religious movements, and New Age ideas. This book offers an account of the Sai Baba movement as a pathway for charting the varied cartographies, sensory formations, and cultural memories implicated in urbanization and globalization. It traverses the terrain between social theories for the study of religion and cities ---themselves a product of modernity---and the radical, creative, and unexpected modernity of contemporary religious movements. It is based on ethnographic research carried out in India, Kenya, and the US.
Established in the middle of the sixteenth century, Bangalore has today become a center for high-technology research and production, the new "Silicon Valley" of India, with a metropolitan population approaching six million. It is also the site of the very popular annual performance called the "Karaga" dedicated to Draupadi, the polyandrous wife of the heroes of the pan-Indian epic of the Mahabharata. Through her analysis of this performance and its significance for the sense of the civic in Bangalore, Smriti Srinivas shows how constructions of locality and globality emerge from existing cultural milieus and how articulations of the urban are modes of cultural self-invention tied to historical, spatial, somatic, and ritual practices. The book highlights cultural practices embedded in urbanization, and moves beyond economistic arguments about globalization or their reliance on the European polis or the American metropolis as models. Drawing from urban studies, sociology, anthropology, performance studies, religion, and history, Landscapes of Urban Memory greatly expands our understanding of how the civic is constructed.
Exploring several utopian imaginaries and practices, A Place for Utopia ties different times together from the early twentieth century to the present, the biographical and the anthropological, the cultural and the conjunctional, South Asia, Europe, and North America. It charts the valency of "utopia" for understanding designs for alternative, occluded, vernacular, or emergent urbanisms in the last hundred years. Central to the designs for utopia in this book are the themes of gardens, children, spiritual topographies, death, and hope. From the vitalist urban plans of the Scottish polymath Patrick Geddes in India to the Theosophical Society in Madras and the ways in which it provided a context for a novel South Indian garden design; from the visual, textual, and ritual designs of Californian Vedanta from the 1930s to the present; to the spatial transformations associated with post-1990s highways and rapid transit systems in Bangalore that are shaping an emerging “Indian New Age” of religious and somatic self-styling, Srinivas tells the story of contrapuntal histories, the contiguity of lives, and resonances between utopian worlds that are generative of designs for cultural alternatives and futures.
Landscapes of Urban Memory is a study of the metropolis of Bangalore, today regarded as a center for high technology research and production, the new Silicon Valley of India. This book analyzes the contested relationship between globalization, urban memory, space, and the sacred through the city's largest ritual, a performance dedicated to Draupadi, heroine of the Mahabharata epic. It is methodologicaly interdisciplinary, draws from anthropology, urban studies, performance studies, religion, and history, and is comparative in its scope.
Exploring several utopian imaginaries and practices, A Place for Utopia ties different times together from the early twentieth century to the present, the biographical and the anthropological, the cultural and the conjunctional, South Asia, Europe, and North America. It charts the valency of "utopia" for understanding designs for alternative, occluded, vernacular, or emergent urbanisms in the last hundred years. Central to the designs for utopia in this book are the themes of gardens, children, spiritual topographies, death, and hope. From the vitalist urban plans of the Scottish polymath Patrick Geddes in India to the Theosophical Society in Madras and the ways in which it provided a context for a novel South Indian garden design; from the visual, textual, and ritual designs of Californian Vedanta from the 1930s to the present; to the spatial transformations associated with post-1990s highways and rapid transit systems in Bangalore that are shaping an emerging “Indian New Age” of religious and somatic self-styling, Srinivas tells the story of contrapuntal histories, the contiguity of lives, and resonances between utopian worlds that are generative of designs for cultural alternatives and futures.
The Sai Baba movement, centered on the Indian guru Sathya Sai Baba (b. 1926), today attracts a global following from Japan to South Africa. Regarded as a divine incarnation, Sathya Sai Baba traces his genealogy to Shirdi Sai Baba (d. 1918), a mendicant in colonial India identified with various Sufi and devotional genealogies. The movement, thus, has “roots” in Shirdi Sai Baba but as it globalizes, it has developed conjunctions with other religious traditions, New Religious movements, and New Age ideas. This book offers an account of the Sai Baba movement as a pathway for charting the varied cartographies, sensory formations, and cultural memories implicated in urbanization and globalization. It traverses the terrain between social theories for the study of religion and cities ---themselves a product of modernity---and the radical, creative, and unexpected modernity of contemporary religious movements. It is based on ethnographic research carried out in India, Kenya, and the US.
Established in the middle of the sixteenth century, Bangalore has today become a center for high-technology research and production, the new "Silicon Valley" of India, with a metropolitan population approaching six million. It is also the site of the very popular annual performance called the "Karaga" dedicated to Draupadi, the polyandrous wife of the heroes of the pan-Indian epic of the Mahabharata. Through her analysis of this performance and its significance for the sense of the civic in Bangalore, Smriti Srinivas shows how constructions of locality and globality emerge from existing cultural milieus and how articulations of the urban are modes of cultural self-invention tied to historical, spatial, somatic, and ritual practices. The book highlights cultural practices embedded in urbanization, and moves beyond economistic arguments about globalization or their reliance on the European polis or the American metropolis as models. Drawing from urban studies, sociology, anthropology, performance studies, religion, and history, Landscapes of Urban Memory greatly expands our understanding of how the civic is constructed.
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